TABLE
OF CONTENTS - Introduction - A
Brief History of the Library of Congress
The Thomas Jefferson Building - The
John Adams Building - The James Madison Memorial
Building
Author's Note and Acknowledgements - Further
Reading - Concordance of Images
THE THOMAS JEFFERSON BUILDING
Part 1 - Part 2
- The Great Hall - Second Floor
- The East Corridor; The Entrance to the Visitors' Gallery,
The Main Reading Room; Minerva; The South Corridor; The West
Corridor; The North Corridor
- The Second Floor Galleries and Pavilions
- The Southwest Gallery: The Arts, The Sciences; The Southwest
Pavilion: The Discoverers; The Northwest Gallery: War, Peace;
The Northwest Pavilion: Art and Science; The North Gallery:
Learning;The Northeast Pavilion: Government; The Northeast
Gallery: Building; The Rare Book and Special Collections Division
Reading Room; The Rosenwald Room; The Hispanic Room; The Southeast
Pavilion: The Elements; The South Gallery: Liberty
The East Corridor
In the center of the ceiling vault are three panels by William Andrew
MacKay which represent the Life of Man. On either side of these panels
are the following quotations that refer to this monumental subject.
They are, on the west side (or at the head of the paintings), from
left to right:
COMES THE BLIND FURY WITH THE ABHORRED SHEARS
AND SLITS THE THIN-SPUN LIFE
Milton, Lycidas, 75
THE WEB OF LIFE IS OF A MINGLED YARN, GOOD AND ILL TOGETHER
Shakespeare, All's Well That Ends Well, Act iv., Sc. 2
FOR A WEB BEGUN GOD SENDS THREAD
Old Proverb
The quotations on the east, or at the foot of the central vault paintings,
are taken from Cardinal Wolsey's speech in Shakespeare's Henry
VIII. From left to right, they are:
THIS IS THE STATE OF MAN: TO-DAY HE PUTS FORTH
THE TENDER LEAVES OF HOPE.
TO-MORROW BLOSSOMS
AND BEARS HIS BLUSHING HONORS THICK UPON HIM.
THE THIRD DAY COMES A FROST,
AND NIPS HIS ROOT,
AND THEN HE FALLS.
Act iii, Scene 2
On either side of these panels are four rectangular paintings by George
Randolph Barse, Jr., representing Literature. Along the east
side, beginning at the north, are LYRICA (Lyric Poetry), TRAGEDY, COMEDY,
and HISTORY. On the west side, again beginning at the south, are ROMANCE,
FANCY, TRADITION, and EROTICA (Love Poetry).
At each end of the ceiling vault is a tablet containing the surnames
of eminent American printers, and men who have contributed to the improvement
of American printing machinery. At the north end are the names of GREEN,
DAYE, FRANKLIN, THOMAS, and BRADFORD; at the south end, the names are
CLYMER, ADAMS, GORDON, HOE, and RUCE.
The quotations on the gilt wall tablets above the windows along the
east side are:
SCIENCE IS ORGANIZED KNOWLEDGE
Herbert Spencer, Essays, "The Genesis of Science," Vol. ii,
1.
Around the corner, facing the staircase, you will find:
BEAUTY IS TRUTH, TRUTH BEAUTY
Keats, Ode on a Grecian Urn
On the other side of the staircase:
TOO LOW THEY BUILD WHO BUILD BENEATH THE STARS
Edward Young, Night Thoughts, "Night," viii, 215
And around the corner, facing the Great Hall:
THERE IS BUT ONE TEMPLE IN THE UNIVERSE
AND THAT IS THE BODY OF MAN
Novalis, Philosophy and Physics
Printers' marks, or trade marks from printers and publishers, embellish
the upper walls of all four corridors on the second floor of the Great
Hall. In the east corridor the following marks can be found:
Along the north wall
L. GIUNTA, ALDUS MANUTIUS
Along the east wall, beginning on the left
P. AND A. MEIETOS, G. DI LEGANO, J. ROSEMBACH,
A. TORRESANO, V. FERNANDEZ
Along the south wall
C. PLANTIN, I. ELZEVIR
Along the west wall, beginning on the left
FRATRES DE SABIO, MELCHOIR SESSA, O. SCOTTO,
GIAM. RIZZARDI, F. DE GIUNTA
The Entrance to the Visitors' Gallery, Main Reading
Room
The vaulting of the passageway leading to the Visitors' Gallery consists
of a series of six small domes. In the medallions are various objects
symbolizing the Fine Arts, specifically Acting, Music, Sculpture, Literature,
and Architecture.
