]> urn:hdl:loc.music/eadmusic.mu002006.sgm Aaron Copland Collection Wilda Heiss and Lloyd Pinchback 2000 Music Division, Library of Congress
Washington, D.C. 20540
Guides to Special Collections in the Music Division of the Library of Congress Finding Aid encoded by Morgan V. Cundiff and Debra Fulmore Finding Aid written inEnglish Revision Date Revision information. Guides to Special Collections in the Music Division of the Library of Congress Aaron Copland Collection Prepared by Wilda Heiss and Lloyd Pinchback 1995 Contact Information Name of Division Library of Congress 1st and Independence, S.E. Washington, D.C. 20540 Phone: 202 707-5507 Fax: 202 707-0621

Encoded by Morgan Cundiff and Debra Fulmore

 Collection Summary Copland, Aaron, 1900- Papers1841-1991 306 linear feet, approximately 400,000 items Libray of Congress, Music Division The Aaron Copland Collection consists of published and unpublished musical scores by Aaron Copland and other composers, correspondence, writings, biographical material, datebooks, journals, professional papers including legal and financial material, photographs, awards, art work, and books. The collection spans 1841 to 1991 and covers six aspects of Copland's life -- composer, performer, teacher, writer, conductor and administrator for various organizations -- from about 1911, when he penned his first musical composition I'm On My Way to Mandalay, to 1990, the year of his death. The collection has been organized into thirteen major categories -- Music, Writings & Oral Presentations, Diaries, Correspondence, Professional Papers, Subject File, Scrapbooks, Biography, Awards, Art, Photographs, Victor Kraft Material and Books. Copland, Aaron, 1900- Kraft, Victor Graham, Martha Bernstein, Leonard Boulanger, Nadia Bowles, Paul Chávez, Carlos Clurman, Harold Diamond, David Letterman, Minna Schuman, William Sessions, Roger American Music Ballet Music Composer Introduction

The Library of Congress began receiving Copland's musical works as gifts during the 1940s. The bulk of the collection was acquired through a gift in the fall of 1989. Part of this gift included the photographic collection of Copland's friend and confidant Victor Kraft, who was a professional photographer. The integrity of the Victor Kraft Material has been maintained and remains a part of the larger collection. Four other important compositions, acquired through two foundations in the Library of Congress, are the manuscripts and sketches to Appalachian Spring and the Quartet for Piano and Strings, both commissioned by the Elizabeth Sprague Coolidge Foundation, and the Third Symphony and Symphonic Ode, both commissioned by the Serge Koussevitzky Music Foundation. One other manuscript, Signature for High-Low Concerts, is part of the Vernon Duke Collection in the Library of Congress.

The sound recordings, which consist of published and unpublished pressings, reel to reel tape and cassette recordings, and the motion pictures, which consist of published and unpublished film and video recordings, are housed in the Motion Picture, Broadcasting, and Recorded Sound Division in the Library of Congress. Several books from Copland's library are housed in the Rare Book and Special Collections Division in the Library of Congress. Published scores not by Copland, but by North and South American composers, are deposited at the Performing Arts Library in the New York Public Library under the terms of Copland's will. A microfilm of this material, which contains 1154 items, has been made (Microfilm 93/20010<<>MUS<>>).

Permission to copy Copland's music, published or unpublished, is held by Boosey & Hawkes, Inc. (New York). Permissions that pertain to musical decisions (such as, to make arrangements, to record and to publish) rests with Jacob Druckman, president of The Aaron Copland Fund for Music, Inc. Access to materials in the collection, permission to quote Copland or his writings, and other business matters are handled by Ellis Freedman, executor of the Aaron Copland Estate. Certain restrictions as to the use or copying of other materials in this collection may apply.

Linear feet of shelf space occupied: 306Approximate number of items: 400,000Shelf nos.: B09: 900E/ALL, 901W/ALL, 901E/1-2

 Scope and Content Note

The Aaron Copland Collection consists of published and unpublished musical scores by Aaron Copland and other composers, correspondence, writings, biographical material, datebooks, journals, professional papers including legal and financial material, photographs, awards, art work, and books. The collection spans 1841 to 1991 and covers six aspects of Copland's life -- composer, performer, teacher, writer, conductor and administrator for various organizations -- from about 1911, when he penned his first musical composition I'm On My Way to Mandalay, to 1990, the year of his death. The collection has been organized into thirteen major categories -- Music, Writings & Oral Presentations, Diaries, Correspondence, Professional Papers, Subject File, Scrapbooks, Biography, Awards, Art, Photographs, Victor Kraft Material and Books.

The Music by Aaron Copland represents the entire musical creation of Copland beginning with the early, youthful student works and ending with the short piano pieces in the seventies and eighties. The scope of this æuvre is imposing; herein lies the life-time work of an American composer and his music. The Music Manuscripts and Printed Editions by Aaron Copland cover the years from 1920 through 1982 in a numerical order established by Copland, designated as ARCO numbers, which total 100 assignments. After each ARCO number, a numerical or alphabetical suffix is assigned that represents the type of material. This accumulation of Copland scores is a researcher's treasure. Holograph manuscripts of Martha Graham's ballet Appalachian Spring, the popular pieces El Salón México and Fanfare for the Common Man (which was later in his Third Symphony), represent just a fraction of available riches in this collection. The chronological arrangement allows the researcher to trace Copland's compositional style from beginning to end including those works which have been adapted or transcribed by him or others for performance by groups of varying sizes or genres. At the end are three Published Compilations of Music by Copland -- two adaptations by Clare Grundman. A Copland Portrait and Sounding Success, and the third work, Piano Album, which is a collection of Copland solo piano pieces. The last category consists of Music Composed by Copland Not Cataloged which includes music culled from or later developed into well-known Copland works and which were not assigned a number by Copland or his staff. Among these pieces are sketches for The Ballad of Ozzie Powell, which served for Music for Radio, music composed for a unfulfilled musical, Tragic Ground, and sketches for a string quartet, composed between 1965-1968. See the Appendix: Music - Alphabetical Index to Aaron Copland Numbered Musical Compositions for further explanations of Copland's numbering system and an alphabetical listing of the unnumbered compositions.

The Juvenilia: Works by Copland represent his early compositions and arrangements. Created between 1911 and 1926, the manuscripts encompass Copland's adolescent years studying with Rubin Goldmark in New York City through his student years under the tutelage of Nadia Boulanger at Fontainebleau, near Paris. Besides original holograph scores and sketches, these early works include compositional and piano exercises and scores and sketches of transcriptions and arrangements of other composers' works.

The Music By Other Composers represents the unpublished and published music which was part of Copland's extensive collection of music. Most contain holograph annotations either in Copland's hand, especially his conducting scores, or signed by the composer or donor. These scores and the other published works from his collection, which became part of the Performing Arts library at the New York Public Library, illustrate a broad, composite spectrum of composers in the Western Hemisphere.

The Writings & Oral Presentations series represent over fifty years (C. 1925-1988) of written and oral commentary on music and musicians during the lifetime of Copland. The writings by Aaron Copland contain the different venues that Copland employed to communicate his thoughts and ideas on music -- the growth of American music and commentary on the people or organizations that fostered composers and their music through the 1960s -- beginning in 1925 with his second published article, What Europe means to the aspiring composer, after his return from three years or musical study in France. The numerous cross references reflect Copland's penchant to borrow from himself and indicate the relationship of articles as they were discovered during processing. See the Appendix: Writings and Oral Presentations - Writings by Copland, Articles, for an explanation and numeric indexes of Copland's numbering system.

In most cases, the evolution of the final printed words for Copland's published books can be traced, though difficult at times because of his revisions, from the handwritten manuscript to the final typescript, beginning with the 1939 first edition of What to Listen for in Music and ending with The New Music, the 1968 revision of Our New Music (1941). Also, the correspondence and notes exist for a sixth book, the first volume of the projected two volume autobiography.

Copland's earliest lectures began at the New School for Social Research with Aesthetics of Modern Music (1927) and ended with What to Listen for in Music. The complexity of Copland's borrowing from one medium to the other is demonstrated by the lecture, Music of the 20s, given in 1940, which probably became a source for the 1952 Harvard lectures of the same name which in term was incorporated in the published book, Magic and Imagination, and finally became the source for the 1965 television special, Music in the 20s. Some of the earlier lectures also became the source for a 1947 series of lectures, Panorama of American Composers, which Copland delivered in Brazil. Two numbering systems by Copland were discovered on some lectures. See the Appendix: Writings and Oral Presentations - Writings by Copland, Lectures and Speeches, for more information.

Copland quickly embraced the new mediums of radio and television. His radio talks apparently began in the United States in 1936 for the CBS "Modern Music" series and continued until the 1976 statements for the BBC at the time of Benjamin Britten's death. He also frequently spoke on radio stations while on tour in various foreign countries. In the United States, he presented a series of fifty-two programs on WNCN. Aaron Copland Comments from 1968-1971. Fifteen years of television appearances began in 1965 with a program, Copland on Copland on the British Broadcasting Company, and, in the United States, with the production of Music in the 20s. Other appearances included the Bill Moyer's Journal Aaron Copland and the 1980 birthday tribute, A Copland celebration!

The Writings by Others extends to material written about Aaron Copland and material written about other composers, musicians, and critics or other subjects. The articles reflect the views and opinions of a wide range of notable people. The interviews almost span his entire life from 1928 to 1988 and comprise dialogues with substantive and substantial quotes by Copland. The ballet scripts contain an intriguing scenario, Memorial Day, Dances for Democracy in Crisis, which identifies the collaborators -- conceived by Lincoln Kirstein, Lew Christensen as the general stage director, music by Copland, choreography by Lew Christensen, Erick Hawkins, Eugene Loring, and the costumes by Jared French. Evidently, the ballet never developed beyond this scenario which includes forty-eight watercolor drawings.

The Diaries are divided into two sections, Datebooks and Journals. The datebooks range from 1935 to 1985, except for the year 1954, and were generally used to briefly record his daily activities. The desk size books from 1942 to 1969 also enumerate the commissions offered to him by individuals and/or organizations. The pocket size books were apparently used during domestic or foreign trips.

The Journals consist of notebooks which record activities, list items and report on events and trips. The material dates from his 1910 reminiscences and extends to comments about his 1973 European trip. The journal dated from 1941-1973 includes family genealogy charts. Two journals describe the creation of the music scores for two films, The Red Pony and Something Wild. The date spans represent the actual span of year dates noted in the journal. Because of the fragile nature of some journals, the originals and archival photocopies will not be served to researchers. Photocopies of the journals, which are placed in binders, will be available to researchers. See the Appendix: Diaries - Journals for an explanation and list of the journals in numeric order.

The Personal Correspondence (1911-1991) contains letters to and from Copland with his teachers, fellow composers, literary figures, personal friends and acquaintances. Of particular interest are the letters with Nadia Boulanger, which extent over 50 years, and the letters with his long-time friend, Harold Clurman. Other siginificant correspondents are Roger Sessions, Charles Ives, Arnold Schoenberg, and Virgil Thomsom.

The General Correspondence (1935 to 1991) comprises a variety of day-to-day mail, which Copland reviewed, from individuals and businesses. The letters include requests to lecture and conduct and for permission to use, birthday and holiday greeting cards from family, friends and school children, and fan mail.

The Professional Papers are divided into two sections, Business Organizations and Engagements. The Business Organizations include records that pertain to Copland's affiliation with and service for various private, public, and governmental agencies, organizations, and councils, at the local, national, and international level and material that relate to numerous publishers, agents and foundations. Voluminous records exist for the Arrow Music Press (formerly, Cos Cob Press), for which Copland served as Treasurer, and for Boosey & Hawkes, his music publisher, which include letters about score corrections for his music. Other significant material are the Copland-Sessions Concerts of Contemporary Music, the Koussevitzky Music Foundation, the League of Composers, Modern Music, the Edward MacDowell Association, and Tanglewood which includes material on the Berkshire Music Center and the Boston Symphony Orchestra.

The Engagements represent correspondence and other material between organizations for which Copland performed, spoke or conducted or from whom he was bestowed an award or honor. The organizations include orchestras, universities and colleges, festivals, museums and societies. The most notable events are his trips to Latin America in 1941 and 1947 and his frequent appearances with the London Symphony, New York Philharmonic and National Symphony orchestras.

The Subject File is a composite of printed matter and material on special subjects that Copland kept. The largest and most extensive is the Composition section which consists of published clippings, magazine articles, promotional material, annotated programs and other miscellaneous items relating to performances of his compositions. In May of 1953, Copland was summoned to appear before the House Un-American Activities Committee and respond to a list of alleged "communist" affiliations. The United States Congress section documents Copland's correspondence, notes, statements and evidence during this period. Also, an annotated copy of the Congressional Record of January 16. 1953 in which the affiliations were first recorded and a transcript of the hearing are included.

Three of the four scrapbooks focus on specific undertakings by Copland -- the Copland-Sessions Concerts from 1924 to 1931, the Yaddo Festivals from 1932-33, and the 1978 Australian tour on which he conducted and lectured. The other scrapbook represents the beginnings of Copland's clipping file from 1924 to 1942. All, but the Australian tour scrapbook, have been preserved on microfilm because of their fragile condition (Microfilm 93/20002 <<>Mus<>>); the original of these three volumes will not be served to the public.

The Biography series consists of divergent material, some of which is biographical and other personal. The biographical material includes autobiographical notes, a notebook and assorted lists that pertain to Copland's activities and compositions, and two birthday albums. The 70th birthday album comprises "An album of composers' tributes" which contains congratulatory letters, musical salutes, poems and ink drawings from 116 composers. The 80th birthday album was presented by the National Symphony Orchestra from friends and includes congratulatory letters from President Jimmy Carter, Vice President Walter Mondale, conductor Mstislav Rostropovich, Roger L. Stevens (chairman of the John F. Kennedy Center for the Performing Arts), and international musical luminaries.

The Award series contain the artifacts that Copland received from the numerous and myriad honors and awards bestowed on him during his lifetime. Copland accepted his first honorary doctorate in music from Princeton University in 1956, and almost every year thereafter he approved another one either in humane letters or in music. The last one was a Degree of Fine Arts, Honoris Causa, from the New School for Social Research in 1983. Other tributes conferred on Copland from 1947 to 1982 include the Presidential Medal of Freedom, awarded by President Lyndon B. Johnson in 1964, and the Kennedy Center Honors' medal in 1979. In most cases, programs, invitations, and letters accompany the actual degree, award or medal.

The Art section is divided into Art Works and Posters. The Art Works include drawings, caricatures, and portraits of Aaron Copland and other artistic renderings which consist of special editions of illustrated poems by various artists in different mediums. The two most illustrious artists represented are Pablo Picasso with numbered print and an engraved color print by Marc Chagell which was part of an invitation from the Prince and Princess of Monaco for a 1967 program to honor Nadia Boulanger.

The Photographs series contain approximately 12,000 images and date from c. 1889-1985. The subjects employed in the Photoprints were pre-established for the most part by Copland and his assistants. The largest subject are the portraits of Copland alone, both formal and informal, professional and amateur. Noteworthy subjects include many rarely-seen early portraits of Aaron Copland and the majority of the photographs reproduced in Copland's two volume autobiography, Copland, 1900-1943 (Volume I) and Copland Since 1943 (Volume II). Photographs from these books are identified with a Roman numeral I or II, designating the volume in which it was reproduced, followed by an Arabic numeral designating the page on which the photograph is found.

A large portion of the photo images were taken by Copland's life-long friend, the professional photographer, Victor Kraft (1915-76). Among the images produced by Victor Kraft are luminaries of the American music scene from the first half of the twentieth century, including Leonard Bernstein. Marc Blitzstein, Paul Bowles, David Diamond, Lukas Foss, Serge Koussevitzky, Walter Piston and the Tanglewood Music Festival during the 1940s. In fact, a significant amount of items correspond or overlap between this series and the Victor Kraft Material series. Illustrious photographers represented include Margaret Bourke-White, Irving Penn, Gordon Parks and Carl Van Vechten, among others. If photographic credits are not given, the photographer is, as yet, unidentified. See the Appendix: Photographs for information on how the negatives are arranged and for an explanation of the coding system.

The Victor Kraft Materials contain approximately 40,000 items and span the years c. 1918-1976. Victor Kraft (1915-76) was a professional photographer and life-long friend of Aaron Copland. They first became acquainted in the early 1930's and maintained close contact until Kraft's death. Copland was the godfather of Kraft's only child Jeremy, a son from his second wife Rheba. Kraft's photographs appeared in such prominent publications as Life Magazine, Harper's Bazaar, Junior Bazaar and the French art iournal L 'Oeil among others.

The bulk of the photoprints and negatives document Kraft's travels in Mexico in the 1930s (and/or 1950s?] and in Brazil from 1951-53. Notable subjects include formal and informal portraits of Aaron Copland, and portraits from the 1940s and 1950s of numerous composers and performers of the American music scene, including Leonard Bernstein, Paul Bowles, Edwin Denby, Lukas Foss, Erik Johns, William Kapell, Dmitri Mitropoulos, and Robert Shaw. The Tanglewood Music Festival during the 1940s is also well represented with many historically interesting images to be found in the photoprints, as well as the contact sheets and negatives. Photoprints by other prominent photographs are represented -- Cecil Beaton (portraits of Victor Kraft and a self-portrait photocard), Ronny Jaques (a signed portrait of Carson McCullough), and Carl Van Vechten (1935 portraits of Victor Kraft). All other images are assumed to have been created by Victor Kraft unless otherwise noted. Of other interest are the series of letters to Kraft from Paul Bowles, and a sampling of Kraft's original negative sleeves which reveal insights into his systematization and methodology. See the Appendix: Victor Kraft Materials for information on how the negatives are arranged and for an explanation of the coding system.

The Copland Library series comprises selected books on a wide range of musical and general subjects from Copland's personal library. Most are signed, usually by the author, or contain annotations or information about Copland. The books reflect Copland's wide and varied interests and include those books written by Copland and translated into various languages. Many books concentrate on Copland's interest in French culture after his years of study in Paris.

 Biography 1900 Nov 14Born in Brooklyn, New York to Harris Morris Copland and Sarah Mittenthal Copland, the fifth and last child. 1914Started private piano lessons with Leopold Wolfsohn, Brooklyn, NY: subsequently studied piano with Victor Wittgenstein and Clarence Adler. 1917-1921Studied harmony and counterpoint with Rubin Goldmark in New York City. 1918Graduated from Boys' High School in Brooklyn. 1921 SummerStudied at newly established American Conservatory at Fontainebleau near Paris. 1921 FallFirst piano piece, Scherzo Humorisque (The Cat and the Mouse), sold and published by Durand. 1921 Fall-1924Studied composition and orchestration with Nadia Boulanger in Paris. 1925Wrote first of many articles for Modern Music 1925 Jan 11Symphony for Organ and Orchestra (1924) performed by the New York Philharmonic, with Nadia Boulanger as soloist and Walter Damrosch as conductor; later, performed by Serge Koussevitzky, who originally suggested the composition, and the Boston Symphony Orchestra. 1925 SummerFirst stay at MacDowell Colony to work on Music for the Theatre, commissioned by the League of Composers, with the first performance scheduled in November with Serge Koussevitzky and the Boston Symphony Orchestra. 1925-1926Recipient of Guggenheim Memorial Fellowship, the first in music, which was renewed for the 1926-1927 season. 1927 Jan 28Copland performed his Concerto for Piano and Orchestra (1926) with Boston Symphony, conducted by Serge Koussevitzky. 1927-1929Wrote Symphonic Ode for the 50th anniversary of the Boston Symphony Orchestra in 1930; subsequently, revised the composition for the 75th anniversary of the orchestra in 1955. 1927Began lecturing at New School for Social Research, New York City. 1928-1954Joined League of Composers; later, in 1932, began serving on the Board of Directors. 1928Assisted Alma Morganthau Werthein in establishing the Cos Cob Press which later became Arrow Music Press. 1928-1932Co-founder with Roger Sessions or Copland-Sessions Concerts of Contemporary Music. 1929Awarded $5,000 prize from the RCA Victor Competition for Dance Symphony (1929), based on portions of unperformed ballet Grohg. 1930Wrote first extended piano work, Piano Variations. 1932Organized first Festival of Contemporary Music at Yaddo. Saratoga Springs, NY, and the second one the following year. 1935Taught composition at Harvard University while Walter Piston was on leave of absence. 1937-1945Co-founder and president of the American Composers Alliance. 1938-1972Co-founder and treasurer of Arrow Music Press, which incorporated the former Cos Cob Press. 1938 Oct 16First performance of ballet, Billy the Kid, written for Lincoln Kirstein and the Ballet Caravan. 1939Published first book, What to Listen for in Music, based on lectures given at the New School for Social Research. 1939 Oct 13Elected president of American Composers Alliance. 1940-1965At request of Serge Koussevitzky, taught composition during first season of Berkshire Music Center at Tanglewood; when Tanglewood reopened in 1946 after the war, Copland assumed many administrative positions in addition to teaching until his retirement an 1965. 1941Published book, Our New Music, based on lectures at the New School for Research. 1941Toured Latin America to lecture, perform and conduct on a grant made possible by the Committee for Inter-American Artistic and Intellectual Relations. 1942Completed Lincoln Portrait, commissioned by Andre Kostelanetz, with text created by Copland from speeches and letters of Abraham Lincoln. 1942Composed ballet, Rodeo, commissioned by Agnes de Mille. 1942Completed the Fanfare for the Common Man from a request by Eugene Goossens who conducted the premiere in 1943 with the Cincinnati Symphony Orchestra. 1942 May 8Elected a member in the Department of Music or the National Institute of Arts and Letters. 1945Awarded Pulitzer Prize and Music Critic's Circle of New York for Martha Graham ballet, Appalachian Spring (1944), commissioned by Elizabeth Sprague Coolidge Music Foundation. 1946 Jan 24Elected a member of the American Society of Composers, Authors and Publishers (ASCAP). 1947Received Music Critics Circle Award for Third Symphony (1944-46). 1947-48Wrote Clarinet Concerto commissioned by Benny Goodman and later choreographed by Jerome Robbins for the ballet Pied Piper (1951). 1947Again, toured Latin America to lecture, perform and conduct under the sponsorship of the State Department. 1950Won Oscar for the music score to the film, The Heiress. 1950Finished composing the Twelve Poems of Emily Dickinson. 1951-1952Appointed Charles Eliot Norton Professor ot Poetics at Harvard Univenity and delivered a series of six lectures, the first time that an American composer was named as a Poetry Chair. 1952Published new book, Music and Imagination, based on Charles Eliot Norton lectures at Harvard University. 1954 Apr 2Premiere of full length opera, The Tender Land, by the New York City Opera Company. 1956Received Gold Medal in Music from the National Insitute and American Academy of Arts and Letters. 1956Received first ot many honorary Doctor of Music degrees from Princeton University. 1960Published fourth book, Copland on Music, which included reprints from previous publications and new material. 1961Received the MacDowell Colony Medal for distinguished service in the field of music from the Edward MacDowell Association. 1961-1968Served seven years as president of the Edward MacDowell Association. 1962Premiere or Connotations commissioned by the New York Philharmonic for the opening of Philharmonic Hall (later Avery Fisher Hall) at Lincoln Center. 1964Received Medal of Freedom, the "highest civil honor conferred by the President of the United States for service in peacetime," from President Lyndon B. Johnson. 1965-1966Wrote, conducted and hosted series of 12 television programs, Music in the 20s, for National Educational Television. 1967Composed Inscape which was commissioned by the New York Philharmonic to celebrate their 125th anniversary. 1968Revised and enlarged earlier book, Our New Music, and published it under a new title, The New Music: 1900-I960. 1970Awarded prestigious Howland Memorial Medal from Yale University. 1975-1976Interviews of Copland begun by Vivian Perlis for an oral history protect in American Music at Yale University which became the foundation for a collaboration on a two volume autobiography, Copland: 1900 through 1942, first published in 1984, and Copland: Since 1943, first published in 1989. 1986Medal of the Arts conferred by President Reagan; also, awarded the Congressional Gold Medal by the House of Representatives. 1990 Dec 2Died at North Tarrytown, New York. 1954 Dec 3Elected member of the American Academy of Arts and Letters. Container List Music Music, 1841-1988 and undated (208 boxes).

Music by Aaron Copland, 1911-1985 and undated (122 boxes).

Boxes 1-117F

Music Manuscripts and Printed Editions by Aaron Copland, Published Compilations of Works by Copland, and Music Composed by Copland Assigned ARCO Number (1920-1985 and undated). Includes manuscripts, copies of manuscripts (ozalids, photocopies and photostats) and printed scores of Copland's original compositions, adaptations and transcriptions, compilations of Copland's works, and adaptations and transcriptions by other composers. Arranged numerically by Copland's numbering system, then by decimal numbers for manuscripts and copies of manuscripts and by alphabetic suffix for published editions (except works not numbered arranged alphabetically by title).

Juvenilia: Works by Copland (1911-1926 and undated)

Divided into Juvenilia Arranged Chronologically, Juvenilia Arranged Alphabetically by Title, and Copland Transcriptions or Arrangements of Works by Others. Included manuscripts and student music notebooks. Arranged either chronologically or alphabetically, except Copland Transcriptions or Arrangements of Works by Other arranged alphabetically by composer, then by title.

Music by Others, 1841-1988 and undated (86 boxes)

Boxes 118-196H

Music Manuscripts and Facsimiles by Others (1912-1988) includes some manuscripts, copies of manuscripts, copies of manuscripts (i.e. photocopies and photostats) of scores and some parts. Arranged alphabetically by composer, then by title.

Printed Music by Others (1841-1986) includes printed scores of original compositions and transcriptions. Arranged alphabetically by composer, compiler, or editor, then by title.

 Music Manuscripts and Printed Editions by Aaron Copland 1/1Humoristic scherzo : the cat and the mouse [piano work]

Scherzo humoristique : le chat et la souris. Ms. Piano solo; 4 p.; 34.5 cm. Note: Holograph in ink. At end: Completed March 19, 1920. On microfilm: MUSIC 1906, Item 6.

 1/1.1Humoristic scherzo : the cat and the mouse [piano work]

Humoristic scherzo : the cat and the mouse. Ms. Piano solo (incomplete); 3 p.; 34.5 cm. Note: Holograph in ink and pencil.

 1/1.2Humoristic scherzo : the cat and the mouse [piano work]

Scherzo humoristique : le chat et la souris = The cat and the mouse. Publisher's proof. Paris: Durand & Cie., [1921]; c1921 by Durand & Cie. Plt.: D. & F. 10,107. Piano solo; 5 leaves. Note: Marginalia in ink and pencil by Nadia Boulanger.

 1/1aHumoristic scherzo : the cat and the mouse [piano work]

Scherzo humoristique : le chat et la souris = The cat and the mouse / pour piano 2 mains. Paris: Durand & Cie., 1948; c1921 by Durand. Plt.: D. & F. 10,107. Piano solo; 5 p. Note: At end: Novembre 1948.

 1/1bHumoristic scherzo : the cat and the mouse [piano work]

The cat and the mouse. New York: Boosey & Hawkes, 1950; c1921b by Durand & Cie.; renewed 1949 in U.S.A. by Aaron Copland; assigned 1950 for U.S.A. to Boosey & Hawkes. Plt.: Pa. 82. Piano solo; 7 p.

 1/2An old poem = Vieux poeme [song]

An old poem (melodie chinoise). Ms. Score for voice (soprano) and piano; 3 p.; 34.5 cm. Note: Holograph in ink. English text. At end: June 1920.

 1/2.1An old poem = Vieux poeme [song]

An old poem (melodie chinoise). Ms. Score for voice and piano; 3 p.; 34.5 cm. Note: Holograph in ink. English text. At end: June 1920.

 1/2.2An old poem = Vieux poeme [song]

Old poem. Ms. Vocal score; 2 p.; 17.5 x 27 cm. Note: Holograph in ink. French text.

 1/2.3An old poem = Vieux poeme [song]

An old poem : song for soprano with piano accompaniment. Ms. Score for voice (soprano) and piano; 3 p.; 34.5 cm. Note: Holograph in ink and pencil. English text. At end: June 1920.

 1/2.4An old poem = Vieux poeme [song]

Old poem. Publisher's proof. Paris: Éditions Maurice Senart, [1923]; c1923 by Éditions Maurice Senart. Plt.: E.M.S. 6198. Score for high voice and piano; 3 leaves Note: English and French text. Marginalia in ink and pencil by Nadia Boulanger. At end: June 1920.

 1/2aAn old poem = Vieux poeme [song]

Old poem. Paris: Éditions Maurice Senart, [1923]; c1923 by Éditions Maurice Senart. Plt.: E.M.S. 6198. Score for high voice and piano; 3 p. (2 copies). Note: English and French text. Inscribed on title page of Copy 1: For Mamasha and Papasha (with hope that Larinka won't try to sing it for them!) Paris - Dec. 1923. At end: June 1920.

 1/2bAn old poem = Vieux poeme [song]

Old poem. Paris: Éditions Salabert, [1923]; c1923 by Éditions Maurice Senart. Plt.: E.M.S. 6198. Score for high voice and piano; 3 p. Note: English and French text. At end: June 1920.

 1/2cAn old poem = Vieux poeme [song]

Old poem. New York: Boosey & Hawkes, 1985; c1923 by Éditions Maurice Senart; renewed 1951 by Aaron Copland. Plt.: E.M.S. 6198. Score for high voice and piano; 4 p. Note: English and French text. At end: June 1920.

 1/3-APastorale [song]

Pastorale. Ms. Score for soprano and piano; 3 p.; 34 cm. Note: Holograph in ink and pencil. English text. Words translated from the Kafiristan by E. Powys Mathers. At end: Apr. 4-12, 1921.

 1/3-A.1Pastorale [song]

Pastorale. Ms. (photostat). Score for soprano and piano; 2 p.; 28 cm. Note: English text. At end: April 4-12, 1921.

 1/3-A.2Pastorale [song]

Pastorale. Ms. Score for voice and piano (incomplete); 1 leaf; 34.5 cm. Note: Holograph in ink. English text.

 1/3-AaPastorale [song]

Pastorale. New York: Boosey & Hawkes, 1979; c1979 by Aaron Copland. Plt.: S. 2690. Score for high voice and piano; 2 p. Note: English text. At end: April 4-12, 1921. Duration: ca. 3 min.

 1/3-BAlone [song]

Alone. Ms. Score for voice and piano; 3 p.; 35 cm. Note: Holograph in pencil. English text. At end: Feb. 25, 1922.

 1/3-B.1Alone [song]

Alone. Ms. Score for voice and orchestra; 10 p.; 35.5 cm. Note: Holograph in pencil. English text.

 1/3-B.2Alone [song]

Alone : melodie pour chant et piano. Ms. Score for voice and piano; 3 p.; 35 cm. Note: Holograph in ink. English text. On title page: Words translated from the Arabic of John Duncan by E. Powys Mathers.

 1/3-B.3Alone [song]

Alone : song for voice, piano, and viola. Ms. Score for voice, viola, and piano; 4 p.; 34.5 cm. Note: Holograph in pencil. At end: Dec. 2, 1921.

 1/4Four motets ; 4 motets = Quatre motets [chorus]

Four motets : for mixed chorus, a cappella. Ms. Score for mixed chorus (SATB); 12 p.; 36.5 cm. Note: Holograph in ink. English text. On title Page: (1921-22) student work; words and music by Aaron Copland; N.B.- words have been arranged from the Bible; 'student' work (not to be published) A.C.; Permission granted for publication in 1979. At end: Winter of 1921-22.

 1/4.1Four motets ; 4 motets = Quatre motets [chorus]

Four motets. Ms. Score for mixed chorus; [13] p. (unnumbered); 35 cm. Note: Holograph in pencil and ink. English text. At end of Motet I:12-9-21.

 1/4.2Four motets ; 4 motets = Quatre motets [chorus]

"4 motets". Ms. Score for mixed chorus (SATB); [12] p.; 35 cm. Note: Holograph in ink with annotations in pencil. English text.

 1/4.3Four motets ; 4 motets = Quatre motets [chorus]

"4 motets". Ms. Score for mixed chorus (SATB); 12 p.; 35 cm. Note: Holograph in ink. English text. Stamped N.B.

 1/4.4Four motets ; 4 motets = Quatre motets [chorus]

"4 motets". Ms. Score for mixed chorus (SATB); 11 p.; 30.5 cm. Note: Holograph in ink. English text. Stamped N.B.

 1/4.5Four motets ; 4 motets = Quatre motets [chorus]

Four motets. Ms. Score for mixed chorus (SATB); 12 p.; 36 cm. Note: Holograph in ink. English text. Stamped N.B.

 1/4.6Four motets ; 4 motets = Quatre motets [chorus]

"Quatre motets" / pour un chorus mixte a cappella. Ms. Score for mixed chorus (SATB); 11 p.; 34 cm. Note: Holograph in ink with annotations in pencil. English text. At end: Dec. 1921.

 1/4.7Four motets ; 4 motets = Quatre motets [chorus]

"4 motets". Mss. Soprano vocal parts; Nos. I-IV; 33-35.5 cm. Note: Manuscript in ink and pencil. English text.

 1/4.8Four motets ; 4 motets = Quatre motets [chorus]

"4 motets". Mss. Alto vocal parts; Nos. I-IV; 33-35.5 cm. Note: Manuscript in ink and pencil. English text.

 1/4.9Four motets ; 4 motets = Quatre motets [chorus]

"4 motets". Mss. Tenor vocal parts; Nos. I-IV; 30.5-33 cm. Note: Manuscript in ink and pencil. English text.

 1/4.10Four motets ; 4 motets = Quatre motets [chorus]

"4 motets". Mss. Bass vocal parts; Nos. I-IV; 33-36 cm. Note: Manuscript in ink and pencil. English text.

 1/4.11Four motets ; 4 motets = Quatre motets [chorus]

"4 motets". Mss. Instrumental parts; for Nos. I-III; 31.5-35 cm. Note: Manuscript in ink and pencil.

 1/4 miscFour motets ; 4 motets = Quatre motets [chorus]

"4 motets". Mss. (photocopies). Pages from corrected manuscript proofs; 14 leaves; various sizes. Pages from ARCO 4.3.

 1/4a, No. IFour motets ; 4 motets = Quatre motets [chorus]

"Help us, O Lord". [New York]: Boosey & Hawkes, [1979]; c1979 by Aaron Copland. Plt.: Oct. 6018. Score for mixed chorus (SATB), a cappella; 7 p. (2 copies). Note: English text. Duration: 2', 40".

 1/4a, No. IIFour motets ; 4 motets = Quatre motets [chorus]

"Thou O Jehovah, abideth forever". [New York]: Boosey & Hawkes, [1979]; c1979 by Aaron Copland. Plt.: Oct. 6019. Score for mixed voice (SATB), a cappella; 8 p. Note: English text. Duration: 2', 30".

 1/4b, No. IIFour motets ; 4 motets = Quatre motets [chorus]

"Gud ar min raddning" = "Thou, O Jehovah abideth forever". Stockholm: Reprinted by AB Carl Ghermans Musikforlag with permission from Boosey & Hawkes, Inc., [1987]; c1979. Plt.: CG 6597. Choral score (SATB); 8 p. Note: Swedish text.

 1/4a, No. IIIFour motets ; 4 motets = Quatre motets [chorus]

"Have mercy on us, O my Lord". [New York]: Boosey & Hawkes, [1979]; c1979 by Aaron Copland. Plt.: Oct. 6020. Score for mixed voices (SATB), a cappella; 8 p. Note: English text. Duration: 3', 40".

 1/4a, No. IVFour motets ; 4 motets = Quatre motets [chorus]

"Sing ye praises to our king". [New York]: Boosey & Hawkes, [1979]; c1979 by Aaron Copland. Plt.: Oct. 6021. Score for mixed voices (SATB), a cappella; 10 p. Note: English text. Duration: 2', 30".

 44/5Passacaglia [piano work]

Passacaglia. Ms. Piano solo; 8 p.; 35 cm. Note: Holograph in ink and pencil.

 44/5.1Passacaglia [piano work]

Passacaglia. Ms. Piano solo; 4 p. (ms.), 4 p. (photocopy); 35 cm. Note: Holograph in ink and pencil. On microfilm: MUSIC 1906, Item 36.

 44/5.2Passacaglia [piano work]

Passacaglia : pour piano seul. Ms. Piano solo (score & sketches); 8 p.; 35 cm. Note: Holograph in pencil; holograph sketches laid in (8 p.). On microfilm: MUSIC 1906, Item 36.

 44/5.3Passacaglia [piano work]

Passacaglia. Ms. Organ solo; 10 p.; 33.5 cm. Note: Holograph in ink and pencil; contains several emendations on color paper paste-overs. Transcribed for organ by Melville Smith. Laid in: Correspondence from "Martha", dated March 22, 1971.

 44/5.4Passacaglia [piano work]

Passacaglia : a Mlle. Nadia Boulanger. Ms. Organ solo; 10 p.; 34 cm. Note: Holograph in pencil and ink; contains several emendations on color paper paste-overs. Transcribed for organ by Melville Smith.

 44/5.5Passacaglia [piano work]

Passacaglia (orchestral). Ms. Full score; 11 p.; 40 cm. Note: Holograph in pencil.

 44/5aPassacaglia [piano work]

Passacaglia : pour piano. Paris: Éditions Maurice Senart, [1922]; c1922 by Éditions Maurice Senart. Plt.: E.M.S. 4985. Piano solo; 7 p. Note: Holograph markings in pencil throughout. At head: A Mademoiselle Nadia BOU-LANGER.

 44/5bPassacaglia [piano work]

Passacaglia : pour piano. Paris: Éditions Salabert, 1959; c1922 by Éditions Maurice Senart. Plt.: S. 4985. Piano solo; 8 p. (2 copies). Note: At top of Copy 1 in pencil: Copy corrected by Aaron Copland. Duration: ca. 6.5 min.

 44/5cPassacaglia [piano work]

Passacaglia : for piano. New York: Boosey & Hawkes, 1987; c1922 by Maurice Senart; renewed 1950 by Aaron Copland. Plt.: PIB 439. Piano solo; 7 p.

 44/5dPassacaglia [piano work]

Passacaglia. New York: Éditions Salabert, [n.d.]; c1922 by Éditions Maurice Senart. Plt.: S. 4985. Piano solo; 8 p.

 44/6As it fell upon a day [song]

As it fell upon a day : song for soprano / with accompaniment of flute & clarinet. Ms. Score for voice, flute and clarinet; 10 p.; 36 cm. Note: Holograph in ink and pencil. English text. Words from Richard Barnefield. At end: Vienna Summer of 1923. On microfilm: MUSIC 1906, Item 1.

 44/6.1As it fell upon a day [song]

[As it fell upon a day] : melodie pour chant / avec accompaniment de flute et clarinette. Ms. Score for voice, flute and clarinet; [8] p. (pp. 3-10); 35.5 cm. Note: Holograph in pencil. English text. On microfilm: MUSIC 1906, Item 1.

 44/6.2As it fell upon a day [song]

As it fell upon a day : melodie pour soprano / avec accompaniment de flute et clarinette. Ms. Score for voice, flute and clarinet; 3 leaves; 35 cm. Note: Holograph in pencil. On cover page: Original pencil manuscript.

 44/6.3As it fell upon a day [song]

As it fell upon a day : song for soprano / with accompaniment of flute and clarinet. Ms. Score for voice, flute and clarinet; 7 p.; 34 cm. Note: Holograph in ink and pencil. English text. Words by Richard Barnefield. At end: Wien, Summer of 1923.

 44/6.4As it fell upon a day [song]

As it fell upon a day. Mss. Parts for flute and clarinet. Note: Copyist's manuscripts in ink and pencil.

 44/6aAs it fell upon a day [song]

As it fell upon a day : song for soprano / with accompaniment of flute and clarinet. San Francisco: New Music Society of California, 1929; c1929 by Aaron Copland. Score for voice with accompaniment of flute and clarinet; 14 p. (2 copies). Ser. ed.: Henry Cowell. Ser. title: New Music: A Quarterly of Modern Compositions, Vol. 2, No. 4. Note: English text.

 45/7Symphony for organ and orchestra

Symphony for organ and orchestra. Ms. Full score; 85 p.; 40-45.5 cm. Note: Holograph in ink and pencil. At head: To Nadia Boulanger -- with admiration, A.C. At end: May-Nov. 1924. On microfilm: MUSIC 1906, Item 93.

 45/7.1Symphony for organ and orchestra

Symphony for organ and orchestra. Ms. Orchestral sketches; 55 p. (12, 20, 23 p.); 34.5 cm. Note: Holograph in ink and pencil. On microfilm: MUSIC 1906, Item 93.

 45/7.2Symphony for organ and orchestra

Symphony for organ and orchestra. Ms. Orchestral sketches; 46 p.; 34.5-36.5 cm. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 93.

 45/7.3Symphony for organ and orchestra

Symphony for organ and orchestra. Ms. Organ part; 54 p.; 34.5 cm. Note: Holograph in ink. At end: May-Sept. 1924 Aaron Copland. On microfilm: MUSIC 1906, Item 93.

 45/7.4Symphony for organ and orchestra

Symphony for organ and orchestra. Ms. (ozalid). Organ part; 27 p.; 36 cm. Note: Copyist's manuscript, unmarked. On microfilm: MUSIC 1906, Item 93.

 45/7.5Symphony for organ and orchestra

Symphony for organ and orchestra. Ms. (ozalid). Full score; 85 p.; 40.5 cm. Note: Title page (or cover page) is manuscript in ink; remainder of item is a copy of copyist's manuscript.

 45/7.6Symphony for organ and orchestra

Symphony for organ and orchestra. Ms. (ozalid). Full score; 83 p.; 43.5 cm. (spiral bound). Note: Copyist's manuscript, unmarked. Duration: 25 min.

 45/7aSymphony for organ and orchestra

Symphony for organ and orchestra. London: Boosey & Hawkes, [1963]; c1931 by Cos Cob Press, Inc.; renewed in 1958; version for organ and orchestra copyright 1963 by Aaron Copland. Plt.: H.& B. 19029. Full score; 56 p. (3 copies, Copy 3 bound). Note: Copies 1 and 2 contain holograph markings in pencil throughout; Copy 3 unmarked. Duration: 25 min.

 45/7bSymphony for organ and orchestra

Symphony for organ and orchestra. London: Boosey & Hawkes, 1963; c1931 by Cos Cob Press, Inc.; renewed in 1958; version for organ and orchestra copyright 1963 by Aaron Copland. Plt.: B.& H. 19029. Full score (miniature); 56 p. Ser. title: Hawkes Pocket Scores, No. 745. Note: Duration: 25 min.

 46/8Grohg [ballet]

Grohg : ballet in one act (revised 1932). Ms. Full score; 191 p.; 40 cm. (bound). Note: Holograph in ink; several sections are photocopies of original manuscript. Attached to third preliminary page is a typescript, titled PRE-LIMINARY NOTE, which gives general background information about the score and the ballet.

 46/8.1Grohg [ballet]

Grohg : ballet in one act (1925). Ms. Full score sketches; 46 leaves (79, [2] p.); 34-35 cm. Note: Holograph in pencil. Included is letter from Ronald Caltabiano (assistant to Aaron Copland) to Sylvia Goldstein regarding differences between original manuscript and original pencil sketches. A photocopy of the letter contains notes in red by Mr. Caltabiano dated 3/30/88. Each leaf is housed separately in mylar jackets; the jackets are annotated with conductor's markings on small pieces of paper. The letter to Ms. Goldstein refers to these markings.

 2/8.2Grohg [ballet]

Grohg : ballet in one act. Ms. Additional piano sketches; various pagings; 35 cm. Note: Holographs in pencil. On microfilm: MUSIC 1906, Item 23.

 2/8.3Grohg [ballet]

Grohg : ballet in one act. Ms. Piano solo; 43 p.; 34.5 cm. Note: Holograph in ink and pencil. Duration: 30 min.

 2/8.4Grohg [ballet]

Grohg : ballet in one act. Ms. (photocopy). Piano solo; [12] p.; 38.5 x 25 cm. (bound). Note: This item is a miniaturized photocopy of manuscript ARCO 8.3. Duration: 30 min.

 2/8.5Grohg [ballet]

Petites valses (origin of ballet Grohg). Ms. Piano sketch; 4 p.; 35 cm. Note: Holograph in pencil.

 2/8.6Grohg [ballet]

Trois dances du ballet Grohg / en un acte. Ms. Score for two pianos (draft); 68 p.; 36 cm. Note: Holograph in pencil. CONTENTS: I) Dance of the adolescent; II) Dance of the opium eater; III) Dance of the street-walker.

 2/8.7Grohg [ballet]

Three dances from Grohg : ballet in one act. Ms. Score for two pianos; pages unnumbered; 35 cm. Note: Holograph in pencil. CONTENTS: 1) Dance of the adolescent; II) Dance of the opium eater; III) Dance of the street-walker.

 47/8 miscGrohg [ballet]

Grohg (Cortege macabre) : ballet in one act. Mss. Miscellaneous pages from full scores, two piano arrangements, ballet synopsis, etc.; 40.5 cm. Note: Holographs in ink and pencil.

 47/8-ACortege macabre : from ballet Grohg

Cortege macabre. Ms. Full score sketch; 47 p.; 35 cm. Note: Holograph in pencil. At head: 1923.

 47/8-A.1Cortege macabre : from ballet Grohg

Cortege macabre : from Grohg / ballet in one act. Ms. Full score; 58 p.; 41 cm. Note: Holograph in ink; item includes photocopies.

 47/8-A.2Cortege macabre : from ballet Grohg

Cortege macabre. Ms. (photocopy). Full score; 58 p.; 40 cm. Note: Copy of manuscript ARCO 8-A.1.

