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TABLE OF CONTENTS (noting details of original publication in Screen) Introduction: Jackie Stacey and Sarah Street 1. Queering Film Theory Teresa de Lauretis: ¿Guerrilla in the midst: women¿s cinema in the 80s¿, 31:1, 1990 Andy Medhurst, ¿That special thrill: Brief Encounter, homosexuality and authorship¿, 32:2, 1991 2. Queering Psychoanalysis and Technologies of Gender Ellis Hanson, ¿Technology, paranoia and the queer voice¿, 34:2, 1993 Jackie Stacey, ¿She is not herself: the deviant relations of Alien Resurrection¿, 44:3, 2003 Lee Wallace, ¿Continuous sex: the editing of homosexuality in Bound and Rope¿, 41:4, 2000 3. Race, Desire and Queer Film Kristen Whissel, ¿Racialized spectacle, exchange relations, and the Western in Joanna d¿Arc of Mongolia¿, 37:1, 1996 Julia Erhart, ¿From Nazi whore to good German mother: revisiting resistance in the Holocaust film¿, 4:4, 2000 Jose Munoz, ¿The autoethnographic performance: reading Richard Fung¿s queer hybridity¿, 36:2, 1995 4. Queer Bodies and Histories Peter Dickinson, ¿Space, time, auteurity and the queer male body: the film adaptations of Robert Lepage¿, 46:2, 2005 James Tweedie, ¿The suspended spectacle of history: the tableau vivant in Derek Jarman¿s Caravaggio¿, 44:4, 2003 Chris Straayer: ¿The She-man: postmodern bi-sexed performance in film and video¿, 31:1, 1990 5. The Boys Don¿t Cry Debate Michele Aaron, ¿Pass/fail¿, 42:1, 2001 Julianne Pidduck, ¿Risk and queer spectatorship¿, 42:1, 2001 Patricia White, ¿Girls still cry¿, 42:2, 2001 Judith Halberstam, ¿The transgender gaze in Boys Don¿t Cry¿, 42:3, 2001 . Lisa Henderson, ¿The class character of Boys Don¿t Cry¿, 42:3, 2001 Jennifer Devere Brody, ¿Boyz Do Cry: screening history¿s white lies¿, 43:1, 2002
Library of Congress Subject Headings for this publication:
Homosexuality in motion pictures.
Homosexuality and motion pictures.