The trophies of Sculpture and Architecture are accompanied by appropriate
names. The subjects of the sculptures are the Farnese Bull, the Laocoon,
the Niobe, and the Parthenon pediment. In the bordering arabeseques
are the names of the four divinities often taken as the subject of
ancient statuary: VENUS, APOLLO, HERCULES, and ZEUS. For Architecture,
the buildings commemorated are the COLOSSEUM, the TAJ MAHAL, the PARTHENON,
and the PYRAMIDS, and the cities are those with whose fame these monuments
are connected: ROME, AGRA, ATHENS, and GIZEH.
In the bays opposite the two elevator entrances are two small lunettes.
The painting on the north side depicts John James Audubon, the one
on the south, the historian William Hickling Prescott, with Prescott's
name on the painting. These two paintings, by an unknown artist, replaced
the original paintings, "L'Allegro" and "Il Penseroso" by William G.
Van Ingen, sometime between the opening of the building in 1897 and
1911. The Van Ingen paintings, according to Small's Handbook, "suggested
the subjects of Milton's well-known companion poems" and included inscriptions
of portions of the two poems.
Minerva
A marble mosaic of Minerva by Elihu Vedder can be seen along the wall
of the staircase landing that leads to the Visitors' Gallery. The artist's
name can be seen beneath the owl near her right foot. Her armor partly
laid aside, this Minerva of Peace is depicted as the vigilant guardian
of civilization. The various fields of learning, listed on a scroll
in Minerva's hand, are: AGRICULTURE, EDUCATION, MECHANICS, COMMERCE,
GOVERNMENT, HISTORY, ASTRONOMY, GEOGRAPHY, STATISTICS, ECONOMICS, PAINTING,
SCULPTURE, ARCHITECTURE, MUSIC, POETRY, BIOGRAPHY, GEOLOGY, BOTANY,
MEDICINE, PHILOSOPHY, LAW, POLITICS, ARBITRATION, TREATIES, ARMY-NAVY,
FINANCE, ART OF WAR.
Beneath the mosaic is the inscription:
NIL INVITA MINERVA QUAE MONUMENTUM AERE PERENNIUS EXEGIT
[Not unwilling, Minerva raises a monument more lasting than bronze]
Horace, Ars Poetica, 385; Carminum, iii, 30, 1.
The South Corridor
Frank Weston Benson's paintings dominate the south wall and the ceiling.
The subject of Benson's four circular panels on the south wall is the
Seasons, each represented by a half- length figure of a young woman.
From east to west, beginning above the first door leading into the
Southwest Gallery, they are Spring, Summer, Autumn, and Winter. In
the ceiling vault, the Three Graces are depicted in octagonal
panels, from east to west: Aglaia (Husbandry), Thalia (Music), and
Euphrosyne (Beauty). At each end of the ceiling is a rectangular panel
by Frederic C. Martin painted in a style depicting ancient games, but
representing the modern sports of football (east end) and baseball
(west end).
A
quotation from Sir Philip Sidney accompanies Frank W. Benson's painting "Summer" in
the South Corridor ceiling in the Great Hall. The decorations surrounding
the panel -- and throughout the building -- were the responsibility
of Elmer E. Garnsey, who also supervised the lettering of the inscriptions
and quotations.
The "Tongues in Trees" quotation
accompanying this Frank W. Benson painting of "Winter" is from William
Shakespeare's play "As You Like It." Shakespeare is the best
represented writer in the Jefferson Building's iconography, his name
is in the Great Hall ceiling; his bronze statue in the Main Reading
Room, and words from his poetry and plays are in the first floor Southwest
Corridor (Lyric Poetry) and the second-floor East, South, and North
Corridors.
At the west end, Pompeiian panels by George Maynard of PRUDENCE and TEMPERANCE
flank the window, just as on the east side Maynard has depicted PATRIOTISM
and COURAGE. The bas-reliefs in the vault, above the west window, are
by Roland Hinton Perry, and represent the Sibyls, or ancient
prophetesses, who interpreted omens, delivered oracles, and foretold
the future. The sibyls here portrayed are the Cumaean or Roman Sibyl
(first panel) and, on the other side of the arch, a Scandinavian Vala
or Wise Woman.
Around the west end window (through which you can see the Capitol),
there are five semicircular or circular tablets, two of which are ornamented
with the obverse and reverse of the Great Seal of the United States.
The other three carry the following quotations:
BENEATH THE RULE OF MEN ENTIRELY GREAT,
THE PEN IS MIGHTIER THAN THE SWORD
Bulwer Lytton, Richelieu: Act i.i., Sc. 2
MAN RAISES, BUT TIME WEIGHS
Modern Greek Proverb
THE NOBLEST MOTIVE IS THE PUBLIC GOOD
Virgil
Quotations on the gilt tablets, beginning under the window on the
east end and moving to the right, from east to west along the south
wall are:
BEHOLDING THE BRIGHT COUNTENANCE OF TRUTH, IN THE QUIET
AND STILL AIR OF DELIGHTFUL STUDIES.