 47/8-A.3Cortege macabre : from ballet Grohg

Cortege macabre. Ms. Score for two pianos (draft); 18 p.; 36 cm. Note: Holograph in pencil.

 47/8-A.4Cortege macabre : from ballet Grohg

Cortege macabre : from Grohg -- ballet in one act. Ms. Full score (incomplete); 7 p.; 40 cm. Note: Holograph in ink.

 47/8-A.5Cortege macabre : from ballet Grohg

Cortege macabre. Ms. (ozalid). 1st violin part; 6 p.; 34 cm. Note: Photocopied by Arrow Music Press, Inc., New York.

 47/8-A.6Cortege macabre : from ballet Grohg

Cortege macabre (from an unnamed ballet in one act) : for orchestra / arranged for two pianos by Aaron Copland. Ms. Score for two pianos; 41 p.; 35 cm. Note: Copyist's manuscript in ink.

 47/8-BDance of the adolescent : from ballet Grohg

Dance of the adolescent : from Grohg. Ms. Two piano transcription; 13 p.; 33.5 cm. Note: Holograph in pencil.

 47/8-B.1Dance of the adolescent : from ballet Grohg

Dance of the adolescent : from Grohg. Ms. Two piano transcription; 21 leaves; 30.5 cm. Note: Holograph in ink on transparent paper.

 47/8-B.2Dance of the adolescent : from ballet Grohg

Dance of the adolescent : from dance symphony. Ms. (ozalid). Two piano transcription; 21 p.; 30.5 cm. Note: Copy of holograph score ARCO 8-B.1.

 47/8-BaDance of the adolescent : from ballet Grohg

Dance of the adolescent. London: Boosey & Hawkes, [1968]; c1931 by Cos Cob Press, Inc.; renewed and assigned to Aaron Copland in 1958; two piano version copyright 1968 by Aaron Copland. Plt.: B.& H. 19589. Score for two pianos; 24 p. (2 parts in one folder). See also ARCO 11-Aa.

 Two choruses for women's voices : "The house on the hill"; "An immorality" 48/9-ATwo choruses for women's voices : "The house on the hill"; "An immorality"

"House on the hill" : for women's voices. Ms. Score (sketch) for women's voices (SSAA); 10 p.; 41 cm. Note: Holograph in pencil. English text. Words by Edward A. Robinson. On microfilm: MUSIC 1906, Item 79.

 48/9-AaTwo choruses for women's voices : "The house on the hill"; "An immorality"

"The house on the hill" : four-part chorus for women's voices / a cappella ; from "Children of the night" by Edward Arlington Robinson. Boston: E.C. Schirmer Music Co., [1926]; c1926 by E.C. Schirmer Music Co. Plt.: E.C.S. No. 231. Score for women's voices (SSAA); 11 p. (2 copies). Ser. title: Commonwealth Series, No. 445. Note: English text.

 48/9-AbTwo choruses for women's voices : "The house on the hill"; "An immorality"

"House on the hill" : four-part chorus for mixed voices a cappella; from "Children of the Night" by Edward Arlington Robinson. Boston: E.C. Schirmer Music Company, [1954]; c1926 by E.C. Schirmer Music Company; renewed 1954 by E.C. Schuirmer Music Co. Plt.: E.C.S. No. 231. Score for mixed voices (SSAA); 11 p. Issue No.: 445 (reissue of ARCO 9-Aa). Note: Holograph annotations in ink for SATB. English text.

 48/9-AcTwo choruses for women's voices : "The house on the hill"; "An immorality"

"The house on the hill" : for SSAA chorus / a cappella. [New York]: Boosey & Hawkes, 1990; c1926 by E.C. Schirmer Music Company; renewed 1954 by Aaron Copland. Plt.: OCTB6590. Choral score ( SSAA); 9 p. (3 copies). Note: English text by Edward Arlington Robinson.

 48/9-B"An immorality" : from Two choruses for women's voices

"An immorality" : chorus for women's voices & piano acc. Ms. Score for women's voices (SSA) and piano; 6 p.; 40 cm. Note: Holograph in pencil. English text. Words by Ezra Pound. On microfilm: MUSIC 1906, Item 80.

 48/9-Ba"An immorality" : from Two choruses for women's voices

"An immorality" : from "Lustra" by Ezra Pound. Boston: E.C. Schirmer Music Co., [1926]; c1926. Plt.: E.C.S. No. 232. Three-part chorus for women's voices (SSA); 15 p. (2 copies). Ser. title: Commonwealth Series, No. 444. Note: Holograph annotations in ink for SAB. English text.

 48/9-Bb"An immorality" : from Two choruses for women's voices

"An immorality" : three-part chorus for women's voices / with soprano solo. Boston: E.C. Schirmer Music Company, [1954]; c1926 by E.C. Schirmer Music Co.; renewed 1954 by E.C. Schirmer Music Co. Plt.: E.C.S. No. 232. Score for chorus (SSA) and piano; 15 p. Issue No: 444 (reissue of 9-Ba). Note: Holograph annotations in ink for SAB. English text by Ezra Pound from "Lustra".

 48/9-Bc"An immorality" : from Two choruses for women's voices

"An immorality" : for soprano solo, SSA chorus and piano. New York: Boosey & Hawkes, 1990; c1926 by E.C. Schirmer Music Company; renewed 1954 by Aaron Copland. Plt.: OCTB6589. Score for chorus and piano; 12 p. (6 copies). Note: English text by Ezra Pound form "Lustra".

 3/10Music for the theatre [suite]

Music for the theatre : suite in 5 parts for chamber orchestra. Ms. Full score (for 18 piece orchestra); 126 p.; 34.5 cm. Note: Holograph in ink and pencil. Dedicated to Serge Koussevitsky. At end: May to Sept. 1925. On microfilm: MUSIC 1906, Item 32 A.

 3/10.1Music for the theatre [suite]

Music for the theatre : suite in 5 parts for chamber orchestra. Ms. Orchestral sketches; 32 p.; 34.5 cm. Note: Holograph in pencil. Dedicated to Serge Koussevitsky. On microfilm: MUSIC 1906, Item 32 B.

 3/10.2Music for the theatre [suite]

Music for the theatre : suite in 5 parts for chamber orchestra. Ms. Score for piano -- 4 hands; 42 p.; 34.5 cm. Note: Holograph in ink and pencil. At end: May-Sept. 1925. On microfilm: MUSIC 1906, Item 32 B.

 3/10.3Music for the theatre [suite]

Music for the theatre : suite in five parts for small orchestra. Ms. Full score; 122 p.; 34 cm. (bound). Note: Holograph in ink and pencil. On first title page in pencil: Score prepared by a copyist for use by Koussevitsky at 1st performance in 1925. Duration: approximately 20 min.

 4/10aMusic for the theatre [suite]

Music for the theatre : suite in five parts for small orchestra. Austria: Cos Cob Press, Inc., [1932]; c1932 by Cos Cob Press. Full score; 71 p. (4 copies, Copy 2 bound). Note: All copies contain holograph markings in pencil throughout. Laid in Copy 3: top of page 9, re-barred; holograph in ink. Duration: approximately 20 min.

 4/10bMusic for the theatre [suite]

Music for the theatre : suite in five parts for small orchestra. New York: Cos Cob Press, Inc.; reissued under the auspices of Arrow Music Press, Inc., [1932]; c1932 by Cos Cob Press. Full score (miniature); 71 p. Note: Duration: approximately 20 min.

 4/10cMusic for the theatre [suite]

Music for the theatre : suite in five parts for small orchestra. New York: Boosey & Hawkes, [1956]; c1932 by Cos Cob Press, Inc.; assigned to Boosey & Hawkes in 1956. Plt.: F.S. 206. Full score; 71 p. (2 copies). Note: Copy 1 heavily marked. Duration: approximately 20 min.

 49/11A dance symphony [orchestra]

A dance symphony. Ms. Full score; 100 p.; 39.5 cm. Note: Holograph in ink. Based on the music from the ballet "Grohg". Duration: about 15 min. On microfilm: MUSIC 1906, Item 14.

 49/11.1A dance symphony [orchestra]

A dance symphony. Ms. (photostat). Full score (incomplete); 99 p.; 38.5 cm.

 49/11.2A dance symphony [orchestra]

A dance symphony. Ms. Score for piano, four hands; 48 p.; 36 cm. Note: Holograph in ink and pencil.

 49/11.3A dance symphony [orchestra]

A dance symphony. Ms. Full score; 53 leaves (several numbers skipped or pages missing); 41 cm. Note: Holograph in ink and pencil.

 49/11 miscA dance symphony [orchestra]

Dance symphony. Mss. Miscellaneous pages from full score; various sizes. Note: Holographs in ink and pencil.

 49/11aA dance symphony [orchestra]

Dance symphony : for large orchestra. Austria: Cos Cob Press, Inc., [1931]; c1931 by Cos Cob Press. Full score; 87 p. (2 copies). Note: Both copies heavily marked. Laid in Copy 1: One typescript page and two handwritten pages of "corrections". Duration: 16:48.

 49/11bA dance symphony [orchestra]

Dance symphony : for large orchestra. New York: Cos Cob Press, Inc.; reissued through the auspices of Arrow Music Press, Inc., [1931]; c1931 by Cos Cob Press. Full score (miniature); 87 p. Note: Duration: 20 min.

 49/11AaDance of the adolescent : from Dance symphony

Dance of the adolescent : from Dance Symphony. [London]: Boosey & Hawkes, [1968]; c1931 by Cos Cob Press, Inc.; renewed in 1958 and assigned to Aaron Copland; two piano version copyright 1968 by Aaron Copland. Plt.: B.& H. 19589. Score for two pianos; 24 p. (2 parts in one folder). Same as ARCO 8-Ba.

 50/12Concerto for piano and orchestra

Concerto for piano and orchestra. Ms. Full score sketch; 55 p.; 40 cm. Note: Holograph in pencil. On first page: Begun Oct. 16, 1926. On microfilm: MUSIC 1906, Item 12.

 50/12.1Concerto for piano and orchestra

Concerto (in one movement--two parts) for piano and orchestra. Ms. Short score for piano and orchestra; 33 p.; 34.5 cm. Note: Holograph in ink and pencil. On title page: Fantasie or concerto (in one movement). At end: Jan.-Nov. 1926. On microfilm: MUSIC 1906, Item 11.

 50/12aConcerto for piano and orchestra

Concerto for piano and orchestra. Austria: Cos Cob Press, Inc., [1929]; c1929 by Cos Cob Press. Full score; 67 p. (3 copies, Copy 3 bound). Note: All copies have holograph markings in pencil throughout. Laid in Copy 1: Typed letter to Copland from Harry Kownatsky (Acting Curator at the Free Library of Philadelphia, 4/20/54) regarding three leaves of orchestral changes also included with this volume. Laid in Copy 2: Two promotional flyers for CONCERTS AT THE CAPITOL, featuring Mr. Copland as guest conductor of the National Symphony Orchestra on Memorial Day, May 26, (year unknown); and two handwritten leaves regarding instrumentation for pieces to be performed at the Memorial Day Concert along with the rehearsal and program order.

 50/12bConcerto for piano and orchestra

Concerto for piano and orchestra. New York: Cos Cob Press, Inc.; reissued under the auspices of Arrow Music Press, Inc., [1929]; c1929 by Cos Cob Press. Full score (miniature); 67 p. Note: Duration: 18 min.

 50/12cConcerto for piano and orchestra

Concerto for piano and orchestra. New York: Boosey & Hawkes/Cos Cob Press, Inc.; reissued under the auspices of Arrow Music Press, Inc., [1929]; c1929 by Cos Cob Press. Full score (miniature); 67 p. Ser. title: Hawkes Pocket Scores, No. 696. Note: Holograph markings in pencil throughout. Performance time: 18 min.

 50/12dConcerto for piano and orchestra

Concerto for piano and orchestra. New York: Boosey & Hawkes, [1956]; c1929 by Cos Cob Press, Inc.; renewed in 1956 by Aaron Copland; renewed copyright assigned to Boosey & Hawkes in 1956. Plt.: F.S.207. Full score; 67 p. Note: Holograph markings in pencil throughout.

 50/12AConcerto for piano and orchestra [two pianos]

Concerto for piano and orchestra. Ms. Score for 2 pianos (four hands) and orchestra; 45 p.; 35.5 cm. Note: Holograph sketches in ink. On title page: (Arranged for 2 pianos by the composer). On microfilm: MUSIC 1906, Item 11.

 50/12A.1Concerto for piano and orchestra [two pianos]

Concerto (in one movement - two parts) for piano and orchestra. Ms. (ozalid). Score for two pianos; 31 p.; 32.5 cm. Note: Transcribed for two pianos by John Kirkpatrick, Jr. On title page: "To Alma Wertheim". At end: Jan.-Nov. 1926.

 50/12AaConcerto for piano and orchestra [two pianos]

Concerto (in one movement -- two parts) for piano and orchestra. New York: Cos Cob Press, Inc., [1929]; c1929 by Cos Cob Press. Score for two pianos, four-hand arrangement; 30 p. (2 copies). Note: Both copies have holograph markings in pencil throughout.

 50/12AbConcerto for piano and orchestra [two pianos]

Concerto (in one movement -- two parts) for piano and orchestra. New York: Cos Cob Press, Inc.; reissued under the auspices of Arrow Music Press, Inc., [1929]; c1929 by Cos Cob Press. Score for two pianos, four- hand arrangement; 30 p. (2 copies). Note: Transcribed for two pianos by John Kirkpatrick, Jr.

 50/12AcConcerto for piano and orchestra [two pianos]

Concerto (in one movement -- two parts) for piano and orchestra. New York: Boosey & Hawkes, [1956]; c1929 by Cos Cob Press, Inc.; renewed 1956 by Aaron Copland. Plt.: B.Two Pa. 67. Score for two-piano, four- hand arrangement; 30 p. (2 copies in one volume). Note: Contains some holograph markings in pencil.

 5/13Two pieces for violin and piano = Deux pièces pour violon et piano : 13-A) "Nocturne" ; 13-B) "Serenade" ; Ukelele serenade"

Two pieces for violin and piano : A) "Nocturne"; B) "Serenade" (original title). Ms. Score for violin and piano; 17 p.; 35.5 cm. Note: Holograph in pencil. On title page: First unrevised pencil copy. At end: Paris April 1926.

 5/13.1Two pieces for violin and piano = Deux pièces pour violon et piano : 13-A) "Nocturne" ; 13-B) "Serenade" ; Ukelele serenade"

Two pieces for violin and piano : A) "Nocturne"; B) "Serenade". Ms. Sketch (score) for violin and piano; 12 p.; 34.5 cm. Note: Holograph in pencil. At top of page 1: First sketches. At bottom of page 8: Paris April 1926.

 5/13.2Two pieces for violin and piano = Deux pièces pour violon et piano : 13-A) "Nocturne" ; 13-B) "Serenade" ; Ukelele serenade"

Two pieces for violin and piano : A) "Nocturne"; B) "Ukelele serenade". Ms. Score for violin and piano; 18 p.; 36 cm. Note: Holograph in ink and pencil. At end: Paris April.

 5/13.3Two pieces for violin and piano = Deux pièces pour violon et piano : 13-A) "Nocturne" ; 13-B) "Serenade" ; Ukelele serenade"

Two pieces for violin and piano : A) "Nocturne"; B) "Ukelele serenade". Ms. (negative photostat). Score for violin and piano; 18 p.; 35.5 cm. Note: At end: Paris April 1926.

 5/13.4Two pieces for violin and piano = Deux pièces pour violon et piano : 13-A) "Nocturne" ; 13-B) "Serenade" ; Ukelele serenade"

A) "Nocturne" ; B) "Ukelele serenade". Ms. Violin part; 4 p.; 35 cm. Note: Holograph in ink.

 5/13.5Two pieces for violin and piano = Deux pièces pour violon et piano : 13-A) "Nocturne" ; 13-B) "Serenade" ; Ukelele serenade"

A) "Nocturne" ; B) "Serenade". Ms. Violin part; 6 p.; 35 cm. Note: Holograph in ink and pencil.

 5/13 miscTwo pieces for violin and piano = Deux pièces pour violon et piano : 13-A) "Nocturne" ; 13-B) "Serenade" ; Ukelele serenade"

[A) "Nocturne" ; B) "Ukelele serenade"]. Mss. Miscellaneous pages from Nocturne and Ukelele Serenade; 2 leaves Note: Includes ozalid copy of page 2 of Nocturne, and holograph leaf in ink and pencil of page 13 of Ukelele serenade.

 5/13-A"Nocturne" : from Two pieces for violin and piano

"Nocturne". Ms. (photostat). Violin part; 2 leaves; 33 cm.

 5/13-Aa"Nocturne" : from Two pieces for violin and piano

"Nocturne". Mainz, Germany: B. Schott's Sohne, [1928]; c1928 by B. Schott's Sohne. Plt.: 32086. Score for violin and piano, and violin part; 4 + 1 p. Ser. title: Edition Schott, No. 1914.

 5/13-Ab"Nocturne" : from Two pieces for violin and piano

"Nocturne". Mainz, Germany: B. Schott's Sohne, [1928?]; c1928 by B. Schott's Sohne. Plt.: 32086. Score for violin and piano, and violin part: 4 + 1 p. Ser. title: Edition Schott, 1914.

 5/13-Ac"Nocturne" : from Two pieces for violin and piano

"Nocturne". London: Boosey & Hawkes, [1968]; c1928 by Schott's Sohne; renewed 1956; copyright assigned to Aaron Copland in 1968. Plt.: B.& H. 19766. Score for violin and piano, and violin part; 4 + 1 p.

 5/13-Ad"Nocturne" : from Two pieces for violin and piano

"Nocturne". London: Boosey & Hawkes, [1978]; c1928 by B. Schott's Sohne; renewed 1956; assigned to Aaron Copland 1968; arrangement for clarinet and piano copyright 1978 by Aaron Copland. Plt.: B.& H. 20423. Piano score and clarinet part; 5 p. (pp. 15-19) + 2 p. (pp. 10-11). Ser. ed.: Peter Wastall. Ser. title: Exploring Music Series: Contemporary Music for Clarinet. Arranged from the original for violin and piano. This volume also includes music by Goldman, Holloway, Reizenstein, Soproni, Cole, and Schwertsik.

 5/13-B"Serenade" ; "Ukelele serenade" : from Two pieces for violin and piano

"Ukelele serenade". Ms. (ozalid). Score for violin and piano; 12 leaves (pp. 7-18); 34 cm. Note: This item is identical to pages 7-18 of photostat copy ARCO 13.3. At end: Paris April 1926.

 5/13-B.1"Serenade" ; "Ukelele serenade" : from Two pieces for violin and piano

"Serenade". Ms. (ozalid and negative photostat). Violin part; 8 leaves; 32.5 cm. (2 copies).

 5/13-Ba"Serenade" ; "Ukelele serenade" : from Two pieces for violin and piano

"Ukelele serenade". Mainz, Germany: B. Schott's Sohne, [1928]; c1928 by B. Schott's Sohne. Plt.: 32087. Score violin and piano score, and violin part; 10 + 3 p. Ser. title: Edition Schott, No. 1915.

 5/13-Bb"Serenade" ; "Ukelele serenade" : from Two pieces for violin and piano

"Ukelele serenade". Mainz, Germany: B. Schott's Sohne, [1928?]; c1928 by B. Schott's Sohne. Plt.: 32087. Score for violin and piano, and violin part: 10 + 3 p. Ser. title: Edition Schott, 1915.

 5/13-Bc"Serenade" ; "Ukelele serenade" : from Two pieces for violin and piano

"Ukelele serenade". London: Boosey & Hawkes, [1968]; c1928 by B. Schott's Sohne; renewed in 1956; copyright assigned to Aaron Copland in 1968. Plt.: B.& H. 19765. Score for violin and piano, and violin part; 8 + 3 p.

 5/14Sentimental melody ; Five sentimental melodies [piano and chamber work]

Sentimental melody : for piano solo. Ms. Piano score; 3 p.; 35 cm. Note: Holograph in ink. At end: July 28, 1926 Guethary -- B.P.

 5/14.1Sentimental melody ; Five sentimental melodies [piano and chamber work]

Five sentimental melodies for piano and violin. Ms. Sketches for piano and violin score; 3 p.; 34.5 cm. Note: Holograph in pencil. At end: July 28, 1926 Guethary -- B.P.

 5/14.2Sentimental melody ; Five sentimental melodies [piano and chamber work]

Sentimental melody. Ms. Piano solo; 1 leaf; 34.5 cm. Note: Holograph in pencil. At head: Hommage à Milhaud.

 5/14aSentimental melody ; Five sentimental melodies [piano and chamber work]

Sentimental melody (slow dance). London: Schott & Co., Ltd., [ca. [1930]; c[1929 by B. Schott's Sohne]. Plt.: 32272. Piano solo; 2 p. (pp. 10-11). Ser. ed.: Helma Autenrieth-Schleusslner. Ser. title: The New Piano Book, Volume III - (A Collection of Piano Pieces by Contemporary Composers) - Edition Schott 1402.

 5/15Song ; Poet's song ; "In spite of everything which breathes and moves" [song]

Song (e.e. cummings). Ms. Score for voice and piano; 4 p.; 34 cm. Note: Holograph in ink with holograph annotations in pencil. English text. Words by e.e. cummings. At end: Konigstein Aug. 1927.

 5/15.1Song ; Poet's song ; "In spite of everything which breathes and moves" [song]

Song (e.e. cummings). Ms. Sketch for voice and piano score; 1 leaf; 35 cm. Note: Holograph in pencil. English text.

 5/15.2Song ; Poet's song ; "In spite of everything which breathes and moves" [song]

"In spite of everything which breathes and moves" song for voice and piano. Ms. Score for voice and piano; 2 p.; 23 x 30.5 cm. Note: Copyist's manuscript in ink. English text. Words by e.e. cummings. Laid in: Typescript of lyrics to "Song".

 5/15aSong ; Poet's song ; "In spite of everything which breathes and moves" [song]

Song (e.e. cummings). New York: Cos Cob Press, Inc., [1935]; c1935 by Cos Cob Press, Inc. Plt.: Song-3. Score for voice and piano; 3 p. (pp. 20-22). Ser. title: Cos Cob Song Volume (Ten Songs by American Composers). Note: English text.

 5/15bSong ; Poet's song ; "In spite of everything which breathes and moves" [song]

Poet's song / words by e.e. cummings. [London]: Boosey & Hawkes, [1962]; c1935 by Cos Cob Press, Inc.; renewed in 1962 and assigned to Aaron Copland. Plt.: B.& H. 19454. Score for high voice and piano; 4 p. Note: English text. At end: Konigstein Aug. 1927.

 5/15cSong ; Poet's song ; "In spite of everything which breathes and moves" [song]

Song (e.e. cummings). New York: Boosey & Hawkes, [1964]; c1935 by Cos Cob Press, Inc.; renewed in 1962 (by Boosey & Hawkes) and assigned to Aaron Copland. Plt.: BH. BK. 598. Score for voice and piano; 3 p. (pp. 19-21). Ser. title: Cos Cob Song Volume. Note: At end: Konigstein Aug. 1927.

 51/16Two pieces for string orchestra (Hommage à Fauré) : I) "Lento Molto" ; II) "Rondino" [chamber work]

Two pieces for string orchestra : I) "Lento molto" ; II) "Rondino" (incomplete; one page of "Rondino" only). Ms. Score for string orchestra; [9] p.; 42 cm. Note: Holograph in ink and pencil. At end: New York, April 1928. On microfilm: MUSIC 1906, Item 94.

 51/16aTwo pieces for string orchestra (Hommage à Fauré) : I) "Lento Molto" ; II) "Rondino" [chamber work]

Two pieces for string orchestra. New York: Arrow Music Press, Inc. (incorporating the Cos Cob Press), [1940]; c1940 by Arrow Music Press. Plt.: E-3. Score for string orchestra; 13 p. (3 copies). Note: Copies 1 and 2 have holograph annotations in pencil throughout for string quartet version. Duration: 11 min.

 51/16-ATwo pieces for string quartet (Hommage à Fauré) : I) "Lento Molto" ; II) "Rondino" [chamber work]

Two pieces for string quartet : A) Lento molto; B) Rondino. Ms. Score for string quartet; 14 p.; 36 cm. Note: Holograph in ink with holograph markings in pencil. At end of "Rondino" in ink and scratched out in red pencil: Paris, Spring of 1923. On microfilm: MUSIC 1906, Item 95.

 51/16-AaTwo pieces for string quartet (Hommage à Fauré) : I) "Lento Molto" ; II) "Rondino" [chamber work]

Two pieces for string quartet. New York: Arrow Music Press, Inc. (incorporating the Cos Cob Press), [1948]; c1940. Plt.: E-3. Score for string quartet (miniature); 13 p. Note: Duration: 11 min.

 51/16-B"I) Lento molto" (slow movement for string quartet) : from Two pieces for string quartet

I) "Lento molto". Ms. Score for string quartet; 6 p.; 34.5 cm. Note: Holograph in ink and pencil. At head: To Roy Harris. At end: April 1928. Stamped N.B.

 51/16-B.1"I) Lento molto" (slow movement for string quartet) : from Two pieces for string quartet

"Slow movement for string quartet". Ms. Sketches for string quartet; 7 + 4 p.; 45 cm. Note: Holograph in ink and pencil. On microfilm: MUSIC 1906, Item 94.

 51/16-C"II) Rondino" : from Two pieces for string quartet

II) "Rondino" sur le nom du Gabriel Fauré / pour quatuor a cordes : from Two pieces for string quartet. Ms. Score for string quartet; 8 p.; 36 cm. Note: Holograph in ink. At end: April 1923. Stamped N.B. On microfilm: MUSIC 1906, Item 95.

 51/16-C.1"II) Rondino" : from Two pieces for string quartet

II) "Rondino sur le nom du Fauré". Ms. Score for string quartet; 10 p.; 35 cm. Note: Holograph in pencil. At end: Apr. 1923.

 51/16-C.2"II) Rondino" : from Two pieces for string quartet

"Rondino". Mss. String parts; 35 cm. Note: Holographs in ink.

 51/16-C.3"II) Rondino" : from Two pieces for string quartet

"Hommage á Fauré" : A) Prelude / No. IX from "Preludeo pour piano, Op. 103", by Gabriel Fauré; arranged for string quartet by A.C. Mss. Full score (for string quartet), and Violin I and Violin II parts; 3 + 1 + 1 p.; 33-34.5 cm. Note: Holograph manuscripts in ink. This work is the original companion piece to "Rondino".

 51/17Vocalize (Improvisation) [voice & piano]

Improvisation (Vocalise pour voix et piano). Ms. Score for voice and piano; 5 p.; 34.5 cm. Note: Holograph in ink. At end: Peterboro, N.H. Aug. 1928. On microfilm: MUSIC 1906, Item 96.

 51/17.1Vocalize (Improvisation) [voice & piano]

Vocalize (Improvisation). Ms. Score for voice and piano; 1 leaf; 40 cm. Note: Holograph in pencil.

 51/17.2Vocalize (Improvisation) [voice & piano]

Vocalize. Ms. Sketch for voice and piano; 2 leaves; 32-35 cm. Note: Holograph in ink and pencil.

 51/17aVocalize (Improvisation) [voice & piano]

Vocalise (Vocalize). [New York]: Boosey & Hawkes, [1957]; c1929 by Alphonse Leduc; renewed in 1956 by Aaron Copland; assigned to Boosey & Hawkes in 1957. Plt.: 17,474. Score for high voice and piano; 6 p. (2 copies). Note: Copy 1 has holograph markings in pencil throughout.

 51/17-AVocalize [flute & piano]

Vocalize : for flute solo with piano accompaniment. Ms. Flute part; 2 p.; 34 cm. Note: Manuscript by David Walker in pencil with score markings and notes in ink by Doriot Anthony Dwyer. Flute part edited by Doriot Anthony Dwyer. Originally scored for voice and piano.

 51/17-A.1Vocalize [flute & piano]

Vocalize : for flute and piano. Ms. (ozalid). Score for flute and piano; 5 p.; 35 cm. (bound). Note: At head: Flute part edited by Doriot Anthony Dwyer.

 51/17-A.2Vocalize [flute & piano]

Vocalize : for flute and piano. [New York]: Boosey & Hawkes, [1957]; c1929 by Alphonse Leduc; renewed in 1956 by Aaron Copland; assigned to Boosey & Hawkes in 1957; [version for flute and piano copyright 1974 by Aaron Copland]. Plt.: 17,474. Score for flute (high voice) and piano; 6 p. Note: Holograph revisions in pencil. Although originally scored for high voice and piano, this published score, the same imprint as ARCO 17a, was adapted for flute and piano by the composer, as suggested by Doriot Anthony Dwyer.

 51/17-AaVocalize [flute & piano]

Vocalise for flute and piano. London: Boosey & Hawkes, [1974]; c1929 by Alphonse Leduc; renewed and assigned to Aaron Copland in 1956; flute and piano arrangement copyright by Aaron Copland in 1974. Plt.: B.& H. 20144. Score for flute and piano with flute part; 4 + 2 p.

 51/17-BaVocalise [oboe & piano]

Vocalise. London: Boosey & Hawkes, [1978]; c1929 by Alphonse Leduc; renewed and assigned to Aaron Copland in 1956; arrangement for oboe and piano copyright 1974 by composer. Plt.: B.& H. 20500. Score for oboe and piano with oboe part; 2 p. (pp. 2-3) + 4 p. (pp. 2-5). Ser. ed.: Peter Wastall. Ser. title: Exploring Music Series (Contemporary Music for Oboe). Note at head: The revision for oboe and piano was prepared in 1978 especially for inclusion in this volume.

 52/18First symphony

First symphony : for large orchestra. Ms. Full score; 95 p.; 45 cm. Note: Holograph in ink. On [3] p. N.B. - This work was originally written as a Symphony for Organ and Orchestra (1924). This present version for orchestra alone was made in 1928. On [2] p.: Dedicated to Nadia Boulanger with admiration - A.C. CONTENTS: I) Prelude; II) Scherzo; III) Finale. On microfilm: MUSIC 1906, Item 61.

 52/18.1First symphony

First symphony. Ms. Full score (early draft); 49 p.; 45 cm. Note: Holograph in ink and pencil. At head of Scherzo: Arranged from the Symphony for Organ and Orchestra (1924). CONTENTS: I) Prelude; II) Scherzo; III) Finale. On microfilm: MUSIC 1906, Item 61 B.

 52/18aFirst symphony

First symphony : for large orchestra. Austria: Cos Cob Press, [1931]; c1931 by Cos Cob Press. Full score; 80 p. (4 copies, Copy 4 bound). Note: Copies 1 and 2 contain holograph markings in pencil throughout. On cover: This copy contains pencil indications for performances with reduced [parts?] requirements. On [3] p.: Dedicated to Nadia Boulanger with admiration - A.C. N.B. - This work was originally as a "Symphony for organ and orchestra" (1924). This present version for orchestra alone was made in 1928.

 6/18bFirst symphony

First symphony : for large orchestra. New York: Cos Cob Press; reissued under the auspices of Arrow Music Press, [1931]; by Cos Cob Press. Full score (miniature); 80 p. Note: Holograph markings in ink and pencil. On verso of dedication page: "Indication for small orchestra version

 6/18-A"Prelude" : from First symphony [chamber orchestra]

"Prelude" : from First symphony. Ms. (ozalid). Full score; 14 p.; 35 cm. (bound). Note: Copyist's manuscript with holograph and other markings in ink; arranged for chamber orchestra by the composer. Duration: 6 min.

 6/18-A.1"Prelude" : from First symphony [chamber orchestra]

"Prelude" : from First symphony. Mss. Instrumental parts (incomplete); 9 leaves; 33 cm. Note: Holographs in ink and pencil.

 6/18-A.2"Prelude" : from First symphony [chamber orchestra]

"Prelude" : [from First symphony]. Ms. (photocopy). Short score sketch (incomplete); [5] leaves; 36.5 cm. Note: Copy of copyist's manuscript. Stamped in red: U of NT [University of Northern Texas] Music Library.

 6/18-A.3"Prelude" : from First symphony [chamber orchestra]

"Prelude" : for trio (violin, cello, piano) / arranged from 1st movement of Symphony for Organ and Orchestra by the composer. Ms. (photocopy). Full score; 7 p.; 35 cm.

 6/18-Aa"Prelude" : from First symphony [chamber orchestra]

"Prelude" : from First symphony. London: Boosey & Hawkes, [1968]; c1931 by Cos Cob Press, Inc.; renewed 1958 and assigned to Aaron Copland; version for chamber orchestra copyright 1968 by Aaron Copland. Plt.: B.& H. 19395. Full score for chamber orchestra; 12 p. (2 copies). Ser. title: Music for Orchestra. Note: Arranged for chamber orchestra by the composer.

 6/18-Aaa"Prelude" : from First symphony [chamber orchestra]

"Prelude" : from First symphony. London: Boosey & Hawkes, [1968]; c1931 by Cos Cob Press, Inc.; renewed 1958 and assigned to Aaron Copland; version for chamber orchestra copyright 1968 by Copland. Plt.: B.& H. 19395. Parts for chamber orchestra; 31 cm. (2 sets). Ser. title: Music for Orchestra. Note: Arranged for chamber orchestra by the composer.

 53/19Symphonic ode [orchestra]

Symphonic ode : for large orchestra. Ms. Full score (draft); 44 + 6 p.; 45 cm. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 59. This work was composed in 1929 for the Boston Symphony Orchestra's 50th anniversary season; it was withdrawn in its original form and revised in 1955 on the occasion of this Orchestra's 75th anniversary season.

 53/19.1Symphonic ode [orchestra]

Symphonic ode. Ms. Condensed score; 33 p.; 45 cm. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 59.

 53/19.2Symphonic ode [orchestra]

Symphonic ode. Ms. Full score; 35 p. (incomplete); 45 cm. Note: Holograph in ink with holograph markings in pencil. On title page: Orchestral pages of original barring revised 1929 for easier performance. See also ARCO 19.6 and 19.7.

 53/19.3Symphonic ode [orchestra]

Symphonic ode. Ms. Condensed score sketches; [56] p.; 35-45 cm. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 60.

 53/19.4Symphonic ode [orchestra]

Symphonic ode. Ms. Condensed score sketches (2nd version); 50 p.; 34-40 cm. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 60.

 53/19.5Symphonic ode [orchestra]

Symphonic ode. Ms. Full score; 86 p.; 45 cm. (bound). Note: Holograph in ink. On [3] p: To the Boston Symphony Orchestra, Serge Koussevitsky, conductor, on the occasion of its Fiftieth Anniversary. On [6] p: Markings in blue pencil are those of Serge Koussevitsky, first conductor of this work - A.C. On microfilm: MUSIC 1906, Item 59.

 53/19.6Symphonic ode [orchestra]

Symphonic ode. Ms. (photocopy). Full score; 86 leaves (pages missing); 38.5 cm. Note: This is a copy of pages of ARCO 19.2 and 19.5 with holograph annotations in regular and color pencil.

 53/19.7Symphonic ode [orchestra]

Symphonic ode. Ms. (negative photostat). Full score; 86 leaves; 35 cm. Note: This is a copy of pages of ARCO 19.2 and 19.5 with holograph annotations in regular and color pencil

 53/19.8Symphonic ode [orchestra]

Symphonic ode. Mss. Orchestral parts; 33.5 cm. Note: Holographs in ink and ozalids with markings in pencil. Box 19 contains string parts: violin 2 through bass.

 55/20Vitebsk (Study on a Jewish melody) : trio for piano, violin, and violoncello [chamber work]

Vitebsk (Study on a Jewish melody). Ms. (photocopy). Score for violin, cello, and piano; 22 p.; 38.5 cm. Note: Copy of manuscript with holograph markings in ink and pencil throughout; includes holograph pages in ink and pencil. At end: New York Feb. 1920. On microfilm: MUSIC 1906, Item 70.

 55/20.1Vitebsk (Study on a Jewish melody) : trio for piano, violin, and violoncello [chamber work]

Vitebsk (Study on a Jewish melody). Ms. Rough sketch and draft score for piano, violin, and cello; 26, 20 p.; 40 cm. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 70.

 55/20aVitebsk (Study on a Jewish melody) : trio for piano, violin, and violoncello [chamber work]

Vitebsk : study on a Jewish theme. New York: Cos Cob Press, Inc., [1934]; c1934 by Cos Cob Press. Score for violin, cello, and piano; 18 p. Note: Contains holograph markings in ink and pencil. Laid in: Typescript of "Corrections in VITEBSK".

 55/20bVitebsk (Study on a Jewish melody) : trio for piano, violin, and violoncello [chamber work]

Vitebsk. New York: Cos Cob Press, Inc.; reissued under the auspices of Arrow Music Press, Inc., [1934]; c1934 by Cos Cob Press. Score for piano, violin, and violoncello -- parts for violin and violoncello laid in; 18 + 5 + 5 p. (3 copies).

 55/21Piano variations [piano work]

Piano variations. Ms. Piano solo; 17 p.; 34.5 cm. Note: Holograph in ink with holograph markings in pencil. At end: Bedford Yaddo, New York. On microfilm: MUSIC 1906, Item 68.

 55/21.1Piano variations [piano work]

Piano variations. Ms. (photocopy). Piano solo; 17 leaves; 37 cm. Note: Copy of manuscript ARCO 21. At end: Bedford Yaddo, New York. Marked N.B.

 55/21.2Piano variations [piano work]

Piano variations. Ms. (photostat). Piano solo; 17 leaves; 34 cm. Note: Copy of manuscript ARCO 21, with holograph markings in pencil. At end: Bedford Yaddo, New York.

 55/21.3Piano variations [piano work]

Piano variations. Ms. Rough sketch and piano sketch; 63 p.; various sizes. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 68.

 55/21aPiano variations [piano work]

Piano variations. Austria: Cos Cob Press, Inc., [1932]; c1932 by Cos Cob Press. Plt.: C.C.P.7. Piano solo; 16 p. Note: Holograph orchestral indications in pencil throughout.

 55/22Miracle at Verdun [incidental music]

Miracle at Verdun. Ms. Orchestral sketches; 27 p.; 33.5-40 cm. Note: Holograph in pencil and ink. At head: Sketch for incidental music for play Miracle at Verdun. On microfilm: MUSIC 1906, Item 85.

 55/23Elegies [chamber work]

Elegies : for violin and viola. Ms. Score for violin and viola; 8 p.; 24 x 33 cm. Note: Holograph in ink and pencil. At head: Part 1 arranged for string orchestra and used in "Statements" (mvt. 4 - "Subjective").

 55/23.1Elegies [chamber work]

"Elegy." Ms. Sketch for violin and viola score; 6 p.; 38 cm. Note: Holograph in ink and pencil. This piece was withdrawn by the composer and later used as "Subjective", the fourth movement of "Statements for orchestra."

 56/24Short symphony (Second symphony) [orchestra]

Short symphony. Ms. Full score; 74 p.; 42 cm. Note: Holograph in ink and pencil. On microfilm: MUSIC 1906, Item 62.

 56/24.1Short symphony (Second symphony) [orchestra]

Short symphony. Ms. Full score; 66 p.; 42 cm. (bound). Note: Holograph in ink and pencil. Gift of Mrs. Ana Chavez (daughter of Carlos Chavez) on September 30, 1993.

 56/24.2Short symphony (Second symphony) [orchestra]

Short symphony : partita. Ms. Rough sketches; 100 p.; 38-40 cm. Note: Holograph in pencil and ink with holograph markings in red and blue pencil. On microfilm: MUSIC 1906, Item 63.

 56/24.3Short symphony (Second symphony) [orchestra]

Short symphony. Ms. Piano sketch; 43 p.; 38 cm. Note: Holograph in pencil and ink with holograph markings in red and blue pencil. On title page: First completed pencil version. On microfilm: MUSIC 1906, Item 63.

 56/24.4Short symphony (Second symphony) [orchestra]

Short symphony. Ms. Rough orchestral score; 98 p.; 40-44.5 cm. Note: Holograph in ink and pencil. On microfilm: MUSIC 1906, Item 63.

 56/24.5Short symphony (Second symphony) [orchestra]

Short symphony. Ms. Short score (piano sketch); 32 p.; 33-34.5 cm. Note: Holograph in ink and pencil, with holograph markings in colored pencil.. At end: April 17, 1933. This item also includes photocopies of pages 5-32 of the manuscript score, with holograph markings in colored pencil.

 56/24.6Short symphony (Second symphony) [orchestra]

Short symphony. Ms. Full score; 91 leaves; 38 cm. Note: Holograph in ink on transparent paper.

 56/24.7Short symphony (Second symphony) [orchestra]

Short symphony (No. 2). Ms. Full score; 91 p.; 38 cm. (spiral bound). Note: Copy of manuscript score ARCO 24.6, with holograph revisions in ink and pencil. At end in pencil: Addition to end suggested by L Bernstein.

 56/24aShort symphony (Second symphony) [orchestra]

Short symphony (No. 2). London: Boosey & Hawkes, [1955]; c1955 by Boosey & Hawkes. Plt.: B.& H. 17629. Full score; 67 p. Note: Holograph markings in pencil throughout. Duration: 15 min.

 56/24bShort symphony (Second symphony) [orchestra]

Short symphony (No. 2). London: Boosey & Hawkes, [1955]; c1955 by Boosey & Hawkes. Plt.: B.& H. 17629. Full score (miniature); 67 p. Ser. title: Hawkes Pocket Scores, No. 686. Note: Duration: 15 min.

 57/25Statements for orchestra

Statements for orchestra. Ms. Full score (rough draft); 50 p.; 38-45 cm. Note: Holograph in pencil. At end: June 28, '34. Elegies is the origin of part IV of Statements, "Subjective".

 57/25.1Statements for orchestra

Statements for orchestra. Ms. Short score (piano sketch); 25 p.; 34.5 cm. Note: Holograph in ink. At end: Jan. 1934.

 57/25.2Statements for orchestra

From Statements for orchestra. Ms. Full score of parts II, IV, and VI; [11] p.; 38 cm. Note: Holograph in ink. CONTENTS: II) "Cryptic"; IV) "Subjective"; VI) "Prophetic".

 -/25.3Statements for orchestra

Statements. Ms. Full score; 50 p.; 42 cm. Note: Holograph in ink with markings in pencil. Duration: 18.5 min. At end: Friends' Lake, Bemidji, New York. {Filed with Koussevitsky Collection - ML 30.3c3.C6 Case}

 57/25.4Statements for orchestra

[Statements]. Ms. (photostat). Full score (reduced from actual size); 50 leaves; 28 cm. Note: Copy of manuscript score ARCO 25.3; without title page. At end: Friends' Lake Bamidji New York, 42:25.

 57/25 miscStatements for orchestra

Statements for orchestra. Mss. Miscellaneous pages from scores; unnumbered; various sizes. Note: Holographs in pencil.

 57/25aStatements for orchestra

Statements. New York: Boosey & Hawkes, [1947]; c1947 in U.S.A. by Hawkes & Son (London). Plt.: B.& H. 9128. Full score; 49 p. (bound). Note: Holograph markings in pencil throughout. Duration: 18.5 min.

 57/25bStatements for orchestra

Statements. London: Boosey & Hawkes, [1947]; c1947 in U.S.A. by Hawkes & Son (London). Plt.: B.& H. 9128. Full score (miniature); 49 p. Ser. title: Hawkes Pocket Scores, No. 685. Note: Duration: 18.5 min.

 57/25cStatements for orchestra

Statements. London: Boosey & Hawkes, [1947]; c1947 in U.S.A. by Hawkes & Son (London). Plt.: B.& H. 9128. Full score; 49 p. Note: Holograph markings in pencil throughout. Duration: 18.5 min.

 58/26Hear ye! Hear ye! [ballet]

Hear ye! Hear ye! : ballet in one act. Ms. Conductor score, in 2 volumes; 228 p.; 41 cm. Note: Holograph in ink. Laid in: Seven page typescript outline of ballet. At end: Sept - Nov. 1934. On microfilm: MUSIC 1906, Item 77.

 58/26.1Hear ye! Hear ye! [ballet]

Hear ye! Hear ye! : ballet in one act. Ms. (photocopy). Full score; [113] p.; 25 x 38.5 cm. (bound). Note: Copy of 2 volume manuscript score ARCO 26. At end: Sept.- Nov. 1934.

 58/26.2Hear ye! Hear ye! [ballet]

Hear ye! Hear ye! Ms. Sketches (rough piano version); various pagings; 34 cm. Note: Holographs in pencil.

 59/26.3Hear ye! Hear ye! [ballet]

Hear ye! Hear ye! : ballet in one act / small orchestra score / arranged from the original score for large orchestra (1935). Ms. Full score; various pagings; 45 cm. Note: Holograph in ink. Laid in: Seven page typescript outline of ballet; same as in ARCO 26 but enlarged.

 59/26.4Hear ye! Hear ye! [ballet]

Hear ye! Hear ye! : "Girls dance" (as seen by the Negro waiter). Ms. (photocopy). Short piano score; 11 leaves; 35 cm.

 59/26.5Hear ye! Hear ye! [ballet]

Hear ye! Hear ye! : "Dove dance". Ms. (photocopy). Short piano score; 4 leaves; 35 cm.

 59/26.6Hear ye! Hear ye! [ballet]

Hear ye! Hear ye! : three cabaret numbers from the ballet. Ms. Full score (unfinished); [16] p.; 46 cm. Note: Holograph in ink.

 59/26.7Hear ye! Hear ye! [ballet]

Hear ye! Hear ye! Ms. (photocopy). Score for two pianos; 77 leaves; 35.5 cm. Note: At end: Sept.-Oct., 19]34?]; arranged for 2 pianos Nov. 4-11, [1935].

