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Part I. Languages: 1. Metaphor in Roger Scruton's aesthetics of music Naomi Cumming 2. Competing myths: the American abandonment of Schenker's organicism Robert Snarrenberg 3. Rehabilitating the incorrigible Marion A. Guck Part II. Decisions: 4. Criteria of correctness in music theory and analysis Jonathan Dunsby 5. Ambiguity in tonal music: a preliminary study Kofi Agawu 6. Systems and strategies: functions and limits of analysis Anthony Pople Part III. Texts: 7. Debussy's significant connections: metaphor and metonymy in analytical method Craig Ayrey 8. Music as text: Mahler, Schumann and issues in analysis Robert Samuels 9. The obbligato recitative: narrative and Schoenberg's Five Orchestral Pieces Op. 16 Alan Street 10. Music theory and the challenge of modern music: Birtwistle's Refrains and Choruses Jonathan Cross 11. Repons: phantasmagoria or the articulation of space? Alastair Williams.