Milton, Introduction to Church Government
THE TRUE UNIVERSITY OF THESE DAYS IS A COLLECTION OF
BOOKS
Carlyle, On Heroes and Hero-Worship, "The Hero as a Man of
Letters."
NATURE IS THE ART OF GOD
Sir Thomas Browne
THERE IS NO WORK OF GENIUS WHICH HAS NOT BEEN
THE DELIGHT OF MANKIND
Lowell, Among My Books
IT IS THE MIND THAT MAKES THE MAN, AND OUR VIGOR
IS IN OUR IMMORTAL SOUL Ovid
THEY ARE NEVER ALONE THAT ARE ACCOMPANIED WITH NOBLE
THOUGHTS
Sir Philip Sidney, Arcadi
MAN IS ONE WORLD AND HATH ANOTHER TO ATTEND HIM
Herbert, The Temple
TONGUES IN TREES, BOOKS IN THE RUNNING BROOKS, SERMONS
IN STONES,
AND GOOD IN EVERYTHING
Shakespeare, As You Like It, Act ii, Scene 1
THE TRUE SHEKINAH IS MAN
Sir John Chrysostom
And above the west window:
ONLY THE ACTIONS OF THE JUST SMELL SWEET AND BLOSSOM
IN THE DUST
Shirley, Contention of Ajax and Ulysses, Scene 3.
Quotations on the wall above the golden tablets, beginning between
the windows on the west end and moving to the right along the north
wall, are:
A LITTLE LEARNING IS A DANGEROUS THING;
DRINK DEEP OR TASTE NOT OF THE PIERIAN SPRING.
Pope, Essay on Criticism, Pt. ii, 215
LEARNING IS BUT AN ADJUNCT TO OURSELF
Shakespeare, Love's Labor Lost, Act iv., Scene 3
STUDIES PERFECT NATURE AND ARE PERFECTED BY EXPERIENCE
Bacon, Essays, "Of Studies"
DREAMS, BOOKS, ARE EACH A WORLD; BOOKS WE KNOW,
ARE A SUBSTANTIAL WORLD, BOTH PURE AND GOOD
Wordsworth, Personal Talk, Stanza iii
THE FAULT IS NOT IN OUR STARS
BUT IN OURSELVES, THAT WE ARE UNDERLINGS
Shakespeare, Julius Caesar, Act 1, Scene 2
THE UNIVERSAL CAUSE
ACTS TO ONE END, BUT ACTS BY VARIOUS LAWS
Pope, Essay on Man, Epistle iii, 1
CREATION'S HEIR, THE WORLD, THE WORLD IS MINE!
Goldsmith, The Traveller, 50
VAIN, VERY VAIN, THE WEARY SEARCH TO FIND
THAT BLISS WHICH ONLY CENTRES IN THE MIND
Goldsmith, The Traveller, 423
Medallions representing different fields of knowledge and endeavor
are interspersed with the quotations, paintings, and printers' marks.
On the south wall, from east to west, are PRINTING, POTTERY, and GLASS-MAKING;
on the north wall, from west to east, are CARPENTRY, SMITHERY, and
MASONRY.
Printers' marks, or trade marks from printers and publishers, embellish
the south and north walls. On the south wall, from east to west, the
marks are for:
VELPIUS; ESTIENNE; DE COLINES; REGNAULT;
VOSTRE; NIVELLE; MORIN; GRYPHE
On the north wall, from west to east, the marks are for:
WÉCHEL; TORY; CHAUDIÈRE; LE ROUGE; BREVILLE;
DOLET; TRESCHEL; PETIT
The West Corridor
In the center of the ceiling vault are three panels by William B.
Van Ingen representing Painting, Architecture, and Sculpture. On either
side of these medallions are four rectangular paintings by Walter Shirlaw,
representing The Sciences. Along the west side, beginning at the left,
are ZOOLOGY, PHYSICS, MATHEMATICS, and GEOLOGY. On the east, again
beginning at the left, are ARCHAEOLOGY, BOTANY, ASTRONOMY, and CHEMISTRY.
At either end of the vault is a tablet containing the names of scientists.