 98/26.8Hear ye! Hear ye! [ballet]

Hear ye! Hear ye! Ms. Orchestral parts. Note: Holographs in ink and pencil.

 9-12/26.9Hear ye! Hear ye! [ballet]

Hear ye! Hear ye! Mss. Orchestral parts. Note: Holographs and copyist's manuscripts in ink and pencil; orchestrated for the Chicago Grand Opera Company (1934-35).

 12/27What do we plant? [chorus]

What do we plant? : two-part chorus for junior high school. Ms. Score for soprano and alto voices, and piano; 6 p.; 33.5-35.5 cm. Note: Holograph in pencil. English text. Affixed to title page verso: Typescript of the poem 'What Do We Plant?' by Henry Abbey (1842-1911). At end: Dec. 24, 1935. On microfilm: MUSIC 1906, Item 97.

 12/27.1What do we plant? [chorus]

What do we plant? Ms. Score for soprano and alto voices, and piano; 8 p.; 34 cm. Note: Holograph in ink (pp. [1] and 8) and negative photostat (pp. 2-7, 6 leaves) with holograph markings throughout in black and blue pencil. On title page in upper left corner in ink: Henry Abbey (1842-1911); at head in pencil: (Mms. first & last pp; the rest is photostat of orig. mms); at bottom in ink and pencil: Oct 1639 - Copyright 1941 by Boosey Co. Ltd. - international Copyright Secured.

 12/27.2What do we plant? [chorus]

What do we plant? Ms. Sketch for soprano and alto voices and piano (incomplete); 2 p.; 27 x 35 cm. Note: Holograph in pencil. On title page upper left corner: Henry Abbey.

 12/27aWhat do we plant? [chorus]

What do we plant? : two-part SA / words by Henry Abbey (8942-1911) / music by Aaron Copland. New York: Boosey Hawkes Belwin, Inc. [1941]; c1941 by Boosey & Co., Ltd. Plt: Oct. No. 1639-7. Piano-vocal score; 8 p. (2 copies). Ser. title: Boosey Series of Choral Music, Oct. 1639.

 12/27bWhat do we plant? [chorus]

What do we plant? : two-part SA / words by Henry Abbey (1842-1911) / music by Aaron Copland. [New York]: Boosey & Hawkes, Inc. [19--?], [reissue]; c1941 by Boosey & Co., Ltd. Plt: Oct. No. 1639-7. Piano-vocal score; 8 p. Note: No publication date given for this reissue.

 99/28El salón México [orchestra]

El salón México. Ms. Full score; 56 p.; 46 cm. Note: Holograph in ink and pencil. On [1] p.: To Victor Kraft. On microfilm: MUSIC 1906, Item 47.

 99/28.1El salón México [orchestra]

El salón México. Ms. Full score (draft); 58 p.; 38 cm. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 47.

 99/28.2El salón México [orchestra]

El salón México. Ms. Two folders of rough sketches in one clamshell box; 26 + 28 p.; various sizes. Note: Holographs in pencil. On microfilm: MUSIC 1906, Item 47.

 99/28.3El salón México [orchestra]

El salón México. Ms. Rough orchestral score; 4 p.; 42 cm. Note: Holograph in pencil. At head: Begun Aug. 9, 34.

 99/28.4El salón México [orchestra]

"Beyond the Rio Grand". Ms. Full score (incomplete); [4] p.; 45.5 cm. Note: Holograph in ink. The thematic material used in Beyond the Rio Grand is based, in part, on popular Mexican melodies.

 13/28aEl salón México [orchestra]

El salón México : popular type dance hall in Mexico City. London: Hawkes & Son, [1939]; c1939 in U.S.A. by Hawkes & Son (London). Plt.: H.15038. Full score; 44 p. (2 copies, Copy 1 bound). Note: Copy 1 has holograph markings in pencil throughout; Copy 2 marked but not as heavily. On title page and first page of score: To Victor Kraft. Duration: 10 min.

 13/28bEl salón México [orchestra]

El salón México : popular type dance hall in Mexico City. London: Boosey & Hawkes, [1939]; c1939 by Aaron Copland. Plt.: H. 15038. Full score; 44 p. Note: Holograph markings in pencil throughout. Duration: 10 min.

 99/28-AEl salón México [piano solo]

El salón México : Mexican Dance Hall. Ms. Sketch for piano solo; 21 p.; 33.5 cm. Note: Holograph in ink and pencil. At end: July 1934. On microfilm: MUSIC 1906, Item 47.

 99/28-A.1El salón México [piano solo]

[El salón México]. Ms. (negative photostat). Piano solo; 28 p.; 29 cm. Note: Missing page 1.

 13/28-A.2El salón México [piano solo]

El salón México : arranged for piano solo by Leonard Bernstein.. Ms. (photocopy). Piano solo; 17 leaves; 34.5 cm. Note: Photocopy of manuscript by Leonard Bernstein. On title page: To Helen - my first published manuscript; even if only half-mine - with love, Lenny. Copyright 1941 by Hawkes & Son (London) Ltd.

 13/28-AaEl salón México [piano solo]

El salón México. New York: Boosey & Hawkes, [1941]; c1941 by Hawkes & Son (London). Plt.: Pa. 24-14. Piano solo; 15 p. Note: Arranged for piano solo by Leonard Bernstein.

 99/28-BEl salón México [two pianos]

El salón México : arranged for two pianos by Leonard Bernstein. Ms. Score for two pianos; 30 p.; 31.5 cm. Note: Manuscript in ink possibly by Leonard Bernstein.

 13/28-BaEl salón México [two pianos]

El salón México : for two pianos. [New York]: Boosey & Hawkes, [1943]; c1943 by Hawkes & Son (London). Plt.: Two Pa. 32-28. Score for two pianos; 30 p. (2 parts in one folder). Ser. title: Boosey & Hawkes Two Piano Series, B. Two Pa. No. 32. Note: Arranged for two pianos by Leonard Bernstein.

 99/28-C"Fantacia Mejicana" (Mexican fantasy) : from El salón México

"Fantacia Mejicana" (Mexican fantasy) / adapted for piano and orchestra by Johnny Green from "El salón México". Ms. (photocopy). Full score; 44 leaves; 47.5 cm. (spiral bound). Note: Manuscript by Johnny Green. On [2] p.: Dedication to Aaron Copland by J. Green dated Apr. 16, 1946. Laid in: 2 letters from Johnny Green to Copland dated April 16 and April 20, 1946.

 99/28-C.1"Fantacia Mejicana" (Mexican fantasy) : from El salón México

"Fantacia Mejicana" (Mexican fantasy) / for piano and orchestra adapted by Johnny Green from "El salón México". Ms. (ozalid). Piano-conductor score; 17 p.; 33.5 cm. Note: Copyist's manuscript.

 99/28-C.2"Fantacia Mejicana" (Mexican fantasy) : from El salón México

"Fantacia Mejicana" : for solo piano. Ms. (ozalid). Piano solo; 12 p.; 33 cm. (2 copies).

 13/28-Ca"Fantacia Mejicana" (Mexican fantasy) : from El salón México

"Fantasia Mexicana" / adapted and orchestrated by Johnny Green for the M-G-M picture FIESTA. London: Boosey & Hawkes, [1952]; c1952 by Hawkes & Son, Ltd. Plt.: B.& H. 17910. Piano-conductor score; 4 p. Note: Arranged by Don Bowden.

 13/28-Cb"Fantacia Mejicana" (Mexican fantasy) : from El salón México

"Fantasia Mexicana" (Mexican fantasy) / da "El salón México" di Aaron Copland; adattamento di Johnny Green per il film M.G.M 'LA MATADORA'. Milano: Edizioni Suvini Zerboni, [1952]; c1952 by S.A. Edizioni Suvini Zerboni. Plt.: S. 4874Z. Piano reduction; 5 p.

 99/28-DEl salón México [concert band]

El salón México. Ms. (photocopy); c1939 by Hawkes & Son (London). Full score; [59] p. (30 leaves); 35.5 cm. Note: Transcribed for concert band by Mark H. Hindsley. At end: Mark H. Hindsley, 5-11-66, Chapala, Jalisco, Mexico. Laid in: Typescript of "Suggested revisions on band arrangement of El Salón México by Mark Hindsley", initialed A.C.

 13/28-DaEl salón México [concert band]

El salón México. [New York]: Boosey & Hawkes, [1972]; c1939 by Aaron Copland; renewed 1966; concert band arrangement copyright 1972 by Aaron Copland. Plt.: Q.M.B. 380. Full score; 56 p. (2 copies). Ser. title: Symphonic Band Series. Note: Holograph markings in pencil throughout Copy 1. Transcribed for concert band by Mark H. Hindsley.

 14/29Two children's pieces : A) "Sunday afternoon music" ; B) "The young pioneers" [piano works]

Two children's pieces : A) "Sunday afternoon music" ; B) "The young pioneers". Ms. Piano solo; 5 p. (on 2 leaves); 34 cm. Note: Holograph in ink and pencil. At end on page 5: Peterborough, Aug. 1935. On microfilm: MUSIC 1906, Item 73.

 14/29.1Two children's pieces : A) "Sunday afternoon music" ; B) "The young pioneers" [piano works]

Two children's pieces : A) "Sunday afternoon music" ; B) "The young pioneers". Ms. Sketches for piano solo; 6 p. (on 2 leaves); 35.5 + 27 x 35 cm. Note: Holographs in pencil. On microfilm: MUSIC 1906, Item 73.

 14/29aTwo children's pieces : A) "Sunday afternoon music" ; B) "The young pioneers" [piano works]

A) "Sunday afternoon music" ; B) "The young pioneers". New York: Carl Fischer, [1963]; c1936 by Carl Fischer. Plt.: N4102. Piano solo; 2 p. (pp. 34-35) + 3 p. (pp. 39-41). Ser. ed.: Lazare Saminsky and Isadore Freed. Ser. title: Masters of Our Day: 18 Solos in the Contemporary Idiom for the Young Pianist, 04361. Note: At end: Peterborough, N.H. August 1935.

 14/29-Aa"Sunday afternoon music" : from Two children's pieces [piano solo]

"Sunday afternoon music". New York: Carl Fischer, [1936]; c1936 by Carl Fischer. Plt.: 27341-2. Piano solo; 2 p. Ser. ed.: Lazare Saminsky and Isadore Freed. Ser. title: Masters of Our Day - Educational Series, P 2113. Note: Holograph marginalia in pencil. At end: Peterborough, N.H., August 1935.

 14/29-Ab"Sunday afternoon music" : from Two children's pieces [piano solo]

"Sunday afternoon music". New York: Carl Fischer, [1936]; c1936 by Carl Fischer. Plt.: 27341-2. Piano solo; 2 p. Ser. ed.: Lazare Saminsky and Isadore Freed. Ser. title: Masters of Our Day - Educational Series, P 2113. Note: At end: Peterborough, N.H., August 1935.

 14/29-Ba"The young pioneers" : from Two children's pieces [piano solo]

"The young pioneers". New York: Carl Fischer, [1936]; c1936 by Carl Fischer. Plt.: 27348-3. Piano solo; 3 p. Ser. ed.: Lazare Saminsky and Isadore Freed. Ser. title: Masters of Our Day - Educational Series, P 2120. Note: At end: Peterborough, N.H. August 1935.

 14/29-Bb"The young pioneers" : from Two children's pieces [piano solo]

"The young pioneers". New York: Carl Fischer, [1936]; c1936 by Carl Fischer. Plt.: 27348-3. Piano solo; 3 p. Ser. ed.: Lazare Saminsky and Isadore Freed. Ser. title: Masters of Our Day - Educational Series, P 2120.

 14/29-Bc"The young pioneers" : from Two children's pieces [piano solo]

"The young pioneers". New York: Carl Fischer, [1936]; c1936 by Carl Fischer. Plt.: 27348-3. Piano solo; 3 p.

 60/30The second hurricane [play/opera]

[The second hurricane]. Ms. Full score; 282 p.; 34-38 cm. Note: Holograph in ink with markings in pencil, without title or date. Composed for performance by boys and girls ranging in age from eight to eighteen. Performed for the first time at the Henry Street Music School in New York, April 21, 1937. (cf. Slonimsky, N.: Music Since 1900). On microfilm: MUSIC 1906, Item 49.

 60/30.1The second hurricane [play/opera]

The second hurricane : a play-opera for high school performance / libretto by Edwin Denby. Ms. Piano-vocal score; [129] p.; 38 cm. Note: Holograph in ink on transparent paper. Laid in: Libretto in typescript and holograph production notes. On microfilm: MUSIC 1906, Item 50.

 61/30.2The second hurricane [play/opera]

"No. 1 - Choral overture". Ms. Choral score with orchestral indications; 12 leaves; 37 cm. Note: Holograph in ink on transparent paper.

 61/30.3The second hurricane [play/opera]

[The second hurricane] : excerpts from the opera. Ms. (ozalid). Piano-vocal score (incomplete); various pagings; 38.5-40.5 cm. Untitled copy of manuscript with markings in ink.

 61/30.4The second hurricane [play/opera]

[The second hurricane]. Ms. Sketches; 133 p.; various sizes. Note: Holographs in pencil. On microfilm: MUSIC 1906, Item 48.

 61/30 miscThe second hurricane [play/opera]

[The second hurricane]. Mss. Miscellaneous pages from the opera; unpaged; various sizes. Note: Holographs in ink with markings in pencil.

 14/30aThe second hurricane [play/opera]

The second hurricane : a play opera in two acts / libretto by Edwin Denby. Boston: C.C. Birchard & Co., [1939]; c1939 by C.C. Birchard & Co. Full score; 216 p.

 14/30-AThe second hurricane [play/opera]

"2d hurricane" : [Gyp's song]. Ms. Solo vocal part; 1 leaf; 17.5 x 20 cm. Note: Manuscript in ink, hand unknown.

 14/30-AaThe second hurricane [play/opera]

The second hurricane : a play-opera for high school performance / libretto by Edwin Denby. Boston: C.C. Birchard & Co., [1938]; c1938 by C.C. Birchard & Co. Vocal score with piano accompaniment; X, 112 p. Note: Contains holograph markings in pencil. On page IV: From the original program world premiere; April 21, 22, 24, 1937.

 14/30-AbThe second hurricane [play/opera]

The second hurricane : a play opera for high school performance / libretto by Edwin Denby. New York: Boosey & Hawkes, [1957]; c1938 by C.C. Birchard & Co.; assigned to Boosey & Hawkes in 1957. Plt.: B.H.Bk. 396. Vocal score with piano accompaniment; [8], 112 p. Note: Contains holograph markings in pencil.

 14/30-BaThe second hurricane [play/opera]

"That's the idea of freedom" / words by Edwin Denby. Boston: C.C. Birchard & Co., [ca. 1938]; c1938 by C.C. Birchard & Co. Plt.: 2034. Vocal score (SATB) with piano accompaniment; 8 p. (3 copies). Ser. ed.: Gardner Read. Ser. title: Birchard-Boston University Contemporary Music Series, No. 751. Note: Copy 1 contains holograph markings in pencil. This piece is from No. 10, "The Finale" of The second hurricane; Copy 2 and 3 are reissues.

 62/31Music for radio (Prairie journal) ; Saga of the prairie [orchestra]

Music for radio : commissioned by the Columbia Broadcasting System. Ms. Full score; 84 leaves; 38 cm. Note: Holograph in ink on transparent paper. At end: May-July 1937; New York, Hollywood, Mexico. Music for radio (also called "Saga of the prairie") was actually commissioned in 1936 by CBS (Columbia Broadcasting System). On microfilm: MUSIC 1906, Item 31 A.

 62/31.1Music for radio (Prairie journal) ; Saga of the prairie [orchestra]

[Music for radio : commissioned by the Columbia Broadcasting System]. Ms. (ozalid). Full score; 84 p.; 38.5 cm. Note: Copy of manuscript ARCO 31, with holograph markings in pencil and ink throughout.

 62/31.2Music for radio (Prairie journal) ; Saga of the prairie [orchestra]

Music for radio. Ms. Piano sketch; 24 p.; 33.5 cm. Note: Holograph in ink with markings in pencil. On title page: Piano sketch (for study only). Included with this item is an incomplete photostat copy of the piano sketch with holograph markings in pencil. On microfilm: MUSIC 1906, Item 31 A.

 62/31.3Music for radio (Prairie journal) ; Saga of the prairie [orchestra]

Music for radio. Ms. Full score (rough draft); 13, 44 p.; 33.5-38 cm. Note: Holograph in pencil. On title page: "Not quite complete." On microfilm: MUSIC 1906, Item 31 B.

 62/31.4Music for radio (Prairie journal) ; Saga of the prairie [orchestra]

Music for radio. Ms. Open score, original pencil sketches; 28 p.; 34 cm. Note: Holograph in pencil. Laid in: One page typescript list of scores and parts titled "Masters on File at Independent Music Publishers"; contains holograph markings in ink and pencil.

 62/31aMusic for radio (Prairie journal) ; Saga of the prairie [orchestra]

Music for radio (Saga of the prairie). London: Hawkes & Son (London), [1940]; c1940 by Hawkes & Son. Plt.: B.& H. 8309. Full score; 52 p. (2 copies, Copy 1 bound; Copy 2 spiral bound). Note: Duration: 12.5 min. Laid in Copy 1: One page penciled holograph "Note" about this commissioned work and a two page typescript of the same note with holograph additions in pencil (i.e. instrumentation, duration, etc.) throughout. Laid in copy 2: Three pages of holograph orchestral changes in pencil.

 62/31bMusic for radio (Prairie journal) ; Saga of the prairie [orchestra]

"Prairie journal". London: Boosey & Hawkes, [1967]; c1940 by Aaron Copland; renewed 1967. Plt.: B.& H. 19642. Full score; 59 p. (3 copies). Ser. title: Youth Orchestra Series.

 15/32Sextet [chamber work]

Sextet : for string quartet, clarinet and piano. Ms. Score for string quartet, clarinet and piano; 59 p.; 34 cm. Note: Holograph in ink. At end: Tlaxcala; Aug. 7-Sept. 25, 1937. On microfilm: MUSIC 1906, Item 64. Sextet is Short symphony arranged for chamber orchestra.

 15/32.1Sextet [chamber work]

Sextet : for string quartet, piano and clarinet. Ms. (photostat). Score for string quartet, piano and clarinet; 9 p.; 35 cm. Note: Copy of manuscript score ARCO 32, with holograph markings in ink and pencil. At end: Tlaxcala; Aug. 7-Sept. 25, 1937.

 15/32.2Sextet [chamber work]

Sextet. Ms. Score for string quartet, clarinet and piano (incomplete); 10 p.; 33.5 cm. Note: Holograph in ink with holograph markings in pencil.

 15/32aSextet [chamber work]

Sextet : for string quartet, clarinet and piano. New York: Boosey & Hawkes, [1948]; c1948 in U.S.A. by Boosey & Hawkes. Plt.: B.& H. 6235. Piano score; 45 p. Note: Holograph markings in pencil throughout.

 15/32aaSextet [chamber work]

Sextet : for string quartet, clarinet and piano. New York: Boosey & Hawkes, [1948]; c1948 in U.S.A. by Boosey & Hawkes. Plt.: B.& H. 16353. Orchestral parts (2 sets). Note: Holograph note in pencil at head of one clarinet part. Published with piano score ARCO 32a.

 15/32bSextet [chamber work]

Sextet : for string quartet, clarinet and piano. London: Boosey & Hawkes, [1948]; c1948 in U.S.A. by Boosey & Hawkes. Plt.: B.& H. 16235. Full score (miniature); 45 p.

 63/33Billy the kid [ballet]

Billy the kid. Ms. Full score; 169 leaves; 44 cm. Note: Holograph in ink on transparent paper with holograph markings in pencil. At end: July-Sept. 1938; Paris - New York - Peterboro, N.H. [orchestration finished Dec. 28, '38]. Laid in: Typescript of movie continuity, titled "Ballad of Billy the Kid." On microfilm: MUSIC 1906, Item 72.

 63/33.1Billy the kid [ballet]

Billy the kid : complete ballet. Ms. (ozalid). Full score; 169 p.; 43.5 cm. (spiral bound). Note: Copy of manuscript score [ARCO 33], with holograph markings in pencil. At end: July-Sept. 1938; Paris - New York - Peterboro, N.H. [orchestration finished Dec. 28, '38]. Laid in: Three holograph leaves (ink, pencil, and typescript) indicating cuts in the ballet score (in folder).

 63/33.2Billy the kid [ballet]

Billy the kid. Ms. Piano sketches; 64 p.; 34-36 cm. Note: Holographs in pencil and ink. On microfilm: MUSIC 1906, Item 72.

 16/33-AaBilly the kid : ballet suite [orchestra]

Billy the kid : ballet suite. New York: Boosey & Hawkes, [1941]; c1941 in U.S.A. by Hawkes & Son (London). Full score; 94 p. (bound). Note: Holograph markings in pencil throughout. Duration: about 20 min.

 16/33-AbBilly the kid : ballet suite [orchestra]

Billy the kid : ballet suite. London: Hawkes & Son, [1941]; c1941 in U.S.A. by Hawkes & Son (London). Plt.: B.& H. 16725. Full score; 94 p. (2 copies). Note: Copy 1 contains holograph markings in pencil throughout; Copy 2 contains holograph and other markings in pencil throughout. Duration: Approx. 20 min.

 16/33-AcBilly the kid : ballet suite [orchestra]

Billy the kid : ballet suite. London: Boosey & Hawkes, [1941]; c1941 by Hawkes & Son (London). Plt.: B.& H. 16725. Full score (miniature); 94 p. (2 copies). Ser. title: Hawkes Pocket Scores, No. 72. Note: Copy 1 has holograph markings in pencil throughout; Copy 2 contains holograph markings in pencil and ink and corrections throughout. Duration: about 20 min.

 63/33-BBilly the kid [two pianos]

Billy the kid. Ms. Score for two pianos; 63 leaves; 38 cm. Note: Holograph in ink on transparent paper with holograph markings in pencil. At end: Finis July-Sept., 1938; Paris, New York, Peterboro, N.H.

 63/33-B.1Billy the kid [two pianos]

Billy the kid. Ms. (ozalid). Score for two pianos; 63 p.; 38.5 cm. Note: Copy of manuscript score for two pianos ARCO 33-B, with holograph changes in pencil. At end: Finis July - Sept., 1938; Paris, New York, Peterboro. Complete score used to produce published excerpts for two pianos.

 16/33-BaBilly the kid [two pianos]

Billy the kid : excerpts from the ballet. New York: Boosey & Hawkes, [1946]; c1946 in U.S.A. by Hawkes & Son (London). Plt.: H. 15712. Score for two pianos -- four hands; 34 p. (2 parts in one folder). Ser. title: Boosey & Hawkes Two Piano Series. Note: Arranged by the composer.

 16/33-CaBilly the kid [piano solo]

Billy the kid : excerpts from the ballet. New York: Boosey & Hawkes, [1944]; c1944 by Hawkes & Son (London). Plt.: By.Pa.No. 56. Piano solo; 20 p. Note: Arranged for piano solo by Lukas Foss.

 16/33-Da"Waltz" : from Billy the kid [band]

"Waltz" : Billy the kid. New York: Boosey & Hawkes, [1944]; c1944 by Hawkes & Son (London). Plt.: H.St.Bd.No.32. Conductor score and parts. Note: Arranged for band by Philip J. Lang.

 16/33-Ea"Celebration" : from Billy the kid [band]

"Celebration" : from Billy the kid. New York: Boosey & Hawkes, [1945]; c1945 by Hawkes & Son (London). Plt.: H.St.Bd.No.33. Conductor score and parts. Note: Contains holograph markings in pencil throughout. Arranged for band by Philip J. Lang.

 63/33-FBilly the kid [small orchestra]

Billy the kid : small orchestra version. Ms. Score for small orchestra; 124 leaves (pages missing); 43 cm. Note: Part holograph and part copyist's manuscript in ink on transparent paper with holograph markings in pencil throughout. At head: For ballet performance only. Laid in: Typescript of outline of camera cues; 10 p., titled "The Ballad of Billy the Kid."

 16/33-FaBilly the kid [small orchestra]

"Prairie night" and "Celebration dance" : from Billy the kid. New York: Boosey & Hawkes, [1946]; c1946 by Boosey & Hawkes. Plt.: O.S.1002 A and O.S.1002 B. Full score; 24 p. Note: Arranged for small orchestra by the composer.

 16/33-FaaBilly the kid [small orchestra]

"Prairie night" and "Celebration dance" : from Billy the kid. New York: Boosey & Hawkes, [1946]; c1946 in U.S.A. by Boosey & Hawkes. Plt.: O.S.1002 A and O.S.1002 B. Orchestral parts. Note: Arranged for small orchestra by the composer.

 63/33-GBilly the kid [violin & piano]

"Waltz" and "Celebration" : from Billy the kid. Ms. Score for violin and piano, and violin part; 5 + 13 p.; 35.5 cm. Note: Holograph in ink on transparent paper. Arranged for violin and piano by the composer. At end: Arranged March 13, '49.

 63/33-G.1Billy the kid [violin & piano]

"Waltz" and "Celebration" : from Billy the kid. Ms. (ozalid). Score for violin and piano; 13 p.; 35.5 cm. Note: Copy of manuscript score and part ARCO 33-G, with holograph markings in ink throughout.

 16/33-GaBilly the kid [violin & piano]

"Waltz" and "Celebration" : from Billy the kid. S.l.: Boosey & Hawkes, [1950]; c1950 by Boosey & Hawkes. Plt.: Waltz 4 and Waltz 10. Score for violin and piano, and violin part; 10 + 4. Note: Holograph markings in pencil throughout score. Arranged for violin and piano by the composer. Violin part edited by Louis Kaufman.

 63/33-HBilly the kid [cello & piano]

"Waltz" and "Celebration" : from Billy the kid. Ms. Cello part; 5 leaves; 35.5 cm. Note: Holograph in ink on transparent paper. Arranged for cello and piano by the composer. Cello part edited by Gregor Piatigorsky.

 63/33-H.1Billy the kid [cello & piano]

"Waltz" and "Celebration" : from Billy the kid. Ms. (ozalid). Cello part; 5 p.; 36 cm. Note: Copy of holograph cello part ARCO 33-H, with holograph markings in pencil throughout. Arranged for cello and piano by the composer.

 16/33-HaBilly the kid [cello & piano]

"Waltz" and "Celebration" : from Billy the kid. London: Boosey & Hawkes, [1952]; c1952 by Boosey & Hawkes. Plt.: B.& H. 17210. Piano score and cello part; 11 + 5 p. Note: Arranged for violoncello and piano by the composer. Cello part edited by Gregor Piatigorsky.

 16/33-JaBilly the kid [orchestra]

Waltz from Billy the kid : [arranged] for youth orchestra (1956). New York: Boosey & Hawkes, [1957]; c1957 by Boosey & Hawkes. Plt.: D.E. 99. Full score, condensed score and parts. Domestic Edition.

 64/34An outdoor overture [orchestra]

An outdoor overture : for school performance. Ms. Piano sketch; 26 p.; 37 cm. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 35 A.

 64/34.1An outdoor overture [orchestra]

"Signature for the High-low concerts". Ms. (photocopy). Full score; 6 p.; 34 cm. Note: Copy of holograph score. Laid in: Photocopies of the two High-Low Concerts programs. Prior to this work becoming what is now known as An outdoor overture, it was used as the "Signature" for a planned concert series (founded by Vernon Duke) known as the High-Low Concerts, which took place in 1938. There were only two concert performances however. The original manuscript of the "Signature" is filed in the Vernon Duke Collection in the Library of Congress Music Division.

 64/34aAn outdoor overture [orchestra]

An outdoor overture. London: Hawkes & Son (London), [1940]; c1940 in U.S.A. by Hawkes & Son. Plt.: B.& H. 8394. Full score; 44 p. (bound). Note: Holograph markings in pencil throughout. At head: Written specially for and dedicated to the High School of Music and Art in New York. Duration: 9.5 min.

 64/34bAn outdoor overture [orchestra]

An outdoor overture. London: Boosey & Hawkes, [1940]; c1940 in U.S.A. by Hawkes & Son (London). Plt.: B.& H. 8394. Full score (miniature); 44 p. Ser. title: Hawkes Pocket Scores, No. 676.

 64/34cAn outdoor overture [orchestra]

An outdoor overture. New York: Boosey & Hawkes, [n.d.]; c1940 in U.S.A. by Hawkes & Son (London). Plt.: B.& H. 8394. Full score; 44 p. Note: Holograph markings in pencil throughout. Duration: 9.5 min.

 64/34-AAn outdoor overture [band]

An outdoor overture. Ms. Band score; 52 p.; 42 cm. Note: Holograph in ink. Arranged for band by the composer, 1942. On microfilm: MUSIC 1906, Item 35 B.

 64/34-A.1An outdoor overture [band]

An outdoor overture : arranged for band by the composer. Ms. Band score (incomplete); 20 p.; 42 cm. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 35 B.

 64/34-AaAn outdoor overture [band]

An outdoor overture. New York: Boosey & Hawkes, [1948]; c1948 by Hawkes & Son (London). Plt.: B.& H. 16234. Full score; 35 p. Ser. title: Boosey & Hawkes Q.M.B. Edition, No. 157. Note: Holograph markings in pencil throughout. Duration: Approx. 9.5 min.

 64/35Lark [chorus]

Lark. Ms. Score for mixed voices (SATB); 8 leaves; 38 cm. Note: Holograph in ink with holograph markings in pencil. English text. Words by Genevieve Taggard. On microfilm: MUSIC 1906, Item 27.

 64/35.1Lark [chorus]

Lark. Ms. Sketch for mixed voices (SATB); 17 p.; 34 cm. Note: Holograph in pencil and ink. English text. Laid in: Typescript of words by Genevieve Taggard. On microfilm: MUSIC 1906, Item 27.

 64/35aLark [chorus]

Lark : four-part chorus / for mixed voices (divisi) / with baritone solo (a cappella). [Boston]: E.C. Schirmer Music Co., [1941]; c1941 by E.C. Schirmer Music Co. Plt.: E.C.S. No. 1275. Score for mixed voices (SATB); (2 copies). Ser. title: E.C.S. Choral Music, No. 1794. Note: English text. Words by Genevieve Taggard. Both copies contain holograph markings in pencil throughout.

 64/36The quiet city [incidental music]

The quiet city : for clarinet, saxophone, trumpet, and piano. Ms. Full score; 29 p.; 34.5 cm. Note: Holograph in ink and pencil. At end: April 1939. Music composed for Irwin Shaw's play "Quiet City." On microfilm: MUSIC 1906, Item 43.

 64/36.1The quiet city [incidental music]

The quiet city : for clarinet, saxophone, trumpet, and piano. Ms. (photocopy). Full score; 29 leaves; 36 cm. Note: Copy of manuscript score ARCO 36. At end: April 1939.

 64/36.2The quiet city [incidental music]

The quiet city. Ms. Rough piano sketch; 20 p.; 34.5 cm. Note: Holograph in pencil. Laid in: 2 page holograph in pencil titled "Music Cues - Quiet City." On microfilm: MUSIC 1906, Item 43.

 64/36.3The quiet city [incidental music]

Quiet city. Mss. Instrumental parts; 32 cm. Note: Holographs in ink and pencil. On microfilm: MUSIC 1906, Item 43.

 64/37Five kings [incidental music]

Five kings. Ms. Condensed score sketch; 41 p.; 33.5 cm. Note: Holograph in pencil. Incidental music for a play based on Shakespeare's plays; this work not published. On microfilm: MUSIC 1906, Item 76.

 64/37.1Five kings [incidental music]

Five kings. Ms. (photocopy). Condensed score sketch; 41 leaves; 36 cm. Note: Copy of manuscript ARCO 37. Laid in: Letter to Professor Perlis from playwright Richard France dated June 18; an article on Mr. France in the periodical Twentieth Century American Dramatists (1981); two pages of typescript from the play Five kings.

 65/38The city [incidental music]

The city : music for the documentary film. Ms. Full score; 166 p.; 34.5 cm. Note: Holograph in pencil. On title page: Orchestration by Aaron Copland; score written out by Henry Brant.

 65/38.1The city [incidental music]

The city : film music. Ms. Piano-conductor score; 34 leaves; 30-43 cm. Note: Holograph in ink, with additions and corrections in pencil, on transparent paper. At end: Finis March 1939. On microfilm: MUSIC 1906, Item 7 A.

 65/38.2The city [incidental music]

The city : film music. Ms. (ozalid). Piano-conductor score; [34] leaves 41 cm. (bound). Note: Copy of manuscript score ARCO 38.1, with holograph additions and corrections in pencil throughout; includes additional pages.

 65/38.3The city [incidental music]

The city : film music. Ms. Rough piano sketches; 42 + 1 p.; 34.5 cm. Note: Holographs in pencil. Laid in: Typescript of "Detailed outline of allocation of sound in 'The City'." On microfilm: MUSIC 1906, Item 7 B.

 17/38.4The city [incidental music]

The city. Mss. Instrumental parts. Note: Holographs in ink and pencil; includes reproductions of original manuscripts.

 65/39From sorcery to science [incidental music]

From sorcery to science : excerpt from the puppet show. Ms. Full score; 16 leaves; 38.5-45 cm. Note: Copyist's manuscripts in ink. At head: Not to be published as is - A.C.

 65/39.1From sorcery to science [incidental music]

"The medicine chest" : from Sorcery to science / a puppet play. Ms. Orchestral sketches; unnumbered; 34.5 cm. Note: Holograph in pencil. On title page: May 4-8, 1939; Not to be used -- A.C.

 17/39.2From sorcery to science [incidental music]

From sorcery to science : puppet show. Mss. Instrumental parts. Note: Copyist's manuscripts in ink and pencil, and ozalids.

 100/40Of mice and men [incidental music]

Of mice and men. Ms. Open score; 72 leaves; 48.5 x 30 cm. Note: Holograph in pencil. Incidental music for the film based on the novel by John Steinbeck.

 100/40.1Of mice and men [incidental music]

Of mice and men. Ms. Pencil sketches; 26 + 4 leaves; 48.5 x 30 cm. Note: Holograph in pencil.

 100/40.2Of mice and men [incidental music]

Of mice and men. Ms. (mimeograph). Conductor score; various pagings; 31.5 cm. Note: Mimeograph copy of manuscript score with holograph markings in pencil throughout.

 100/40.3Of mice and men [incidental music]

Of mice and men. Ms. (mimeograph). Conductor score; various pagings; 31.5 cm. (bound). Note: Mimeograph of manuscript score with holograph markings in pencil throughout.

 100/40.4Of mice and men [incidental music]

"Threshing machine sequence". Ms. Rough sketches; 6 p.; 32 cm. Note: Holograph in pencil. At head: Music for Movies. At end: Dec. 18, '42.

 113/40.5Of mice and men [incidental music]

Of mice and men. Ms. Full score, divided into section (cues); various pagings; various sizes. Note: Manuscript in pencil. Incidental music for the film based on the novel by John Steinbeck.

 100/40 miscOf mice and men [incidental music]

Of mice and men. Mss. Miscellaneous pages from the film production: including music cue sheets (in typescript), timing indications, and penciled notes. Note: Holographs in pencil and typescripts.

 66/41Our town [incidental music]

Our town : complete film music. Ms. Full score; various pagings; 47 cm. Note: Holograph in pencil. First performed by Howard Barlow and the Columbia Broadcasting Symphony.

 66/41.1Our town [incidental music]

Our town. Ms. Full score; various pagings; 47 cm. Note: Holograph in pencil. This version extracted from the complete film score.

 18/41.2Our town [incidental music]

Our town. Ms. (mimeograph). Conductor score; various pagings; 32 cm. (3 copies, Copy 1 bound). Note: Mimeograph copies with holograph markings in pencil throughout. Laid in Copy 2: Holograph in ink of "The Crisis", an excerpt from the suite.

 18/41.3Our town [incidental music]

Our town. Ms. Orchestral sketches: unnumbered; various sizes. Note: Holographs in pencil.

 18/41.4Our town [incidental music]

Our town : music from the film score. Ms. (photocopy). Orchestral sketch; 5 leaves; 36.5 cm. Note: Copy of holograph. Stamped in red: U of NT [University of Northern Texas] Music Library.

 19-20/41.5Our town [incidental music]

Our town. Mss. Orchestral parts and conductor scores; various pagings; 32 cm. Note: Copyist's manuscripts in ink and pencil and mimeographs; with markings in ink and pencil throughout.

 18/41 miscOur town [incidental music]

Our town. Mss. Miscellaneous pages from the film score; 3 p.; 28-32 cm. Note: Holographs in ink and typescript titled "Music Scoring Set-ups for 'Our Town'."

 18/41aOur town [incidental music]

Our town : music from the film score. New York: Boosey & Hawkes, [1945]; c1945 by Boosey & Hawkes. Plt.: O.T. Full score; 30 p. Note: Holograph markings in pencil throughout. Duration: 9 min.

 18/41bOur town [incidental music]

Our town : music from the film score. London: Boosey & Hawkes, [1967]; c1940; 1945 by Aaron Copland; renewed 1967 by Aaron Copland. Plt.: B.& H. 19741. Full score; 24 p. (2 copies). Ser. title: Youth Orchestra Series. Note: Holograph markings in pencil throughout Copy 1. Duration: approximately 9 min.

 18/41-AOur town [incidental music]

"Story of our town" (from the film Our Town). Ms. Score for violin and piano; 3 p.; 35.5 cm. Note: Holograph in ink on transparent paper.

 18/41-BOur town [incidental music]

III) "The resting place on the hill". Ms. Piano solo; 2 p. (pp. 6-7); 34.5 cm. Note: Holograph in ink and pencil on transparent paper.

 18/41-BaOur town [incidental music]

Our town : three piano excerpts from the film score. New York: Boosey & Hawkes, [1945]; c1945 by Boosey & Hawkes. Plt.: B. Pa Solo 60-8. Piano solo; 10 p. Note: CONTENTS: I) "Story of our town"; II) "Conversation at the soda fountain"; III) "The resting-place on the hill".

 18/41-BbOur town [incidental music]

Our town : three piano excerpts from the film score. New York: Boosey & Hawkes, [1945]; c1945 by Boosey & Hawkes. Plt.: B. Pa Solo 60-8. Piano solo; 10 p. Note: CONTENTS: I) "Story of our town"; II) "Conversation at the soda fountain"; III) "The resting-place on the hill".

 18/41-CaOur town [incidental music]

"Story of our town" / in Two portraits for two guitars. S.l.: Privately published, 1984; c[1940]. Score for two guitars, and parts; 15 + 7 + 7 p. (spiral bound). Note: Arranged for two guitars by Gregg Nestor. At end: May 31st, 1984. Bound with 'Hoe-down' from Rodeo.

 67/42John Henry [orchestra]

John Henry. Ms. Full score; 22 p.; 45.5 cm. (bound). Note: Holograph in pencil. On title page: This is original version which later was revised in 1952, A.C. At end: Feb. 25, 1940. Timing: about 3:35. On microfilm: MUSIC 1906, Item 81.

 67/42.1John Henry [orchestra]

John Henry. Ms. (photostat). Full score; 22 p.; 45 cm. Note: Copy of manuscript ARCO 42. At end: Feb. 25, 1940. Timing: about 3:35.

 67/42.2John Henry [orchestra]

John Henry. Ms. Orchestral sketch; [6] leaves; 30.5 cm. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 81.

 67/42.3John Henry [orchestra]

John Henry. Ms. (photocopy). Orchestral sketch; [4] leaves; 36 cm. Note: On title page: CBS Commission. At end: Feb. 25, 1940. Stamped in red: U of NT [University of Northern Texas] Music Library.

 67/42-AJohn Henry [orchestra] (revised)

John Henry. Ms. Full score; 20 p.; 34 cm. Note: Holograph in ink and pencil. On title page: 1940, revised 1952. Commissioned by the Columbia Broadcasting Co. Based on the well-known folk-tune. Duration: Approx. 3:30. On microfilm: MUSIC 1906, Item 81.

 67/42-A.1John Henry [orchestra] (revised)

John Henry. Ms. Orchestral sketch; 6 p.; 31.5 cm. Note: Holograph in pencil. On first page: John Henry (1940), revised (1952). On microfilm: MUSIC 1906, Item 81.

 67/42-AaJohn Henry [orchestra] (revised)

John Henry : based on the folk-tune. London: Boosey & Hawkes, [1953]; c1953 by Boosey & Hawkes. Plt.: B & H 17292. Full score; 16 p. Note: Holograph markings in pencil throughout. This work was commissioned by the Columbia Broadcasting Company. Laid in: Holograph note of orchestral changes. Duration: Approx. 3.5 min.

 67/42-AbJohn Henry [orchestra] (revised)

John Henry. [New York]: Boosey & Hawkes, [1953]; c1953 by Boosey & Hawkes. Plt.: B & H 17292. Full score (miniature); 16 p.

 67/42-BaJohn Henry [youth orchestra]

John Henry : a railroad ballad for orchestra. London: Boosey & Hawkes, 1982; c1940; revised edition 1953 by Aaron Copland. Plt.: B.& H. 20534. Full score; 16 p. (2 copies). Ser. title: The HSS300 Series (Hawkes School Series), HSS 304. Note: Duration: 3 min.

 67/42-BaaJohn Henry [youth orchestra]

John Henry : a railroad ballad for orchestra. London: Boosey & Hawkes, 1982; c1940; revised edition 1953 by Aaron Copland. Plt.: B.& H. 20534. Orchestral parts (2 sets). Ser. title: The HSS300 Series (Hawkes School Series), HSS 304. Note: Duration: Approx. 3 min.

 68/43Quiet city [chamber work]

Quiet city : for solo trumpet and string orchestra. Ms. Score for solo trumpet and string orchestra; 18 leaves; 37.5 cm. Note: Holograph in ink on transparent paper. On title page in ink: N.B. - The thematic material is derived from incidental music composed for Irwin Shaw's play Quiet City (1939). At head (and on title page) in pencil: Original version discarded, without English horn. At end: Sept. '40, Lenox, New York City. On microfilm: MUSIC 1906, Item 42.

 68/43.1Quiet city [chamber work]

Quiet city : for solo trumpet and string orchestra. Ms. Trumpet part; 3 leaves; 33.5 cm. Note: Holograph in ink on transparent paper. On microfilm: MUSIC 1906, Item 42.

 68/43.2Quiet city [chamber work]

Quiet city : for trumpet solo and string orchestra. Ms. Pencil sketch; 22 p.; 31.5 cm. Note: Holograph in pencil.

 68/43.3Quiet city [chamber work]

The quiet city : for solo trumpet and string orchestra. Ms. Preliminary sketches; 22 p.; various sizes. Note: Holographs in pencil. On microfilm: MUSIC 1906, Item 42.

 68/43.4Quiet city [arrangements]

Quiet city : arranged for wind ensemble / accompaniment by Donald Hunsberger - 3/88. Ms. (photocopy). New York: Boosey & Hawkes, 1988; c1941 by Hawkes & Son (London); this version copyright 1988. Score for wind ensemble; 45 leaves; 43.5 cm. Note: On title page: For Wynton Marsalis. At end: Sept. 1940 Lenox MA; NYC, orch. March, 1988 Roch. NY. Laid in: Letter to Ms. Sylvia Goldstein (of Boosey & Hawkes) from Donald Hunsberger (conductor of Eastman School of Music Wind Ensemble) dated June 8, 1988.

 68/43.5Quiet city [arrangements]

Quiet city : arranged for wind ensemble / accompaniment by Donald Hunsberger - 3/88. Ms. (photocopy). New York: Boosey & Hawkes, 1988; c1941 by Hawkes & Son (London); this version copyright 1988. Score for wind ensemble; 45 leaves; 43.5 cm. Note: Copy of manuscript score ARCO 43.4. On title page: For Wynton Marsalis. At end: Sept. 1940 Lenox MA; NYC, orch. March 1988 Roch. NY.

 68/43.6Quiet city [arrangements]

Quiet city : for strings, trumpet and English horn (or oboe). Ms. (photocopy). Condensed score and solo part; 8 leaves; 36.5 cm. Note: At head: To Ralph Hawkes. Stamped in red: U of NT [University of Northern Texas] Music Library. Includes row for Piano quartet.

 68/43aQuiet city [arrangements]

Quiet city : for strings, trumpet, and English horn (or oboe). New York: Boosey & Hawkes, [1941]; c1941 in U.S.A. by Hawkes & Son (London). Plt.: Q.C. 1-14. Score for strings, trumpet, and English horn (or oboe); 15 p. (2 copies, Copy 2 bound). Note: Holograph markings in pencil throughout both copies. At end: Sept. '40 Lenox, Mass. N.Y.C.

 68/43aaQuiet city [arrangements]

Quiet city. London: Boosey & Hawkes, [1941]; c1941 by Hawkes & Son. Orchestral parts. Note: Holograph markings in pencil throughout. English horn part missing. English horn part not included.

 68/43bQuiet city [arrangements]

Quiet city : for strings, trumpet and English horn (or oboe). London: Boosey & Hawkes, [1941]; c1941 in U.S.A. by Hawkes & Son (London). Plt.: B.& H. 18805. Full score (miniature); 15 p. (2 copies). Ser. title: Hawkes Pocket Scores, No. 726. At end: Sept. '40 Lenox, Mass., N.Y.C.

 68/44Piano sonata [piano work]

Piano sonata. Ms. Piano solo; 32 leaves; 34.5 cm. Note: Holograph in ink on transparent paper. At end: Santiago de Chile, Sept. 25, '41. On microfilm: MUSIC 1906, Item 53.

