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French 15th Century (setting western European late 19th Century) French 15th Century (artist) European 19th Century (artist) Morse with the Trinity, c. 1400/1410 (Trinity and Angels); 1884/1897 (setting) gold, enamel, and pearls Overall (diameter): 12.6 cm (4 15/16 in.) overall (God the Father, height): 5.9 cm (2 5/16 in.) overall (Christ, height): 3.2 cm (1 1/4 in.) overall (each angel, height): 0.7 cm (1/4 in.) Widener Collection 1942.9.287 |
Object 8 of 8
| 1897 | Catalogue of a Collection of European Enamels from the Earliest Date to the End of the XVII Century. Exh. cat. Burlington Fine Arts Club, London, 1897: no. 242b, pl. LXIII. |
| 1923 | Swarzenski, Georg. "Insinuationes Divinae Pietatis." Festschrift für Adolf Goldschmidt zum 60. Geburtstag am 15. Januar 1923. Leipzig, 1923: 65-74, especially 69-71. |
| 1932 | Kohlaussen, Heinrich. "Gotisches Kunstgewerbe." In Helmut Theodor Bossert, ed. Geschichte des Kunstgewerbes aller Zeiten und Volker. 6 vols. Berlin, 1928-1935, 5 (1932):388, pl. XXI. |
| 1935 | Inventory of the Objects d'Art at Lynnewood Hall, Elkins Park, Pennsylvania, The Estate of the Late P.A.B. Widener. Philadelphia, 1935: 32, as North Italian (Milanese). |
| 1942 | Works of Art from the Widener Collection. Foreword by David Finley and John Walker. National Gallery of Art, Washington, 1942: 10, as North Italian (Milanese) 16th Century, Morse of wrought gold and enamel. |
| 1947 | Krautheimer, Richard. "Ghiberti and Master Gusmin." The Art Bulletin 29 (1947): 33-34, figs. 4, 5. |
| 1949 | Seymour, Charles. Masterpieces of Sculpture from the National Gallery of Art. Washington and New York, 1949: 12, 172-173, note 9, repro. 40-42. |
| 1951 | Panofsky, Erwin. "A Parisian Goldsmith's Model of the Early Fifteenth Century." In Otto Goetz, ed. Beiträge für Georg Swarzenski. Chicago and Berlin, 1951: 70-84, especially 80. |
| 1952 | Christensen, Edwin O. Objects of Medieval Art from the Widener Collection. National Gallery of Art, Washington, 1952: 25, 28, 31, repro. 29. |
| 1954 | Müller, Theodor, and Erich Steingräber. "Die französische Goldemailplastik um 1400." Münchner Jahrbuch der bildenden Kunst 3d ser., 5 (1954): 29-79, especially 36, 38, 67-68, no. 5; figs. 9, 62. |
| 1957 | Steingräber, Erich. Antique Jewelry. New York, 1957: 59-61, fig. 88. |
| 1957 | Shapley, Fern Rusk. Comparisons in Art: A Companion to the National Gallery of Art, Washington, DC. London, 1957 (reprinted 1959): pl. 8 |
| 1966 | Braun-Reichenbacher, Margot. Das Ast- und Laubwerk: Entwicklung, Markmale und Bedeutung einer Spätgotischen Ornamentform. Nuremberg, 1966: 5, repro. 1. |
| 1966 | Müller, Theodor. Sculpture in the Netherlands, Germany, France and Spain 1400-1500. Baltimore 1966: 21. |
| 1967 | Richard, R. L. "Trinity, Holy." New Catholic Encyclopedia. 16 vols. New York, 1967: 14:302, fig. 2. |
| 1970 | Kohlhaussen, Heinrich. Europäische Kunsthandwerk des Mittelalters. 3 vols. Frankfurt am Main, 1969-1972: 2:xxvi, no. 11. |
| 1975 | Verdier, Philippe. "La Trinité debout de Champmol." In Albert Châtelet and Nicole Reynaud, eds., Etudes d'art français offertes à Charles Sterling. Paris, 1975: 65-90, especially 69, fig. 48. |
| 1976 | De Winter, Patrick M. "The Patronage of Philippe le Hardi, Duke of Burgundy (1364-1404)." Ph.D. diss., 5 vols., Institute of Fine Arts, New York University, 1976, 1:179. |
| 1984 | Eikelmann, Renate. "Franko-Flämische Emailplastik des Spätmittelalters." Ph.D. diss., Ludwig-Maximilians-Universität, Munich, 1984: 53-54, 380-384, no. 25, 609, 684-686, 814-815, repro. 167. |
| 1986 | Hackenbroch, Yvonne. "Reinhold Vasters, Goldsmith." Journal of the Metropolitan Museum of Art 19/20 (1986): 169-170; 80, fig. 8. |
| 1993 | Distelberger, Rudolf, Alison Luchs, Philippe Verdier, and Timonthy H. Wilson. Western Decorative Arts, Part I: Medieval, Renaissance, and Historicizing Styles including Metalwork, Enamels, and Ceramics. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1993: 48-53, color repro. 49. |
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