At the north end are: LA GRANGE, LAVOISIER, RUMFORD, and LYELL; at
the south end are: CUVIER, LINNAEUS, SCHLIEMANN, and COPERNICUS. On
either side of these tablets, are these quotations:
South tablet
THE FIRST CREATURE OF GOD WAS THE LIGHT OF SENSE;
THE LAST WAS THE LIGHT OF REASON
Bacon, Essays, "Of Truth"
THE LIGHT SHINETH IN DARKNESS, AND THE DARKNESS
COMPREHENDETH NOT
Holy Bible, John, 1:5
North tablet
ALL ARE BUT PARTS OF ONE STUPENDOUS WHOLE,
WHOSE BODY NATURE IS, AND GOD THE SOUL
Pope, Essay on Man, "Epistle" i, 267
IN NATURE ALL IS USEFUL, ALL IS BEAUTIFUL
Emerson, Essays, "Art"
Quotations on the gilt wall tablets along the west side, beginning
at the left, are as follows:
ART IS LONG, AND TIME IS FLEETING
Longfellow, A Psalm of Life
THE HISTORY OF THE WORLD IS THE BIOGRAPHY OF GREAT MEN
Carlyle, Essays, "History"
BOOKS WILL SPEAK PLAIN WHEN COUNSELLORS BLANCH
Bacon, Essays "Of Counsel"
GLORY IS ACQUIRED BY VIRTUE BUT PRESERVED BY LETTERS
Petrarch
THE FOUNDATION OF EVERY STATE IS THE EDUCATION OF ITS
YOUTH
Dionysius
Printers' marks or trade marks from printers and publishers embellish
the east and west walls. Along the east wall, beginning at the upper
left, the marks are for these firms:
CRATANDER; VALENTIN KOBIAN; MARTIN SCHOTT;
MELCHIOR LOTTER; T. and J. RIHEL
Along the west wall, beginning on the left, the marks are for:
WOLFANG KOPFEL, FUST and SCHOEFFER, CRAFT MULLER,
CONRAD BAUMGARTEN, JACOB DE PFORTZEIM
The North Corridor
Robert Reid's brilliantly colored paintings dominate the north wall
and the ceiling. Reid's four circular panels on the north wall, from
west to east, are titled WISDOM, UNDERSTANDING, KNOWLEDGE, and PHILOSOPHY.
In the ceiling vault, the octagonal decorations represent the five
senses: TASTE, SIGHT, SMELL, HEARING, and TOUCH. Alternating with the
ceiling paintings are a series of rectangular panels by Frederic C.
Martin that depict events in ancient sports. The scenes, from west
to east in the ceiling, are of discus throwing, wrestling, running,
the rub-down, victory, and the return home.
At the west end, Pompeiian panels depicting INDUSTRY and CONCORDIA
by George Maynard flank the window, just as on the east side Maynard
has pictured FORTITUDE and JUSTICE. The bas-reliefs in the vault above
the west window are by Roland Hinton Perry. They represent the Sibyls,
ancient prophetesses who interpreted omens, delivered oracles, and
foretold the future. The sibyls portrayed here are the Greek Sybil
and the Eastern, or Persian Sybil. In the first panel, the Greek Sybil
is represented by the priestess of the world-renowned Oracle at Delphi.
In the second panel, the face of the prophetess is veiled, signifying
the occult wisdom of the East.
Above the west window is the quotation:
THE CHIEF GLORY OF EVERY PEOPLE ARISES FROM ITS AUTHORS
Johnson, Preface, A Dictionary of the English Language
Around the west window are five round tablets, two of which are ornamented
with the obverse and reserve of the Great Seal of the United States.
The other three carry the following quotations:
ORDER IS HEAVEN'S FIRST LAW
Pope, Essay on Man "Epistle," iv., 49
MEMORY IS THE TREASURER AND GUARDIAN OF ALL THINGS
Cicero, De Oratore, i., 5
BEAUTY IS THE CREATOR OF THE UNIVERSE
Emerson, Essays, "The Poet"
Quotations on the golden wall tablets on the north wall, from west
to east, are:
THERE IS ONE ONLY GOOD, NAMELY, KNOWLEDGE;
AND ONE ONLY EVIL, NAMELY IGNORANCE
Diogenes Laertius, Socrates, Sec. xiv.
KNOWLEDGE COMES, BUT WISDOM LINGERS
Tennyson, Locksley Hall, Stanza 72
WISDOM IS THE PRINCIPAL THING; THEREFORE GET WISDOM;
AND WITH ALL THY GETTING, GET UNDERSTANDING
Holy Bible, Proverbs 4:7
IGNORANCE IS THE CURSE OF GOD,
KNOWLEDGE THE WING WHEREWITH WE FLY TO HEAVEN
Shakespeare, Henry IV, pt. ii, Act iv., Sc. 7
HOW CHARMING IS DIVINE PHILOSOPHY!