 68/44.1Piano sonata [piano work]

Piano sonata. Ms. (ozalid). Piano solo; 32 p.; 35 cm. Note: Copy of manuscript ARCO 44, with holograph and other markings in pencil. At end: Santiago de Chile, Sept. 25, '41.

 68/44.2Piano sonata [piano work]

Piano sonata. Ms. Sketch for piano solo; 128 p.; various sizes. Note: Holographs in ink and pencil. On microfilm: MUSIC 1906, Item 53.

 68/44.3Piano sonata [piano work]

Piano sonata. Publisher's proof. London: Hawkes & Son (London), [1942]; c1942 by Hawkes & Son. Plt.: B. Pa. Solo 27. Piano solo; 28 leaves Note: Publisher's proof with holograph markings in pencil throughout.

 68/44aPiano sonata [piano work]

Piano sonata. New York: Boosey & Hawkes, [1958]; c1942 by Boosey & Hawkes. Plt.: B. Pa. Solo 27. Piano solo; 27 p.

 68/44-APiano sonata (for band)

Piano sonata (arranged for band). Ms. (ozalid). Full score (1st movement only); 39 p.; 46.5 cm. Note: Copyist's manuscript with holograph note in pencil: Piano Sonata - Arranged for band by Barney Childs (c/o Wisconsin College Conservatory). Laid in: Concert program for Pro Musica Nova presented by WCC at Vogel Hall in Milwaukee, WI on Jan. 31, 1977.

 68/45Episode : improvisation for organ [organ solo]

Episode. Ms. Organ solo; 7 p.; 32 cm. Note: Holograph in ink with markings in ink and pencil throughout. On title page: 'Improvisation' for Organ by Aaron Copland, scratched out. At end: Aug. 20, '40, scratched out. On microfilm: MUSIC 1906, Item 20.

 68/45.1Episode : improvisation for organ [organ solo]

[Episode]. Ms. Organ solo; 6 p. 30.5 cm. Note: Holograph in pencil with pencil markings in unknown hand. On microfilm: MUSIC 1906, Item 19.

 68/45.2Episode : improvisation for organ [organ solo]

Episode : Improvisation for organ. Ms. Sketch for organ solo; 3 p.; 30.5 cm. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 19.

 68/45aEpisode : improvisation for organ [organ solo]

Episode. New York: H.W. Gray Co., [1941]; c1941 by The H.W. Gray Co. Plt.: C.O.S. No. 7,-(4). Organ solo; 4 p. Ser. ed.: William Strickland. Ser. title: Contemporary Organ Series, No. 7. Note: At end: August 20, 1940.

 69/46Lincoln portrait [speaker & orchestra]

Lincoln portrait : for speaker and orchestra. Ms. (ozalid). Full score with text; 72 p.; 39 cm. (spiral bound). Note: Copy of manuscript orchestral score with holograph and other markings in pencil throughout. English text. At end: New York, Feb.-April, 1942.

 69/46.1Lincoln portrait [speaker & orchestra]

Lincoln portrait : for speaker and orchestra. Ms. (ozalid). Full score with text; 72 p.; 40 cm. (spiral bound). Note: Copied from the same manuscript score as ARCO 46, with holograph markings in ink and pencil. English text. On title page: To Andre Kostelanetz. At end: New York, Feb.-April, 1942.

 69/46.2Lincoln portrait [speaker & orchestra]

Lincoln portrait. Ms. (ozalid). Full score (in part); pp. 22-37; 38.5 cm. (2 copies). Note: Copy of manuscript orchestral score. Copy 1 untitled and has holograph markings in pencil throughout; Copy 2 has holograph markings in ink. English text.

 69/46.3Lincoln portrait [speaker & orchestra]

[Lincoln portrait]. Ms. Piano sketch with text (incomplete); 18 leaves; various sizes. Note: Holograph in ink with markings in pencil on transparent paper. English and Spanish text. Pages 1 and 10 missing. At end: New York, Feb.-April, 1942.

 69/46.4Lincoln portrait [speaker & orchestra]

A Lincoln portrait : for speaker and orchestra. Ms. (ozalid). Piano sketch with text; 20 p.; 38 cm. Note: Copy of manuscript ARCO 46.3. English and Spanish text. At end: New York, Feb.-April, 1942.

 21/46aLincoln portrait [speaker & orchestra]

Lincoln portrait : for speaker and orchestra. New York: Boosey & Hawkes, [1943]; c1943 in U.S.A. by Hawkes & Son (London). Plt.: L.P.-44. Full score with text; 44 p. (bound). Note: Holograph pencil and ink markings throughout. English text. Laid in: one page note, partially holographic, in ink and pencil. Performing time: 14 min.

 21/46bLincoln portrait [speaker & orchestra]

Lincoln portrait : for speaker and orchestra. New York: Boosey & Hawkes, [1943]; c1943 in U.S.A. by Hawkes & Son (London). Plt.: L.P.-44. Full score (miniature) with text; 44 p.; 18.5 cm. Ser. title: Hawkes Pocket Scores, No. 61. Note: English text. Performing time: 14 min.

 21/46cLincoln portrait [speaker & orchestra]

Lincoln portrait : for speaker and orchestra. New York: Boosey & Hawkes, [1943?]; c1943 in U.S.A. by Hawkes & Son (London). Plt.: L.P. -44. Full score with text; 44 p.; 30.5 cm. Note: Holograph markings in pencil throughout. English text.

 21/46dLincoln portrait [speaker & orchestra]

Lincoln portrait : for narrator and orchestra. [New York]: Boosey & Hawkes, [1967?]; c1943 by Aaron Copland. Plt.: L.P.-44. Full score with text; 44 p. Note: English text.

 21/46naLincoln portrait [speaker & orchestra]

Lincoln portrait. New York: Boosey & Hawkes, [1943]; c1943 by Aaron Copland. Plt.: BH.BK. 499. Score for narrator; 12 p. (4 copies). Note: English text.

 21/46-AaLincoln portrait [speaker & band]

Lincoln portrait. New York: Boosey & Hawkes, [1951]; c1951 by Hawkes & Son (London). Plt.: B.& H. 17004. Band score (full to symphonic); 40 p. (4 copies). Ser. title: Boosey & Hawkes Q.M.B. Edition, No. 176. Note: English text. Transcribed for band by Walter Beeler. Copies 1 through 3 have holograph markings in pencil throughout.

 21/46-AaaLincoln portrait [speaker & band]

Lincoln portrait. New York: Boosey & Hawkes, [1951]; c1951 by Hawkes & Son (London). Plt.: B.& H. 17004. Parts for band (full to symphonic). Ser. title: Boosey & Hawkes Q.M.B. Edition, No. 176. Note: Transcribed for band by Walter Beeler.

 21/46-AbLincoln portrait [speaker & band]

Lincoln portrait. New York: Boosey & Hawkes, [1951]; c1943 by Hawkes & Son (London); this arrangement copyright 1951 by Hawkes & Son. Plt.: B.& H. 17004. Conductor score for band; 16 p. Ser. title: Boosey & Hawkes Q.M.B. Edition, No. 176. Note: English text. Transcribed by Walter Beeler.

 21/46-AcLincoln portrait [speaker & band]

Lincoln portrait. New York: Boosey & Hawkes, [1951]; c1951 by Hawkes & Son (London). Plt.: B.& H. 17004. Conductor score for band (miniature); 16 p. Ser. title: Boosey & Hawkes Q.M.B. Edition, No. 176. Note: English text. Transcribed for band by Walter Beeler.

 21/46-CLincoln portrait [speaker & band]

Lincoln portrait : words arranged for Virgil Thomsom's 75th Birthday (1971). [New York]: [Boosey & Hawkes], [1943]; c1943 by Aaron Copland. Plt.: BH.BK. 499. Score for narrator; 2 + 9 p. (pp. 4-12). Note: Published score with holograph text in pencil. On front cover: Words arranged for Virgil Thomson's 75th Birthday, Hotel Plaza - Nov. 1971. Includes two pages of text in typescript and pencil.

 70/47Rodeo [ballet]

Rodeo. Ms. Full score; 106 leaves (1-85 and 118-139); 38 cm. Note: Holograph in ink on transparent paper with holograph marking in pencil. Sections missing: "Corral nocturne", "Ranch house party" and "Hoe-down". Laid in: Two page list of instrumentation. On microfilm: MUSIC 1906, Item 46 B.

 70/47.1Rodeo [ballet]

Rodeo. Ms. Rough sketches; 74 p.; 31.5 cm. Note: Holograph in pencil. At end: June - 1, July -10, '42. Stockbridge, Mass. On microfilm: MUSIC 1906, Item 46 A.

 70/47.2Rodeo [ballet]

Rodeo. Ms. Early sketches; 32 p.; 32.5 cm. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 46 A.

 70/47.3Rodeo [ballet]

"Saturday night waltz" (Mvt. III). Ms. Bassoon II part; 1 leaf; 31.5 cm. Note: Holograph in ink.

 70/47aRodeo [ballet]

"Four dance episodes". New York: Boosey & Hawkes, [1946]; c1945-46 in U.S.A. by Hawkes & Son (London). Plt.: B.& H. 9037, 8895, 9036, 8896. Full score; 96 p. (2 copies, Copy 1 bound). Note: Holograph markings in pencil throughout both copies. Duration: 18 min.

 70/47bRodeo [ballet]

"Four dance episodes". London: Boosey & Hawkes, [1946]; c1945-46 in U.S.A. by Hawkes & Son (London). Plt.: B.& H. 9037, 8895, 9036, 8896. Full score (miniature); 96 p. Ser. title: Hawkes Pocket Scores, No. 684.

 70/47c, No. IRodeo [ballet]

"Buckaroo holiday". New York: Boosey & Hawkes, 1960; c1946 in U.S.A. by Hawkes & Son (London); separate edition 1960. 47c, No. 1]. Plt.: B.& H. 9037. Full score; 52 p. Note: Holograph markings in pencil throughout. Duration: 7 min.

 70/47c, No. IIRodeo [ballet]

"Corral nocturne". New York: Boosey & Hawkes, 1960; c1946 in U.S.A. by Hawkes & Son (London); separate edition 1960. Plt.: B.& H. 8895. Full score; 10 p. Note: Holograph pencil markings throughout. Duration: 3.5 min.

 70/47c, No. IIIRodeo [ballet]

"Saturday night dance". New York: Boosey & Hawkes, 1960; c1945 in U.S.A. by Hawkes & Son (London); separate edition 1960. Plt.: B.& H. 9036. Full score; 12 p. Note: Holograph markings in pencil throughout. Duration: 4 min.

 70/47c, No. IVRodeo [ballet]

"Hoe-down". New York: Boosey & Hawkes, 1960; c1946 in U.S.A. by Hawkes & Son (London); separate edition 1960. Plt.: B.& H. 8896. Full score; 30 p. Note: Holograph markings in pencil throughout. Duration: 3.5 min.

 70/47-ARodeo [piano solo]

Rodeo : complete ballet. Ms. (ozalid). Piano sketch; 37 p.; 34 cm. Note: Copy of composer's manuscript piano solo arrangement. On title page: "Four Dance Episodes" scratched out. At end: June-July '42.

 70/47-AaRodeo [piano solo]

Rodeo : four dance episodes / arranged for piano solo by the composer. London: Boosey & Hawkes, [1962]; c1946; piano solo arrangement copyright 1962 by the composer. Plt.: B.& H. 18925. Piano solo; 36 p.

 70/47-BRodeo [string quartet]

"Hoe-down" / arranged for string quartet. Ms. (ozalid). Score for string quartet; 9 p.; 36 cm. (soft bound). Note: Arranged for string quartet by William Zinn.

 70/47-CaRodeo [string orchestra]

"Hoe-down" / arranged for string orchestra by the composer. [New York]: Boosey & Hawkes, [1945]; c1945 by Boosey & Hawkes. Score for string orchestra; 19 p. Note: Reproduced from the composer's original manuscript. Holograph markings in pencil throughout.

 70/47-CaaRodeo [string orchestra]

"Hoe-down" / arranged for string orchestra. [New York]: Boosey & Hawkes, [1945]; c1945 by Boosey & Hawkes. String and piano parts. Note: Reproduced from manuscripts. Ser. Title: Boosey & Hawkes Pops Series.

 70/47-DRodeo [violin & piano]

"Hoe-down" / arranged for violin and piano by the composer. Ms. Score for violin and piano; 8 leaves; 38 cm. Note: Holograph in ink on transparent paper. In pencil at bottom of first leaf: BSI # 42; copyright 1946 Boosey & Hawkes Inc.

 70/47-DaRodeo [violin & piano]

"Hoe-down" / arranged for violin and piano by the composer - 1945. [New York]: Boosey & Hawkes, 1946]; c1946 by Boosey & Hawkes. Plt.: BSI 42 - 12. Score for violin and piano, and violin part; 8 + 4 p.

 70/47-EaRodeo [two pianos]

"Hoe-down" and "Saturday night waltz" / arranged for two pianos, four hands. [New York]: Boosey & Hawkes, [1950]; c1949/50 in U.S.A. by Boosey & Hawkes. Plt.: Hoe-down 10, Saturday night 6. Score for two pianos, four hands; 16 p. (2 parts in one folder). Note: Arranged for two pianos by Arthur Gold and Robert Fizdale.

 71/48Las agachadas [chorus]

Las agachadas. Ms. Score for mixed chorus (SSAATTB); 12 leaves; 37.5 cm. Note: Holograph in ink on transparent paper. Spanish text. At end: N.Y.C. Feb. 9, '42. On microfilm: MUSIC 1906, Item 83.

 71/48.1Las agachadas [chorus]

Las agachadas. Ms. Rough sketch; 8 p.; 32 cm. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 83.

 71/48aLas agachadas [chorus]

Las agachadas. S.l.: Privately published mimeograph, n.d.; c[1942]. Plt.: Las-A. Score for mixed chorus (SSAATTB); 14 p. (2 copies). Note: Spanish text. Holograph markings in pencil throughout Copy 1. On title page: Based on melody No. 202 in Kurt Schindler's folk-song collection of "Folk music and poetry of Spain and Portugal."

 71/48bLas agachadas [chorus]

Las agachadas : the shake-down song / a cappella. [New York]: Boosey & Hawkes, [1942]; c1942 by Hawkes & Son (London). Plt.: B.H.Bk. 88. Score for solo group and eight-part mixed chorus; 24 p. (3 copies). Note: Spanish and English text. All copies have holograph markings in pencil throughout. At bottom of page 2: Based on melody No. 202 in Kurt Schindler's collection: "Folk music and poetry of Spain and Portugal."

 71/48cLas agachadas [chorus]

Las agachadas : the shake-down song / a cappella. [New York]: Boosey & Hawkes, [194-?]; c1942 by Hawkes & Son (London). Plt.: B.H.Bk. 88. Score for solo group and eight-part mixed chorus; 24 p. Note: Spanish and English text. Contains some holograph markings in pencil. Although this item is identical to ARCO 48b, it is an apparent later edition based on the availability (cost) of the item.

 71/49Music for movies [orchestra]

Music for movies. Ms. (ozalid). Full score; 102 p.; 39.5 cm. Note: Copy of manuscript score with holograph and other markings in pencil and ink throughout. At bottom of the first page of each section: various copyright notices. Laid in: One leaf of orchestral notes. At end: Dec. 19, '42 Oakland, New Jersey. CONTENTS: I) "New England countryside" (from The city); II) "Barley wagons" (from Of mice and men); III) "Sunday traffic" (from The city); IV) "Grovers Corners" (from Our town); V) "Threshing machine" (from Of mice and men).

 71/49.1Music for movies [orchestra]

Music for movies. Ms. (ozalid). Full score (incomplete); 31 leaves; 36.5 cm. Note: Copy of copyist's manuscript. At end: Dec. 19, '42 Oakland. Stamped in red: University of Northern Texas (U of NT) Music Library.

 71/49.2Music for movies [orchestra]

"The city". Ms. Short sketch; [5] p.; 31.5 cm. Note: Holograph in pencil.

 71/49.3Music for movies [orchestra]

"Sunday traffic". Ms. (photocopy). Conductor (short) score; 6 p.; 33 cm. Note: Orchestrated and manuscript by Monia Liter.

 71/49aMusic for movies [orchestra]

Music for movies. London: Boosey & Hawkes, [1970]; c1956, 1970 by Aaron Copland. Plt.: B.& H. 19748. Full score; 97 p. (2 copies). Both copies have Holograph markings in pencil throughout.

 72/50Danzón Cubano [two pianos]

Danzón Cubano. Ms. Score for two pianos -- four hands; 23 lvs; 35 cm. Note: Holograph in ink on transparent paper. At end: Oakland, N.J. Dec. 6, '42. Composed especially for the twentieth anniversary of the League of Composers. On microfilm: MUSIC 1906, Item 17 B.

 72/50.1Danzón Cubano [two pianos]

Danzón Cubano. Ms. Original piano sketches; 42 p.; 31.5 cm. Note: Holograph in pencil. Laid in: Unidentified sketch on hotel paper (page 42). On microfilm: MUSIC 1906, Item 17 B.

 72/50aDanzón Cubano [two pianos]

Danzón Cubano : for two pianos -- four hands / composed especially for the twentieth anniversary of the League of Composers. Lynbrook, N.Y. : Boosey & Hawkes, [1943]; c1943 in U.S.A. by Hawkes & Son (london). Plt.: H. 15550. Score for two pianos -- four hands; 20 p. (2 parts in one folder). Ser. title: Boosey & Hawkes Two Piano Series, B. Two Pa. 37. Note: Both parts contain holograph markings in pencil.

 72/50bDanzón Cubano [two pianos]

Danzón Cubano : for two pianos -- four hands / composed especially for the twentieth anniversary of the League of Composers. New York: Boosey & Hawkes, [1943]; c1943 by Aaron Copland. Plt.: H. 15550. Score for two pianos -- four hands; 20 p. (2 parts in one folder). Note: Contains holograph markings in pencil.

 72/50cDanzón Cubano [two pianos]

Danzón Cubano : composed especially for the twentieth anniversary of the League of Composers / for two pianos, four hands. London: Hawkes & Son (London), [1943]; c1943 by Hawkes & Son (London). Plt.: H. 15550. Score for two pianos, four hands; 20 p. (2 folders - 2 scores in each folder).

 72/50-ADanzón Cubano [orchestra]

Danzón Cubano. Ms. Full score; 56 leaves; 38.5 cm. Note: Holograph in ink on transparent paper. Originally composed for two pianos, the Danzón Cubano in its orchestral form was first performed by the Baltimore Symphony Orchestra, under the conductorship of Reginald Stewart, on February 17, 1946. On microfilm: MUSIC 1906, Item 17 A.

 72/50-A.1Danzón Cubano [orchestra]

Danzón Cubano. Ms. (ozalid). Full score; 56 p.; 40 cm. (spiral bound). Note: Copy of manuscript ARCO 50-A, with holograph markings in pencil throughout. Originally composed for two pianos, the orchestral form of Danzón Cubano was first performed by the Baltimore Symphony Orchestra on February 17, 1946 under the conductorship of Reginald Stewart.

 72/50-A.2Danzón Cubano [orchestra]

Danzón Cubano. Ms. Orchestral parts; 34.5 cm. Note: Copyist's manuscript in ink on transparent paper.

 72/50-AaDanzón Cubano [orchestra]

Danzón Cubano. New York: Boosey & Hawkes, [1947]; c1947 by Boosey & Hawkes. Plt.: B.& H. 15895. Full score; 45 p. (bound). Note: Holograph markings in pencil throughout.

 72/50-AbDanzón Cubano [orchestra]

Danzón Cubano. London: Boosey & Hawkes, [1964]; c1949 by Aaron Copland. Plt.: B.& H. 15895. Full score; 45 p. Note: Holograph markings in pencil throughout.

 72/50-BaDanzón Cubano [piano solo]

Danzón Cubano [piano solo] (1949). [New York]: Boosey & Hawkes, [1949]; c1949 by Boosey & Hawkes. Plt.: Danzo Cubano 17. Piano solo; 19 p. Note: Arranged for piano solo by Leo Smit.

 73/51Fanfare for the common man [brass & percussion]

Fanfare for the common man. Ms. Score for brass and percussion ensemble; 5 leaves; 38 cm. Note: Holograph in ink on transparent paper. At end: Oakland, Nov. 6 '42. On microfilm: MUSIC 1906, Item 21.

 73/51.1Fanfare for the common man [brass & percussion]

Fanfare for the common man. Ms. (photocopy). Full score; [4] leaves; 36 cm. Copy of manuscript score. Includes photocopy of copyist's manuscript of theme to "Danzon Cubano". Stamped in red: U of NT [University of Northern Texas] Music Library

 73/51.2Fanfare for the common man [brass & percussion]

Fanfare for the common man. Publisher's proof. [New York]: Boosey & Hawkes, [1956]; c1944 by Boosey & Hawkes. Plt.: B. Ens. 97. Score for brass and percussion ensemble; 3 leaves Note: Photocopy of proof with holograph markings in ink and pencil.

 73/51.3Fanfare for the common man [brass & percussion]

Fanfare for the common man. Publisher's proofs. New York: Boosey & Hawkes, [1956]; c1944 by Boosey & Hawkes. Plt.: B. Ens. 97. Brass and percussion ensemble parts; various pagings. Note: Photocopies with holograph markings in pencil.

 73/51.4Fanfare for the common man [brass & percussion]

Fanfare for the common man. Publisher's proof. New York: Boosey & Hawkes, [1971]; c1944 by Aaron Copland; renewed 1971. Plt.: B. Ens. 97. Score for brass and percussion ensemble; 4 leaves. Note: Photocopy of proof with holograph markings in ink and pencil.

 73/51.5Fanfare for the common man [brass & percussion]

Fanfare for the common man. Publisher's proof. New York: Boosey & Hawkes, [1971]; c1944 by Aaron Copland; renewed 1971. Plt.: B. Ens. 97. Score for brass and percussion ensemble; 4 leaves. Note: At head in blue pencil: Copy of corrected finals.

 73/51.6Fanfare for the common man [brass & percussion]

Fanfare for the common man. Ms. Original pencil sketches; 4 p.; 32 cm. Note: Holograph in pencil. Included with this item is a brief history of the "Fanfare", with text by Aaron Copland. As can be seen by this sketch, the final title did not come easily.

 73/51.7Fanfare for the common man [brass & percussion]

Fanfare for the common man. Ms. (photocopy). Original sketches in pencil; 4 leaves; 32 cm. Note: Copy of holograph score ARCO 51.6.

 73/51.8Fanfare for the common man [brass & percussion]

Fanfare for the common man. Ms. Piano sketch; 4 p.; 34 cm. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 21.

 73/51aFanfare for the common man [brass & percussion]

Fanfare for the common man. London: Boosey & Hawkes, [1944]; c1944 by Boosey & Hawkes. Plt.: B.Ens. 53. Score for brass and percussion ensemble; 3 p. Note: Holograph markings in pencil throughout.

 73/51bFanfare for the common man [brass & percussion]

Fanfare for the common man : in Ten Fanfares by Ten Composers / for brass and percussion. New York: Boosey & hawkes, [1944]; c1944 by Boosey & Hawkes. Plt.: B.Ens. 53. Score for brass and percussion ensemble; 3 p. (pp. 1-3) (2 copies). Note: Both copies contain holograph markings in pencil.

 73/51cFanfare for the common man [brass & percussion]

Fanfare for the common man : from Ten Fanfares. New York: Boosey & Hawkes, [1956]; c1944 by Boosey & Hawkes; separate edition 1956. Plt.: B. Ens. 97. Score for brass and percussion ensemble; 3 p. Note: Heavily marked.

 73/51ccFanfare for the common man [brass & percussion]

Fanfare for the common man : from Ten Fanfares. New York: Boosey & Hawkes, [1956]; c1944 by Boosey & Hawkes. Plt.: B. Ens. 97. Brass and percussion ensemble parts; various pagings. Note: Holograoph markings in pencil on 1st B-flat trumpet part.

 73/51-AFanfare for the common man [guitar]

Fanfare for the common man : transcribed for guitar by Dave Bogart (1942). Ms. (photocopy). Guitar solo; 2 p.; 31.5 cm.

 73/51-A.1Fanfare for the common man [guitar]

Fanfare for the common man : guitar solo / transcribed by Michael Hendrix. Ms. (ozalid). Guitar solo: 3 p.; 33 cm. Note: No date given for this arrange- ment.

 73/51-BFanfare for the common man [trumpet ensemble]

Fanfare for the common man : arranged for trumpet ensemble by Ronald Small (1988). Ms. (photocopy). Score for trumpet ensemble; 1 + 8 p.; 31.5 cm. Note: Copy of copyist's manuscript. Includes letter from Ronald Small to Ronald Caltabiano (assistant to Aaron Copland) dated May 16, 1988.

 22/52Sonata for violin and piano [chamber work]

Sonata for violin and piano. Ms. Score for violin and piano; 37 leaves (page 5-B inserted); 34.5 cm. Note: Holograph in ink on transparent paper. At end: Dec. 1943. Laid in: Article titled "AARON COPLAND: His Work and Contribution to American Music" by Julia Smith. On microfilm: MUSIC 1906, Item 55.

 22/52.1Sonata for violin and piano [chamber work]

Sonata for violin and piano. Ms. Violin part; 13 leaves; 30.5-34.5 cm. Note: Holograph in ink on transparent paper. On microfilm: MUSIC 1906, Item 55.

 22/52.2Sonata for violin and piano [chamber work]

Sonata for violin and piano. Ms. (ozalid). Piano score, in part; 16 p. (pp. 21-36); 36 cm. Note: Copy of 3rd movement of manuscript score ARCO 52. At end in ink: Jan. 4, '44.

 22/52.3Sonata for violin and piano [chamber work]

Sonata for violin and piano. Ms. (ozalid). Violin part; 13 p.; 31-36 cm. Note: Copy of manuscript violin part ARCO 52.1, with holograph markings in ink and pencil throughout.

 22/52.4Sonata for violin and piano [chamber work]

Sonata for violin and piano. Ms. Complete violin and piano sketches; 85 p.; 32 cm. Note: Holographs in ink and pencil. Includes ink sketch of violin part, and rough sketches. On microfilm: MUSIC 1906, Item 55.

 22/52.5Sonata for violin and piano [chamber work]

Sonata for violin and piano. Publisher's proof. [New York]: Boosey & Hawkes, [1944]; c1944 in U.S.A. by Hawkes & Son (London). Plt.: B.S.I. 34-46. Violin part; 13 leaves. Note: Publisher's proofs of violin part with holograph markings in pencil throughout.

 22/52aSonata for violin and piano [chamber work]

Sonata for violin and piano. New York: Boosey & Hawkes, [1944]; c1944 in U.S.A. by Hawkes & Son (London). Plt.: B.S.I. 34 - 46. Score for violin and piano (violin part not included); 33 p. Note: Contains holograph markings in pencil.

 22/52bSonata for violin and piano [chamber work]

Sonata for violin and piano. New York: Boosey & Hawkes, [1944]; c1944 in U.S.A. by Hawkes & Son (London). Plt.: B.S.I. 34 - 46. Score for violin and piano, and violin part; 33 + 13 p.

 22/52-ASonata for violin and piano [clarinet & piano]

[Sonata for violin and piano] : transcribed for clarinet and piano by Timothy Paradise (1980). Ms. Score for clarinet and piano; 46 leaves; 30.5 cm. Note: Manuscript in pencil by Timothy Paradise. This arrangement copyrighted in 1980 by T. Paradise through the auspices of Hawkes & Son.

 101-102/53The north star [incidental music]

The north star. Ms. Full score divided by sequence titles, in 19 folders; various pagings; various sizes. Note: Holographs in pencil. CONTENTS: "Main title"; "Going to school"; "Night scene - Prt. I"; "Night sequence - Prt. II"; "Death of the little boy"; "Internationale"; "Song of the guerrillas"; "Boris' death"; "Scorched earth"; "In the woods"; "The hospital"; "Marina & Damion"; "Claudia & Damian"; "Damian is blind"; "North star battle"; "The childrens' return"; "Guerrillas return" (M-134); "Guerrillas return" (M-140); "Leaving the village".

 23/53.1The north star [incidental music]

The north star. Ms. Original sketches; various pagings; 31.5 - 34 cm. Note: Holographs in pencil. Laid in: Annotated typescript of "Wagon song".

 23/53.2The north star [incidental music]

The north star. Mss. Drafts of conductor scores; various pagings; 31.5 - 34 cm. Note: Holographs in pencil. Laid in: Annotated typescripts of "Song of the fatherland" and "Younger generation". Includes mimeograph lead sheet for "Scorched earth".

 24/53.3The north star [incidental music]

The north star. Mss. Conductor's scores; various pagings; various sizes. Note: Copyist's manuscripts with holograph markings in pencil throughout; mostly mimeograph and ozalid reproductions. Laid in folder for Reel 7: Holograph sequence notes (in pencil) on 4 x 6 inch yellow paper. The pieces included with this item are grouped according to sequence (i.e. the film reel on which they appear.) Contents list included with each folder.

 25/53.4The north star [incidental music]

"Song of the fatherland". Ms. (ozalid). Piano-vocal score; 3 + 1 p.; 32 cm. Note: Copy of manuscript score. Music by I. Dunayevsky; transcribed by Aaron Copland. Text of V. Lebedev-Kumach; adapted by Ira Gershwin. Laid in: Typescript of "Song of the fatherland".

 25/53.5The north star [incidental music]

"From the Baltic to the Pacific (loading song)" / based on traditional Russian folk tunes - composer unknown. Ms. (ozalid). Score for mixed voices (SATB); 2 p.; 32 cm. (2 copies). Note: Copy of copyist's manuscript score. English text. Lyrics by Ira Gershwin.

 25/53 mixerThe north star [incidental music]

The north star. Mss. A mixer of annotated scores used in the Samuel Goldwyn production; various pagings; various sizes. Note: All items in this folder are mimeographs or ozalid copies of copyist's manuscripts with holograph markings in ink and pencil throughout. The term "MIXER" is used by the composer to describe this group of scores. A list of titles is included with the material.

 25/53 miscThe north star [incidental music]

The north star. Miscellaneous choral scores of Russian folk songs.

 25/53-A"Younger generation" [song] : from The north star

"Younger generation" (song version). Ms. Draft of piano-vocal score; [8] p.; 31.5 cm. Note: Holograph in pencil. English text. Lyrics by Ira Gershwin. Based on traditional Russian melody; composer unknown.

 25/53-A.1"Younger generation" [song] : from The north star

"Younger generation". Ms. (ozalid). Piano-vocal score; 5 p.; 33 cm. Note: Copy of copyist's manuscript score. English text. Lyrics by Ira Gershwin.

 25/53-Aa"Younger generation" [song] : from The north star

"Younger generation" / from Samuel Goldwyn's production. New York: Boosey & Hawkes, [1944]; c1944 by Chappel and Co. Plt.: Oct. 1723-10. Score for choral arrangement (SATB), with piano accompaniment; 10 p.; 26.5 cm. No. 1723. Note: English text. Words by Ira Gershwin.

 25/53-Ab"Younger generation" [song] : from The north star

"Younger generation". New York: Boosey & Hawkes, [1964]; c1944 by Chappell and Co.; this arrangement copyright 1964 by Chappell and Co. Plt.: Oct. 5506. Piano-vocal score (SA); 8 p. Note: English text. Words by Ira Gershwin. Arranged by Frederic Fay Swift.

 25/53-Ac"Younger generation" [song] : from The north star

"Younger generation". New York: Boosey & Hawkes, [1964?]; c1944 by Chappell & Co.; this arrangement copyright 1964 by Chappell & Co. Plt.: Oct. 5507. Choral score (SAB); 11 p. No. 5507. Note: English text. Words by Ira Gershwin. Arranged by Frederic Fay Swift.

 25/53-B"Song of the guerrillas" [chorus] : from The north star

"Song of the guerrillas". Ms. (ozalid). Conductor's choral score (TBB), with orchestral accompaniment; 7 p.; 33 cm. (2 copies). Note: Copy of copyist's manuscript. English text. Words by Ira Gershwin.

 25/53-Ba"Song of the guerrillas" [chorus] : from The north star

"Song of the guerrillas". New York: Chappell & Co., [1943]; c1943 by Chappell & Co. Plt.: C-1273-4. Piano-vocal score; 5 p.; 30.25 cm. (2 copies). Note: English text. Words by Ira Gershwin.

 25/53-Bb"Song of the guerrillas" [chorus] : from The north star

"Song of the guerrillas" / for men's voices, with baritone solo and piano accompaniment. New York: Boosey & Hawkes, [1944]; c1944 by Chappell and Co. Plt.: Oct. 1729-12. Score for men's voices (TTBB) with piano accompaniment; 12 p. Note: English text. Words by Ira Gershwin.

 25/53-Bc"Song of the guerrillas" [chorus] : from The north star

"Song of the guerrillas" / for men's voices, with baritone solo and piano accompaniment. New York: Boosey & Hawkes, [1944]; c1944 by Chappell and Co. Plt.: Oct. 1729-12. Score for men's voices (TTBB) with piano accompaniment; 12 p. Note: English text. Lyrics by Ira Gershwin.

 25/53-C"No village like mine" [song] : from The north star

"No village like mine" / based on a traditional Russian tune - composer unknown. Ms. Draft of piano-vocal score; 8 + 1 p.; 31.5 cm. Note: Holograph in pencil. English text. Lyrics by Ira Gershwin. Laid in: Typescript of "No Village Like Mine".

 25/53-Ca"No village like mine" [song] : from The north star

"No village like mine". New York: Chappell & Co., [1943]; c1943 by Chappell & Co. Plt.: C-1271-4. Piano-vocal score; 5 p.; 30 cm. (2 copies). Note: English text. Words by Ira Gershwin.

 74/54Letter from home [orchestra]

Letter from home. Ms. (pos. photostat). Full score; 38 leaves; 44.5 cm. Note: Photostat copy with holograph markings in pencil and ink. Original version for radio orchestra. This work was written on commission from Paul Whiteman and the American Broadcasting Company.

 74/54.1Letter from home [orchestra]

Letter from home. Ms. (neg. photostat). Full score; 38 leaves; 44.5 cm. Note: Copy of manuscript score; identical to ARCO 54. Holograph note laid in: "Negatives of full score [original] version for radio orchestra."

 74/54.2Letter from home [orchestra]

Letter from home. Ms. Original pencil sketches; various pagings; 32 cm. Note: Holograph in pencil.

 74/54.3Letter from home [orchestra]

Letter from home : piano reduction of the [original] score. Ms. (ozalid). Piano score; 8 p.; 39 cm. Note: Copy of manuscript with holograph markings in ink and pencil . At end in ink and pencil: Aug. 13-28, '44 Tepoztlan, Mex.

 74/54.4Letter from home [orchestra]

Letter from home. Ms. (photocopy). Piano score; 6 leaves; 43.5 cm. Note: Copy of copyist's manuscript score. On title page: "Complete piano score by J.S. Original version for radio orchestra. Commissioned by the American Broadcasting Co." Stamped in red: U of NT [University of Northern Texas] Music Library.

 74/54-ALetter from home [symphony orchestra]

Letter from home. Ms. Full score; 39 leaves; 40.5 cm. Note: Holograph in ink on transparent paper. On title page: "Arranged for symphony orchestra from the original version for radio orchestra."

 74/54-A.1Letter from home [symphony orchestra]

Letter from home. Ms. (ozalid). Full score; [1] + 38 p.; 41.5 cm. Note: Copy of holograph score ARCO 54-A. On title page: "Original version for radio orchestra. Commissioned by the American Broadcasting Co."

 74/54-A.2Letter from home [symphony orchestra]

Letter from home. Ms. (ozalid). Full score; [1] + 38 p.; 42.5 cm. (spiral bound). Note: Copy of holograph score ARCO 54-A, with holograph markings in ink and pencil . On title page: "Version of 1944 now withdrawn. Arranged for symphony orchestra from the original version for radio orchestra. Later revised and published for school orchestra (1964)."

 74/54-A.3Letter from home [symphony orchestra]

Letter from home. Ms. (ozalid). Full score; [1] + 38 p.; 42 cm. Note: Copy of holograph score ARCO 54-A. On outside cover: Library #3 SET A.

 74/54-A.4Letter from home [symphony orchestra]

Letter from home. Ms. (ozalid). Full score; [1] + 38 p.; 42 cm. Note: Copy of holograph score ARCO 54-A, with holograph markings in pencil. On outside cover: Library #3 SET B. On verso of title page in orange pencil: "2nd [original] version for symphony orch. ... (arranged from original version for radio orch.) Now withdrawn."

 74/54-A.5Letter from home [symphony orchestra]

Letter from home. Mss. Orchestral parts; various pagings; 32 cm. Note: Copyist's manuscripts in ink on transparent paper.

 74/54-A.6Letter from home [symphony orchestra]

Letter from home. Mss. (ozalids). Orchestral parts (SET B); various pagings (Viola 7 folder empty); 35 cm. Note: Copies of copyist's manuscripts ARCO 54-A.5, with holograph markings in pencil.

 74/54-A.7Letter from home [symphony orchestra]

Letter from home. Mss. (ozalids). Orchestral parts (SET A); various pagings; 35.5 cm. Note: Copies of copyist's manuscripts ARCO 54-A.5, with holograph markings in pencil.

 75/54-BLetter from home [reduced orchestra]

Letter from home. Ms. Full score (revised for reduced orchestra); [2] + 26 leaves; 38 cm. Note: Manuscript in pencil by David Walker. Laid in, handwritten note by David Walker and Copland: "Copland - Letter from home masters of full score 1962/3 - new symph. version (reduced orch.) (score in handwriting of D.W.)."

 75/54-B.1Letter from home [reduced orchestra]

Letter from home. Ms. (ozalid). Full score (revised for reduced orchestra); [2] + 26 p.; 38.5 cm. (spiral bound). Note: Copy of manuscript score ARCO 54-B in hand of David Walker.

 75/54-B.2Letter from home [reduced orchestra]

Letter from home : piano reduction of the score. Ms. Piano score; 7 leaves; 38.5 cm. Note: Holograph in pencil on transparent paper. At end: Aug. 13-28, 1944 - Tepoztlan, Mexico; revised Dec. 1962 - Rock Hill. Duration: 6 min.

 75/54-B.3Letter from home [reduced orchestra]

Letter from home : piano reduction of the score. Ms. (ozalid). Piano score; 8 p.; 38.5 cm. Note: Copy of holograph score ARCO 54-B.2, with holograph markings in pencil throughout. At end: Aug. 13-28, 1944.

 75/54-BaLetter from home [reduced orchestra]

Letter from home. London: Boosey & Hawkes, [1964]; c1964 by Aaron Copland. Plt.: B.& H. 19118 (score); B.& H. 19171 (parts). Score and parts; 22 p. score + 24 parts (4 copies, Copy 3 and 4, score only; Copy 3 bound). Note: Holograph markings in pencil throughout Copy 1. Laid in Copy 1: Holograph pencil note and typescript of "Mistakes in parts of Letter from Home." Laid in Copy 4: Typescript of "Mistakes in parts of Letter from Home", with holograph markings in ink and pencil. Duration: Approximately 6 min.

 -/55Appalachian spring : ballet for Martha [ballet]

Appalachian spring. Ms. Full score; 101 leaves; 37.5 cm. (bound). Note: Holograph in ink on transparent paper. On title page: To Elizabeth Sprague Coolidge. At end: Hollywood New York Cambridge, Mass. 1943-44. {Filed with Coolidge Collection, ML 29c .C8 case.}

 -/55.1Appalachian spring : ballet for Martha [ballet]

Appalachian spring. Ms. (ozalid). Full score; 101 leaves; 38 cm. (bound). Note: Copy of manuscript score ARCO 55, with holograph markings in ink and colored pencil. On title page: To Elizabeth Sprague Coolidge. At end: Hollywood New York Cambridge, Mass. 1943-44. {Filed with Coolidge Collection, ML 29c .C8 case.}

 76/55.2Appalachian spring : ballet for Martha [ballet]

Appalachian spring : original version for 13 instruments. Ms. (ozalid). Full score; 101 p.; 38 cm. (spiral bound). Note: Copy of manuscript score ARCO 55, with holograph markings in ink. On title page: To Elizabeth Sprague Coolidge. At bottom of first page of music: Copyright 1958 by Aaron Copland and Boosey & Hawkes, Inc. At end: Hollywood - New York - Cambridge, Mass. 1943-44.

 76/55.3Appalachian spring : ballet for Martha [ballet]

Appalachian spring (ballet for Martha) : 13 instrument version / as danced by Martha Graham's Company. Ms. (ozalid). Full score; 101 p.; 37 cm. (bound). Note: Copy of manuscript score ARCO 55, with holograph markings in pencil throughout. Typescript attached to title page recto: Note on Various Versions of Appalachian Spring. At end: Hollywood - New York - Cambridge, Mass. 1943-44.

 76/55.4Appalachian spring : ballet for Martha [ballet]

Appalachian spring. Ms. (photocopy). Full score; 101 leaves; 37 cm. Note: Copy of manuscript score ARCO 55. At end: Hollywood - New York - Cambridge, Mass. 1943-44.

 -/55.5Appalachian spring : ballet for Martha [ballet]

Appalachian spring. Ms. Rough sketches (2 folders); various pagings; various sizes. Note: Holographs in pencil. {Filed with Coolidge Collection, ML 29c .C8 case.}

 77/55.6Appalachian spring : ballet for Martha [ballet]

Appalachian spring. Ms. (photocopy). Rough sketches; 25 leaves; various sizes. Note: Copy of original holograph rough sketches ARCO 55.5.

 76/55 miscAppalachian spring : ballet for Martha [ballet]

Appalachian spring. Mss. (photocopies). Miscellaneous pages from the ballet score; [27] leaves; various sizes. Note: Holograph markings in ink and pencil throughout. Laid in, handwritten note: Pages from complete ballet score - original version - not used in suite from the ballet.

 77/55-AAppalachian spring [suite]

Appalachian spring. Ms. (ozalid). Full score; 131 p; 35 cm. (spiral bound). Note: Copy of holograph score with holograph markings in ink and pencil throughout.

 77/55-A.1Appalachian spring [suite]

Appalachian spring. Ms. Full score (insert); 32 leaves; 38 cm. Note: Holograph in ink and pencil on transparent paper. At head: No. 6 Insert for complete ballet suite (orch. version); (Interpolate at page 78 of printed score).

 77/55-A.2Appalachian spring [suite]

Appalachian spring. Ms. (ozalid). Full score (insert); 32 leaves; 38 cm. Note: Copy of manuscript score ARCO 55-A.1. At head: Insert for complete ballet - full orch. version. (Interpolate at page 78 of printed score).

 28/55-AaAppalachian spring [suite]

Appalachian spring : Ballet for Martha. New York: Boosey & Hawkes, [1945]; c1945 in U.S.A. by Hawkes & Son (London). Plt.: B.& H. 9054. Full score; 82 p. Note: Holograph markings in pencil throughout. Duration: Approx. 25 min.

 -/55-AbAppalachian spring [suite]

Appalachian spring : Ballet for Martha. London: Boosey & Hawkes, [1945]; c1945 in U.S.A. by Hawkes & Son (London). Plt.: B.& H. 9054. Full score; 82 p. Note: Inscribed on title page: To Mrs. Elizabeth Coolidge who commissioned this work with deep gratitude - Aaron Copland Jan. 1945. Duration: Approx. 20 min. {Filed with Coolidge Collection, ML 29c .C8 case.}

 28/55-AcAppalachian spring [suite]

Appalachian spring : Ballet for Martha. New York: Boosey & Hawkes, [1945]; c1945 in U.S.A. by Hawkes & Son (London). Plt.: B.& H. 9054. Full score (miniature); 82 p. Ser. title: Hawkes Pocket Scores, No. 82. Note: Holograph markings in pencil throughout. Duration: Approx. 20 min.

 28/55-AdAppalachian spring [suite]

Appalachian spring : Ballet for Martha. New York: Boosey & Hawkes, [1958]; c1945 in U.S.A. by Hawkes & Son (London). Plt.: B.& H. 9054. Full score (miniature); 82 p. Ser. title: Hawkes Pocket Scores, No. 82. Note: Duration: Approx. 20 min.

 28/55-AeAppalachian spring [suite]

Appalachian spring : Ballet for Martha. New York: Boosey & Hawkes, [1968]; c1945 by Aaaron Copland. Plt.: B.& H. 9054. Full Score; 82 p. Duration: Approx. 20 min.

 28/55-AfAppalachian spring [suite]

Appalachian spring. Peking, China: People's Music, 1982; c[1945]. Full score (miniature); 82 p. Note: Front cover and title page information in Mandarin Chinese. Holograph translation in pencil of title on front cover and title page. Included with item are two concert programs also in Mandarin Chinese.

 55-BAppalachian spring [piano work]

Appalachian spring. Ms. Piano reduction; 50 leaves (in mylar); 38 cm. Note: Holograph in ink on transparent paper. At end: Cambridge, Mass. June 1944. {Filed with Coolidge Collection, ML 29c .C8 case.}

 77/55-B.1Appalachian spring [piano work]

Appalachian spring. Ms. (ozalid). Piano reduction; 50 p.; 38 cm. Note: Copy of manuscript score ARCO 55-B, with holograph markings in pencil throughout. At end: Cambridge, Mass. June 1944.

 77/55-B.2Appalachian spring [piano work]

Appalachian spring : excerpts from the ballet. Ms. (ozalid). Piano reduction (incomplete); [27] leaves; 38 cm. Note: Copy of manuscript score ARCO 55-B, with Holograph markings in pencil throughout.

