The
Exhibition (2 of 2)
Starting with a rural monastic book illuminated
largely with abstract imagery and concluding with an urban
monastic book in which the artist melded pagan classical
and devout Christian imagery, the history of Italian manuscript
illumination from the twelfth to the sixteenth century, as
represented by the Getty's collection, forms a crucial component of a larger cultural
history of aesthetic, spiritual, and intellectual developments
in Italy. After the Renaissance, manuscript illumination ceased
to be a significant art form throughout Europe. About the same
time, the first European art historians took up their pens
and focused on the triumph of painting. Fueled in part by the
influential writings of Giorgio Vasari (1511–1574)
and others, the study of painting has far exceeded that of
manuscript illumination. The selection of miniatures included
in this exhibition, however, demonstrates that manuscript illuminations
are not only works of great beauty in their own right but,
because of the variety of contexts in which they appear, they
also contribute to a more complete understanding of the potent
visual culture of the Middle Ages and Renaissance.
The
Getty Collection (1 of 2) The
Exhibition (1 of 2) |