Milton, Comus, 476
BOOKS MUST FOLLOW SCIENCES, AND NOT SCIENCES BOOKS
Bacon, Proposition Touching Amendment of Laws
IN BOOKS LIES THE SOUL OF THE WHOLE PAST TIME
Carlyle, On Heroes and Hero Worship, "The Hero as a Man of
Letters"
WORDS ARE ALSO ACTIONS AND ACTIONS ARE A KIND OF WORDS
Emerson, Essays, "The Poet"
Between the windows on the golden tablet at the east end of the corridor
is the quotation:
READING MAKETH A FULL MAN; CONFERENCE A READY MAN;
AND WRITING, AN EXACT MAN
Bacon, Essays, "Of Studies"
Excerpts from "Unexpressed," a poem by Adelaide Procter, are found
on seven tablets on the north and south walls. On the south wall, reading
from left to right, the verses are:
NO REAL POET EVER WOVE IN NUMBERS
ALL HIS DREAMS
LOVE AND LIFE UNITED
ARE TWIN MYSTERIES, DIFFERENT YET THE SAME
LOVE MAY STRIVE, BUT VAIN IS THE ENDEAVOR
ALL ITS BOUNDLESS RICHES TO EXPRESS
ART AND LOVE SPEAK AND THEIR WORDS MUST BE
LIKE SIGHINGS OF ILLIMITABLE FORESTS
On the north wall:
DWELLS WITHIN THE SOUL OF EVERY ARTIST
MORE THAN ALL HIS EFFORT CAN EXPRESS
NO GREAT THINKER EVER LIVED AND TAUGHT YOU
ALL THE WONDER THAT HIS SOUL RECEIVED
NO TRUE PAINTER SET ON CANVAS
ALL THE GLORIOUS VISION HE CONCEIVED
NO MUSICIAN
BUT BE SURE HE HEARD, AND STROVE TO RENDER,
FEEBLE ECHOES OF CELESTIAL STRAINS
Interspersed with the quotations from the poem "Unexpressed" are medallions
representing different fields of knowledge and endeavor. On the south
wall, from east to west, are NAVIGATION, MECHANICS, and TRANSPORATION;
on the north wall, from west to east, are GEOMETRY, METEOROLOGY, and
FORESTRY.
Printers' marks, or trade marks from printers and publishers, embellish
the north and south walls. On the south wall, from east to west, the
marks are for:
WILLIAM CAXTON; R. GRAFTON; VAUTROLLIER; JOHN DAY; W.
JAGGARD; ARBUTHROT; A. HESTER; R. PYNSON.
On the north wall, from west to east, the marks are for these firms:
D. APPLETON; THE DEVINNE PRESS; CHARLES SCRIBNER'S SONS;
HARPER AND BROTHERS; THE RIVERSIDE PRESS; THE CENTURY CO.; J.B. LIPPINCOTT
CO.; DODD, MEAD AND CO.
The Southwest Gallery (The Arts and the Sciences)
The paintings in the large lunettes at each end of the Southwest Gallery
are by Kenyon Cox: The Sciences at the south end, and The
Arts at the north end of the gallery.
Names of renowned artists and scientists are inscribed on tablets
above the windows and the doors. Starting at the north entrance near The
Arts and moving south, they are: WAGNER, HOMER, MICHELANGELO,
RAPHAEL, RUBENS, MILTON, LEIBNITZ, DALTON, KEPLER, HERSCHEL, GALILEO,
ARISTOTLE, PTOLEMY, HIPPARCHUS, LAMARCK, HELMHOLTZ, PHIDIAS, VITRUVIUS,
BRAMANTE, and MOZART.
The monogram "CL" for Congressional Library is used as a decorative
feature in the ceiling.
This
photograph shows ornaments being prepared for installation in the second
floor gallery ceilings. The "CL" stands for "Congressional Library," the
name by which the Library of Congress was known at the turn of the century.
The gilding of the rosettes (foreground) was another responsibility of
Elmer E. Garnsey, who also supervised the setting of the tiles, the assembling
of the mosaics, the color coordination, and the execution of the painted
panels.
The Southwest Pavilion (The Discoverers)
The paintings in the lunettes and the disc in the domed ceiling are
the work of George Willoughby Maynard. In the lunettes the sequence
of Maynard's subjects begins on the east side and continues to the
right, as follows: ADVENTURE, DISCOVERY, CONQUEST, CIVILIZATION. In
the ceiling disc, the artist has depicted four qualities appropriate
to these four stages of a country's development: COURAGE, VALOR, FORTITUDE,
and ACHIEVEMENT.