 77/55-B.3Appalachian spring [piano work]

Appalachian spring. Ms. (photocopy). Piano reduction (incomplete); 48 leaves; 41 cm. Note: Copy of manuscript score ARCO 55-B.

 77/55-CAppalachian spring : version for 13 instruments [suite]

Appalachian spring. Ms. (ozalid). Full score for 13 instruments; 22 p.; 38.5 cm. Note: Copyist's manuscript with holograph markings in ink and pencil throughout. At head in Copland's hand: insert for complete ballet (interpolate at rehearsal no. 65 of printed score).

 28/55-CaAppalachian spring : version for 13 instruments [suite]

Appalachian spring (ballet for Martha) : version for 13 instruments. London: Boosey & Hawkes, [1972]; c1945, 1958 by Aaron Copland; first publication of original version copyright 1972 by Aaron Copland. Plt.: B.& H. 19979. Full score; 66 p. (2 copies). Note: Holograph markings in pencil throughout Copy 1. Duration: Approx. 20 min.

 28/55-CbAppalachian spring : version for 13 instruments [suite]

Appalachian spring (ballet for Martha) : version for 13 instruments. London: Boosey & Hawkes, [1972]; c1945, 1958 by Aaron Copland; first publication of original version copyright 1972 by Aaron Copland. Plt.: B.& H. 19979. Full score (miniature); 66 p. (2 copies). Ser. title: Hawkes Pocket Scores, No. 876.

 28/55-DaAppalachian spring [two pianos]

Appalachian spring : ballet for Martha / arranged for two pianos four hands by Melissa Postnikoff. S.l.: Privately published, [1984]; c1945; this version copyright 1984 by Melissa Postnikoff. Score for two pianos; 49 p. (spiral bound).

 28/56Jubilee variation [orchestra]

Jubilee variation. Ms. (photocopy). Full score; 14 leaves; 34 cm.

 28/56.1Jubilee variation [orchestra]

Jubilee variation. Ms. Orchestral sketch; [8] p.; 32 cm. Note: Holograph in pencil. On title page: For the Cincinnati Symphony orchestra.

 29/57Cummington story [incidental music]

Cummington story. Ms. Full score; various pagings (129 leaves); 34.5 cm. Note: Holograph in pencil. Laid in: Typescripts of cue sheets for Reel 1 (2 documents) and Reel 2; typescript of "Cummington Story Commentary". All documents contain holograph markings in pencil.

 29/57.1Cummington story [incidental music]

Cummington story. Ms. Piano reduction (draft); [51] p.; 32 cm. Note: Holograph in pencil.

 28/57.2Cummington story [incidental music]

Cummington story. Ms. Rough sketches; [13] p.; 32 cm. Note: Holograph in pencil.

 -/58Third symphony [orchestra]

Third symphony. Ms. Full score; 255 + 3 leaves; 38 cm. Note: Holograph in ink on transparent paper. On title page: To the memory of my dear friend Natalie Koussevitsky. Commissioned by the Koussevitsky Music Foundation. Laid in: Letter from Gertrude Smith to Dr. Harold Spivacke, Chief of the Music Division, dated July 14, 1954 regarding definitive cut made at the end of Third Symphony: the three additional leaves included with this item (insert of pp. 251-253) represent Copland's new cut version. {Filed with Koussevitsky Collection, ML 30 .3c2.C6 case.}

 58.1Third symphony [orchestra]

Third symphony. Ms. (ozalid). Full score; 255 p.; 38 cm. (bound in 2 volumes). Note: Copy of holograph score ARCO 58, without definitive cut; holograph markings in pencil throughout. At end: Sept. 29, 1946. {Filed with Koussevitsky Collection, ML 30 .3c2.C6 case.}

 30/58.2Third symphony [orchestra]

Third symphony. Ms. (ozalid). Full score; 253 p.; 38 cm. (3 volumes, spiral bound). Note: Copy of holograph score ARCO 58, with definitive cut overlaid; markings in pencil and ink throughout. Initialed "L.B." (Leonard Bernstein).

 78/58.3Third symphony [orchestra]

Third symphony. Ms. (ozalid). Full score; 255 p.; 38 cm. (2 volumes, spiral bound). Note: Copy of holograph score ARCO 58, without definitive cut; holograph markings in pencil throughout. At end: Sept. 29, 1946.

 78/58.4Third symphony [orchestra]

[Third symphony]. Ms. (ozalid). Full score (insert); 3 p. + 3 leaves; 38 cm. Note: Definitive cut made in Third Symphony by Aaron Copland. Includes negative photostat of same. Original holograph insert (pp. 251-253) included with manuscript full score ARCO 58.

 -/58.5Third symphony [orchestra]

Third symphony. Mss. Orchestral sketches; various pagings; various sizes. Note: Holographs in pencil. {Filed with Koussevitsky Collection, ML 30 .3c2.C6 case.}

 78/58.6Third symphony [orchestra]

Third symphony. Mss. Sketches; [7] p.; various sizes. Note: Holographs in pencil.

 78/58 miscThird symphony [orchestra]

Third symphony. Mss. Miscellaneous pages from full score; 7 leaves; 30.5-38.5 cm. Note: Holographs in ink and pencil on transparent paper. At head of first leaf: Corrections in Third Symphony by Aaron Copland.

 78/58aThird symphony [orchestra]

Third symphony. [New York]: Boosey & Hawkes, [1947]; c1947 by Boosey & Hawkes. Plt.: B.& H. 15966. Full score, with original ending (miniature); 155 p. Ser. title: Hawkes Pocket Scores. Note: Contains holograph markings in pencil. Laid in: Typescript of corrections and cuts in Third Symphony.

 30/58bThird symphony [orchestra]

Third symphony. London: Boosey & Hawkes, [1947]; c1947 by Boosey & Hawkes. Plt.: B.& H. 15966. Full score, with revised ending; 153 p. (bound). Note: Holograph markings in pencil throughout.

 78/58cThird symphony [orchestra]

Third symphony (revised 1966). London: Boosey & Hawkes, [1966]; c1947 by Aaron Copland. Plt.: B.& H. 15966. Full score; 153 p. Note: Holograph markings in ink and pencil throughout.

 78/58-AThird symphony [piano sketch]

Third symphony. Ms. Piano sketch; 71 leaves; 34 cm. Note: Holograph in ink on transparent paper, with holograph markings in pencil..

 -/58-A.1Third symphony [piano sketch]

Third symphony. Ms. (ozalid). Piano sketch; [76] p. + 7 leaves; 36 cm. Note: Copy of original manuscript piano sketch ARCO 58-A, with holograph markings in ink and pencil. Item includes 6 leaves of holograph revisions in pencil. {Filed with Koussevitsky Collection, ML 30 .3c2.C6 case.}

 78/58-A.2Third symphony [piano sketch]

[Third symphony]. Ms. (ozalid). Piano sketch; [71] p.; 36 cm. Note: Copy of original manuscript ARCO 58-A, with holograph markings in pencil. At end: Finished Sept. 29, '46.

 78/58-A miscThird symphony [piano sketch]

Third symphony. Mss. Miscellaneous pages from open score; 4 leaves; 34 cm. Note: Holographs in ink and pencil.

 31/59In the beginning [chorus]

In the beginning : for mixed chorus / a cappella / with mezzo-soprano solo. Ms. Score for mixed chorus; 46 leaves; 34.5 cm. Note: Holograph in ink on transparent paper. English text from Genesis Chap. I:1-II:7. At end: April 4, 1947. On microfilm: MUSIC 1906, Item 25.

 31/59.1In the beginning [chorus]

In the beginning : for mixed chorus / a cappella / with mezzo-soprano solo. Ms. (photostat). Score for mixed chorus (miniature); 46 p.; 28 cm. Note: This score is a miniaturized reproduction of holograph score ARCO 59; holograph markings in ink and pencil throughout as well as markings by others. English text from Genesis I:1-II:7. At end: April 4, 1947.

 31/59.2In the beginning [chorus]

In the beginning : for mixed chorus / a cappella / with mezzo-soprano solo. Ms. (photostat). Score for mixed chorus (miniature); 46 p.; 28 cm. Note: This score is a miniaturized reproduction of holograph score ARCO 59. Includes holograph dedication to Nadia Boulanger in ink. On title page: "N.B./de/A,C./Mai '47" in hand of Nadia Boulanger English text from Genesis I:1-II:7. At end: April 4, 1947.

 31/59.3In the beginning [chorus]

In the beginning : mixed chorus / a cappella / with mezzo-soprano solo. Ms. Vocal score; 51 p.; various sizes. Note: Holograph in pencil. Item also includes rough sketches. On microfilm: MUSIC 1906, Item 25.

 31/59aIn the beginning [chorus]

In the beginning : for mixed chorus / a cappella / with mezzo-soprano solo. [New York]: Boosey & Hawkes, [1947]; c1947 by Boosey & Hawkes. Plt.: In the beginning-55. Score for mixed chorus; 56 p. Note: Holograph markings in pencil throughout. English text from Genesis I:1-II:7.

 31/59bIn the beginning [chorus]

In the beginning : for mixed chorus / a cappella / with mezzo-soprano solo. [New York]: Boosey & Hawkes, [n.d.]; c1947 by Boosey & Hawkes. Plt.: In The Beginning-55. Score for mixed chorus; 56 p. (2 copies). Note: Copy 1 contains holograph markings in pencil throughout. English text from Genesis I:1-II:7. Duration: 17 min.

 31/60Four piano blues : piano blues [piano work]

Four piano blues. Ms. Piano solo; 13 leaves; 34.5 cm. Note: Holograph in ink on transparent paper. At end: 1926 New York. Although completion date for Four Piano Blues is 1948, these four pieces were actually composed between 1926 and 1948. On microfilm: MUSIC 1906, Item 2A.

 31/60.1Four piano blues : piano blues [piano work]

Four piano blues. Ms. (ozalid). Piano solo; 13 p.; 34.5 cm. Note: Copy of holograph score ARCO 60, with holograph markings in ink and pencil.

 31/60.2Four piano blues : piano blues [piano work]

"Blues 1". Ms. (ozalid). Piano solo; 3 p.; 34.5 cm. Note: Copy of holograph score ARCO 60. At end: Apr. 9, '47 Boston.

 31/60.3Four piano blues : piano blues [piano work]

"Blues 1". Ms. (ozalid). Piano solo; 3 p.; 34.5 cm. Note: Copy of holograph score ARCO 60. At end: Apr. 9, '47 Boston.

 31/60.4Four piano blues : piano blues [piano work]

Four piano blues. Ms. Sketch for piano solo; 19 p.; various sizes. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item, 2A.

 31/60aFour piano blues : piano blues [piano work]

Four piano blues. [New York]: Boosey & Hawkes, [1957]; c1949 in U.S.A. by Boosey & Hawkes. Piano solo; 15 p. Note: Holograph markings in pencil throughout.

 31/60bFour piano blues : piano blues [piano work]

"Three piano blues". [New York]: Boosey & Hawkes, [1949]; c1949 in U.S.A. by Boosey & Hawkes. Piano solo; 15 p. Note: Contains holograph markings in pencil. On front cover: "Incorrect copy -- withdrawn because of [errors on] cover."

 31/60cFour piano blues : piano blues [piano work]

Four piano blues. Publisher's proof. [New York]: Boosey & Hawkes, [1957]; c1949 in U.S.A. by Boosey & Hawkes. Piano solo; 6 p. Note: On front cover: "Mixed-up copy." Includes 8 pages from Quiet City score.

 31/60-AFour piano blues [chamber orchestra]

Four piano blues. Ms. Score for chamber orchestra (incomplete draft); 37 p.; 36 cm. Note: Holograph in pencil. On page 11: "Orchestrated in 1978." CONTENTS: "1st blues"; "2nd blues" (near complete); "3rd blues" (incomplete). "4th blues" not included.

 31/60-A miscFour piano blues [chamber orchestra]

Four piano blues. Mss. (photocopy). Miscellaneous pages from score for chamber orchestra; 4 leaves.

 79/61The heiress [incidental music]

The heiress. Ms. Condensed score; 207 leaves; 36.5 cm. (bound). Note: Holograph in pencil of the motion picture score. Typescript of scenario precedes each musical setting. This volume presented to the Library of Congress by Paramount Pictures Corporation, Hollywood, California on March 15, 1950.

 79/61.1The heiress [incidental music]

The heiress. Ms. (photostat). Conductor score; various pagings; 30.5 cm. (bound). Note: Copy of copyist's manuscript; orchestration by Van Cleave. Music composed for the Paramount motion picture, The Heiress.

 32/61.2The heiress [incidental music]

The heiress. Ms. (photostat). Conductor score; various pagings; 30 cm. (in two folders). Note: Copy of copyist's manuscript; orchestration by Van Cleave with holograph markings in pencil. Composed for the Paramount Corporation motion picture, The Heiress.

 32/61.3The heiress [incidental music]

The heiress. Ms. Sketches; 3 leaves; 34.5 cm. Note: Holograph in pencil.

 32/61-AThe heiress [suite]

The heiress : suite / reconstructed by Arnold Freed (1990). Ms. (photocopy). Full score; 51 p.; 38 cm. (spiral bound). Note: Copy of copyist's manuscript. On verso of title page: As commissioned by Peter Bay and the Rochester Philharmonic Orchestra in commemoration of the composer's ninetieth birthday, November 14, 1990. Duration: 9:00.

 80/62Concerto for clarinet [chamber work]

Concerto for clarinet (for Benny Goodman) : and string orchestra / with harp and piano. Ms. Full score; 91 leaves; various sizes. Note: Holograph in ink on transparent paper. At end: Snedens Landing Oct. 21, 1948. On microfilm: MUSIC 1906, Item 9.

 80/62.1Concerto for clarinet [chamber work]

Concerto for clarinet (for Benny Goodman) : and string orchestra / with harp and piano. Ms. (ozalid). Full score; 91 p.; 38 cm. (spiral bound). Note: Copy of holograph score ARCO 62, with markings in colored ink. At end: Snedens Landing Oct. 21, 1948.

 80/62.2Concerto for clarinet [chamber work]

Concerto for clarinet. Ms. Sketches; 59 leaves; various sizes. Note: Holographs in pencil and ink. On microfilm: MUSIC 1906, Item 8.

 90/62aConcerto for clarinet [chamber work]

Concerto for clarinet : and string orchestra / with harp and piano. London: Boosey & Hawkes, [1952]; c1952 by Aaron Copland. Plt.: B.& H. 17942. Full score; 42 p. Note: Holograph markings in ink and pencil throughout. Duration: 17 1/2 min.

 80/62bConcerto for clarinet [chamber work]

Concerto for clarinet : and string orchestra / with harp and piano. London: Boosey & Hawkes, [1952]; c1952 by Aaron Copland. Plt.: B.& H. 17942. Full score (miniature); 42 p. (2 copies). Ser. title: Hawkes Pocket Scores, No. 831. Note: Duration: 17 1/2 min.

 80/62-AConcerto for clarinet [clarinet & piano]

Concerto for clarinet : and string orchestra / with harp and piano / arranged for clarinet and piano by the composer. Ms. Score for clarinet and piano, and clarinet part; 37 + 13 + 3 leaves; 34.5 cm. Note: Holograph in ink with pencil markings on transparent paper. On microfilm: MUSIC 1906, Item 10.

 80/62-A.1Concerto for clarinet [clarinet & piano]

Concerto for clarinet : and string orchestra / with harp and piano ; arranged for clarinet and piano by the composer. Ms. (ozalid). Score for clarinet and piano, and clarinet part; 36 + 13 p.; 34.5 cm. Note: Copy of holograph score ARCO 62-A, with markings in pencil.

 80/62-A.2Concerto for clarinet [clarinet & piano]

Concerto for clarinet : and string orchestra / with harp and piano / arranged for clarinet and piano. Ms. (ozalid). Score for clarinet and piano; 36 p.; 34.5 cm. Note: Copy of holograph score ARCO 62-A, with holograph markings in pencil.

 80/62-AaConcerto for clarinet [clarinet & piano]

Concerto for clarinet : and string orchestra / with harp and piano / reduction for clarinet and piano. [New York]: Boosey & Hawkes, [1950]; c1950 in U.S.A. by Boosey & Hawkes. Plt.: B.& H. 16656. Score for clarinet and piano, and clarinet part; 27 + 11 p. Note: Arranged for clarinet and piano by the composer.

 80/62-AbConcerto for clarinet [clarinet & piano]

Concerto for clarinet : and string orchestra / with harp and piano / reduction for clarinet and piano. [New York]: Boosey & Hawkes, [1970]; c1950 in U.S.A. by Boosey & Hawkes. Plt.: B.& H. 16656. Score for clarinet and piano, and 2 clarinet parts; 27 + 11 p. Note: Arranged for clarinet and piano by the composer.

 114-115/63The red pony [incidental music]

The red pony. Ms. Full score (in 11 folders); various pagings; various sizes. Note: Manuscript in pencil orchestrated by Nathan G. Scott and Dale Butts. Includes folder of olograph miscellaneous notes in pencil, and a pamphlet binder containing typescript (with holograph markings in pencil) of the Shooting Script for the film.

 33/63.1The red pony [incidental music]

The red pony : original manuscript. Ms. Open score; 171 p.; 33 cm. Note: Holograph in pencil. On accompanying folder: Original manuscript - January 29-March 26, 1948. On microfilm: MUSIC 1906, Item 44.

 81/63.2The red pony [incidental music]

The red pony. Ms. (ozalid). Conductor score; various pagings; 31.5 cm. (bound). Note: Copyist's manuscript with holograph markings in pencil throughout.

 81/63.3The red pony [incidental music]

The red pony. Mss. (ozalid). Conductor scores; various pagings; 30.5 cm. (2 sets). Note: Copyist's manuscripts, both sets contain holograph markings in pencil throughout. These sets are identical to ARCO 63.1, except for differing holograph markings.

 81/63.4The red pony [incidental music]

The red pony. Mss. (ozalids). Conductor scores (extra copies); various pagings; 30.5 cm. Note: Copyist's manuscripts with holograph markings in pencil. Identical to ARCO 63.1, except for differing holograph markings.

 81/63.5The red pony [incidental music]

The red pony. Ms. Sketches; 4 leaves; 34.5 cm. Note: Holograph in pencil.

 83/63-AThe red pony [suite]

The red pony. Ms. Full score; 161 leaves; 34.5 cm. Note: Holograph in ink on transparent paper. Missing leaves: 147-151, 153-155. Includes folder of holograph miscellaneous notes in pencil. On microfilm: MUSIC 1906, Item 45.

 83/63-A.1The red pony [suite]

The red pony. Ms. (ozalid). Full score; 161 p.; 39 cm. (spiral bound). Note: Copy of holograph orchestral score ARCO 63-A, with holograph markings in pencil.

 115/63-A.2The red pony [suite]

The red pony. Ms. Full score; 85 leaves; 50 cm. Note: Manuscript in pencil by David Walker.

 83/63-A.3The red pony [suite]

The red pony : children's suite. Ms. (photocopy). Full score; 71 leaves; 35.5 cm.

 34/63-AaThe red pony [suite]

The red pony : film suite for orchestra. New York: Boosey & Hawkes, [1951]; c1951 in U.S.A. by Boosey & Hawkes. Plt.: B.& H. 16898. Full score; 119 p. (3 copies). Note: All copies contain holograph markings in pencil throughout. Copy 1 bound. On front cover of Copy 2: With band indications. On front cover of Copy 3: Copy with incorrect binding. Duration: Approx. 21 min.

 34/63-AbThe red pony [suite]

The red pony : film suite for orchestra. London: Boosey & Hawkes, [1954]; c1951 in U.S.A. by Boosey & Hawkes. Plt.: B.& H. 16898. Full score (miniature); 119 p. Ser. title: Hawkes Pocket Scores, No. 670. Note: Duration: Approx. 21 min.

 34/63-AcThe red pony [suite]

The red pony : film suite for orchestra. London: Boosey & Hawkes, [1964]; c1951 by Aaron Copland. Plt.: B.& H. 16898. Full score; 119 p. Note: Holograph markings in pencil throughout. Duration: Approx. 21 min.

 34/63-CaThe red pony [suite]

The red pony : film suite for band. New York: Boosey & Hawkes, [1969]; c1951; this arrangement copyright 1969 by Aaron Copland. Plt.: Q.M.B. 357. Full score; 88 p. (2 copies). Ser. title: Symphonic Band Series, No. 357. Note: Holograph markings in pencil throughout Copy 1.

 103/64Preamble (for a solemn occasion) ; Hymn for the United Nations (original title) [orchestra]

[Preamble (for a solemn occasion)]. Ms. Full score; 22 leaves; 38.5 cm. Note: Holograph in ink on transparent paper. At end: Aug. 16-Sept. 5, '49, Snedens Landing. On microfilm: MUSIC 1906, Item 91.

 103/64.1Preamble (for a solemn occasion) ; Hymn for the United Nations (original title) [orchestra]

Preamble : for a solemn occasion / for orchestra with speaking voice. Ms. (ozalid). Full score; 22 p.; 38.5 cm. (spiral bound). Note: Copy of holograph score ARCO 64, with holograph markings in pencil. Text from the Preamble to the United Nations Charter. Commissioned by the National Broadcasting Company for the United Nations. At end: Aug. 16-Sept. 5,'49 Snedens Landing.

 103/64.2Preamble (for a solemn occasion) ; Hymn for the United Nations (original title) [orchestra]

Preamble / for orchestra and speaking voice. Ms. Piano reduction; 6 leaves; 34.5 cm. Note: Holograph in ink on transparent paper. Piano reduction by the composer. Duration: 5:42. At end: Aug. 16-Sept. 5, '49.

 130/64.3Preamble (for a solemn occasion) ; Hymn for the United Nations (original title) [orchestra]

Preamble (for a solemn occasion). Ms. Sketches; 20 p.; various sizes. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 91.

 103/64.4Preamble (for a solemn occasion) ; Hymn for the United Nations (original title) [orchestra]

"Preamble to the United Nations". Mss. String parts; 34 cm. Note: Copyist's manuscripts in ink on transparent paper.

 103/64.5Preamble (for a solemn occasion) ; Hymn for the United Nations (original title) [orchestra]

"Preamble (for the United Nations)" / for orchestra and speaking voice. Ms. (photocopy). Full score; [21] leaves; 36 cm. Note: Text from the Preamble to the United Nations Charter; Commissioned by the National Broadcasting Co. Item includes five measures of transcriptions of Copland's Sextet and The Heiress. Stamped in red: U of NT [University of Northern Texas] Music Library.

 103/64aPreamble (for a solemn occasion) ; Hymn for the United Nations (original title) [orchestra]

Preamble : for a solemn occasion. London: Boosey & Hawkes, [1953]; c1953 by Boosey & Hawkes. Plt.: B.& H. 17289. Full score; 15 p. (2 copies). Note: Both copies contain holograph markings in pencil throughout. Duration: Approx. 6 min.

 103/64-APreamble (for a solemn occasion) ; Hymn for the United Nations (original title) [organ]

Preamble (for a solemn occasion). Ms. Score for organ; 7 leaves; 33.5 cm. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 91.

 103/64-AaPreamble (for a solemn occasion) ; Hymn for the United Nations (original title) [organ]

Preamble (for a solemn occasion) / for pipe or Hammond organ. New York: Boosey & Hawkes, [1955]; c1955 in U.S.A. by Boosey & Hawkes. Plt.: B.& H. 18033. Organ score; 6 p. Note: Duration: Approx. 6 min.

 103/64-BPreamble (for a solemn occasion) ; Hymn for the United Nations (original title) [symphonic band]

Preamble : for a solemn occasion / arranged for symphonic band by the composer. Ms. Full score; 15 leaves; 50 cm. Note: Holograph in pencil.

 103/64-BaPreamble (for a solemn occasion) ; Hymn for the United Nations (original title) [symphonic band]

Preamble : for a solemn occasion. New York: Boosey & Hawkes, [1974]; c1953; arrangement for symphonic band 1974. Plt.: Q.M.B. 387. Full score; 16 p. (3 copies). Note: Arranged for symphonic band by the composer. Duration: Approx. 6 min.

 103/65Old American songs, first set : arranged by Aaron Copland

Old American songs, first set : arranged by Aaron Copland. Ms. Piano-vocal score; 21 leaves; 35.5 cm. Note: Holograph in ink on transparent paper with holograph markings in pencil. English text. At end: 1945. CONTENTS: 1) "The boatman's song"; 2) "The dodger"; 3) "Long time ago"; 4) "Simple gifts"; 5) "I bought me a cat". On microfilm: MUSIC 1906, Item 89.

 103/65.1Old American songs, first set : arranged by Aaron Copland

Old American songs, first set : adapted by Aaron Copland. Ms. (ozalid). Score for voice and orchestra; 63 p.; 38.5 cm. Note: Contains holograph and other markings in pencil . English text. CONTENTS: 1) "The boatman's song"; 2) "The dodger"; 3) "Long time ago"; 4) "Simple gifts"; 5) "I bought me a cat".

 103/65.2Old American songs, first set : arranged by Aaron Copland

Old American songs, first set : for voice and orchestra / adapted by Aaron Copland. Ms. (ozalid). Score for voice and orchestra; 63 p.; 38.5 cm. (spiral bound). Note: Contains some holograph markings in ink and pencil throughout.

 103/65.3Old American songs, first set : arranged by Aaron Copland

Old American songs, first set : arranged by Aaron Copland. Ms. Piano-vocal sketch (incomplete); 22 p.; 32 cm. Note: Holograph in pencil. English text. Laid in: List of 50 Old American Songs, original versions of "De boatman's dance" and "On the lake where drooped the willow" with historical notes about each piece. On microfilm: MUSIC 1906, Item 89.

 103/65.4Old American songs, first set : arranged by Aaron Copland

No. 4, "Simple gifts" : No. 5, "I bought me a cat" / arranged by Aaron Copland / transcribed for voice and guitar by Gregg Nestor (1950; this arr. 1984). Publisher's proofs (photocopies). S.l.: Boosey & Hawkes, [1984]; c1950 by Aaron Copland; this arrangement copyright 1984 by Copland. Score for voice and guitar; 3 p. (pp. 33-35) + 6 p. (pp. 24-29).

 103/65aOld American songs, first set : arranged by Aaron Copland

Old American songs (newly arranged) : first set / by Aaron Copland. New York: Boosey & Hawkes, [1950]; c1950 in U.S.A. by Boosey & Hawkes. Plt.: U.S. Bk. 229. Piano-vocal score; 24 p. Note: English text. CONTENTS: 1) "The boatman's dance"; 2) "The dodger"; 3) "Long time ago"; 4) "Simple gifts" (Shaker song); 5) "I bought me a cat".

 103/65dOld American songs, first set : arranged by Aaron Copland

Old American songs : first and second sets / adapted and arranged by Aaron Copland (1950-52) [selections]. London: Boosey & Hawkes, [1962]; c1950-54 by Aaron Copland; orchestral version copyright 1962 by Aaron Copland. Plt.: B.& H. 18857. Full orchestral score (miniature); 81 p. Ser. title: Hawkes Pocket Scores, No. 830. Note: English text. Total duration of First and Second Sets: Approx. 25 min.

 103/65cOld American songs, first set : arranged by Aaron Copland

Twelve folk song arrangements by Benjamin Britten, Matyas Seiber, Aaron Copland / transcribed for voice and guitar by Gregg Nestro [selections]. London: Boosey & Hawkes, [1984]; c1950-54 by Aaron Copland; this arrangement copyright 1984 by Aaron Copland. Score for voice and guitar; 41 p. (2 copies). Note: English text. Works by Aaron Copland include: "I bought me a cat"; "At the river"; "Simple gifts"; "Ching-a-ring chaw".

 103/65-ANo. 1, "The boatman's dance" : from Old American songs, first set

"The boatman's dance" [treble instrument & piano]. Ms. Score for violin and piano; [4] p. (pp. 4-7); 30 cm. Note: Manuscript in ink, hand unknown.

 103/65-AaNo. 1, "The boatman's dance" : from Old American songs, first set

"The boatman's dance" / adapted by Aaron Copland / transcribed for baritone solo and four part men's chorus by Irving Fine [chorus]. New York: Boosey & Hawkes, [1952]; c1950 by Boosey & Hawkes; choral adaptation copyright 1952 by Boosey & Hawkes. Plt.: B.& H. 17111. Choral score (TTBB) with piano accompaniment; 8 p. Note: English text. Adapted from the minstrel song, "The boatman's dance", by David D. Emmett (1843).

 103/65-AbNo. 1, "The boatman's dance" : from Old American songs, first set

"The boatman's dance" / adapted by Aaron Copland ; transcribed for baritone solo and mixed chorus by Irving Fine [chorus]. New York: Boosey & Hawkes, [1952]; c1950 by Boosey & Hawkes; choral adaptation copyright 1952 by Boosey & Hawkes. Plt.: B.& H. 17112. Choral score (SATB) with piano accompaniment; 8 p. Note: Holograph markings in ink, pencil and crayon throughout. English text. Adapted from the minstrel song, "The boatman's dance", by David D. Emmett (1843).

 103/65-AcNo. 1, "The boatman's dance" : from Old American songs, first set

"The boatman's dance" / arranged by Aaron Copland ; transcribed for baritone solo and mixed chorus by Irving Fine [chorus]. London: Boosey & Hawkes, [1952]; c1950 by Boosey & Hawkes; choral adaptation copyright 1952 by Aaron Copland. Plt.: B.& H. 17112. Choral score (SATB) with piano accompaniment; 8 p. Ser. title: Boosey's Modern Festival Series, No. 493. Note: Contains holograph markings in pencil. English text. Adapted from the minstrel song, "The boatman's dance", by David D. Emmett (1943).

 103/65-BaNo. 2, "The dodger" : from Old American songs, first set

Old American songs : No. 2, "The dodger" / adapted by Aaron Copland / transcribed for baritone solo and four part men's chorus by Irving Fine [chorus]. New York: Boosey & Hawkes, [1952]; c1950 by Boosey & Hawkes; choral adaptation copyright 1952 by Boosey & Hawkes. Plt.: B.& H. 17113. Choral score (TTBB) with piano accompaniment; 8 p. Note: Holograph markings in ink, pencil, and crayon throughout. English text.

 103/65-CaNo. 3, "Long time ago" : from Old American songs, first set

"Long time ago" / adapted by Aaron Copland / transcribed for chorus by Irving Fine [chorus]. New York: Boosey & Hawkes, [1952]; c1950 by Boosey & Hawkes; choral adaptation 1952 by Boosey & Hawkes. Plt.: B.& H. 17114. Choral score (SATB) with piano accompaniment; 7 p. Note: Holograph markings in ink, pencil, and crayon throughout. English text.

 103/65-CbNo. 3, "Long time ago" : from Old American songs, first set

"Long time ago" / arranged by Aaron Copland [song]. New York: Boosey & Hawkes, [1958]; c1950 in U.S.A. by Boosey & Hawkes; separate edition, 1958. Plt.: S. 2585. Piano-vocal score; 4 p. Note: English text.

 103/65-CcNo. 3, "Long time ago" : from Old American songs, first set

"Long time ago" / arranged by Aaron Copland / choral adaptation by Ken Straker [chorus]. London: Boosey & Hawkes, [1960]; c1950 by Boosey & Hawkes; this arrangement copyright 1960 by Boosey & Hawkes. Plt.: B.& H. 18751. Choral score (SSA) with piano accompaniment; 7 p. Ser. title: Boosey & Hawkes and Winthrop Rogers Editions, M.F.S. No. 704. Note: English text.

 103/65-DaNo. 4, "Simple gifts" (Shaker song) : from Old American songs, first set

"Simple gifts" (Shaker song) / adapted by Aaron Copland / transcribed for chorus by Irving Fine [chorus]. New York: Boosey & Hawkes, [1952]; c1950 by Boosey & Hawkes; choral adaptation copyright 1952 by Boosey & Hawkes. Plt.: B.& H. 17115. Choral score (SA or TB) with piano accompaniment; 4 p. Note: Holograph markings in ink, pencil, and crayon throughout. English text.

 103/65-DbNo. 4, "Simple gifts" (Shaker song) : from Old American songs, first set

"Simple gifts" (Shaker song) / adapted by Aaron Copland / transcribed for chorus by Irving Fine [chorus]. New York: Boosey & Hawkes, [1952]; c1950 by Boosey & Hawkes; choral adaptation copyright 1952 by Boosey & Hawkes. Plt.: B.& H. 17115. Choral score (SA or TB) with piano \ accompaniment; 4 p. Note: English text.

 103/65-DcNo. 4, "Simple gifts" (Shaker song) : from Old American songs, first set

"Simple gifts" (Shaker song) / adapted by Aaron Copland / transcribed for chorus by Irving Fine [chorus]. London: Boosey & Hawkes, [1952]; c1950 by Boosey & Hawkes; choral adaptation copyright 1952 by Aaron Copland. Plt.: B.& H. 17115. Choral score (SA or TB) with piano accompaniment; 4 p. Ser. title: Boosey's Modern Festival Series, No. 165. Note: English text.

 103/65-DdNo. 4, "Simple gifts" (Shaker song) : from Old American songs, first set

"Simple gifts" (Shaker song) / arranged by Aaron Copland [song]. New York: Boosey & Hawkes, [1958]; c1950 in U.S.A. by Boosey & Hawkes; separate edition, 1958. Plt.: S. 2584. Piano-vocal score; 3 p. Note: English text.

 103/65-EaNo. 5, "I bought me a cat" (children's song) : from Old American songs, first set

No. 5, "I bought me a cat" (children's song) / adapted by Aaron Copland / transcribed for tenor and soprano solo and mixed chorus by Irving Fine [chorus]. New York: Boosey & Hawkes, [1952]; c1950 by Boosey & Hawkes; choral adaptation copyright 1952 by Boosey & Hawkes. Plt.: B.& H. 17117. Choral score (SATB) with piano accompaniment; 14 p. Note: Holograph markings in ink, pencil, and crayon throughout.

 103/65-EbNo. 5, "I bought me a cat" (children's song) : from Old American songs, first set

No. 5, "I bought me a cat" (children's song) / adapted by Aaron Copland / transcribed for three part men's chorus and solos by Irving Fine [chorus]. New York: Boosey & Hawkes, [1952]; c1950 by Boosey & Hawkes; choral adaptation copyright 1952 by Boosey & Hawkes. Plt.: B.& H. 17116. Choral score (TBB) with piano accompaniment; 16 p. Note: English text.

 103/65-EcNo. 5, "I bought me a cat" (children's song) : from Old American songs, first set

No. 5, "I bought me a cat" (children's song) / arranged by Aaron Copland [song]. New York: Boosey & Hawkes, [1958]; c1950 in U.S.A. by Boosey & Hawkes; separate edition, 1958. Plt.: S. 2583. Piano-vocal score; 8 p. Note: English text.

 103/65-EdNo. 5, "I bought me a cat" (children's song) : from Old American songs, first set

No. 5, "I bought me a cat" (children's song) / arranged by Aaron Copland / choral adaptation by Ken Straker [chorus]. London: Boosey & Hawkes, [1959]; c1950 by Boosey & Hawkes; choral adaptation copyright 1959 by Boosey & Hawkes. Plt.: B.& H. 18545. Choral score (SSA); 10 p. Ser. title: Winthrop Rogers Festival Series. Note: English text.

 84/66Twelve poems of Emily Dickinson [songs]

Twelve poems of Emily Dickinson : set to music by Aaron Copland. Ms. Piano-vocal score; 51 leaves; 34.5 cm. Note: Holograph in ink on transparent paper. English text. At end: April 10, 1949. CONTENTS: 1) "Nature, the gentlest mother"; 2) "There came a wind like an bugle"; 3) "Why do they shut me out of heaven?"; 4) "The world feels dusty"; 5) "Heart, we will forget him"; 6) "Dear March, come in!"; 7) "Sleep is supposed to be"; 8) "When they come back"; 9) "I felt a funeral in my brain"; 10) "I've heard an organ talk sometimes"; 11) "Going to heaven!"; 12) "The chariot". On microfilm: MUSIC 1906, Item 38.

 84/66.1Twelve poems of Emily Dickinson [songs]

Twelve poems of Emily Dickinson : set to music by Aaron Copland. Ms. (ozalid). Piano-vocal score; 51 p.; 35 cm. (spiral bound). Note: Copy of holograph score ARCO 66, with holograph markings in ink and pencil. English text. At end: April 10, 1949.

 84/66.2Twelve poems of Emily Dickinson [songs]

Twelve poems of Emily Dickinson : set to music by Aaron Copland. Ms. (ozalid). Piano-vocal scores; 51 p.; 36.5 cm. Note: Copy of holograph score ARCO 66 (nos. 1-12), with holograph and other markings in ink and pencil throughout. English text. At end: April 10, 1949.

 84/66.3Twelve poems of Emily Dickinson [songs]

Twelve poems of Emily Dickinson : set to music by Aaron Copland. Ms. Piano-vocal sketches; 144 p.; various sizes. Note: Holograph in pencil. English text. On microfilm: MUSIC 1906, Item 38.

 84/66.4Twelve poems of Emily Dickinson [songs]

No. 3, "Why do they shut me out of heaven?" / set to music by Aaron Copland. Ms. (ozalid). Piano-vocal score; 3 leaves; 35.5 cm. Note: Copy of holograph score ARCO 66, No. 3. English text. At end: Sept. 27, '49.

 84/66.5Twelve poems of Emily Dickinson [songs]

No. 3, "Why do they shut me out of heaven?" / set to music by Aaron Copland. Ms. (ozalid). Piano-vocal score; 3 p.; 36 cm. Note: English text. At end: Sept. 27, '49.

 84/66.6Twelve poems of Emily Dickinson [songs]

No. 4, "The world feels dusty" / set to music by Aaron Copland. Ms. Piano-vocal score; 2 leaves; 34 cm. Note: Holograph in ink on transparent paper. English text. At end: March 28, '49.

 84/66.7Twelve poems of Emily Dickinson [songs]

No. 4, "The world feels dusty" / set to music by Aaron Copland. Ms. Piano-vocal score; 2 p.; 38 cm. Note: Holograph in ink, text in typescript. English text. Duration: 1 min. 45 secs.

 84/66.8Twelve poems of Emily Dickinson [songs]

No. 7, "Sleep is supposed to be" / set to music by Aaron Copland. Ms. Piano-vocal score; 4 p.; 31.5 cm. Note: Holograph in ink. English text.

 84/66.9Twelve poems of Emily Dickinson [songs]

No. 10, "I've heard an organ talk sometimes" / set to music by Aaron Copland. Ms. Piano-vocal score; 3 leaves; 35.5 cm. Note: Holograph in ink on transparent paper. English text. At end: Oct. 11, 1949.

 84/66.10Twelve poems of Emily Dickinson [songs]

No. 10, ["I've heard an organ talk sometimes"]. Ms. Organ score; 4 p.; 34.5 cm. Note: Holograph in pencil. At head: Piece for viola and organ (based on material from Dickinson song X - A.C. 1959). At bottom of page 1: (Possible arr. For viola & piano.)

 84/66.11Twelve poems of Emily Dickinson [songs]

No. 10, "I've heard an organ talk sometimes" / set to music by Aaron Copland. Ms. (ozalid). Piano-vocal score; [2] p. (pp. 38-39); 35 cm. Note: Copy of holograph score ARCO 66, No. 10, with holograph and other markings in regular and red pencil. English text. At head: Alberto Ginastera. At end: Oct. 11, 1949.

 84/66.12Twelve poems of Emily Dickinson [songs]

[No. 10, "I've heard an organ talk sometimes"]. Ms. Score (sketch) for violin and organ (or piano); 16 p.; 34.5 cm. Note: Holograph in ink and pencil. At head: I've heard an organ talk sometimes in a cathedral aisle. Sketch in pencil of violin part in hand of David Walker.

 84/66.13Twelve poems of Emily Dickinson [songs]

No. 11, "Going to heaven!" / set to music by Aaron Copland. Ms. (ozalid). Piano-vocal score; [7] p. (pp. 40-46); 35.5 cm. Note: Copy of holograph score ARCO 66, No. 11, with holograph markings in ink and pencil and other markings in pencil. English text. At head: To Lukas Foss. At end: Jan. 13, '50.

 84/66.14Twelve poems of Emily Dickinson [songs]

No. 12, "The chariot" / set to music by Aaron Copland. Ms. Piano-vocal score; 3 p.; 38 cm. Note: Holograph in ink, text in typescript. English text.

 84/66.15Twelve poems of Emily Dickinson [songs]

"{Nine) poems of Emily Dickinson : set to music by A.C." Ms. Sketches, 145 p.; 32 cm. Note: Holograph in pencil. Laid in: Typescript of "Nature, the gentlest mother" and "I felt a funeral in my brain", with holographic annotations in pencil; stamped page 137.. On microfilm: MUSIC 1906, Item 39.

 84/66 miscTwelve poems of Emily Dickinson [songs]

Twelve poems of Emily Dickinson. Miscellaneous typescripts and holograph sketch notes relating to the work; 7 leaves

 84/66aTwelve poems of Emily Dickinson [songs]

Twelve poems of Emily Dickinson : set to music by Aaron Copland. London: Boosey & Hawkes, [1951]; c1951 by Boosey & Hawkes. Plt.: B.& H. 17865. Piano-vocal score; 45 p. Note: Holograph markings in pencil throughout. English text. Duration: Approx. 27 min. 33 sec. CONTENTS: 1) "Nature, the gentlest mother"; 2) "There came a wind like a bugle"; 3) "Why do they shut me out of heaven?"; 4) The world feels dusty"; 5) "Heart, we will forget him"; 6) "Dear March, come in!"; 7) "Sleep is supposed to be"; 8) "When they come back"; 9) "I felt a funeral in my brain"; 10) "I've heard an organ talk sometimes"; 11) "Going to heaven!"; 12) "The chariot".

 84/66bTwelve poems of Emily Dickinson [songs]

[No. 5], "Heart, we will forget him" / set to music by Aaron Copland. London: Boosey & Hawkes, [1952]; c1951 by Boosey & Hawkes. Plt.: B.& H. 17865. Piano-vocal score; 3 p. Note: English text. Duration: 2 min., 10 sec.

 84/66bTwelve poems of Emily Dickinson [songs]

[No. 6], "Dear March, come in!" / set to music by Aaron Copland. London: Boosey & Hawkes, [1952]; c1951 by Boosey & Hawkes. Plt.: B.& H. 17865. Piano-vocal score; 7 p. Note: English text. Duration: 2 min., 15 sec.

 84/66bTwelve poems of Emily Dickinson [songs]

[No. 10], "I've heard an organ talk sometimes" / set to music by Aaron Copland. London: Boosey & Hawkes, [1952]; c1951 by Boosey & Hawkes. Plt.: B.& H. 17865. Piano-vocal score; 3 p. Note: English text. Duration: 1 min., 50 sec.

 84/66bTwelve poems of Emily Dickinson [songs]

[No. 11], "Going to heaven!" / set to music by Aaron Copland. London: Boosey & Hawkes, [1952]; c1951 by Boosey & Hawkes. Plt.: B.& H. 17865. Piano-vocal score; 7 p. Note: English text. Duration: 2 min., 40 sec.

 84/66cTwelve poems of Emily Dickinson [songs]

Twelve poems of Emily Dickinson : set to music by Aaron Copland. New York: Boosey & Hawkes, [1960]; c1951 by Aaron Copland. Plt.: B.& H. 17865. Piano-vocal score; 45 p. Note: Contains some holograph markings in pencil. English text. Duration: Approx. 27 min., 33 sec. The actual publication date of this edition is unknown.

 84/66-ATwelve poems of Emily Dickinson [voice & orchestra]

Twelve poems of Emily Dickinson : set to music by Aaron Copland [voice & orchestra] (1950; orchestrated 1965). Ms. Full score (incomplete); 16 leaves; 38.5 cm. Note: Copy of holograph in ink. English text.

 -/67Quartet for piano and strings [chamber work]

Quartet for piano and strings. Ms. Score for piano and strings; 43 leaves; 34 cm. Note: Holograph in ink on transparent paper. At end: Oct. 20, 1950 Snedens Landing, N.Y. {Filed with Coolidge Collection, ML 29c .C8 case.}

 35/67.1Quartet for piano and strings [chamber work]

Quartet for piano and strings. Ms. (ozalid). Score for piano and strings, and string parts (violin, viola, violoncello); 43 + 10 + 10 + 10 p; 35 cm. (4 bound volumes). Note: Piano score is copy of holograph score ARCO 67; each volume contains holograph markings in pencil. At end: Oct. 20, 1950 Snedens Landings, N.Y. See ARCO 43.6 for row.

 -/67.2Quartet for piano and strings [chamber work]

Quartet for piano and strings. Ms. Piano sketches (rough sketches and first draft); various pagings; various sizes. Note: Holograph in pencil. {Filed with Coolidge Collection, ML 29c .C8 case.}

 35/67.3Quartet for piano and strings [chamber work]

Quartet for piano and strings. Ms. (photocopy). Score for piano and strings; 26 leaves; 36 cm. Note: Stamped in red: U of NT [University of Northern Texas] Music Library.

 35/67 miscQuartet for piano and strings [chamber work]

Quartet for piano and strings. Ms. Miscellaneous pages from piano score; 4 leaves; 34.5 cm. Note: Holograph in ink with markings in pencil.

 35/67aQuartet for piano and strings [chamber work]

Quartet for piano and strings. London: Boosey & Hawkes, [1952]; c1952 by Boosey & Hawkes. Plt.: B.& H. 17983. Score for piano and strings; 6 p. (2 copies, Copy 1 bound and includes string parts). Note: At end: Oct. 20, 1950 Sneden's Landing. Duration: 21 min.

 35/67bQuartet for piano and strings [chamber work]

Quartet for piano and strings. New York: Boosey & Hawkes, [1957]; c1952 by Boosey & Hawkes. Plt.: B.& H. 17983. Score for piano and strings; 36 p. Note: At end: Oct 20, 1950 Sneden's Landing. Duration: 21 min.

 35/67cQuartet for piano and strings [chamber work]

Quartet for piano and strings. London: Boosey & Hawkes, [1961]; c1952 by Boosey & Hawkes. Plt.: B.& H. 17983. Score for piano and strings (miniature); 36 p. Ser. title: Hawkes Pocket Scores, No. 671. Note: Volume has incorrect title page.

 36/68Old American songs, second set : newly adapted by Aaron Copland

Old American songs, second set : newly adapted by Aaron Copland. Ms. Piano-vocal score; 27 leaves; 34.5 cm. Note: Holograph in ink on transparent paper. English text. CONTENTS: 1) "The little horses"; 2) "Zion's walls"; 3) "The golden willow tree"; 4) "At the river"; 5) "Ching-a-ring chaw". On microfilm: MUSIC 1906, Item 89.

 36/68.1Old American songs, second set : newly adapted by Aaron Copland

Old American songs, second set : adapted for voice and orchestra by Aaron Copland. Ms. (ozalid). Full score; 74 p.; 38.5 cm. Note: Contains holograph and other markings in ink and pencil. English text. CONTENTS: 1) "The little horses"; 2) "Zion's walls"; 3) "The golden willow tree"; 4) "At the river"; "Ching-a-ring chaw".

 36/68.2Old American songs, second set : newly adapted by Aaron Copland

Old American songs, second set : adapted by Aaron Copland [voice & orchestra]. Ms. (ozalid). Full score; 74 p.; 38.5 cm. (spiral bound). Note: Same ozalid reproduction as ARCO 68.1 with holograph markings in pencil throughout. English text.

 36/68.3Old American songs, second set : newly adapted by Aaron Copland

Old American songs, second set : adapted by Aaron Copland [songs]. Ms. Piano-vocal sketches; various pagings; various sizes. Note: Holographs in pencil and ink. On microfilm: MUSIC 1906, Item 89.

 36/68.4Old American songs, second set : newly adapted by Aaron Copland

No. 4, "At the river" : No. 5 "Ching-a-ring chaw" / arranged by Aaron Copland / transcribed for voice and guitar by Gregg Nestor (1952; this arr. 1984). Publisher's proofs (photocopies). S.l.: Boosey & Hawkes, [1984]; c1950 by Aaron Copland; this arrangement copyright 1984 by Copland. Score for voice and guitar; [3] p. (pp. 30-32) + [6] p. (pp. 36-41). Note: Contains holograph markings in ink.

 36/68 miscOld American songs, second set : newly adapted by Aaron Copland

Old American songs : Second Set / adapted by Aaron Copland. Miscellaneous items related to Old American songs; includes published piano-vocal score for the original version of "Ching-a-ring chaw".

 37/68aOld American songs, second set : newly adapted by Aaron Copland

Old American songs, second set : adapted by Aaron Copland. London: Boosey & Hawkes, [1954]; c1954 by Boosey & Hawkes. Plt.: B.& H. 17485. Piano-vocal score; 28 p. Note: Holograph markings in pencil throughout. English text. CONTENTS: 1) "The little horses"; 2) "Zion's walls"; 3) "The golden willow tree"; 4) "At the river"; 5) "Ching-a-ring chaw".

 37/68bOld American songs, second set : newly adapted by Aaron Copland

Old American songs, second set : adapted by Aaron Copland. New York: Boosey & Hawkes, [1965]; c1954 by Boosey & Hawkes. Plt.: B.& H. 17485. Piano-vocal score; 32 p. Note: English text.

 37/68cOld American songs, second set : newly adapted by Aaron Copland

Old American songs : first and second sets / adapted by Aaron Copland [voice & orchestra]. London: Boosey & Hawkes, [1962]; c1950-54 by Boosey & Hawkes; orchestral version copyright 1962 by Boosey & Hawkes. Plt.: B.& H. 18857. Full score; 81 p. (3 copies). Note: English text. Holograph markings in pencil and crayon throughout Copy 1 and Copy 2; Copy 1 is bound. Laid in Copy 1: Two holograph notes in pencil. Copy 2 has five selections indexed. Duration of Second Set: Approx. 12 min.

 37/68dOld American songs, second set : newly adapted by Aaron Copland

Twelve folk song arrangements by Benjamin Britten, Matyas Seiber, Aaron Copland / transcribed for voice and guitar by Gregg Nestro [selections]. London: Boosey & Hawkes, [1984]; c1950-54 by Aaron Copland; this arrangement copyright 1984 by Aaron Copland. Score for voice and guitar; 41 p. (2 copies; one copy filed with First Set (ARCO 65); the other copy filed with Second Set (ARCO 68). Note: English text. Works attributed to Aaron Copland: "I bought me a cat"; "At the river"; "Simple gifts"; "Ching-a-ring chaw".

 37/68-AaNo. 1, "The little horses" : from Old American songs, second set

"The little horses" / adapted by Aaron Copland [song]. New York: Boosey & Hawkes, [1962]; c1954 by Boosey & Hawkes; separate edition 1962. Plt.: 2631. Piano-vocal score; 4 p. Note: English text.

 37/68-AbNo. 1, "The little horses" : from Old American songs, second set

"The little horses" / adapted by Aaron Copland / choral arrangement by R. Wilding White [chorus]. New York: Boosey & Hawkes, [1965]; c1954 by Aaron Copland; this arrangement copyright 1965 by Aaron Copland. Plt.: Oct. 5508. Choral score (SA) with piano accompaniment; 7 p. (2 copies). Note: English text.

 37/68-AcNo. 1, "The little horses" : from Old American songs, second set

"The little horses" / adapted by Aaron Copland / choral arrangement by R. Wilding White [chorus]. New York: Boosey & Hawkes, [1965]; c1954 by Aaron Copland; this arrangement copyright 1965 by Aaron Copland. Plt.: Oct. 5509. Choral score (SSA) with piano accompaniment; 8 p. Note: Holograph markings in pencil and crayon throughout. English text.

 37/68-AdNo. 1, "The little horses" : from Old American songs, second set

"The little horses" / adapted by Aaron Copland / choral arrangement by R. Wilding White [chorus]. New York: Boosey & Hawkes, [1965]; c1954 by Aaron Copland; this arrangement copyright 1965 by Aaron Copland. Plt.: Oct. 5510. Choral score (TTBB) with piano accompaniment; 8 p. Note: English text.

 37/68-BaNo. 2, "Zion's walls" : from Old American songs, second set

"Zion's walls" / adapted by Aaron Copland / choral arrangement by Glenn Koponen. New York: Boosey & Hawkes, [1982]; c1954 by Aaron Copland; renewed 1982; this arrangement copyright 1982 by Aaron Copland. Plt.: OC4B6070. Choral score (SATB) with piano accompaniment; 11 p. (3 copies). Note: English text.

 37/68-DaNo. 4, "At the river" : from Old American songs, second set

"At the river" / adapted by Aaron Copland [song]. New York: Boosey & Hawkes, [1962]; c1954 by Boosey & Hawkes. Plt.: 2630. Piano-vocal score; 4 p. Note: English text.

 37/68-DbNo. 4, "At the river" : from Old American songs, second set

"At the river" / adapted by Aaron Copland / choral arrangement by R. Wilding White. New York: Boosey & Hawkes, [1964]; c1954 by Aaron Copland; this arrangement copyright 1964 by Aaron Copland. Plt.: Oct. 5511. Choral score (SA) with piano accompaniment; 6 p. Note: English text.

 37/68-DcNo. 4, "At the river" : from Old American songs, second set

"At the river" / adapted by Aaron Copland / choral arrangement by R. Wilding White. New York: Boosey & Hawkes, [1964]; c1954 by Aaron Copland; this arrangement copyright 1964 by Aaron Copland. Plt.: Oct. 5512. Choral score (SSA) with piano accompaniment; 8 p. (3 copies). Note: Copy 1 contains holograph markings in pencil. English text.

 37/68-DdNo. 4, "At the river" : from Old American songs, second set

No. 4, "At the river" / adapted by Aaron Copland / choral arrangement by R. Wilding White. New York: Boosey & Hawkes, [1964]; c1954 by Aaron Copland; this arrangement copyright 1964 by Aaron Copland. Plt.: Oct. 5513. Choral score (SATB) with piano accompaniment; 8 p. Note: Contains some holograph markings in pencil. English text.

 37/68-DeNo. 4, "At the river" : from Old American songs, second set

No. 4, "At the river" / adapted by Aaron Copland / choral arrangement by R. Wilding White. New York: Boosey & Hawkes, [1965]; c1954 by Aaron Copland; this arrangement copyright 1964 by Aaron Copland. Plt.: Oct. 5514. Choral score (TTBB) with piano accompaniment; 8 p. Note: English text.

 37/68-EaNo. 5, "Ching-a-ring chaw" : from Old American songs, second set

No. 5, "Ching-a-ring chaw" / arranged by Aaron Copland [song]. London: Boosey & Hawkes, [1954]; c1954 by Boosey & Hawkes. Plt.: B.& H. 18742. Score for unison voices with piano accompaniment; 7 p. Ser. title: Winthrop Rogers Festival Series. Note: English text.

 37/68-EbNo. 5, "Ching-a-ring chaw" : from Old American songs, second set

No. 5, "Ching-a-ring chaw" / adapted by Aaron Copland / arranged for chorus by Irving Fine. London: Boosey & Hawkes, [1955]; c1954 by Aaron Copland; this arrangement copyright 1955 by Aaron Copland. Plt.: B.& H. 19216. Choral score (SATB) with piano accompaniment; 15 p. Note: Holograph markings in ink, pencil, and crayon throughout. English text.

 37/68-EcNo. 5, "Ching-a-ring chaw" : from Old American songs, second set

No. 5, "Ching-a-ring chaw" / adapted by Aaron Copland ; arranged for chorus by Irving Fine. London: Boosey & Hawkes, [1955]; c1954 by Aaron Copland; choral arrangement copyright 1955 by Aaron Copland. Plt.: B.& H. 19217. Choral score (SSAA) with piano accompaniment; 10 p. Note: English text.

 37/68-EdNo. 5, "Ching-a-ring chaw" : from Old American songs, second set

No. 5, "Ching-a-ring chaw" / adapted by Aaron Copland ; arranged for chorus by Irving Fine. New York: Boosey & Hawkes, [1955]; c1954 by Boosey & Hawkes; choral arrangement copyright 1955 by Boosey & Hawkes. Plt.: B.H. Oct. 5024. Choral score (SATB) with piano accompaniment; 15 p. Note: English text.

 37/68-EeNo. 5, "Ching-a-ring chaw" : from Old American songs, second set

No. 5, "Ching-a-ring chaw" / adapted by Aaron Copland ; arranged for chorus by Irving Fine. New York: Boosey & Hawkes, [1955]; c1954 by Boosey & Hawkes; choral arrangement copyright 1955 by Boosey & Hawkes. Plt.: B.H. Oct. 5025. Choral score (SSAA) with piano accompaniment; 10 p. (2 copies). Note: English text.

 37/68-EfNo. 5, "Ching-a-ring chaw" : from Old American songs, second set

No. 5, "Ching-a-ring chaw" / adapted and arranged by Aaron Copland. New York: Boosey & Hawkes, [1965]; c1954 by Aaron Copland; this arrangement copyright 1965 by Aaron Copland. Plt.: Oct. 5518. Choral score (TTBB) with piano accompaniment; 10 p. Note: English text.

 85/69The tender land [opera]

The tender land. Ms. (ozalid). Full score; 428 p.; 38.5 cm. (3 bound volumes). Note: Holograph ink, pencil, and crayon markings throughout. English text. At end: March 12, 1954 (orchestration; 27, 1954). Duration: 1 hour, 42 min.

 85/69.1The tender land [opera]

The tender land. Ms. Full score; 17 leaves (pp. 310-326); 38 cm. Note: Holograph in ink. English text. On attached note: "Original duet - Act II, Scene II of Tender Land."

 85/69.2The tender land [opera]

The tender land. Ms. (ozalid). Full score; 16 p. (pp. 311-326); 38.5 cm. Note: Copy of holograph score ARCO 69.1, with holograph markings in pencil and crayon throughout. English text. At head: "Original duet in Act II, Scene II before revision."

 85/69.3The tender land [opera]

The tender land. Ms. (ozalid). Full score insert; pp. 75 A through 75 T; 38.5 cm. Note: English text. At head: "Extra copy of insert Act I - Tender Land orch. score."

 85A/69.4The tender land [opera]

The tender land. Ms. Orchestral sketches; 180 p.; various sizes. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 65.

 85A/69.5The tender land [opera]

The tender land. Ms. Rough sketches; various pagings; various sizes. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 66.

 85A/69.6The tender land [opera]

"The promise of living" / excerpt from the opera score [song]. Ms. Full score; 20 p. (pp. 141-160); 38 cm. (spiral bound). Note: Holograph in ink and pencil; not entirely in Copland's hand. English text.

 85A/69.7The tender land [opera]

"Stomp your foot" / excerpt from the opera score [song]. Ms. Full score; 31 p. (pp. 192-222); 38 cm. (bound). Note: Holograph in ink and pencil. English text.

 85A/69 misc-AThe tender land [opera]

The tender land. Miscellaneous leaves from orchestral score.

 85B/69 misc-BThe tender land [opera]

Libretto in typescript, published libretto (2 copies, 1 annotated), handwritten script notes, etc. Note: Holograph markings in ink and pencil throughout. Includes gift of Erik Johns [pseud. Horace Everett] : manuscript libretto in hand of Erik Johns; annotated typescript entitled "Graduatis Harvest" changed to title "The Picket Fence Horizon" with manuscript notes; annotated typescript entitled "The Picket Fence Horizon." English text.

 87/69-AThe tender land [piano-vocal]

The tender land : opera in three acts / libretto by Horace Everett [pseud. Horace Everett] ; music by Aaron Copland. Ms. Piano-vocal score; 177 leaves + 5 leaf insert (pp. 133-137); 38 cm. Note: Holograph in ink and pencil on transparent paper. English text. At bottom of page 177: March 12, 1954. On microfilm: MUSIC 1906, Item 67.

 87/69-A.1The tender land [piano-vocal]

The tender land : opera in two acts / libretto by Horace Everett [pseud. Horace Everett] ; music by Aaron Copland. Ms. (ozalid). Piano-vocal score; 127 p.; 38.5 cm. (in 2 spiral bound volumes). Note: Copy of Acts I and II from ograph score ARCO 69-A, with Holograph markings in pencil throughout. English text.

 87/69-A.2The tender land [piano-vocal]

The tender land : Act III. Ms. (ozalid). Piano-vocal score; 44 p. (pp. 128-170); 38.5 cm. Note: Copy of Act III from holograph score ARCO 69-A, with Holograph markings in pencil throughout. English text. At bottom of page 170: March 12, 1954.

 87/69-A.3The tender land [piano-vocal]

The tender land. Ms. (ozalid). Piano-vocal insert for Act III; 12 leaves (pp. 133-144); 39.5 cm. Note: Holograph markings in pencil throughout. English text.

 87/69-A.4The tender land [piano-vocal]

The tender land. Ms. (ozalid). Piano-vocal insert for Act III; 10 p. (Z1-Z10); 38.5 cm. (2 copies). Note: Copies of a portion of Act III from holograph score ARCO 69-A. English text.

 87/69-A miscThe tender land [piano-vocal]

The tender land. Mss. (holographs and ozalids). Miscellaneous pages and fragments from piano-vocal scores. Note: Holographs in ink on transparent paper and ozalid reproductions with pencil markings throughout.

 38/69-AaThe tender land [piano-vocal]

The tender land : opera in three acts / libretto by Horace Everett [pseud. of Erik Johns] ; vocal score by the composer. New York: Boosey & Hawkes, [1956]; c1956 in U.S.A. by Boosey & Hawkes. Plt.: B.& H. 17711. Piano-vocal score; 203 p. (2 copies). Note: Holograph markings in pencil throughout both copies. English text. Duration: 1 hr. 40 min.

 38/69-Ba"Stomp your foot" [song] : from The tender land

"Stomp your foot" / arranged for mixed voices with piano duet accompaniment ; words by Horace Everett [pseud. of Erik Johns] ; music by Aaron Copland. New York: Boosey & Hawkes, [1954]; c1954 in U.S.A. by Boosey & Hawkes. Plt.: B.& H. Oct. 5019. Score for mixed voices (SATB) with piano duet; 19 p. (4 copies). Note: Holograph markings in pencil in Copy 1 through Copy 3. English text.

 38/69-Bb"Stomp your foot" [song] : from The tender land

"Stomp your foot" / arranged for male voices with piano duet accompaniment ; words by Horace Everett [pseud. of Erik Johns] ; music by Aaron Copland (1954) [song]. New York: Boosey & Hawkes, [1954]; c1954 in U.S.A. by Boosey & Hawkes. Plt.: B.& H. Oct. 5136. Score for male voices (TTBB) with piano duet; 19 p. (2 copies). Note: English text.

 38/69-Ca"The promise of living" : from The tender land

The tender land : "The promise of living" / quintet arranged for mixed chorus with piano duet accompaniment [song]. New York: Boosey & Hawkes, [1954]; c1954 in U.S.A. by Boosey & Hawkes. Plt.: B.H. Oct. 5020. Score for mixed chorus (SATBB) with piano duet accompaniment; 19 p. (3 copies). Note: Holograph markings in pencil in Copy 1. English text.

 38/69-D"Laurie's song" [song] : from The tender land

"Laurie's song" [song]. Publisher's proofs New York: Boosey & Hawkes, [1956]; c1956 by Boosey & Hawkes; this version copyright 1958 by Boosey & Hawkes. Plt.: S. 2582. First and second proofs, 2 page holograph fragment of piano-vocal score, and pages 25-30 of published edition of The tender land vocal score; 7 + 6 + 2 + 6 p. (2 copies; page 7 of second proof not included). Note: Holograph ink and pencil markings throughout. English text. First proof reveals original title as "Once I Thought".

 38/69-Da"Laurie's song" [song] : from The tender land

"Laurie's song" / text by Horace Everett [pseud. of Erik Johns]. New York: Boosey & Hawkes, [1958]; c1956 by Boosey & Hawkes; this version copyright 1958 by Boosey & Hawkes. Plt.: S. 2582. Piano-vocal score; 7 p. Note: English text.

 39/70Dirge in woods [song]

Dirge in woods : words by George Meredith. Ms. Piano-vocal score; 5 leaves; 35.5 cm. Note: Holograph in ink on transparent paper. English text. On title page: Written especially in honor of Nadia Boulanger's fiftieth year of teaching. At end: June 5, '54.

 39/70.1Dirge in woods [song]

Dirge in woods : words by George Meredith. Ms. (ozalid). Piano-vocal score; 5 p.; 36 cm. Note: English text. On title page: Written especially in honor of Nadia Boulanger's fiftieth year of teaching; "NB/de AC/1954." At end: June 5, '54. On microfilm: MUSIC 1906, Item 74.

 39/70.2Dirge in woods [song]

Dirge in woods : words by G. Meredith. Ms. Piano-vocal rough pencil sketch; 9 p.; 32 cm. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 74.

 39/70.3Dirge in woods [song]

Dirge in woods. Ms. Pages from piano-vocal score; 3 leaves; 35.5 cm. Note: Holograph in ink with holograph markings in pencil on transparent paper. English text.

 39/70.4Dirge in woods [song]

Dirge in woods. Publisher's proof. New York: Boosey & Hawkes, [1957]; c1957 in U.S.A. by Boosey & Hawkes. Plt.: S. 2574. Piano-vocal score; 5 leaves Note: Holograph markings in pencil throughout. English text. Words by George Meredith.

 39/70aDirge in woods [song]

Dirge in woods : words by George Meredith. New York: Boosey & Hawkes, [1957]; c1957 in U.S.A. by Boosey & Hawkes. Plt.: S. 2574. Piano-vocal score; 5 p. Note: English text. On title page recto: Written especially in honor of Nadia Boulanger's fiftieth year teaching.

 88/71Canticle of freedom [chorus & orchestra]

Canticle of freedom. Ms. Score for chorus (SATB) and orchestra; 77 leaves; 38.5 cm. Note: Holograph in ink on transparent paper, with some markings in pencil. English text by John Barbour. On title page: "Pp. 1-32 of original (1955) version (NOT TO BE USED!) A.C. (revised 1966)." At end: March 27, 1955. Laid in: One holograph leaf in pencil titled "Revision of Canticle of Freedom".

 88/71.1Canticle of freedom [chorus & orchestra]

Canticle of freedom. Ms. (ozalid). Score for chorus (SATB) and orchestra; 77 p.; 39.5 cm. (spiral bound). Note: Copy of holograph score ARCO 71, with holograph and other markings in pencil throughout. English text by John Barbour. On cover: Original version of 1955 (not to be played in this version). At end: March 27, 1955.

 88/71.2Canticle of freedom [chorus & orchestra]

Canticle of freedom. Ms. (ozalid). Full score (incomplete); 32 p.; 38.5 cm. Note: Holograph markings in pencil throughout. At head: Original version of 1955 (to p. 32) (not to be played).

 88/71.3Canticle of freedom [chorus & orchestra]

Canticle of freedom. Ms. Condensed score; original pencil sketch (32 + 2 p.) accompanied by rough sketches in pencil (various pagings); 34.5 cm. Note: Holographs in pencil. On microfilm: MUSIC 1906, Item 3.

 88/71.4Canticle of freedom [chorus & orchestra]

"Let us now praise famous men". Ms. Sketches for choral work (unfinished); various pagings; various sizes. Note: Holographs in pencil and typescript. English text. On title page: "Let us now praise famous men" sketches for choral work (1949) (unfinished) (on which is based later Canticle of freedom)."

 88/71.5Canticle of freedom [chorus & orchestra]

Canticle of freedom. Ms. (positive photostat). Condensed score for mixed chorus and orchestra (miniature); 11 leaves; 28 cm. Note: Holograph markings in pencil. English text. At head: Choral coda from Canticle of freedom (text by John Barbour - 1320 (?)-1395). At end: March 13, 1955 N.Y.

 88/71-AaCanticle of freedom [chorus & piano]

Canticle of freedom : text by John Barbour. New York: Boosey & Hawkes, [1955]; c1955 in U.S.A. by Boosey & Hawkes. Plt.: B.H. Oct. 5059. Score for mixed chorus (SATB) and piano; 16 p. Note: Holograph markings in pencil throughout. English text. Commissioned by the Massachusetts Institute of Technology. Duration: Approx. 16 min.

 88/71-AbCanticle of freedom [chorus & piano]

Canticle of freedom : text by John Barbourd. New York: Boosey & Hawkes, [1955]; c1955 in U.S.A. by Boosey & Hawkes. Plt.: B.H. Oct. 5059. Score for mixed chorus (SATB) and piano; 16 p. (2 copies). Note: Holograph markings in pencil throughout Copy 1. English text. Commissioned by the Massa- chusetts Institute of Technology. Duration: Approx. 16 min.

 88/71-BCanticle of freedom [chorus & orchestra]

Canticle of freedom : for mixed chorus and orchestra / text by John Barbour. Ms. Full score (revised version); 22 leaves; 38.5 cm. Note: Manuscript in pencil by David Walker; holograph title page and page of preliminary notes. On title page: Original version completed 1955, pages 1-77 complete (withdrawn - not to be played) A.C. Revised version, completed 1966; New pages 1-20; then pages 33-77 of original version.

 88/71-B.1Canticle of freedom [chorus & orchestra]

Canticle of freedom : for mixed chorus and orchestra / text by John Barbour. Ms. (ozalid). Full score (revised version); 20 p.; 38 cm. Note: Copy of original manuscript score ARCO 71-B; manuscript in the hand of David Walker. English text.

 88/71-B miscCanticle of freedom [chorus & orchestra]

Canticle of freedom. Mss. Miscellaneous original (1955) pages from revised (1965) version; 16 p.; various sizes. Note: Holographs in ink and pencil, with typescript and manuscript text in ink and pencil. English text.

 88/71-BaCanticle of freedom [chorus & orchestra]

Canticle of freedom. New York: Boosey & Hawkes, [1968]; c1955; full score copyright 1968 by Aaron Copland. Plt.: F.S. 332. Full score; 52 p. (3 copies, Copy 2 bound). Note: Holograph markings in pencil throughout Copy 1. English text by John Barbour. Commissioned by the Massachusetts Institute of Technology. Duration: Approx. 13 min.

 72Symphonic ode [orchestra]

Symphonic ode. Ms. Full score; 81 leaves; 44.5 cm. Note: Holograph in ink on transparent paper. On title page: Commissioned in celebration of the 75th season of the Boston Symphony Orchestra, Charles Munch, Music Director. Dedicated to the memory of Serge and Natalie Koussevitsky. {Filed with Koussevitsky Collection, ML 30 .3c2.C6 case.}

 89/72.1Symphonic ode [orchestra]

Symphonic ode. Ms. (ozalid). Full score; 81 p.; 44.5 cm. (bound). Note: Copy of holograph score ARCO 72. On title page: Commissioned in celebration of the 75th season of the Boston Symphony Orchestra, Charles Munch, Music Director. Dedicated to the memory of Serge and Natalie Koussevitsky.

 89/72.2Symphonic ode [orchestra]

Symphonic ode. Ms. (ozalid). Full score; 81 p.; 44.5 cm. Note: Copy of holograph score ARCO 72.

 89/72.3Symphonic ode [orchestra]

Symphonic ode. Ms. Orchestral sketches; 4 leaves (5 p.); various sizes. Note: Holograph in pencil.

 89/72aSymphonic ode [orchestra]

Symphonic ode. London: Boosey & Hawkes, [1957]; c1957 by Boosey & Hawkes. Plt.: B.& H. 18266. Full score; 69 p. (4 copies, Copy 1 (bound). Note: Holograph markings in pencil and crayon throughout copies 1 through 3. On third preliminary page: Commissioned in celebration of the 75th season of the Boston Symphony Orchestra, Charles Munch, Music Director. The original version of this work (now withdrawn) was composed in 1928-29, in celebration of the Boston Symphony Orchestra's 50th season.

 89/72bSymphonic ode [orchestra]

Symphonic ode. New York: Boosey & Hawkes, [1957]; c1957 by Boosey & Hawkes. Plt.: B.& H. 18266. Full score (miniature); 69 p. Ser. title: Hawkes Pocket Scores, No. 706.

 40/73a"Variations on a Shaker melody" : from Appalachian spring [band]

Variations on a Shaker melody : from Appalachian spring. New York: Boosey & Hawkes, [1960]; c1960 by Boosey & Hawkes. Plt.: Q.M.B. 236. Full score and conductor score; 18 p. (2 copies). Ser. title: Q.M.B. Edition, No. 236. Note: Holograph markings in pencil throughout Copy 1.

 40/73aa"Variations on a Shaker melody" : from Appalachian spring [band]

Variations on a Shaker melody : from Appalachian spring. New York: Boosey & Hawkes, [1960]; c1960 by Boosey & Hawkes. Plt.: Q.M.B. 236. Band parts. Ser. title: Q.M.B. Edition, No. 236.

 90/74Piano fantasy [piano work]

Piano fantasy. Ms. Piano solo; 56 leaves; 35.5 cm. Note: Holograph in ink on transparent paper. On second preliminary page: Commissioned by the Juilliard School of Music, William Schumann, President, on the occasion of its fiftieth anniversary celebration, and dedicated to the memory of William Kapell. At end: Finished Jan. 19, '57. Duration: 30 min. On microfilm: MUSIC 1906, Item 75.

 90/74.1Piano fantasy [piano work]

Piano fantasy. Ms. (ozalid). Piano solo; 56 p.; 34.5 cm. (spiral bound). Note: Copy of holograph score ARCO 74, with holograph markings in ink and pencil. On verso of title page: Commissioned by the Juilliard School of Music, William Schumann, President, on the occasion of its fiftieth anniversary celebration, and dedicated to the memory of William Kapell. At end: Finished Jan. 19, '57. Duration: 30 min.

 90/74.2Piano fantasy [piano work]

Piano fantasy. Ms. Piano solo; (draft); 75 p.; various sizes. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 75.

 90/74.3Piano fantasy [piano work]

Piano fantasy. Ms. Rough piano sketches; 133 p.; various sizes. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 75.

 90/74.4Piano fantasy [piano work]

Piano fantasy. Publisher's proof. New York: Boosey & Hawkes, [1957]; c1957 by Boosey & Hawkes. Plt.: B. Pa. 173. Piano solo; 45 leaves. Note: Holograph and other markings in ink and pencil throughout.

 90/74 miscPiano fantasy [piano work]

Piano fantasy. Ms. Miscellaneous leaves from the piano score; 16 leaves; various sizes. Note: Holographs in ink on transparent paper, and photocopies of pages from published score; includes holograph two page tone row and composition structure outline for Piano fantasy in ink and pencil.

 90/74aPiano fantasy [piano work]

Piano fantasy. New York: Boosey & Hawkes, [1957]; c1957 by Boosey & Hawkes. Plt.: B. Pa. 173. Piano solo; 45 p. (2 copies, Copy 1 bound). Note: On title page: Commissioned by the Juilliard School of Music, William Schuman, President, on the occasion of its fiftieth anniversary celebration, and dedicated to the memory of William Kapell.

 91/75The world of Nick Adams [incidental music]

The world of Nick Adams. Ms. (ozalid). Full score; 85 p.; 41 cm.

 91/75.1The world of Nick Adams [incidental music]

The world of Nick Adams. Ms. (photocopy). Full score; 83 leaves; 43.5 cm. Note: At bottom of first leaf: From CBS series 7 Lively Arts (TV drama).

 91/75.2The world of Nick Adams [incidental music]

The world of Nick Adams. Ms. Original pencil sketches (piano version); 51 p.; 39-43.5 cm. Note: Holograph in pencil. On accompanying folder: World of Nick Adams, original music for TV show - Nov. 10, '57.

 91/75 miscThe world of Nick Adams [incidental music]

The world of Nick Adams. Ms. Typescript of The World of Nick Adams, a CBS-TV production from the drama series, 7 Lively Arts.; 77 leaves. Note: Heavily marked.

 92/76Orchestral variations : from Piano variations [arranged]

Orchestral variations : based on Piano variations (of 1930). Ms. Full score; 73 leaves; 38 cm. Note: Holograph in ink on transparent paper. On second preliminary leaf: Commissioned by the Louisville Orchestra, Robert Whitney, Musical Director. At end: Dec. 31, 1957. Includes one page holograph first sketch score in pencil. Duration: circa 12 min.

 92/76.1Orchestral variations : from Piano variations [arranged]

Orchestral variations : based on Piano variations (of 1930). Ms. (ozalid). Full score; 73 p.; 39 cm. Note: Copy of holograph score ARCO 76, with holograph and other markings in ink and pencil throughout; some markings may be by David Walker. At end: Dec. 31, 1957. On microfilm: MUSIC 1906, Item 69.

 92/76.2Orchestral variations : from Piano variations [arranged]

Orchestral variations : based on Piano variations. Ms. (ozalid). Full score; 73 p.; 38 cm. (spiral bound). Note: Copy of holograph score ARCO 76. On second preliminary page: Commissioned by the Louisville Orchestra, Robert Whitney, Musical Director. At end: Dec. 31, 1957. Duration: circa 12 min.

 92/76.3Orchestral variations : from Piano variations [arranged]

Orchestral variations : based on Piano variations. Ms. (ozalid). Full score; 73 p.; 43.5 cm. Note: Copy of holograph score ARCO 76, with holograph markings in pencil and/or crayon throughout. On second preliminary page: Commissioned by the Louisville Orchestra, Robert Whitney, Musical Director. At end: Dec. 31, 1957. Duration: circa 12 min.

 92/76aOrchestral variations : from Piano variations [arranged]

Orchestral variations. London: Boosey & Hawkes, [1960]; c1932 (Piano Variations); orchestral version copyright 1960 by Boosey & Hawkes. Plt.: F.S. 226. Full score; 62 p. (3 copies, Copy 1 bound). Note: Holograph markings in pencil throughout Copy 1 and Copy 2. On verso of title page: Commissioned by the Louisville Orchestra, Robert Whitney, Musical Director. Duration: Approx. 12 min. Based on Piano Variations - 1930.

 92/76bOrchestral variations : from Piano variations [arranged]

Orchestral variations. London: Boosey & Hawkes, [1960]; c1932 (Piano Variations); orchestral version copyright 1960 by Boosey & Hawkes. Plt.: F.S. 226. Full score (miniature); 62 p. Note: On verso of title page: Commissioned by the Louisville Orchestra, Robert Whitney, Musical Director. Duration: Approx. 12 min. Based on Piano Variations - 1930.

 93/77The tender land [suite]

The tender land : orchestral suite from the opera. Ms. Full score; 100 leaves; 38 cm. Note: Holograph in ink and pencil.

 93/77.1The tender land [suite]

The tender land : orchestral suite from the opera. Ms. (black line print). Full score; 100 leaves (30 + 70 p.); 43 cm. Note: Copy of holograph score ARCO 77, with holograph markings in ink and pencil throughout.

 93/77.2The tender land [suite]

The tender land : orchestral suite from the opera. Ms. Full score (incomplete); 17 leaves; 38.5 cm. Note: Holograph in ink.

 93/77 miscThe tender land [suite]

The tender land : orchestral suite from the opera. Miscellaneous performance notes for orchestral suite; 5 leaves Note: Holographs in ink and pencil.

 93/77aThe tender land [suite]

The tender land : orchestral suite from the opera. London: Boosey & Hawkes, [1960]; c1956 by Boosey & Hawkes; orchestral suite copyright 1960 by Boosey & Hawkes. Plt.: F.S. 227. Full score; 92 p. (3 copies, Copy 1 bound). Note: Holograph pencil markings throughout Copy 1 and Copy 2. Laid in Copy 2: One leaf holograph performance note in ink and one leaf typescript with holograph markings in ink and pencil. Duration: 19 min.

 93/77bThe tender land [suite]

The tender land : suite from opera. London: Boosey & Hawkes, [1960]; c1956 by Boosey & Hawkes; orchestral suite copyright 1960. Plt.: F.S. 227. Full score (miniature); 92 p. Ser. title: Hawkes Pocket Scores, No. 717. Note: Duration: 19 min.

 93/77-AaThe tender land : orchestral suite from the opera [orchestra & mixed chorus]

The tender land : orchestral suite from the opera. London: Boosey & Hawkes, [1960]; c1956 by Boosey & Hawkes; orchestral suite copyright 1960 by Boosey & Hawkes. Plt.: F.S. 227. Insert to orchestral suite, includes score for mixed chorus; 45 p. (pp. 47-92) (2 copies). Note: English text. Attached to inside front cover of Copy 1: One leaf typescript: "Adjustments for the orchestral score and parts of the Tender land suite when performed with mixed chorus."

 94/78Three Latin-American sketches [small orchestra]

Three Latin-American sketches : for small orchestra. Ms. Full score; 73 leaves (28, 45 p.); 38.5 cm. Note: Holograph in ink on transparent paper. Duration: 10 min. CONTENTS: 1) Estribillo (1971); 2) Paisaje Mexicano (1959); 3) Danza de Jalisco (1959).

 94/78.1Three Latin-American sketches [small orchestra]

Three Latin-American sketches : for small orchestra. Ms. (ozalid). Full score; 28, 45 p.; 38.5 cm. Note: Copy of holograph score ARCO 78, with holograph markings in pencil throughout. CONTENTS: 1) Estribillo (1971); 2) Paisaje Mexicano (1959); 3) Danza de Jalisco (1959). Duration: Approx. 10 min.

 94/78.2Three Latin-American sketches [small orchestra]

No. 1, "Estribillo" / for small orchestra. Ms. (ozalid). Full score; 28 p.; 38.5 cm. Note: Copy of holograph score ARCO 78, with holograph markings in ink and pencil throughout. At end: Aug. 31, 1971. Duration: 3:25.

 94/78.3Three Latin-American sketches [small orchestra]

No. 2, "Paisaje Mexicano" ; No. 3, "Danza de Jalisco" / for small orchestra. Ms. (ozalid). Full score; 45 p.; 38.5 cm. (spiral bound). Note: Holograph markings in ink and pencil throughout. Duration: Approx. 6:20.

 94/78.4Three Latin-American sketches [small orchestra]

No. 3, "Danza de Jalisco". Ms. (ozalid). Full score; [32] p.; 39 cm. (spiral bound). Note: Manuscript in David Walker's hand in ink and pencil, with holograph annotations in ink and pencil. Laid in: Ten leaf insert in ink and pencil, in David Walker's hand, on transparent paper; hand-written and typescript of "Corrections for DANZA DE JALISCO".

 94/78.5Three Latin-American sketches [small orchestra]

Three Latin-American sketches. Ms. Rough sketches; various pagings; various sizes. Note: Holographs in ink and pencil.

 94/78aThree Latin-American sketches [small orchestra]

Three Latin-American sketches. London: Boosey & Hawkes, [1975]; c1975 by Aaron Copland; Danza de Jalisco copyright 1968 by Aaron Copland. Plt.: B.& H. 20262. Full score; 61 p. (3 copies). Note: Holograph markings in pencil throughout Copy 1 and Copy 2. Duration: Approx. 10 min. CONTENTS: 1) Estribillo; 2) Paisaje Mexicano; 3) Danza de Jalisco.

 94/78bThree Latin-American sketches [small orchestra]

Three Latin-American sketches. New York: Boosey & Hawkes, [1976]; c1975 by Aaron Copland; Danza de Jalisco copyright 1968 by Aaron Copland; Miniature Score edition 1976. Plt.: B.& H. 20262. Full score (miniature); 61 p. Ser. title: Hawkes Pocket Scores, No. 814. Note: Duration: Approx. 10 min.

 94/78-ANo. 3, "Danza de Jalisco" [piano solo] : from Three Latin-American sketches

No. 3, "Danza de Jalisco" (1st version). Ms. Piano solo; 6 leaves, 35.5 cm. Note: Manuscript in ink and pencil in hand of David Walker on transparent paper.

 78-A.1No. 3, "Danza de Jalisco" [piano solo] : from Three Latin-American sketches

No. 3, "Danza de Jalisco". Ms. (ozalid). Piano solo; 6 p.; 36.5 cm. Note: Copy of manuscript score ARCO 78-A, with holograph markings in pencil throughout. At head: Two Mexican pieces.

 94/78-A.2No. 3, "Danza de Jalisco" [piano solo] : from Three Latin-American sketches

No. 3, "Danza de Jalisco". Ms. (ozalid). Piano solo; 6 p.; 36.5 cm. Note: At head: Two Mexican pieces.

 94/78-BNo. 3, "Danza de Jalisco" : from Three Latin-American sketches [two pianos]

No. 3, "Danza de Jalisco" / for two pianos. Ms. Score for two pianos; 17 leaves; 38 cm. Note: Copyist's manuscript in pencil on transparent paper; in the hand of David Walker. At end: Arranged for two pianos Mar. 5, 1963.

 94/78-B.1No. 3, "Danza de Jalisco" : from Three Latin-American sketches [two pianos]

No. 3, "Danza de Jalisco" / for two pianos. Ms. (ozalid). Score for two pianos; 17 p.; 38 cm. Note: Copy of manuscript score ARCO 78-B, with markings in pencil throughout. Manuscript in the hand of Davis Walker. At end: Arranged for two pianos Mar. 5, 1963.

 94/78-B.2No. 3, "Danza de Jalisco" : from Three Latin-American sketches [two pianos]

No. 3, "Danza de Jalisco" / for two pianos. Ms. (ozalid). Score for two pianos; 17 p.; 38 cm. Note: Copy of manuscript score ARCO 78-B. Manuscript in the hand of David Walker. At end: Arranged for two pianos Mar. 5, 1963.

 94/78-B.3No. 3, "Danza de Jalisco" : from Three Latin-American sketches [two pianos]

No. 3, "Danza de Jalisco" / for two pianos. Ms. Sketches for two pianos; 8 p.; 43.5 cm. Note: Holograph in pencil. Also includes holograph sketches in pencil arranged for two piano Mexican Landscape and Noche Mexicana; 6 p.

 94/78-BaNo. 3, "Danza de Jalisco" : from Three Latin-American sketches [two pianos]

No. 3, "Danza de Jalisco" / for two pianos. London: Boosey & Hawkes, [1968]; c1968 by Aaron Copland. Plt.: B.& H. 19627. Score for two pianos; 20 p. (2 parts in one folder). Note: Commissioned by the Festival Foundation for the Festival of Two Worlds in Spoleto, Italy. This arrangement for two pianos was prepared by the composer in 1963.

 95/79Dance panels [ballet]

Dance panels : in seven sections. Ms. Full score; 142 leaves; 38 cm. Note: Holograph in ink on transparent paper. At end: Feb.- June '59. Orchestration Sept. '59.

 95/79.1Dance panels [ballet]

Dance panels. Ms. (ozalid). Full score; 142 p.; 38 cm. Note: Copy of holograph score ARCO 79, with holograph markings in ink and pencil. At end: Feb.- June '59. Orchestration Sept. '59.

 95/79.2Dance panels [ballet]

Ballet for J.R. Ms. (black line print). Full score (incomplete); 132 lvs; various sizes. Note: Copy of holograph score ARCO 79, with holograph markings in pencil throughout. At head: Commissioned by Jerome Robbins. At end: Feb.-June '59. Orchestration Sept. '59.

 95/79.3Dance panels [ballet]

Ballet for J.R. Ms. Orchestral sketches; unpaged; various sizes. Note: Holographs in ink and pencil.

 95/79 miscDance panels [ballet]

[Dance panels]. Mss. (holographs and ozalids). Miscellaneous pages from orchestral scores; various pagings; various sizes. Note: Holographs in ink and pencil, and reproductions.

 41/79aDance panels [ballet]

Dance panels : ballet in seven sections. London: Boosey & Hawkes, [1965]; c1965 by Aaron Copland. Plt.: B.& H. 19151, 19159. Full score; 83 p. (3 copies; Copy 2 bound). Note: Holograph markings in pencil throughout Copy 1; Copy 2 has holograph markings in pencil, but not marked as heavily as Copy 1. Commissioned by Jerome Robbins. Duration: Approx. 26.5 min.

 41/79bDance panels [ballet]

Dance panels : ballet in seven sections. London: Boosey & Hawkes, [1965]; c1965 by Aaron Copland. Plt.: B.& H. 19151, 19159. Full score (miniature); 83 p. Ser. title: Hawkes Pocket Scores, No. 765. Note: Duration: Approx. 26 min.

 41/79-ADance panels [piano solo]

Dance panels : ballet. Ms. (ozalid). Piano reduction; 46 p.; 36 cm. (spiral bound). Note: At end: Feb. - June 18, 1959. Commissioned by Jerome Robbins.

 41/79-A.1Dance panels [piano solo]

[Dance panels] : ballet. Ms. (ozalid). Piano reduction; 46 p.; 36 cm. Note: At head: "First version - 1959." Corrected copy. At end: Feb. - June 18, 1959.

 41/79-A miscDance panels [piano solo]

[Dance panels]. Mss. (holographs and ozalids). Miscellaneous pages and fragments from piano scores; various pagings; various sizes. Note: Holographs in ink and pencil on transparent paper, and ozalid reproductions.

 41/79-AaDance panels [piano solo]

Dance panels : ballet in seven sections (1959; revised 1962). London: Boosey & Hawkes, [1965]; c1965 by Aaron Copland. Plt.: B.& H. 19201. Piano reduction; 83 p. Note: Duration: Approx. 26 min.

 96/80Nonet [string orchestra]

Nonet : for solo strings. Ms. (ozalid). Score for string orchestra; 36 leaves; 6 cm. Note: Contains holograph markings in ink and pencil. On second preliminary page: Commissioned by the Dumbarton Oaks Research Library and dedicated to Nadia Boulanger after forty years of friendship. At end: Rock Hill, Dec. 28, 1960.

 96/80.1Nonet [string orchestra]

Nonet : for solo strings. Ms. (ozalid). Score for string orchestra; 36 p.; 46 cm. (spiral bound). Note: Contains holograph markings in pencil. On verso of title page: Commissioned by the Dumbarton Oaks Research Library and dedicated to Nadia Boulanger after forty years of friendship. At end: Rock Hill, Dec. 28, 1960.

 96/80.2Nonet [string orchestra]

Nonet : for solo strings. Ms. (ozalid). Score for string orchestra; 36 leaves; 46 cm. Note: Contains holograph markings in ink and pencil. At end: Dec. 28, 1960.

 96/80.3Nonet [string orchestra]

Nonet (in one movement) : for solo strings. Ms. Score for string orchestra (incomplete, draft); [20] p. (pp. 1-11, AA-II); 38 cm. Note: Holograph in pencil.

 96/80.4Nonet [string orchestra]

Nonet. Ms. Rough sketches; various pagings; various sizes. Note: Holograph in pencil.

 96/80.5Nonet [string orchestra]

Nonet : for solo string (in one movement). Ms. Piano reduction; 21 p.; various sizes. Note: Holograph in pencil. Duration: 161/2 min.

 96/80.6Nonet [string orchestra]

Nonet. Publisher's proof. London: Boosey & Hawkes, [1962]; c1962 by Boosey & Hawkes. Plt.: B.& H. 18894. Full score for string orchestra; 34 p. Note: holograph markings in ink and pencil throughout. Laid in: One leaf holograph note in pencil.

 96/80 miscNonet [string orchestra]

[Nonet : for solo strings]. Mss. Discarded pages from score for string orchestra; 9 leaves; 46 cm. Note: Holograph in ink with holograph markings pencil on transparent paper.