The paintings in the lunettes include the names of illustrious discoverers
and adventurers. They are, as follows:
East Lunette (Adventure)
DRAKE DIAZ
CAVENDISH NARVAEZ
RALEIGH COELHO
SMITH CABEZA
FROBISHER VERRAZANO
GILBERT BASTIDAS
South Lunette (Discovery)
SOLIS CABOT
ORELLANA MAGELLAN
VAN HORN HUDSON
OIEDA BEHRING
COLUMBUS VESPUCIUS
PINZON BALBOA
West Lunette (Conquest)
PIZARRO CORTES
ALVARADO STANDISH
ALMAGRO WINSLOW
HUTTEN PHIPS
FRONTENAC VELASQUEZ
DE SOTO DE LEON
North Lunette (Civilization)
ELIOT PENN
CALVERT WINTHROP
MARQUETTE MOTOLINA
JOLIET FRITZ
OGLETHORPE YEARDLEY
LAS CASAS LA SALLE
The wall tablets bear these words, beginning in the southwest corner
and proceeding to the right:
ARTS, LETTERS, TOLERATION, SPAIN, ENTERPRISE, OPPORTUNITY,
FORTUNE, PORTUGAL, INDIA, ELDORADO, AMERICA, FRANCE, EXPLORATION, DOMINION,
COLONIZATION, ENGLAND
Circular plaques in relief, representing the Four Seasons, are in
the four corners beneath the ceiling. The series, repeated in the other
three second floor pavilions, is the work of Bela Lyon Pratt. Beginning
in the corner and proceeding clockwise, Spring carries the
label Seed, Summer is Bloom, Autumn is Fruit, and Winter is Decay.
The Northwest Gallery
(War and Peace)
The paintings in the large lunettes at each end of the Northwest Gallery
are by Gari Melchers: Peace at the south end, and War at
the north end of the gallery. Names of famous generals and admirals
are on tablets above the windows and doors. Starting at the south entrance
near Peace and moving north, they are: SHERIDAN, GRANT, SHERMAN,
SCOTT, FARRAGUT, NELSON, WILLIAM THE CONQUEROR, FREDERICK THE GREAT,
EUGENE, MARLBOROUGH, WELLINGTON, WASHINGTON, CHARLES MARTEL, NAPOLEON,
CAESAR, ALEXANDER, CYRUS, HANNIBAL, CHARLEMAGNE, and JACKSON.
The Northwest Pavilion
(Art and Science)
The paintings in the four lunettes and in the ceiling are by William
de Leftwich Dodge. The subjects in the lunettes, clockwise from the
west, are LITERATURE, MUSIC, SCIENCE, and ART. Ambition, considered
the instigator of all human effort, is the subject of the ceiling painting.
Small circular reliefs representing the Four Seasons, executed by
Bela Lyon Pratt, are in the four corners beneath the ceiling. The names
of the seasons are listed below the paintings.
Wall plaques, clockwise from the northwest corner, bear the names:
MUSIC, Venice, Berlin, Paris, SCIENCE, Babylon, Tyre, Carthage, ART,
Thebes, Athens, Rhodes, LITERATURE, Greece, Italy, England.
The North Gallery
(Learning)
The stained glass ceiling panels in the North Gallery contain the
names of renowned painters, sculptors, musicians, scientists, theologians,
physicians, and jurists. Designed in square panels, each section contains
four inscribed tablets with the monogram LC in the center. "Learning" is
inscribed in the central panel.
Beginning at the west end, the names are: HOLBEIN, VAN DYCK, RUBENS,
MURILLO; REMBRANDT, THORWALDSEN, DURER, PALISSY; CORREGGIO, TITIAN,
RAPHAEL, GUIDO RENI; PERUGINO, DA VINCI, APELLES, GIOTTO; PHIDIAS,
LISZT, BACH, WAGNER; HAYDEN, MENDELSSOHN, FARADAY, MOZART; AGASSIZ,
DARWIN, COPERNICUS, HUMBOLDT; PLINY, EUCLID, CHANNING, PYTHAGORAS;
EDWARDS, BOSSUET, ST. BERNARD, PASCAL; CHRYSOSTOM, ST. AUGUSTINE, HAHNEMANN,
BOWDITCH; JENNER, HARVEY, AVICENNA, PARACELSUS; HIPPOCRATES, MARSHALL,
MONTESQUIEU, STORY; BLACKSTONE, COKE, LYCURGUS, JUSTINIAN.