 96/80aNonet [string orchestra]

Nonet for strings. London: Boosey & Hawkes, [1962]; c1962 by Boosey & Hawkes. Plt.: B.& H. 18894. Full score; 24 p. (2 copies, Copy 1 bound). Note: Holograph markings in ink and pencil throughout Copy 1. Laid in Copy 1: Affixed inside back cover, one leaf holograph note in ink regarding the work.

 96/80aaNonet [string orchestra]

Nonet for strings. London: Boosey & Hawkes, [1962]; c1962 by Boosey & Hawkes. Plt.: B.& H. 18895. String parts.

 96/80bNonet [string orchestra]

Nonet for strings. London: Boosey & Hawkes, [1962]; c1962 by Boosey & Hawkes. Plt.: B.& H. 18894. Full score (miniature); 34 p. Ser. title: Hawkes Pocket Scores, No. 737. Note: On verso of title page: Commissioned by the Dumbarton Oaks Research Library in honor of the fiftieth wedding anniversary of Mr. and Mrs. Robert W. Bliss and dedicated to Nadia Boulanger after forty years of friendship. Duration: 15 min.

 116/81Something wild [incidental music]

Something wild. Ms. Full score divided by cue numbers; various pagings; 47.5 cm. Note: Copyist's manuscript in pencil and ink by David Walker and John B. Kennedy.

 116/81.1Something wild [incidental music]

Something wild. Ms. Conductor score; 88 p.; 31.5 cm. Note: Copyist's manuscript in pencil on transparent paper by David Walker.

 116/81.2Something wild [incidental music]

Something wild. Ms. (ozalid). Conductor score; 81 p.; 33.5 cm. Note: Copy of manuscript score ARCO 81.1 by David Walker with extensive additions and corrections in pencil. On microfilm: MUSIC 1906, Item 52.

 116/81.3Something wild [incidental music]

Something wild. Ms. (ozalid). Conductor score; various pagings; 33.5 cm. (bound). Note: Copy of manuscript score ARCO 81.1 by David Walker, with additions and corrections in pencil.

 116/81.4Something wild [incidental music]

Cue 4, "The subway". Ms. (ozalid). Conductor score; 7 p.; 32 cm. (2 copies). Note: Copyist's manuscript by David Walker.

 116/81.5Something wild [incidental music]

Something wild. Ms. Original pencil score (draft, short version); 82 p.; 38.5 cm. Note: Holograph in pencil. At end: Apr. to Sept. 10, '61. On microfilm: MUSIC 1906, Item 52.107

 116/81.6Something wild [incidental music]

Something wild. Mss. Orchestral parts divided by cue numbers. Note: Copyist's manuscripts in ink and pencil.

 116/81.7Something wild [incidental music]

Something wild. Ms. Sketches; [2] leaves; 32 cm. Note: Holograph in pencil.

 116/81 miscSomething wild [incidental music]

Something wild. Mss. Miscellaneous items relating to the film production: includes typescript of Something Wild - The City with annotations in pencil (128 leaves); shooting cues in typescript with annotations in pencil and ink which describe, in short phrases, film sequences, gives measurements of frames (in feet), and durations ([22] leaves, pp. 3-4 missing); typed letter form Sylvia Goldstein (of Boosey & Hawkes) to Mr. Copland dated May 23, 1962; and handwritten notes in ink and pencil. Note: Manuscripts with markings in ink and pencil.

 97/82Down a country lane [piano solo]

Down a country lane. Ms. (photocopy). Piano solo; 2 p.; 37 cm. Note: Contains holograph markings in pencil.

 97/82.1Down a country lane [piano solo]

Down a country lane. Ms. Piano solo; 2 p.; 31 cm. Note: Holograph in pencil.

 97/82.2Down a country lane [piano solo]

Down a country lane. Ms. Sketches; [10] p.; various sizes. Note: Holographs in ink and pencil.

 97/82.3Down a country lane [piano solo]

Down a country lane. Publisher's proof. New York: Boosey & Hawkes, [1962]; c1962 by Aaron Copland. Piano solo; 2 leaves; 26.5 x 28 cm.

 97/82aDown a country lane [piano solo]

Down a country lane. New York: Boosey & Hawkes, [1962]; c1962 by Aaron Copland. Plt.: B.& H. 19030. Piano solo; 2 p. (2 copies). Note: Copy 1 contains holograph orchestral indications in pencil.

 97/82-ADown a country lane [school orchestra]

Down a country lane. Ms. Full score; 12 leaves; 46 cm. Note: Holograph in pencil.

 97/82-aDown a country lane [school orchestra]

Down a country lane. London: Boosey & Hawkes, [1965]; c1962; school orchestra arrangement copyright 1965 by Aaron Copland. Plt.: B.& H. 19091. Full score; 8 p. (3 copies). Ser. title: Youth Orchestra Series. Note: Holograph markings in pencil throughout Copy 1.

 97/82-AaaDown a country lane [school orchestra]

Down a country lane. London: Boosey & Hawkes, [1965]; c1962; school orchestra arrangement copyright 1965 by Aaron Copland. Plt.: B.& H. 19091. Orchestral parts (2 sets). Ser. title: Youth Orchestra Series.

 106/83Connotations [orchestra]

Connotations : for orchestra. Ms. Full score; 93 leaves; 48 cm. Note: Holograph of original version before revisions in pencil on transparent paper, with markings in David Walker's hand in ink and pencil. On second preliminary page: Commissioned by the New York Philharmonic in celebration of its opening season in the Lincoln Center for the Performing Arts and dedicated to the members of the orchestra and its Music Director, Leonard Bernstein, 1962. At end: Rock Hill Sept. 11, 1962. Duration: Approx. 20 min. See ARCO 83.2 for original holograph pages (now withdrawn), and ARCO 83.3 for replacement pages in David Walker's hand. On microfilm: MUSIC 1906, Item 13.

 106/83.1Connotations [orchestra]

Connotations : for orchestra. Ms. (ozalid). Full score; 93 p.; 48 cm. (spiral bound). Note: Photocopy of holograph original version ARCO 83, with holograph markings in pencil throughout. Duration: Approx. 191/2 min. See ARCO 83.2 for original holograph pages (now withdrawn), and ARCO 83.3 for replacement pages in David Walker's hand.

 106/83.2Connotations [orchestra]

[Connotations for orchestra]. Ms. Various pages from full score original, now withdrawn; 15 leaves; 48 cm. Note: Holograph in pencil on transparent paper. Laid in: Holograph note in ink and pencil. On microfilm: MUSIC 1906, Item 13.

 106/83.3Connotations [orchestra]

[Connotations for orchestra]. Ms. Pages from full score, used in final version; 27 leaves; 48 cm. Note: Manuscript in pencil on transparent paper by Aaron Copland and David Walker.

 106/83.4Connotations [orchestra]

Connotations : for orchestra. Ms. Rough sketches; 41 p.; various sizes. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 13.

 106/83.5Connotations [orchestra]

Connotations : for orchestra. Ms. Open score sketch; 27 p.; various sizes. Note: Holograph in pencil. At end; Sept. 11, '62. On microfilm: MUSIC 1906, Item 13.

 106/83.6Connotations [orchestra]

[Connotations for orchestra]. Ms. Tone row used in Connotations; 5 p.; 43.5 cm. Note: Holograph in pencil.

 106/83.7Connotations [orchestra]

Connotations : for orchestra. Ms. Condensed score (incomplete); [11] leaves; 38.5 cm. Note: Manuscript in pencil on transparent paper by David Walker. Laid in: 5 leaves of holograph orchestral notes in pencil.

 106/83.8Connotations [orchestra]

Connotations : for orchestra. Ms. (black line print). Condensed score (incomplete); [11] leaves; 38 cm. Note: Copy of manuscript score in pencil ARCO 83.7, with holograph markings in pencil throughout.

 106/83.9Connotations [orchestra]

Connotations : for orchestra. Ms. (black line print). Condensed score (incomplete); [11] p.; 35.5 cm. Note: Copy of manuscript score by David Walker ARCO 83.7, with holograph markings in pencil throughout.

 106/83 miscConnotations [orchestra]

[Connotations for orchestra]. Mss. (reproductions). Miscellaneous pages from full score (27 leaves) and photocopy of copyist's manuscript of an arrangement for piano solo (incomplete); 16 leaves..

 106/83aConnotations [orchestra]

Connotations : for orchestra. London: Boosey & Hawkes, [1963]; c1962, 1963 by Aaron Copland. Plt.: B.& H. 19063. Full score; 82 p. (2 copies, Copy 1 bound). Note: Holograph markings in pencil throughout both copies. Laid in Copy 1: 5 leaves of orchestral notes in ink and pencil. Laid in Copy 2: One leaf of orchestral notes in ink. Duration: 191/2 min.

 106/83bConnotations [orchestra]

Connotations : for orchestra. London: Boosey & Hawkes, [1963]; c1962, 1963 by Aaron Copland. Plt.: B.& H. 19063. Full score (miniature); 82 p. Note: Duration: 191/2 min.

 107/84Music for a great city [orchestral suite]

Music for a great city. Ms. (ozalid). Full score; 114 p.; 48 cm. (spiral bound). Note: Holograph markings in pencil throughout. At end: Apr. 13, 1964. Concert suite developed from film score Something wild. CONTENTS: 1) The skyline; 2) Night thoughts; 3) Subway jam; 4) Toward the bridge.

 107/84.1Music for a great city [orchestral suite]

[No. I, "The skyline"]. Ms. (black line print). Full score; 51 leaves; 48 cm. Note: At head in red pencil: uncorrected copy. Concert suite developed from film score "Something Wild".

 107/84.2Music for a great city [orchestral suite]

[No. II, "Night thoughts"]. Ms. (ozalid). Full score; [20] p. (pp. 52-71); 38 cm. (spiral bound). Note: Holograph markings in pencil throughout. At head in red pencil: uncorrected copy.

 107/84.3Music for a great city [orchestral suite]

No. III, "Subway jam". Ms. Condensed score sketch; 8 p.; 34.5 cm. Note: Holograph in pencil.

 107/84.4Music for a great city [orchestral suite]

"III Movement". Ms. (ozalid). Full score; [13] p. (pp. 72-84); 36.5 cm. Note: Holograph markings in pencil throughout.

 107/84.5Music for a great city [orchestral suite]

[No. IV, "Toward the bridge"]. Ms. (ozalid). Full score; [30] p. (pp. 85-114); 48 cm. (spiral bound). Note: At head in red pencil: uncorrected copy.

 107/84.6Music for a great city [orchestral suite]

Music for a great city : concert suite from "Something wild". Ms. Rough sketches; [30] p.; various sizes. Note: Holograph in pencil and ink. Includes 11 leaves of orchestral notes in ink and pencil.

 107/84aMusic for a great city [orchestral suite]

Music for a great city. London: Boosey & Hawkes, [1965]; c1965 by Aaron Copland. Plt.: B.& H. 19318. Full score; 100 p. (2 copies). Note: Holograph markings in pencil throughout Copy 1. On second preliminary page: Commissioned by the London Symphony Orchestra in celebration of its sixtieth anniversary season and dedicated to the members of the orchestra. Duration: Approx. 24 min. CONTENTS: 1) Skyline; 2) Night thoughts; 3) Subway jam; 4) Toward the bridge. Concert suite developed from film score "Something wild".

 107/84bMusic for a great city [orchestral suite]

Music for a great city. London: Boosey & Hawkes, [1965]; c1965 by Aaron Copland. Plt.: B.& H. 19318. Full score (miniature); 100 p. Note: On second preliminary page: Commissioned by the London Symphony Orchestra on its sixtieth anniversary season and dedicated to the members of the orchestra. Duration: Approx. 24 min.

 108/85Emblems [band]

Emblems : for symphonic band. Ms. Full score; 66 leaves; 50 cm. Note: Manuscript in pencil by Aaron Copland and David Walker. On title page: Commissioned by the College Band Directors National Association (1964). At end: Nov. 10, 1964. Duration: circa 12 min.

 108/85.1Emblems [band]

Emblems : for symphonic band. Ms. (ozalid). Full score; 65 p.; 51 cm. (spiral bound). Note: Copy of manuscript score ARCO 85, with holograph band indications in pencil. On title page: Uncorrected copy. Commissioned by the College Band Directors National Association (1964). At end: Nov. 10, 1964. This version does not include page 66 of original score.

 108/85.2Emblems [band]

Emblems : for symphonic band. Ms. (ozalid). Full score (incomplete); 24 leaves; 51 cm. Note: Copy of manuscript score ARCO 85. On title page: Uncorrected copy. Commissioned by the College Band Directors National Association (1964).

 108/85.3Emblems [band]

Emblems : for symphonic band. Ms. Condensed score; 24 leaves; 38 cm. Note: Manuscript in pencil on transparent paper by David Walker. At end: Nov. 3, 1964.

 108/85.4Emblems [band]

Emblems : for symphonic band. Ms. (ozalid). Condensed score; 24 p.; various sizes. Note: Copy of original manuscript score ARCO 85.3, with holograph band indications in pencil by Aaron Copland.

 108/85.5Emblems [band]

Emblems : for band. Ms. Condensed score (draft); 42 p.; 34 cm. Note: Holograph in pencil. At end: Nov. '64 Approx. On microfilm: MUSIC 1906, Item 18.

 108/85.6Emblems [band]

Emblems : for band. Ms. Rough sketches; 43 p.; various sizes. Note: Holograph in pencil. On microfilm: MUSIC 1906, Item 18.

 108/85aEmblems [band]

Emblems. New York: Boosey & Hawkes, [1965]; c1965 by Aaron Copland. Plt.: Q.M.B. 339. Full score and conductor score (2 volumes); 58 + 30 p. (2 copies). Note: Holograph markings in pencil throughout both copies. At head: Commissioned by the College Band Directors National Association.

 108/85aaEmblems [band]

Emblems. New York: Boosey & Hawkes, [1965]; c1965 by Aaron Copland. Plt.: Q.M.B. 339. Band parts.

 42/86Signature : CBS Playhouse [incidental music]

Signature : CBS Playhouse. Ms. Full score; [11] leaves; 38 cm. Note: Holograph in pencil. On second preliminary page: Commissioned by the Columbia Broadcasting System.

 42/86.1Signature : CBS Playhouse [incidental music]

Signature : CBS Playhouse. Ms. (ozalid). Full score; 8 p.; 37.5 cm. Note: Copied from holograph score ARCO 86. On title page verso: Commissioned by the Columbia Broadcasting System.

 42/86.2Signature : CBS Playhouse [incidental music]

Signature : CBS Playhouse. Ms. (ozalid). Full score; 8 p.; 38.5 cm. Note: Copied from holograph score ARCO 86.

 42/86.3Signature : CBS Playhouse [incidental music]

Signature : CBS Playhouse. Ms. (black line print). Full score; 8 p.; 38.5 cm. Note: Copied from holograph score ARCO 86. At head in red pencil: 1A.

 42/86.4Signature : CBS Playhouse [incidental music]

Signature : CBS Playhouse. Ms. (black line print). Full score; 8 p.; 38.5 cm. Note: Copied from holograph score ARCO 86. At head in red pencil: 1B.

 42/86.5Signature : CBS Playhouse [incidental music]

Signature : CBS Playhouse. Ms. (black line print). Full score; 8 p.; 38.5 cm. Note: Copied from holograph score ARCO 86. At head in red pencil: 1C.

 42/86.6Signature : CBS Playhouse [incidental music]

Signature : CBS Playhouse. Ms. (black line print). Full score; 8 p.; 38.5 cm. Note: Copied from holograph score ARCO 86. At head in red pencil: 1D.

 42/86.7Signature : CBS Playhouse [incidental music]

Signature : CBS Playhouse. Ms. Sketches; [12] p.; various sizes. Note: Holograph in pencil. Includes one leaf handwritten note titled "Instructions for Copyist".

 42/86.8Signature : CBS Playhouse [incidental music]

Signature : CBS Playhouse. Ms. (ozalid). Full score (incomplete); 7 p.; 38.5 cm. Note: Copied from holograph score ARCO 86. At head in pencil: #1.

 42/86.9Signature : CBS Playhouse [incidental music]

Signature : CBS Playhouse. Ms. (ozalid). Full score (incomplete); [6] p.; 38.5 cm. Note: Copied from holograph score ARCO 86. At head in pencil: #2.

 42/86.10Signature : CBS Playhouse [incidental music]

Signature : CBS Playhouse. Ms. (black line print). Full score (incomplete); [2] p.; 38.5 cm. Note: Copied from holograph score [ARCO 86], with Holograph markings in pencil throughout. At head in pencil: #3.

 42/86.11Signature : CBS Playhouse [incidental music]

Signature : CBS Playhouse. Ms. (ozalid). Full score (incomplete); [2] p.; 38.5 cm. Note: Copied from holograph score ARCO 86, with holograph markings in pencil At head in pencil: #3.

 42/86.12Signature : CBS Playhouse [incidental music]

[Signature : CBS Playhouse]. Ms. (black line print). Full score (incomplete); [1] p. (page V); 38.5 cm. Note: Copied from holograph score ARCO 86, with holograph markings in pencil throughout. At head in red pencil: #4.

 42/86.13Signature : CBS Playhouse [incidental music]

Signature : CBS Playhouse. Ms. (ozalid). Full score (incomplete); [1] p. (page V); 38.5 cm. Note: Copied from holograph score ARCO 86, with holograph markings in pencil. At head in pencil: #4.

 42/86.14Signature : CBS Playhouse [incidental music]

[Signature : CBS Playhouse]. Ms. (ozalid). Full score (incomplete); [1] p. (page VI); 38.5 cm. Note: Copied from holograph score ARCO 86, with holograph markings in pencil. At head in pencil: #5.

 42/87In evening air [piano work]

In evening air. Ms. Piano solo; 3 p.; 34.5 cm. Note: Manuscript in ink by David Walker. Duration: 2:40.

 42/87.1In evening air [piano work]

In evening air. Ms. (ozalid). Piano solo; 3 p.; 34.5 cm. Note: Copy of manuscript score ARCO 87.

 42/87.2In evening air [piano work]

In evening air. Ms. Piano solo (draft); 4 p.; 38.5 cm. Note: Holograph in ink and pencil.

 42/87.3In evening air [piano work]

In evening air. Ms. Piano solo; (rough draft); 3 p.; 38.5 cm. Note: Holograph in pencil.

 42/87.4In evening air [piano work]

In evening air. Ms. (ozalid). Piano solo; 3 p.; 35 cm. Note: Copy of manuscript score ARCO 87 by David Walker.

 42/87aIn evening air [piano work]

In evening air. London: Boosey & Hawkes, [1974]; c1972 by Aaron Copland; copyright under U.C.C. 1974 by Aaron Copland. Plt.: B.& H. 20246. Piano solo; 3 p. This item is not usable due to water damage. The 3 leaf photocopy included was reproduced from Aaron Copland Piano Album (1981).

 42/88Eight poems of Emily Dickinson [voice & chamber orchestra]

Eight poems of Emily Dickinson. Ms. (ozalid). Full score; 109 p.; 38.5 cm. (spiral bound). Note: Holograph markings in ink and pencil throughout. Laid in: 3 leaves of handwritten and typescript notes regarding corrections to be made in orchestral parts.

 42/88aEight poems of Emily Dickinson [voice & chamber orchestra]

Eight poems of Emily Dickinson. New York: Boosey & Hawkes, [1981]; c1951 by Aaron Copland; renewed 1979; orchestration copyright 1978 by Aaron Copland. Plt.: H.P.S. 934. Full score (miniature); 101 p. Note: Duration: ca. 20 min.

 42/89a"Variations on a Shaker melody" : from Appalachian spring [school orchestra]

"Variations on a Shaker melody" : from Appalachian spring. London: Boosey & Hawkes, [1967]; c1960 by Aaron Copland; this arrangement copyright 1967 by Aaron Copland. Plt.: B.& H. 19462. Full score; 16 p. (3 copies). Note: Holograph markings in pencil throughout Copy 1. Ser. title: Youth Orchestra Series.

 42/89aa"Variations on a Shaker melody" : from Appalachian spring [school orchestra]

"Variations on a Shaker melody" : from Appalachian spring. London: Boosey & Hawkes, [1967]; c1960 by Aaron Copland; this arrangement copyright 1967 by Aaron Copland. Plt.: B.& H. 19510. Orchestral parts. Ser. title: Youth Orchestra Series.

 42/89-A"Variations on a Shaker melody" : from Appalachian spring [two pianos]

Variations on a Shaker melody : from Appalachian spring. Publisher's proof. New York: Boosey & Hawkes, [1984]; c1984 by Boosey & Hawkes, Inc. Plt.: PDB59. Score for two pianos; 12 p. Note: Photocopy of publisher's proof. Arranged for two pianos by Bennett Lerner.

 42/89-Aa"Variations on a Shaker melody" : from Appalachian spring [two pianos]

"Variations on a Shaker melody" : from Appalachian spring / arranged for piano four hands by Bennett Lerner. New York: Boosey & Hawkes, [1985]; c1945 by Aaron Copland; renewed 1972; this arrangement copyright 1985 by Copland. Plt.: PDB-59. Score for two pianos; 12 p. Note: Autograph on title page by Bennett Lerner: For Aaron, with affection. Bennett, 1985. Duration: ca. 6 min.

 109/90Inscape [orchestra]

Inscape : for orchestra. Ms. (black line print). Full score; 48 p.; 50 cm. (spiral bound). Note: Holograph markings in ink and pencil throughout. At end: Aug. 1, 1967.

 109/90.1Inscape [orchestra]

Inscape : for orchestra. Ms. (black line print). Full score; 48 leaves; 50 cm. Note: On title page: Uncorrected score. At end: Aug. 1, 1967.

 109/90.2Inscape [orchestra]

Inscape : for orchestra. Ms. Condensed score; 16 leaves; 38.5 cm. Note: Copyist's manuscript in pencil on transparent paper by David Walker.

 109/90.3Inscape [orchestra]

Inscape : for orchestra. Ms. (ozalid). Condensed score; 16 p.; 38.5 cm. Note: Copy of manuscript score ARCO 90.2, with holograph orchestral indications in pencil throughout.

 109/90.4Inscape [orchestra]

Inscape : for orchestra. Ms. (ozalid). Condensed score (incomplete); 16 p.; 38.5 cm. Note: Contains holograph markings in pencil.

 109/90.5Inscape [orchestra]

Inscape : for orchestra. Ms. (ozalid). Condensed score (incomplete); 5 p.; 38.5 cm. Note: Contains holograph markings in pencil.

 109/90.6Inscape [orchestra]

Inscape : for orchestra. Ms. Rough sketches; unnumbered; various sizes. Note: Holograph in pencil.

 109/90.7Inscape [orchestra]

Inscape : for orchestra. Ms. Condensed score (draft); various pagings; 34.5 cm. Note: Holograph in pencil. On title page: Commissioned by the N.Y. Philharmonic Orchestra in celebration of its 125th anniversary season.

 109/90 miscInscape [orchestra]

Inscape : for orchestra. Mss. Miscellaneous handwritten and typescript notes regarding corrections in Inscape score; 5 leaves; various sizes.

 109/90aInscape [orchestra]

Inscape. London: Boosey & Hawkes, [1968]; c1968 by Aaron Copland. Plt.: B.& H. 19722. Full score; 47 p. (3 copies, Copy 2 bound). Note: Holograph markings in pencil throughout Copy 1. Duration: 121/2 min.

 110/91Inaugural fanfare [wind ensemble]

Inaugural fanfare : for woodwinds, brass, and percussion. Ms. (ozalid). Full score; 18 p.; 41 cm. Note: Holograph and other markings in ink and pencil throughout. On title page verso: Commissioned by the City of Grand Rapids, Michigan for its new City-County Plaza in Vandenberg Center, and the unveiling of Alexander Calder's stabile, La Grande Vitesse, First performed by the Grand Rapids Symphony Gregory Miller, Conductor, on June 14, 1969. At end: May 1, 1969 (revised 1975).

 110/91.1Inaugural fanfare [wind ensemble]

Inaugural fanfare. Ms. (ozalid). Full score: 18 p.; 38 cm. (spiral bound). Note: On cover: Unrevised - do not use. At end: May 1, 1969.

 110/91.2Inaugural fanfare [wind ensemble]

Inaugural fanfare. Ms. Rough sketch in pencil and condensed score draft; various pagings; various sizes. Note: Holograph in pencil. Composed for the City of Grand Rapids, Michigan (Inauguration of Calder Statue).

 110/91aInaugural fanfare [wind ensemble]

Inaugural fanfare : wind ensemble. New York: Boosey & Hawkes, [1976]; c1976 by Aaron Copland. Plt.: B. Ens. 214. Full score; 19 p. (2 copies).

 110/91aaInaugural fanfare [wind ensemble]

Inaugural fanfare : wind ensemble. New York: Boosey & Hawkes, [1976]; c1976 by Aaron Copland. Plt.: B. Ens. 214. Wind ensemble parts (2 sets).

 110/92Happy anniversary [orchestra]

Happy anniversary : a well-known tune arranged for symphony orchestra. Ms. Full score; 7 leaves; 47.5 cm. Note: Holograph in pencil on transparent paper. On page 1: For Eugene Ormandy's seventieth birthday.

 110/92.1Happy anniversary [orchestra]

Happy anniversary. Ms. Sketches; [6] p.; various sizes. Note: Holograph in pencil. For Eugene Ormandy's 70th birthday.

 110/92aHappy anniversary [orchestra]

Happy anniversary : a well-known tune arranged for symphony orchestra. London: Boosey & Hawkes, [1971]; c1971 by Aaron Copland. Plt.: B.& H. 19952. Full score; 5 p. (2 copies). Note: At head: For Eugene Ormandy's seventieth birthday. Duration: Approx. 1 min.

 110/93Ceremonial fanfare [brass ensemble]

Ceremonial fanfare : for brass ensemble. Ms. (ozalid). Full score; 8 p. 37.5 cm. Note: On title page: Unedited copy. At head: Commissioned by the Metropolitan Museum of Art. At end: Dec. 28, 1969.

 110/93.1Ceremonial fanfare [brass ensemble]

Ceremonial fanfare : for brass ensemble. Ms. (ozalid). Full score; 8 p.; 37.5 cm. Note: Same ozalid reproduction as ARCO 93, with holograph markings in ink and pencil.

 110/93.2Ceremonial fanfare [brass ensemble]

Ceremonial fanfare. Ms. Condensed score (draft); 7 p.; 34.5 cm. Note: Holograph in pencil. On title page: Commissioned by the Metropolitan Museum of Art for its centennial year.

 110/93.3Ceremonial fanfare [brass ensemble]

Ceremonial fanfare. Ms. Sketches; [12] p.; various sizes. Note: Holograph in pencil.

 110/93aCeremonial fanfare [brass ensemble]

Ceremonial fanfare : for brass ensemble. London: Boosey & Hawkes, [1974]; c1974 by Aaron Copland. Plt.: B.& H. 20187. Full score; 6 p. (3 copies). Note: Holograph markings in ink and pencil throughout Copy 1 and Copy 2. On title page verso: Commissioned by the New York City Metropolitan Museum of Art in celebration of its Centennial Year - 1969.

 110/93aaCeremonial fanfare [brass ensemble]

Ceremonial fanfare : for brass ensemble. London: Boosey & Hawkes, [1974]; c1974 by Aaron Copland. Plt.: B.& H. 20187. Ensemble parts.

 110/94Duo for flute and piano [chamber work]

Duo for flute and piano. Ms. Score for flute and piano; 24 leaves; 38 cm. Note: Manuscript in pencil on transparent paper by David Walker. At end: March 9, 1971.

 110/94.1Duo for flute and piano [chamber work]

Duo for flute and piano. Ms. Flute part; 10 leaves; 38 cm. Note: Manuscript in ink on transparent paper by David Walker.

 110/94.2Duo for flute and piano [chamber work]

Duo for flute and piano. Ms. (ozalid). Flute part (incomplete); [4] p. (pp. 7-10); 38.5 cm. Note: Copy in part of manuscript flute part ARCO 94.1, with holograph markings in ink and pencil. At head: uncorrected - don't use.

 110/94.3Duo for flute and piano [chamber work]

Duo for flute and piano. Ms. Score for flute and piano (draft); 27 p.; various sizes. Note: Holograph in pencil.

 110/94.4Duo for flute and piano [chamber work]

Duo for flute and piano. Ms. Rough sketches; unnumbered; various sizes. Note: Holograph in pencil.

 110/94.5Duo for flute and piano [chamber work]

Duo for flute and piano. Ms. Score for flute and piano (incomplete); 4 leaves; 38 cm. Note: Manuscript in pencil on transparent paper by David Walker.

 110/94 miscDuo for flute and piano [chamber work]

Duo for flute and piano. Mss. Miscellaneous pages from scores (2 leaves), and handwritten correction notes (3 leaves). Note: Holographs in ink and pencil.

 110/94aDuo for flute and piano [chamber work]

Duo for flute and piano. London: Boosey & Hawkes, [1971]; c1971 by Aaron Copland. Plt.: B.& H. 20009. Score for flute and piano; 21 p. Note: Holograph markings in pencil throughout. This edition now withdrawn.

 110/94bDuo for flute and piano [chamber work]

"Poem" : from Duo for flute and piano. London: Boosey & Hawkes, [1971]; c1971 by Aaron Copland. Plt.: B.& H. 20359. Piano score and flute part; 5 p. (pp. 2-6) + 2 p. (pp. 2-3). Ser. ed.: Peter Wastall. Ser. title: Exploring Music Series: Temporary Music for Flute. This volume also contains music by Butterworth, Hyde, Ferguson, Maxwell Davies, Lamb, and Lees.

 110/94-Aa"Poem" : from Duo for flute and piano [flute solo]

No. II, "Poem" : from Duo for flute and piano [solo flute] (1971). London: Boosey & Hawkes, [1971]; c1971 by Aaron Copland. Plt.: B.& H. 20359. Flute solo; [2] p. (pp. 2-3). Ser. ed.: Peter Wastall. Ser. title: Exploring Music Series: Contemporary Music for Flute.

 110/94-B"Duo for violin and piano" [chamber work]

Duo for violin and piano. Ms. Violin part; 7 leaves; 38 cm. Note: Manuscript in pencil on transparent paper by David Walker with holograph markings in pencil.

 110/94-B.1"Duo for violin and piano" [chamber work]

Duo for violin and piano. Ms. (photocopy). Violin part; 7 leaves; various sizes. Note: Copy of manuscript violin part by Robert Mann ARCO 94-A, with holograph markings in pencil and ink throughout. At head: Do not use.

 110/94-B.2"Duo for violin and piano" [chamber work]

Duo for violin and piano. Ms. (photocopy). Violin part; 7 leaves; various sizes. Note: Copy of manuscript violin part by Robert Mann ARCO 94-A, with markings in pencil throughout.

 43/95Threnody I : Igor Stravinsky, in memoriam [flute & string trio]

Threnody I : Igor Stravinsky, in memoriam / three-part canon for flute and string trio. Ms. Full score; 3 p.; 37 cm. Note: Holograph in ink with holograph markings in pencil. At end: Sept. 19, 1971.

 43/95.1Threnody I : Igor Stravinsky, in memoriam [flute & string trio]

Threnody I : Igor Stravinsky, in memoriam / three-part canon for flute and string trio. Ms. Sketches; [10] p.; various sizes. Note: Holograph in ink and pencil. At end: Multiple dates, including Sept. 19, 1971.

 43/95aThrenody I : Igor Stravinsky, in memoriam [flute & string trio]

Threnodies I and II : for flute/alto flute and string trio (1971-73). London: Boosey & Hawkes, [1977]; c1972 (Threnody I) and 1977 (Threnody II) by Aaron Copland. Plt.: B.& H. 20279. Full score and parts.

 43/96Night thoughts : homage to Ives [piano work]

Night thoughts : homage to Ives. Ms. Piano solo; 8 leaves; 34.5 cm. Note: Manuscript in ink and pencil on transparent paper by Aaron Copland and D. Walker. Commissioned by the Van Cliburn International Quadrennial Competition - 1973.

 43/96.1Night thoughts : homage to Ives [piano work]

Night thoughts : homage to Ives. Ms. (ozalid). Piano solo; 8 p.; 34.5 cm. (spiral bound). Note: Copy of original manuscript ARCO 96. Commissioned by the Van Cliburn International Quadrennial Competition - 1973.

 43/96.2Night thoughts : homage to Ives [piano work]

Night thoughts : homage to Ives. Ms. Piano solo (draft); 8 p.; 35.5 cm. Note: Holograph in pencil. At end: Sept. 10, 1972. Duration: Approx. 6 min.

 43/96.3Night thoughts : homage to Ives [piano work]

Night thoughts : Homage to Ives. Ms. Rough sketches; various pagings; various sizes. Note: Holograph in pencil.

 43/96aNight thoughts : homage to Ives [piano work]

Night thoughts : homage to Ives. London: Boosey & Hawkes, [1973]; c1973 by Aaron Copland. Plt.: B.& H. 20126. Piano solo; 6 p. Note: At head: Commissioned by the Van Cliburn International Quadrennial Competition - 1973.

 43/97Threnody II : in memoriam, Beatrice Cunningham [chamber work]

Threnody II : in memoriam, Beatrice Cunningham. Ms. (ozalid). Full score (for flute in G and string trio); 6 p.; 38.5 cm. Note: Copy of munuscript in the hand of David Walker. At end: May 7, 1973. Duration: Circa 5 min.

 43/97.1Threnody II : in memoriam, Beatrice Cunningham [chamber work]

Threnody II : in memoriam, Beatrice Cunningham / for flute in G and string trio. Ms. Full score (draft); 6 p.; 34.5 cm. Note: Holograph in pencil. At end: circa 5 min. May 7, 1973.

 43/97.2Threnody II : in memoriam, Beatrice Cunningham [chamber work]

Threnody II : in memoriam, Beatrice Cunningham. Ms. Sketch; 3 p.; 34.5 cm. Note: Holograph in pencil. For flute in G and string trio. For published edition of Threnody II, see Threnodies I and II, ARCO 95a.

 43/98Midsummer nocturne [piano work]

Midsummer nocturne : piano solo. Ms. Piano solo; 2 p.; 34.5 cm. Note: Manuscript in ink by David Walker.

 43/98.1Midsummer nocturne [piano work]

Midsummer nocturne : piano solo. Ms. (photocopy). Piano solo; 2 leaves; 35 cm. (3 copies). Note: Copies of original manuscript ARCO 98; manuscript by David Walker.

 43/98.2Midsummer nocturne [piano work]

Midsummer nocturne. Publisher's proof (photocopy). London: Boosey & Hawkes, [1977]; c1977 by Aaron Copland. Plt.: B. Pa. 263. Piano solo; 2 p. Note: Contains holograph markings in ink and pencil.

 43/99Mid-day thoughts [piano solo]

Mid-day thoughts : for piano. Ms. Piano solo; 3 p.; 30 cm. Note: Holograph in pencil. At end: Sketched in 1944, completed 1982.

 43/99.1Mid-day thoughts [piano solo]

Mid-day thoughts : for piano. Ms. (photocopy). Piano solo; 3 p.; 29 cm. Note: Copy of original manuscript ARCO 99. At end: Sketched in 1944, completed 1982.

 43/99aMid-day thoughts [piano solo]

Midday thoughts. New York: Boosey & Hawkes, [1984]; c1984 by Aaron Copland. Plt.: PIB-438. Piano solo; 3 p. (2 copies). Note: Copy 1 bound with Proclamation for piano in "Two Pieces for Piano." Copy 2 is a photocopy of Midday thoughts only.

 43/100Proclamation for piano [piano work]

Proclamation for piano. Ms. (photocopy). Piano solo: 3 p.; 28 cm. Note: At end: Sketched in 1973; completed 1982. Origin of Proclamation for orchestra.

 43/100aProclamation for piano [piano work]

Proclamation for piano. New York: Boosey & Hawkes, [1984]; c1984 by Aaron Copland. Plt.: PIB-438. Piano solo; 3 p. Note: Contains some holograph orchestra indications in pencil. Bound in Two Pieces for Piano; includes and is filed with Midday thoughts.

 43/100-AaProclamation for orchestra : from Proclamation for piano [arranged]

Proclamation for orchestra : orchestrated by Phillip Ramey (1984; orchestrated 1985). [New York]: Boosey & Hawkes, [1985]; c1984 by Aaron Copland; orchestration copyright 1985. Full score; 10 p. (2 copies). Note: At end: 1973-82 (Orchestration: March, 1985). Transcribed from Proclamation for piano.

 111/100-A miscProclamation for orchestra : from Proclamation for piano [arranged]

Proclamation for orchestra. Mss. Miscellaneous pages of holograph sketches from scores and parts in ink and pencil; photocopies.

 Published Compilations of Works by Aaron Copland 112/1A Copland portrait : adapted by Clare Grundman (1985).

New York: Boosey & Hawkes, [1986]. Plt.: Q.M.B. 503. Full score; 47 p. (2 copies). Duration: ca. 8 min.

 112/2Album (1982). New York: Boosey & Hawkes, [1982].

Piano solos; 31 p. Note: Edited by Leo Smit. CONTENTS: 1) Petit portrait; 2) Down a country lane; 3) Midsummer nocturne; 4) In evening air; 5) Piano blues No. 1; 6) Piano blues No. 4; 7) Saturday night waltz (from Rodeo); 8) Sentimental melody; 9) The resting-place on the hill (from Our town);10) The young pioneers; 11) Sunday afternoon music.

 112/3Sounding success : a Copland tribute / adapted by Clare Grundman (1985).

New York: Boosey & Hawkes, [1986]. Plt.: Q.M.B. 493. Full score; 24 p. (2 copies). Note: Duration: ca. 6 min.

 Music Composed by Aaron Copland not Catalogued 111/1"Ballade ?"

Ms. Condensed score draft for violin and orchestra; [1] p.; 38 cm. Note: Holograph in pencil. At top of page: Violin concerto (the latter work crossed out). Dated 3/3/57 by the composer. See also "Two ballads for violin and piano", Box 111/5.

 111/2"Ballade for vl. & orch."

Ms. Condensed score; 6 p. 38 cm. Note: Holograph in pencil. Dated 3/4/57 by the composer. See also "Two ballads for violin and piano", Box 111/5.

 111/3[Ballade].

Ms. Condensed score; [7] p., pages of music marked A-F; 43.5 cm. Note: Holograph in pencil. Holograph note in pencil on page [1], pointing to top of page marked A: See p. 9 as idea for preceding this. At end: 5 min. See also "Two ballads for violin and piano", Box 111/5.

 112/4"Ballade of Ozzie Powell" : words on poem of Langston Hughes (1936-37).

Choral score and sketches; 3 + 2 p.; 33.5 cm. Note: Holograph in ink and pencil. On title page: Later used as sketches for Music for Radio. Includes photocopy of manuscript title page.

 112/5"Corrigenda" : Copland-Shackelford organ variations (1973).

Organ solo; [13] p. 28 cm. Note: Contains holograph markings in red pencil.

 112/6"For Eugene Ormandy's 70th birthday" (ca. 1969).

Piano solo; 1 leaf; 30.5 cm. Note: Contains holograph markings in pencil.

See also: Happy anniversary ARCO 92, 92.1, and 92a.

 112/7"Internationale" (1942).

Piano sketch; [3] p.; 31.5 cm. Note: Holograph in pencil. At head: Arranged by A. C. for Koussevitsky, 5'42.

 112/8"Into the streets May first" (ca. 1934).

Piano-vocal score and sketches; [4] p.; 34 cm. Note: Holographs in pencil. English text by Alfred Hayes; the poem "Into the Streets May First" was published first in The new masses, May 1, 1934 and later in the Workers' song book no. 2 in 1935.

 111/4[Miscellaneous holograph and copyist's manuscript pages in ink and pencil and photocopies of unidentified fragment from sketches, scores, and parts remaining in the collection file.] 112/9"Motet : Psalm 28-6" (n.d.).

Vocal score (SATB); [4] p.; 35 cm. Note: Holograph in pencil.

 112/10"Movement" : for string quartet (1921-24).

Score for string quartet; 13 p. (2 copies). Boosey & Hawkes, [1988]. Note: At head: To Vivian Perlis. Included with this published score is a photocopy (2 leaves) of the manuscript violin part. Written at head of the part: Dedicated to V. P. (Vivian Perlis) inventor of this work! - A. C.

 112/11"Music Library Association 1931-1971" (1971).

Melody principal and schedule of MLA seminar sessions; 2 leaves + [4] p. program. Note: Holograph in ink, photocopy and printed program. At end: For the M.L.A's 40th Anniversary with a salute from Aaron Copland - Rock Hill, 1971.

 112/12"String quartet" (1965-68).

Sketches for string quartet; [24] p.; 34.5 cm. Note: Holograph in pencil.

 117/A/1-6"Tragic ground" : a musical play / text by Lynn Riggs (1945). Sketches, piano-vocal scores and libretto typescripts; unnumbered; various sizes. Holographs in ink and pencil. This work was never produced. 111/5"Two ballads for violin and piano" (1957). Ms. (photocopy).

Ms. Piano score; 6 p.; 43 cm. Note: Photocopy of copyist's manuscript. Arranged, by Bennett Lerner and Phillip Ramey for violin and piano from the music in Ballade for violin and orchestra (see Box 12/5-6), for the occasion of Copland's 88th birthday; performed there by Roger Zehab, violin, and Bennett Lerner, piano.

 Juvenilia: Works by Copland Juvenilia Arranged Chronologically 117B/1-14Juvenilia (1911-1921).

17 volumes of Copland "Juvenilia"; includes exercises, compositions, sketches, instrumental and vocal parts, and ideas for operas.

Holographs in pencil and ink.

 117C/1-7Juvenilia : Schirmer manuscript music books (1917-1921).

7 volumes of A. Copland student works while studying under Robin Goldmark: includes exercises and early compositions.

Holographs in pencil.

 117-D/1-2Juvenilia A : Capriccio, for violin and piano (1916?).

Score for violin and piano; 1 leaf 30.5 cm.

Holograph in pencil. At end: Around 1916? Photocopy included.

 117D/3-4Juvenilia B : Moment musicale - a tone poem, piano solo (1917).

Piano solo; 3 lvs; 34 cm.

Holograph in pencil and ink. Photocopy included.

 117D/5-6Juvenilia C : Melancholy, a song à la Debussy (1917).

Piano-vocal score (2 versions); 2 lvs.; 34 cm.

Holograph in pencil. Photocopy included.

 117D/7Juvenilia D : Spurned love (1917).

Piano-vocal score; [5] p. (pp. 21-25); 21 x 25 cm.

Holograph in pencil. At head: Composed Nov. 2, 1917.

 117D/7Juvenilia E : After Antwerp (1915).

Piano-vocal score; [3] p. (pp. 18-20); 21 x 25 cm.

Holograph in pencil. At head: Composed Dec. 10, 1917.

 117D/8-9Juvenilia F : Waltz caprice (1918).

Sketch for piano solo; 2 lvs; 34 cm.

Holograph in pencil. Photocopy included.

 117D/8-9Juvenilia G : Waltz caprice (1918).

Piano solo; [6] p.; 34 cm.

Holograph in pencil. Photocopy included.

 117D/10-11Juvenilia H1 : Danse characteristique, for piano duet (1917-18).

Score for piano duet; 4 p.; 34.5 cm.

Holograph in pencil. Photocopy included.

 117D/12-13Juvenilia H2 : Danse characteristique for orchestra (1919).

Full score; 4 p.; 34.5 cm.

Holograph in pencil. Photocopy included.

 117D/7, 14Juvenilia I : A summer vacation (1918).

Piano-vocal score; [5] p. (pp. 13-17); 21 x 25 cm.

Holograph in pencil. At head: April-May 1918. Photocopy included.

 117D/7, 15Juvenilia J : My heart is in the east (1918).

Piano-vocal score; [4] p. (pp. 29-32); 21 x 25 cm.

Holograph in pencil. At end: Composed May 1918. Photocopy included.

 117D/16-17Juvenilia K : Night, song with piano accompaniment (1918).

Piano-vocal score; 3 p.; 34 cm.

Holograph in ink. At end: Begun July 1, 1918 Marlboro, N.Y., Finished Dec. 16, 1918 Brooklyn, N.Y. Photocopy included.

 117D/18-19Juvenilia L : Poème for cello with piano accompaniment (1918).

Piano score and cello part; [4] + [1] p.; 34 cm.

Holograph in ink. At end: Completed Dec. 29, 1918, Brooklyn, N.Y. Photocopy included.

 117D/20-21Juvenilia M1 : Lament, for cello and piano (1918-19).

Piano score and cello part; 3 + 1 p.; 34 cm.

Holograph in ink. At end: Begun May 1918, Finished Apr. 20, 1919. Photocopy included.

 117D/20-21Juvenilia M2 : Lament, for violin and piano (1918-19).

Score for violin and piano; 2 p.; 20 x 23 cm.

Holograph in pencil. Photocopy included.

 117D/22-23Juvenilia N : Three sonnets for piano (1920).

Piano solo; [6] p.; 34 cm.

Holograph in ink. Photocopy included.

 117D/24-25Juvenilia O : Simone, song for soprano and piano (1919).

Piano-vocal score; [3] p.; 34 cm.

Holograph in ink. At end: Begun June 22, 1919, Completed Sept. 16, 1919 Brooklyn, N.Y. Photocopy included.

 117D/26-27Juvenilia P : Prelude for violin and piano (1919).

Piano score and violin part; [4] + [1] p.; 34 cm.

Holograph in ink. At end: Begun Fleischmanns, N.Y. - Aug. 1919, completed Brooklyn, N.Y. - Nov. 28, 1919. Photocopy included.