The Northeast Pavilion
(Government)
The disc in the domed ceiling, designed by Elmer Ellsworth Garnsey,
shows the Great Seal of the United States surrounded by allegorical
emblems and objects that represent the North, South, East, and West
sections of the country. Bordering the disc is a narrow blue band that
is inscribed:
THAT THIS NATION, UNDER GOD, SHALL HAVE A NEW BIRTH OF FREEDOM;
THAT GOVERNMENT OF THE PEOPLE, BY THE PEOPLE, FOR THE PEOPLE, SHALL
NOT PERISH FROM THE EARTH
Abraham Lincoln, The Gettysburg Address
Gettysburg, Pa., November 19, 1863
The paintings in the lunettes, done by William Brantley Van Ingen,
illustrate the seals of various executive departments of the United
States Government. Each painting is devoted to two departments. A circular
tablet divides the two parts, upon which are quotations from famous
Americans.
West Lunette (State and Treasury Departments)
'TIS OUR TRUE POLICY TO STEER CLEAR OF PERMANENT ALLIANCE
WITH ANY PORTION OF THE FOREIGN WORLD
George Washington, Farewell Address, September 19, 1796
LET OUR OBJECT BE OUR COUNTRY, OUR WHOLE COUNTRY,
AND NOTHING BUT OUR COUNTRY
Daniel Webster, Address at Charlestown, Mass., June 17, 1825.
Cornerstone Ceremonies for Bunker Hill Monument.
THANK GOD, I ALSO AM AN AMERICAN!
Daniel Webster, Address at Charlestown, Mass., June 17, 1843.
Dedication of Bunker Hill Monument.
North Lunette (Justice and Post Office Departments)
EQUAL AND EXACT JUSTICE TO ALL MEN, OF WHATEVER STATE
OR PERSUASION, RELIGIOUS OR POLITICAL: PEACE, COMMERCE, AND HONEST
FRIENDSHIP WITH ALL NATIONS-ENTANGLING ALLIANCE WITH NONE
Thomas Jefferson, Inaugural Address, March 4, 1801
East Lunette (Agriculture and Interior Department)
THE AGRICULTURAL INTEREST OF THE COUNTRY IS CONNECTED
WITH EVERY OTHER, AND SUPERIOR IN IMPORTANCE TO THEM ALL
Andrew Jackson, Message to Congress, December 8, 1829
LET US HAVE PEACE
U.S. Grant, Letter accepting nomination to the Presidency, May 29,
1868.
South Lunette (War and Navy Department)
THE AGGREGATE HAPPINESS OF SOCIETY IS, OR OUGHT TO BE,
THE END OF ALL GOVERNMENT
George Washington, Political Maxims
TO BE PREPARED FOR WAR IS ONE OF THE MOST EFFECTIVE
MEANS OF PRESERVING PEACE
George Washington, Speech to Congress, January 8, 1790.
Small circular reliefs representing the Four Seasons, executed by
Bela Lyon Pratt, are in the four corners beneath the ceiling. The names
of the seasons are beneath the paintings.
The Northeast Gallery (Building)
The stained glass ceiling panels in the Northeast Gallery contain
the names of famous engineers and architects. "Building" is inscribed
in the central panel. Beginning at the north end, the names are: BARNARD,
SCHWEDLER, EADS, ROEBLING; JARVIS, VAUBAN, SMEATON, LAVALLY; STEPHENSON,
ARCHIMEDES, RICHARDSON, HUNT; WALTER, BULFINCH, MANSARD, WREN, JONES;
LABROUSTE, LESCOT, DUC, MICHELANGELO, DELORME; BRUNELLESCHI, SANSOVINO,
VIGNOLA, BRAMANTE; PALLADIO, VITRUVIUS; ICTINUS, ANTHEMIUS.
The Rare Book and Special Collections Division Reading
Room
The Bronze Doors
- Left-hand door
- Top panel: device of Johann Fust and Peter Schoeffer
Middle panel: emblem of Geoffroy Tory
Bottom panel: printers' mark of William Morris
- Right-hand door
- Top panel: names of Juan Cromberger and Juan Pablos
Center panel: names of Stephen Daye, William Nuthead, William Bradford
Bottom panel: Bruce Rogers' printing device
The history of printing,
one of the Jefferson Building's principal themes, is elaborately represented
on the beautiful bronze doors of the Rare Book and Special Collections
Division on the Jefferson Building's second floor. Printing in
Europe is depicted on the door on the left, and printing in the New
World on the right.
The Rosenwald Room
The Lessing J. Rosenwald Collection of illustrated books, housed in the
Rare Book and Special Collections Division, is one of the Library's greatest
treasures. This room is modeled after Mr. Rosenwald's private gallery,
the Alverthorpe Gallery in Jenkintown, Pennsylvania. Here he housed his
collection of rare manuscripts and illustrated books, bequeathed to the
Library of Congress in 1943. The bust of Orpheus on the wall is a full-
size cast iron model of the head of the Orpheus Fountain in Stockholm.
The sculptor is Carl Milles.
The Hispanic Room
The Hispanic Society Reading Room occupies the Southeast Gallery, which
was originally dedicated to "Invention," and contained the names of twenty-nine
famous inventors from around the world. The stained glass ceiling, with "Invention" inscribed
in the central panel, and the names are no longer visible because of
the 1938 conversion of the gallery into the Hispanic Society Reading
Room. Beginning at the north end, the names are: BELL, WESTINGHOUSE,
BESSEMER, EDISON, HOWE, HOE, ERICSSON, McMORMICK, GOODYEAR, WHITNEY,
WHEATSTONE, MORSE, VAIL, WOOD, FITCH, JACQUARD, FULTON, ARKWRIGHT, HARGREAVES,
CORLISS, TREVITHICK, NEWCOMEN, COOPER, WATT, STEVENS, MONTGOLFIER, DAGUERRE,
GUTENBERG, SCHWARTZ.
In 1938, with the support of Archer M. Huntington, the room was converted
into the reading room of the Hispanic Society. It was designed by Paul
Phillippe Cret, the same architect who built both the Folger Shakespeare
Library (across the street) and the Federal Reserve Building. In the
northern vestibule are murals painted in 1941 by the Brazilian artist
Candido Portinari; they depict "Discovery of the Land," "Entry into
the Forest," "Teaching of the Indians," and "Mining of Gold." In the
central hall on the east wall over the windows are the names of eminent
Hispanic literary figures: CERVANTES, CUERVO, PALMA, GONÇALVES,
DIAS, MONTALVO, RODÓ, HEREDIA. On the west wall: GARCÍA
ICAZBALCETA, SARMIENTO, HOSTOS, DARIO, BELLO, MEDINA, CAMOES. On the
south wall is a colorful mural on steel that depicts the coat of arms
of Columbus. Above the shield are the words "Por Castilla y por León" (For
Castille and for León); below it, "Nuevo mundo halló Colón" (For
Columbus found a new world"). Beneath the mural is a marble tablet
containing the following inscription:
THE HISPANIC FOUNDATION IN THE LIBRARY OF CONGRESS THIS CENTER
FOR THE PURSUIT OF STUDIES IN SPANISH, PORTUGUESE, AND LATIN AMERICAN
CULTURE HAS BEEN ESTABLISHED WITH THE GENEROUS COOPERATION OF THE HISPANIC
SOCIETY OF AMERICA IN EXTENSION OF ITS SERVICE TO LEARNING.
The Southeast Pavilion (The Elements)
The paintings in the four lunettes are by Robert L. Dodge and represent,
clockwise from the north, AIR, EARTH, WATER, and FIRE. The ceiling disc,
by Elmer E. Garnsey, represents the Sun, which is surrounded by medallions
and cartouches that depict the four elements.
Small circular reliefs representing the Four Seasons, executed by
Bela Lyon Pratt, are in the four corners beneath the ceiling. Such
reliefs are in each of the four second floor pavilions, but the Latin
instead of the English titles are used exclusively in this pavilion: Hiems or
Winter, Auctumnus or Autumn, Aestas or Summer, and Ver or
Spring.
Wall tablets, clockwise from the northeast corner, bear the names:
AIR, Hermes, Zeus, and Iris; EARTH, Demeter, Hera, and Dionysus; WATER,
Proteus, Galatea, and Poseidon; and FIRE, Hestia, Hephaistos, and Prometheus.
The South Gallery (Liberty)
The stained glass ceiling panels in the South Gallery contain the names
of the signers of the Declaration of Independence. "Liberty" is inscribed
in the central panel. Beginning at the east end, the names are:
HANCOCK CLYMER GWINNETT
GERRY TAYLOR HALL
ADAMS SMITH BARTLETT
PAINE/ADAMS RODNEY WALTON
CHASE READ ELLERY
CARROLL STOCKTON WHIPPLE
MCKEAN HOPKINS THORNTON
STONE CLARK HOPPER
PACA WITHERSPOON HEWES
MORRIS HART WYTHE
FLOYD HOPKINSON LEE
LEWIS MIDDLETON PENN
LIVINGSTON RUTLEDGE BRAXTON
MORTON LYNCH JEFFERSON
MORRIS HEYWARD NELSON
FRANKLIN WOLCOTT LEE
RUSH SHERMAN HARRISON
ROSS WILLIAMS
WILSON HUNTINGTON
Part 1 - Part 2
TABLE
OF CONTENTS - Introduction - A
Brief History of the Library of Congress
The Thomas Jefferson Building - The
John Adams Building - The James Madison Memorial
Building
Author's Note and Acknowledgements - Further
Reading - Concordance of Images
Library
of Congress
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January 11, 2006
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