 117D/28-29Juvenilia Q : Music I heard, song for soprano with piano accompaniment (1920).

Piano-vocal score; 2 p.; 34 cm.

Holograph in ink. At end: Apr. 7, 1920. Photocopy included.

 117D/30-31Juvenilia R : Sonata for piano (1920-21).

Piano solo; 26 p. 34.5 cm.

Holograph in ink. At end: 1920 - June 1921. Photocopy included.

 117D/32-33Juvenilia S : Prelude (Second) for violin and piano (1921).

Piano score and violin part; [3] + [1] p.; 34.5 cm.

Holograph in ink. At end: February 1921. Photocopy included.

 117D/34Juvenilia T : Moods for piano solo (1920-21).

Piano solo; 6 p.; 34.5 cm.

Holograph in ink.

 117D/35-36Juvenilia U : Fragment for trio for violin, cello and piano (n.d.)

Piano score (unfinished), and violin and cello parts; 5 + 1 + 1 p.; 34.5 cm.

Holograph in ink. Photocopy included.

 117D/37Juvenilia V : String quartet (1921?).

String parts (unfinished); [15] p.; 35.5 cm.

Holograph in ink.

 117D/38Juvenilia V : String quartet (ca. 1921).

Full score (rough sketch, unfinished); [25] p.; 35.5 cm.

Holograph in pencil. At head: About 1921.

 Juvenilia Arranged Alphabetically by Title 117E/1Choral 24 (1921).

Piano solo; 1 leaf; 20.5 x 23.5 cm.

Holograph in ink and pencil. At head: May 12, 1921.

 117E/2Double canon etc., etc. (n.d.)

This item contains several unrelated items, including "Double Canon on Broad Theme" for piano solo, a sketch for a piano-vocal work, and a part for trombone; [25] p.; 35 cm.

Holograph in pencil.

 117E/3Fugue (n.d.)

Score for four unidentified instruments; [4] p.; 35 cm.

Holograph in pencil.

 117E/4Jazzy song (1924?).

Piano and vocalize score; [4] p.; 35 cm.

Holograph in pencil. At head: not used.

 117E/5Longchamps : ballet in one act (n.d.).

Piano sketches; 6 lvs.; 35 cm.

Holograph in pencil.

 117E/6Material for introduction and dance (n.d.).

Piano sketches; [16] p.; various sizes.

Holographs in pencil.

 117E/7Motet (n.d.).

Score for four voices; 4 p.; 35 cm.

Holograph in pencil.

 117E/8Piece for bassoon and piano (n.d.).

Piano score and bassoon part; [8] + [4] p.; 35 cm.

Holograph in ink and pencil.

 117E/9Piece for clarinette and piano (n.d.).

Piano score and clarinet part; [4] + [3] p.; 35.5 cm.

Holograph in ink and pencil.

 117E/10Piece for flute and piano (n.d.).

Piano score and flute part; [3] + [2] p.; 34 cm.

Holograph in ink and pencil.

 117E/11[Piece for flute, clarinet and voice] (n.d.).

Piano score; [3] p.; 34.5 cm.

Holograph in pencil. Written title at head of piece is indistinguishable.

 117E/12Piece for horn and piano (n.d.).

Horn part; [2] p.; 34.5 cm.

Holograph in ink and pencil. Item also contains sketches in pencil.

 117E/13Piece for oboe and piano (n.d.).

Piano score and oboe part; [4] + [2] p.; 34.5 cm.

Holograph in ink and pencil.

 117E/14Piece for trombone and piano (n.d.).

Piano score and trombone part; [4] + [1] p.; 35 cm.

Holograph in ink and pencil.

 117E/15Piece for trumpet and piano (n.d.).

Piano score and trumpet part; [4] + [1] p.; 35 cm.

Holograph in ink and pencil.

 117E/17Rennaissance : practice song set to French words (1921).

Piano-vocal score: [3] p.; 34.5 cm.

Holograph pencil. At end: Fontainebleau Aug. 1921.

 117E/18Schumanniana : for cello and piano (1919).

Cello part; [2] p.; 31.5 cm.

Holograph in ink. At end: Sept. 10, 1919 Brooklyn, N.Y. Item also includes Chopin Etude - op. 25, no. 12, transcribed for cello by A. Copland. At end: Sept. 13, 1919.

 117E/19Sea-fairies : tone poem for piano after Tennyson's poem of the same name (n.d.).

Fragment of piano score; 1 leaf; 12.5 x 27.5 cm.

Holograph in ink.

 117E/20Une chanson : practice song set to French words (1921).

Piano-vocal score; [3] p.; 34.5 cm.

Holograph in pencil. At end: Fontainebleau Jul. 1921.

 Copland Transcriptions or Arrangements of Works by Others 117F/1Beethoven, Ludwig van. Quartet, op. 131 : for piano - 2 hands / transcribed for piano solo by A. Copland (n.d.).

Piano solo; [1] p.; 34 cm.

Manuscript in pencil by Copland.

 117F/24Brahms, Johannes. [Intermezzo in E major, op. 116, no. 6] : piano solo / copied by A. Copland (1919).

Piano solo; 2 p.; 34 cm.

Manuscript in ink by A. Copland. At end: June 25, 1919.

 117F/3Brahms, Johannes. Second symphony - D major : arranged for violin, cello and piano by Aaron Copland (n.d.).

Full score; 8 p.; 34.5 cm.

Manuscript in pencil by Copland.

 117F/4Chopin, Frederich. Etude, op. 10, no. 9 : transcribed for cello and piano by Aaron Copland (1919).

Cello part; 1 leaf; 32 cm.

Manuscript in ink by Copland. At end: June 27, 1919.

 117F/5Chopin, Frederich. Etude, op. 25, no. 7 : transcribed for cello and piano by Aaron Copland (1919).

Piano score and cello part; [3] + [2] p.; 35 cm.

Manuscript in ink and pencil by Copland. At end: Sept. 9, 1919. This item also contains unfinished transcription for piano of Tchaikowsky's Nutcracker Suite.

 117F/6Chopin, Frederich. Two preludes - op. 28, nos. 4 and 6 : transcribed for cello and piano by Aaron Copland (1919).

Piano score and cello part; [2] + [1] p.; 34.5 cm.

Manuscript in ink by Copland.

 117F/7Järnefelt, Armas. Berceuse.

Melody principal; [1] p.

Manuscript in ink by Copland (1920). At end: June 17, 1920. This piece (as well as two others) was found with a published score titled "Finnish Composers' Album" (Boston Music Company). Copland copied this melody from that work.

 117F/7Madetoja, Leevi. Little melody.

Melody principal; [1] p.

Manuscript in ink by A. Copland (1920). At end: June 21, 1920. This piece (as well as two others) was found with a published score titled "Finnish Composers' Album" (Boston Music Company). Copland copied this melody from that work.

 117F/8Mendelssohn, Felix. La chasse (Rondo capriccioso) : transcribed for orchestra by Aaron Copland (n.d.).

Full score (sketch); [14] p.; 34.5 cm.

Manuscript in pencil by Copland.

 117F/9Ruggles, Carl (Charles Sprague). Portals : originally for string orchestra (1926) / piano reduction by A. Copland [ca. 1926].

Piano solo; 7 p.; 32 cm.

Manuscript in pencil by A. Copland.

 117F/7Sibelius, Jean. Romance.

Melody principal; [1] p.

Manuscript in ink by A. Copland (1920). At end: June 17, 1920. This piece (as well as two others) was found with a published score titled "Finnish Composers' Album" (Boston Music Company). Copland copied this melody from that work.

 117F/6Stcherbatcheff, Nicolas. First snow : transcribed for cello and piano by Aaron Copland (1919).

Piano score and cello part; [3] + [1] p.; 34.5 cm.

Manuscript in ink by Copland. At end: Oct. 13, 1919. This item housed with Chopin's Two preludes, op. 28, nos. 4 and 6.

 117F/10Takemitsu, Toru. The Dorian horizon.

Condensed score (sketch); [16] lvs.; 34 cm.

Manuscript in pencil by A. Copland (n.d.).

 117F/1Tchaikovsky, Piotr Ilyich. 5me symphonie : transcribed for piano - two hands by A. Copland (n.d.).

Piano solo: [3] p.; 34 cm.

Manuscript in pencil by Copland.

 117F/11Various composers. Practice orchestrations.

Fragments of works by other composers including Claude Debussy, Igor Stravinsky, and Ernest Giraud. The folder contains untitled orchestrations in several formats, instrumental parts, practice exercises, and instrumental range charts; various pagings; 34.5 cm.

Manuscript in pencil by Copland (n.d.).

 Unpublished Music Manuscripts by Others 118/1Abell, JeffPiano fantasy, op. 1(1970)15 p. 118/2Adler, SamuelThy song expands my spirit : a tribute to Aaron Copland on his birthday: piano solo(1980)8 p. 118/3Albright, WilliamFive chromatic dances(1976)38 p. 118/4Allanbrook, DouglasThird quartet(1958-59)25 p. 147/1Ames, WilliamDeclamation for orchestra and soprano(1972)84 p. 118/5Amiran-Pogatsov, EmanuelNahamu Ami(1950)30 p. 118/7Ardévol, JoséSeis piezas: for piano(n.d.)12 p. 118/8Ardévol, JoséSonata a tres: para dos flautas y viola(n.d.)16 + 3 + 3 + 3 p. 147/2Ardévol, JoséSuite cubano no. 1: para orquesta(1947)68 p. 118/9Ardévol, JoséSuite cubano no. 2: para orquesta(n.d.)38 p. 118/10Ardévol, JoséTres peguenos preludios: para piano(1945)5 p. 118/11Ashworth, WilliamThree dances: for piano solo(n.d.)[6] p. 118/12Avshalomov, JacobThe taking of Tung Kuan: orchestral score(1953)47 p. 118/13Ayala, DanielMensaje telegráfico: para piano solo(1931)[3] p. 118/14Babcock, DavidPiano sonata(1973)10 p. 118/15Babcock, DavidQuintet[woodwinds](1972)23 p. 118/16Babcock, DavidString quartet(1973)26 p. 118/16Babcock, DavidSuite for piano(1973)9 p.

[includes correspondence referring to both "Suite for piano" and "String quartet"].

 119/1Ballou, Esther W.Capriccio: for violin and piano(1963)13 + 4 p. 119/2Barber, SamuelHappy birthday to Mary(1951)1 leaf 147/3Barnes, EdwardThe ballad of Bill Doolin(1980)53 p. 147/4Barnes, EdwardIn the garden(1978)70 p. 147/5Barnes, EdwardVariations for brass quintet(1980)43 p. 119/3Bartók, Béla; transcribed by Herbert SandbergMedea: ballet(1953/54)1 leaf (incomplete reverse image photostat). 119/4Beale, JamesSeventh paino sonata, op. 20(1956)20 p. 119/5Beale, JamesSonata for violin & piano(1956)20 p. 119/6Becker, John J.Concerto arabesque: for piano & orchestra(n.d.)41 p. 119/7Beethoven, Ludwig vanKlaviersonate in C-moll, op. 111(1922 reproduction of autograph)40 p. 123/9Davies, Peter MaxwellO magnum mysterium(1960)14 p. 148/7Debussy, ClaudeGolliwogg's cake walk(n.d.)17 p.

(includes 14 page typescript)

 123/10Del Tredici, DavidFantasy pieces: for piano(1960)26 p. 123/11Del Tredici, DavidI hear an army: from "Chamber music"(1964)51 p. 149/1Del Tredici, DavidThe last gospel: for amplified soprano solo, amplified solo group, chorus (SATB) and orchestra(1967)47 p. 149/2Del Tredici, DavidThe lobster - quadrille.For chorus (SATB) & orchestra(n.d.)113 p. 149/3Del Tredici, DavidNight conjure - verse I : a cycle of songs... (1965)113 p. 149/4Del Tredici, DavidNight conjure - verse II : a cycle of songs... (1965)142 p. 149/5Del Tredici, DavidPop - Pourri.For chorus (SATB) & orchestra(1968)79 p. 123/12Del Tredici, DavidSongs from James Joyce(1958)42 p. 123/13Des Marais, PaulCapriccio: for two pianos, percussion and celesta(1962)62 p. 124/1Diamond, DavidAndante: voice & piano(n.d.)1 leaf 150/1Diamond, DavidA buoyant music : overture no. 2: for orchestra(1970)60 p. 124/2Diamond, DavidChatterton: voice & piano(1946)[7] p. 124/3Diamond, DavidChristmas tree: voice & piano(1970)5 p. 150/2Diamond, DavidThe fall : a cycle of nine songs: for voice and piano(1970/71)40 p. 124/4Diamond, DavidFor Aaron's birthday: 2 pianos(1988)3 p. 124/5Diamond, DavidMa Tovu: for chorus (SATB) & organ(n.d.)5 p. 124/6Diamond, DavidMizmor L'David : sacred service for the sabbath eve(1951)125 p. 150/3Diamond, DavidMusic for chamber orchestra(1969)87 p. 124/7Diamond, DavidSix preludes: for piano(1935)13 p. 150/4Diamond, DavidSymphony no. 8(1960)108 p. 124/8Diamond, DavidThis world is not my home: voice & piano(1946)2 p. 124/9Diamond, DavidWe two: a song cycle for voice and piano(1964)39 p. 150/5Diemente, EdwardCelebration: for wind ensemble(1969)47 p. 151/1Dinterstein, NormanContrasto.For orchestra(1968)37 p. 124/10Dinterstein, NormanPoema ultrasonico: for mixed chorus a cappella(1974)32 p. 151/2Dinterstein, NormanPound: a cycle for soprano and piano(1969)27 p. 151/3Dinterstein, NormanRefrains.For orchestra(1970/71)146 p. 124/11Dolin, SamuelMarchbankantata: a chamber cantata for baritone chorus (SATB), piano and synth... (1971)19 p. 124/12Druckman, JacobConcerto for violin and small orchestra(1956)106 p. 124/13Druckman, JacobIncenters: for trumpet, horn, trombone and orchestra(n.d.)43 p. 124/14Druckman, JacobLaude: piece with medieval text(1952)16 p. 124/15Druckman, JacobLaude: piece with medieval text / piano reduction by Paul Aron(1952)13 p. 124/16Dukelsky, VladimirTempo [?](n.d.)4 p. 125/1Edel, YtzhakSonatine for oboe and piano(1951)22 + 5 p.

(includes oboe part and correspondence).

 125/2Engel, A. LehmanIntroduction and allegretto, op. 13: for woodwinds, brass and timpani(1933)22 p. 125/3Epstein, Alvin LDuo for violin & piano(1958)22 + 11 p. 125/4Farrand, NoelString trio: for violin, viola and violincello(n.d.)35 p. 125/5Fauberman, HaroldQuartet: for flute, oboe, viola, and cello(1956)47 p. 125/6Feldman, MortonOut of "Last pieces": orchestra graph(1961)12 p.

(includes notes).

 126/1Ferrari, LucSuite pour piano(1952)15 p. 126/2Feuchwanger, PeterVariations on an eastern folk tune, book I & II: for piano(1957)25, 26 p. 126/3Fine, IrvingMusic for piano(1947)20 p. 151/4Fine, IrvingSerious song: for string orchestra(1955)14 p. 126/4Fine, VivianFour polyphonic piano pieces(n.d.)20 p. 151/5Fitelberg, JerzyConcertino da camera: for violin and piano(1950/51)30 + 15 p. 126/5Fitzer, JackNoel 1949(1949)1 leaf 126/6Flanagan, WilliamTime's long ago: a cycle of songs to "Poeme 87" (Herman Melville)(1951)19 p. 126/7Foresythe, ReginaldStudy in steel: for piano(n.d.)7 p. 126/8Foss, LukasFolk song: for orchestra(1975/76)35 p. 126/9Foss, LukasQuartet: for 2 violins, viola and cello(n.d.)35 p. 127/1Franchetti, ArnoldThe blind Geronimo and his brother: a musical tale for children(1978)18 p. 152/2Franchetti, ArnoldConcertino: for flute, alto flute, piccolo, cello and percussion(1965)21 p. 152/3Franchetti, ArnoldConcerto in DO for orchestra(1961/62)59 p. 119/8Ben-Yohanan, AsherFantasia: piano solo(1956)12 p. 119/9Ben-Yohanan, AsherFestive overture(1957)37 p. 147/6Berenholtz, JimOrchestrated excerpts from "Winter" : an epic song of native Americans(1975)42 p. 119/10Berger, ArthurThree pieces for string quartet(1945)17 p. 119/11Berger, ArthurThree poems from "Words for music, perhaps" (Yeats): voice & piano(1945)9 p. 147/7Berio, LucianoOpus number zoo: children's play for wind quintet(1951; rev. 1970)12 p. 119/12Bermachea, MoisesPhilippine airs no. 1 (Filipino composition): piano solo(n.d.)13 p. 119/13Bernstein, LeonardAaron's canon (for AC's 70th birthday): piano solo(ca. 1970)11 p. 147/8Beversdorf, S. Thomas, Jr.Portrait of Carlos Ch´vez(1947)38 p. 119/14Birtwistle, HarrisonMonody for Corpus Christi: for flute, violin, and horn(1959)18 p. 148/1Bizet, GeorgesFarandole: from L'arlésienne(n.d.)21 p. 119/15Blake, DavidThree choruses (1964): for SATB to poems by R. Frost(ca. 1964)18 p. 119/16Blitzstein, MarcAfter all white horses are in bed: for voice & piano(1929)6 p. 119/17Blitzstein, MarcMister Youse: for voice & piano(1929)(pp.7-10) 119/18Blitzstein, MarcSong: for voice & piano(1929)(pp. 11-12) 119/19Blitzstein, MarcYou are like the snow: for voice & piano(1929)7 p. 119/20Blitzstein, MarcYou are like the snow: for voice & piano(1929)7 p.

(different version).

 120/1Blondel, Jorge UrrutiaOpa-Opa: coro a cuatro voces mixtas "a capella"(1958)4 p. 148/3Boone, CharlesChinese texts(1970)6 p. 148/2Boone, CharlesThe edge of the land(1970)13 p. 120/2Boone, CharlesOblique formation: for flute and piano(1965)[10] p. 120/3Boone, CharlesStarfish(1966)27 p. 120/4Boone, CharlesVermilion: for solo oboe(1970)4 p. 120/5Bornstein, CharlesAaron Copland gewidmet: for piano solo(1977)1 p. 120/6Bornstein, CharlesPiano piece for Aaron Copland: piano solo(1968)1 p. 120/7Bourque, RichardFive Robert Frost poems, op. 9: voice & piano(n.d.)7 p. 127/2Franchetti, ArnoldDialoghi: to Marvin Salzberg(1960)24 p. 152/4Franchetti, ArnoldIn memory of John Fitzgerald Kennedy.For orchestra(1964)65 p.

(includes 3 page typescript).

 127/3Franchetti, ArnoldLargo: piano reduction(n.d.)20 p. 152/5Franchetti, ArnoldLargo for strings(1956)8 p. 152/6Franchetti, ArnoldPrelude and fugue : a concert opera ...: for voices, piano and orchestra(1959)114 p. 152/7Franchetti, ArnoldSinfonia in LA(1967)83 p. 152/1Franchetti, Arnold3rd wind quintet(1963)15 p. 127/4Franchetti, ArnoldThree ricercori: for winds, percussion, piano & strings(1958)61 p. 152/8Franchetti, ArnoldWhate'er the theme the maiden sang ...: for soprano and orchestra(1962)49 p. 127/5Franco, JohanIntermezzo I: for piano(1936)2 p. 127/6Gianneo, LuisSonatina: para flauta y piano(1937)17 p. 127/7Ginastera, AlbertoIer cuarteto de cuerdas: score and parts for strings(n.d.)30 + 12 + 12 + 8 + 8 p. 127/8Ginastera, AlbertoVariaciones concertantes: para orquestra de camara(1953)69 p. 127/9Giuffre, JimmyClarinet quintet no. I(1963)58 p. 128/1Gottlieb, JackSonata for piano(1960)38 p. 128/2Graves, RobertHenry and Mary: song for soprano and tenor(n.d.)1 leaf 128/3Gross, RobertString quartet no. 4(n.d.)39 p. 128/4Haieff, AlexeiAllegro: for piano(n.d.)1 leaf 128/5Haieff, AlexeiSaints' wheel: Variations on a Circle of fifths(1960)6 p. 128/6Harris, Roy[Piano reduction of unknown symphonic work](1929)31 p. 128/7Harris, RoyPiano sonata(n.d.)19 p. 128/8Harris, RoyTheme from clarinet concerto(n.d.)2 p. 128/9Harris, RoyThird symphony: in one movement(1939)104 p. 128/10Hatzidakis, ManosMatinades and dances for piano(1947)6 p. 128/11Heilner, IrwinPoem: words by Emily Dickinson(1928)2 p. 128/12Horne, HenriRhapsodie nocturne: for piano(n.d.)36 p. 128/13Ichiyanagi, TossiToccata: for piano(n.d.)14 p. 153/1Imbrie, AndrewConcerto: for violin and orchestra(1954)139 p. 129/1Ives, Charles E.Decoration day: for orchestra(1912)29 p. 129/2Ives, Charles E.General Booths' entrance into heaven: for voice & piano(1914)7 p. 129/3Jones, CharlesThree pieces for piano(1943)10 p. 129/4Karg-Elert, SiegfridCorale(n.d.)1 leaf 129/5Katz, DavidSonata for two pianos(1980)38 p.

(includes correspondence).

 153/4Kennedy, John BrodbinInscription: symphonic movement for orchestra(1955)18 p. 153/2Kennedy, John BrodbinLyric ode: for string orchestra(1959)13 p. 129/6Kennedy, John BrodbinPiano sonata: in one movement(1954)15 p. 153/3Kennedy, John BrodbinSongs of innocence: for voice and piano(1960)21 p. 129/7Kinarthy, RanderFaustus: piano solo(1972)9 lvs. 129/8Kohn, KarlBefore night: for four part chorus of mixed voices (SATB) and piano(n.d.)12 p. 129/9Kohn, KarlCapriccios: for harp, violoncello, flute, clarinet, and piano(1962)26 p. 129/10Kohn, KarlDivertimento: for flute, oboe, clarinet, and bassoon(1959)24 p. 129/11Kohn, KarlEncounters: for flute, piccolo and piano(1966)3 p. 153/5Kohn, KarlInterludes: for orchestra(1964)41 p. 130/1Kohn, KarlLeisure and other songs: cantata for baritone and chamber ensemble(1965)36 p. 130/2Kohn, KarlRomanza: for baritone & piano(1965)5 p. 120/8Bowles, PaulLa despedida: piano solo(1982)1 leaf 120/9Bowles, PaulFive songs: voice & piano(n.d.)7 p. 120/10Brozen, MichaelThe ways of water: cycle for voice and piano(1965)19 p. 120/11Buenaventura, OscarConcerto para dos pianos(n.d.)16 p. 120/12Butterworth, NeilLetter to the world song cycle: for voice & piano(n.d.)15 p.

[includes correspondence from Mr. Butterworth to AC].

 120/13Cabezón, [?]Two religious songs: for mixed chorus, SATB(n.d.)[6] p. 148/4Carter, ElliotHoliday overture(ca. 1960)68 p. 148/5Carter, ElliotHoliday overture(ca. 1960)68 p.

[same version, fewer annotations].

 120/14Carter, ElliotSonata for cello and piano(1948)41 + 14 p. 120/15Carter, ElliotString quartet(1951)101 p. 120/16Cascarino, RomeoFugue: piano solo(n.d.)1 leaf 120/17Cascarino, RomeoMinuet: piano solo(n.d.)2 p. 120/18Cascarino, RomeoRag-time: piano solo(1940)4 p. 120/19Cascarino, RomeoSarabande: piano solo(n.d.)2 p. 120/20Cascarino, RomeoShe walks in beauty: voice & piano(n.d.)4 p. 121/1Castro, José Maria10 improvisaciones breves: versión orquestal(1957)78 p. 121/2Castro, José MariaConciertio para piano y orquesta(1955 revision)97 p. 121/4Castro, José MariaCuarteto en sol: para cuerdas(1947)14 + 7 + 7 + 6 p. 121/3Castro, José MariaCuarteto no. 3(1956)45 + 9 + 9 + 9+ 8 p. 121/5Castro, José Maria[Preludio & toccata](1952)34 p. 121/6Castro, José MariaSonata: para 2 violoncellos(1938)30 p. 122/1Castro, Sergio deMisterios: para orquesta(1947)12 p. 122/2Catunda, EuniceSalmo 82(1947)7 p. 122/3Catunda, EuniceSonatina: para piano(1946)11 p. 122/5Cazden, NormanSonatina: piano solo(1935)8 p. 122/7Ch´vez, CarlosSoli(1933)12 p. 122/8Ch´vez, CarlosSoli(1933)12 p. 122/9Childs, BarneySonata for solo viola(1955/56)14 p. 122/10Ciry, MichelTrio, op. 20: pour hautbois, basson et piano(1946)36 + 11 + 22 p. 122/11Citkowitz, IsraelAh's de man: for mixed chorus (SATB),2 p. 122/12Citkowitz, IsraelFive songs: from "Chamber music" by James Joyce(1929)[45] p. 122/13Cogan, RobertComposition for string trio(1956)8 p. 122/14Cogan, RobertSounds, and variations: for piano(1959-61)16 p. 122/15Crane, RobertVoluntary for trombone and two pianos(n.d.)27 p. 123/1Dahl, IngolfTrio for piano, violin and cello(1962)56 p. 156/10Dahl, Ingolf and EttaCarmen canonicum November 14, 1960 for chorus (SATTB)(1960)1 leaf 123/2Dallapiccola, LuigiAria: in tre strofe(1944-47)4 p. 123/3Daus, AvrahamA group of "Zabres" in a trip(1957)38 p. 123/4Daus, AvrahamA trip of Israeli Youth Group(1951)38 p. 123/5Daus, AvrahamSuite for string orchestra(1952)31 p. 123/6Daus, AvrahamSuite of songs by Rachel(1947)15 p. 123/4Daus, AvrahamA trip of Israeli Youth Group(1951)38 p. 148/6Davidovsky, MarioSerie sinfonica(1959)44 p. 123/7Davies, Peter MaxwellFantasia: on an In Nomine of J. Taverner(1962)22 p. 123/8Davies, Peter MaxwellLeopardi fragments: for orchestra(1961)30 p. 130/3Kohn, KarlSonata da camera: for alto flute, clarinet and piano(1965)15 p. 130/4Kohn, KarlThree pieces: for flute and piano(1958)10 p. 130/5Kohn, KarlTwo short pieces: for clarinet and piano(1959)8 p. 130/6Kohn, KarlTwo songs: for soprano and piano(1964)5 p. 130/7Kohn, KarlWhen to her lute: for voice and piano(1963)5 p. 130/8Kolar, HenryAphorisms for string orchestra(1963)8 p. 130/9Kolar, HenryMusic for brasses(1968)9 p. 130/10Kolb, BarbaraAppello(1976)15 p. 130/11Kolb, BarbaraLooking for Claudio(1975)19 p.

(includes notes).

 153/6Kolb, BarbaraSongs before an adieu: for soprano, flute/alto flute, guitar(1977-79)23 p. 130/12Koprowski, Piotr P.Concerto grosso for string ochestra(1971)17 lvs. 153/7Korte, KarlSymphony no. 3(1969)151 p. 130/13Krieger, EdinaMovimento misto: para pequena orquesta(1947)48 p. 130/14Krieger, EdinaMusic da camera: para flauta, trumpete, violino e percussao(1948)8 p. 130/15Krieger, EdinaPecalenta: para flauta, violino, viola e celo(1946)6 p. 130/16Krieger, EdinaSonatina: para flauta e piano(1947)14 p. 153/8Kubik, GailDivertimento II.For small orchestra(1958)43 p. 130/17Kubik, GailService of intercession for the war : a war-time litany: for men's chorus, brass and percussion(1943)35 p. 131/1Laeser, BrianPiece for two pianos(1973)2 p. 131/2Laeser, BrianVariations: on a theme by Aaron Copland(1973)1 p. 154/1Lambro, PhillipMiraflores: for string orchestra(1945)3 p. 131/3Lanza, AlcidesModulos (1965-III): para guitarra(1966)12 p. 131/3Lanza, AlcidesPlectros II (1966-I): para piano an electronic sounds(1965)2 p. 154/2Layton, BillyAn American portrait : symphonic overture : for orchestra(1953)52 p. 131/4Layton, BillyFive studies for violin and piano(1952)32 p. 131/5Layton, BillyIn my craft or sullen art: for mixed chorus and brass sextet(1956)5 p. 131/6Layton, BillyO make me a mask: for mixed chorus and brass sextet(1954)20 p. 131/7Layton, BillySeptet: for violin, clarinet...and percussion(1958)47 p. 131/8Layton, BillyString quartet: in two movements(1956)56 p. 131/9Layton, BillyTwenty-four years: for mixed chorus and brass sextet(1955)15 p. 131/10Le Baron, AnneConcerto for active frogs(1975)12 p. 131/11Lee, NoëlCommentaries on a theme from A. Copland: for trumpet, clarinet and piano(1966)19 p. 131/12Lee, NoëlDouble concert: for piano, violin, and orchestra(1964)76 p. 131/13Lee, NoëlDouble concert: for piano, violin, and orchestra (reduction)(1964)47 p. 132/1Lee, NoëlErrances: for concert band(1972)36 p. 132/2Lee, NoëlFantasy for orchestra: in four movements(1953; rev. 1955)76 p. 132/3Lee, NoëlFour etudes: for piano (second set)(1967)24 p. 132/4Lee, NoëlFour rhapsodies: for chorus, mezzo-soprano, and orchestra(1952; rev. 1953)79 p. 132/5Lee, NoëlFour rhapsodies: reduction for 2 pianos(1952)40 p. 132/6Lee, NoëlParaboles: oratorio en six mouvements(1954)66 p. 132/7Lee, NoëlProfile: for orchestra(1959)12 p. 132/8Lee, NoëlQuatre chants sur Baudelaire: pour voix et piano(1971)26 p. 132/9Lee, NoëlSeis canciones Amarillas: cycle of songs set to poems ... for lyric soprano and piano(1959)20 p.

(2 copies).

 132/10Lee, NoëlThe song of songs: cycle of songs for dramatic soprano and piano... (1949)21 p. 132/11Lee, NoëlVariations: for orchestra(1959/60)58 p.

(2 copies).

 133/1Lewis, KenDance variations: for chamber wind ensemble(1975)40 p. 154/3Lewis, PeterImages (In memoriam James Agee): for reader & orchestra(1967)34 p. 133/2Lewis, PeterSweets for piano: for M.S.(1965)19 p. 133/3Lilburn, DouglasDuo: for 2 violins(1954)18 p. 133/4Lilburn, DouglasElegy: songs set to poems(1947)[16] lvs. 133/5Lombardo, RobertA war ballad: for narrator and cello(1966)4 p. 133/6Lombardo, RobertCinque piccoli pezzi: per violino e pianoforte(1965)6 p. 133/7Lombardo, RobertClimbing for tree frogs: four love songs for soprano and harpsichord(1969)12 p. 133/8Lombardo, RobertDialogue of lovers: for soprano, baritone and chamber ensemble(1966)58 p. 133/9Lombardo, RobertFantasy for piano(1960)10 p. 133/10Lombardo, RobertFor my daughter, Rosalia: a madrigal for 24 voices SATB(1968)13 p. 133/11Lombardo, RobertFourplay: for violin, percussion, bassoon & harpsichord(1970)26 p. 133/12Lombardo, RobertFrosted window : variations on white: for soprano, bassoon, viola, percussion(1975)7 p. 133/13Lombardo, RobertIn memoriam, Michele Lombardo, 1888-1967: for bassoon, violin, viola, violoncello(1967)5 p. 133/14Lombardo, RobertLargo: for string quartet(1969)9 p. 134/1Lombardo, RobertMusic for spring : three short pieces for horn and piano(1961)12 + 3 p. 154/4Lombardo, RobertOrchestral aphorisms(1960)26 p. 134/2Lombardo, RobertOrchestral fantasy(1962)45 p.

(includes concert program).

 134/3Lombardo, RobertProgram notes: for flute, bass clarinet, vibraphone, soprano and contrabass(1969)15 p. 134/4Lombardo, RobertSecond string quartet(1974)23 p. 134/5Lombardo, RobertThree cinquains: for alto voice and chamber ensemble(1966)6 p. 154/5Lombardo, RobertThree haiku for band(1961)36 p. 134/6Lombardo, RobertThree madrigals: for three part women's chorus(1960)9 p. 134/7Lombardo, RobertThree poems: for flute, oboe and mixed chorus(1961)19 p. 134/8Lombardo, RobertThrenody: for strings(1964)10 p. 154/6Lombardo, RobertTrio for brass(1959)7 p. 133/5Lombardo, Robert12 contemporary piano pieces for children(1962)12 p. 135/1Lynch, DavidHymn to pan(n.d.)52 lvs.

(includes text).

 135/2Martin, FrankDer Cornet - No. 9 der Brief(1942/43)4 p. 135/3Marty, Jean-Pierre3 etudes: pour piano(1955)13 p. 154/7Marzialy, Marcelle deQuatuor.For strings(1943)21 p. 154/8Marzialy, Marcelle de[Unidentified orchestral score](1945)pp. 7-35 135/4Mattila, EdwardThirteen ways of looking at a blackbird: for reciter, chorus and chamber ensemble(1971)22 p. 135/5Michalsky D[onal]Birthday greetings - 1973: from composition class of D. Michalsky of California State University, Fullerton, Cal. 92634(1973)[25] p. 135/6Milhaud, DariusTrois chansons de Ronsard: voice & piano(1943)8 p. 135/7Miller, CarlApril: for soprano & piano(1942)2 p. 154/10Miller, EdwardAnti-heroic amalgam: for orchestra(1969)49 p. 154/11Miller, EdwardBurlesque: 4 pianos(1965)22 p. 135/8Miller, EdwardConquest: voice & piano(n.d.)1 leaf 135/9Miller, EdwardOh! the grand old Duke of York(n.d.)1 leaf

(found with compositions by Miller under the name Mother Goose).

 135/10Miller, EdwardOn the death of friends in childhood: voice & piano(n.d.)2 lvs. 154/12Miller, EdwardOrchestral changes(1966)33 p. 154/13Miller, EdwardOrchestral fantasies(1968)54 p. 154/14Miller, EdwardReflections : at the Bronx zoo.For orchestra(1965)34 p. 135/11Miller, EdwardThe seven last days: for chorus, percussion, tape and silent film(1970)11 p.

[includes 1970 concert program, 5 p.]

 135/12Miller, EdwardSinfonietta: for string orchestra(1966)14 p. 135/13Miller, EdwardA study for winds & strings(1959)24 p. 154/9Miller, Edward6 canons: for alto recorder, harpsichord, and viola da gamba(1964)6 lvs. 135/14Miller, EdwardThree pieces for band(1964)24 p. 135/15Miller, EdwardUntitled poem: voice & piano(n.d.)1 leaf 135/16Miller, EdwardThe young god : a vaudeville: for voice & small jazz ensemble(1968)64 p. 136/1Miller, JeanBeguine no. 1(1944)2 p. 136/2Miller, JeanBeguine no. 2(1946)2 p. 136/3Miller, JeanCanción Afrocubana: voice & piano(1945)3 p. 136/4Miller, JeanConga(1945)3 p. 136/5Miller, JeanDanzón: piano solo(1943)1 leaf 136/6Miller, JeanTropic serenade (Afrocubana): voice & piano(1946)2 p. 154/15Mills, CharlesCrazy Horse symphony(1957)76 p. 136/7Moevs, R[obert]Cantata sacra(1952)22 p. 136/8Moss, [Lawrence] LarryFar down the steel-gray water stretches: voice (baritone) & piano(n.d.)3 lvs. 136/9Moss, [Lawrence] LarryMarch: for piano(n.d.)5 lvs. 136/10Moss, [Lawrence] LarryString quartet(1957)42 p. 136/11Nabkoff, NicolasSerenata estiva: string quartet(1937)14 p. 136/12Nigg, SergeTrois melodies, op. 9: voice & piano(n.d.)8 p. 155/1O'Brien, EugeneDédales: for soprano and chamber orchestra(1975)83 p. 136/14O'Connell, GlenComments for piano 1965(1965)15 p.

(2 copies).

 136/15O'Connell, GlenMusic for string quartet 1967(1967)32 p. 136/13Oberheide, KenFull fathom down rhapsody(n.d.)4 lvs. 136/16Onderdonk, HenrySonata for two pianos(1965)47 lvs. 136/17Onofrey, Rev. Robert E.Labyrinth, op, 46: for clarinet alone(1973)[7] p. 137/1Orgad, Ben-ZionBiblical cantata : "The story of the spies"(1951)58 p. 137/2Orgad, Ben-ZionOut of the dust: quintet for mezzo-soprano (soprano), flute, bassoon, viola & violoncello(1955)[45] p. 137/3Paddack, ChristopherAlborada 1964: for piano(1964)3 p. 137/4Palester, RomanStudy 58: full score(n.d.)35 p. 137/5Palester, RomanVariations pour orchestre: partition d'orchestre(n.d.)73 p. 137/6Parris, RobertSonata: for violin and harpsichord (piano)(1956)29 p. 155/2Paxton, GlennBallet: in nine sections(n.d.)100 p. 155/3Peck, RussellMy capricorn: for orchestra(1968)57 p. 155/4Peterson, WayneChansons innocentes : II hist whist.For mixed chorus (SATB) & piano(1964)11 p. 155/5Peterson, WayneMetamorphoses for wind quintet(1966)22 p. 137/7Peixe, GuerraDuo para flauta e violino(1947)15 p. 137/8Peixe, GuerraMúsica: para piano(1945)9 p. 137/9Peixe, GuerraPeça p'ra dois minutos: para piano(1947)4 p. 155/6Peixe, Guerra2me divertissement: pour orchestre á cordes(1947)31 p. 155/7Peixe, GuerraSinfonia no. 1(1945/46)46 p. 137/10Perrin, Hal and FleuretteIntroduction to harmonizing, embellishing, and improvising: for piano(n.d.)various paginations

[includes correspondence].

 137/11Pfautsch, LloydDancetudes: for piano(n.d.)[7] p. 138/1Pinkham, DanielDuo for violin and violoncello(n.d.)[8] p. 138/2Pompeu, MarioPureza: for piano(n.d.)[3] p.

[includes drawing of AC by A. Rodriguez].

 138/3Pompeu, MarioThe Brazil-United States anthem: for piano(1947)[3] p. + 2 leaves of text 138/4Porter, QuincySuite for viola alone(1930)5 p. 138/5Powell, MelQuintet: for two violins, viola, cello and piano(n.d.)49 p. 155/8Prokofiev, SergeQuintet: for oboe, clarinet, violin, viola and bass(n.d.)[14] p. 138/6Putsché, ThomasHexachord fantasies : nineteen pieces for piano(1967)45 p. 138/7Putsché, ThomasSix preludes for piano(1961)16 p. 155/9Putsché, ThomasThree bugs: for orchestra(1965)30 p. 138/8Ramey, PhillipAutumn pastorale: for piano(1980)3 p. 138/9Ramey, PhillipCommentaries: for flute and piano(1968)8 p. 138/10Ramey, PhillipDiversions: for piano(1965/66)11 p. 138/11Ramey, PhillipPen sketches: five pieces for the young pianist(1967)7 p. 138/12Ramey, PhillipPhantasm: for flute and violin (or two violins)(1984)27 p. 138/13Ramey, PhillipThrenody: For the Victims of Israeli Agression : for piano(1974)2 lvs. 138/14Ramey, PhillipToccata giocosa: for piano(1966)3 p. 138/15Ramey, PhillipTwo short pieces: for piano(1967)4 p. 138/16Ranieri, SalvadorA tus ojos: voce e piano(n.d.)4 p. 138/17Ranieri, SalvadorDanza arcaica: para piano(n.d.)5 p. 138/18Ranieri, SalvadorDos corales: para piano(n.d.)2 p. 138/19Ranieri, SalvadorNiña y muñeca: para piano(n.d.)2 p. 138/20Ranieri, SalvadorNinna-Nanna 1964: per una voce e pianoforte(1964)3 p.

[includes correspondence].

 138/21Ranieri, SalvadorTres invenciones para piano(n.d.)6 p. 138/22Reid, ClementSons of the desert: for piano four hands(1976)24 p. 139/1Revueltes, Silvestre2o cuarteto (Magueyes) = Quartet no. 2: for 2 violins, viola and cello(1931)13 + 5 + 5 + 5 + 5 p. 139/2Revueltes, SilvestreCuarteto: for 2 violins, viola and cello(1930)13 p. 139/3Revueltes, SilvestreMúsica de féria: parts for 2 violins, viola and cello(1932)5 + 5 + 5 + 5 p. 139/4Robinson, EarlSong of the free men: for 2 voices and piano(n.d.)8 lvs. 139/5Rorem, NedA burnt ship: voice & piano(1945)2 p. 139/6Rorem, NedPsalm 100 (A psalm of praise): voice & piano(1945)3 p. 139/7Rorem, NedPsalm 120 (A song of degrees): voice & piano(1945)2 p. 139/8Rouse, ChristopherThe phoenix: flute/piccolo, percussion and piano(1973)9 p.

(2 copies).

 139/9Rouse, ChristopherThird stratum of empyrean(1979)44 p. 139/10Roy, Klaus G.St. Francis' "Canticle of the sun", op. 17: for chorus of 4 mixed voices (SATB) a cappella and solo viola(1950)26 p.

[includes additional literature].

 139/11Roy, Klaus G.There is a garden in her face, op. 10: four-part chorus of mixed voices (SATB) a cappella(1940)4 p. 139/12Sadovnikoff, Mary B.Carol: lead sheet(1964)2 p. 139/12Sadovnikoff, Mary B.Christ, the fleur-de-lis: lead sheet(1964)1 p. 139/13Sadovnikoff, Mary B.Dover beach (Matthew Arnold): set to music by Mary B. Sadovnikoff : for mixed chorus, brass quartet, violoncello and piano(1965)32 p. 139/14Sadovnikoff, Mary B.Five songs on Chinese texts: for medium voice & piano(1950-53)21 p. 139/15Sadovnikoff, Mary B.Love song: voice & piano(n.d.)[14] lvs. 140/1Salzberg, MarvinString quartet I(1958)31 p. 140/2Salzberg, MarvinTheme, four short variations & fantasy(1959)5 p. Sandberg, HerbertSee Bartól. Béla 156/1Samuel, GerhardCold when the drum sounds for dawn.For orchestra(1975)24 p. 140/5Santorsola, GuidoAspirar: para canto y piano(1930)3 p. 140/3Santorsola, GuidoCanção triste: para piano(1934)6 p. 140/4Santorsola, GuidoDos invenciones: para piano(1938)6 p. 140/6Santorsola, GuidoPassos perdidos na sombra: para canto y piano(1939/40)3 p.

(2 copies).

 140/7Sapp, AllenFirst viola sonata 1948: for viola and piano(1948)23 p. 140/8Sapp, AllenFour hand sonata 1944(1944)29 p. 140/9Sapp, AllenThe little lost boy(1953)58 p. 140/10Sapp, AllenSecond violin sonata 1948: for violin and piano(1948)30 p. 140/11Sapp, AllenSonatina for piano 1945(1945)10 p. 140/12Sapp, AllenSuite for piano 1949(1949)12 p. 141/1Schlein, IrvingPreludes: for piano(n.d.)15 p. 141/2Schuman, WilliamChoral fanfare: for women's voices(1941)1 leaf 156/2Schuman, WilliamNew England triptych: three pieces for orchestra(1957)70 p. 156/3Schumann, R.Träumerei.For orchestra(n.d.)8 p. 141/3Schwartz, LawrenceTheme & variations, op. 13: in G major : for orchestra(n.d.)7 lvs. 156/4Scott, KevinFanfare G.A.F. : an American overture: for symphony orchestra(1984)51 p. 141/4Sebastiani, PiaPreludio no. 2: para piano(1946)6 p. 141/5Sessions, Roger H.Choral prelude.For organ(1924/25)2 p.

(3 copies).

 141/6Sessions, Roger H.Choral prelude no. 2.For organ(1926/27)3 p. 141/7Sessions, Roger H.Largo : from symphony in E minor (#1).Condensed score(1928)9 p. 141/8Sessions, Roger H.Sonata.For organ(1928-30)48 p.

[includes 3 single page inserts].

 141/9Shackleford, RudyI sat down under his shadow.For mixed chorus (SATB)(1972)3 p. 141/10Shackleford, RudyIm Nebel / Im Spiegel.For strings & piano (keyboard)(1971)12 lvs. 141/11Shackleford, Rudy9 aphorisms: for organ(1972)20 lvs. 141/12Shackleford, RudyString 4-tet no. 1.(1972)26 lvs. 141/13Shanet, HowardPerpetual praise.For 2 voices(1960)2 p.

(tribute to Copland's 60th birthday).

 141/14Shapero, HaroldTwo psalms: for mixed voices a cappella(1952)13 p. 141/15Shapero, HaroldVariations in C minor: for piano(1947)17 p. 156/5Shifrin, SeymourLament for Oedipus: for women's voices, string quartet, and piano(1957)82 p. 142/1Shifrin, SeymourThe odes of Shang: for percussion, small mixed chorus & piano(1962)41 p. 142/4Siegmeister, ElieFour songs (Robert Frost).For voice & piano(n.d.)14 p. 142/3Silva, Jesus BermudezSonata Abril 12: piano(1965)13 p. 142/4Sims, EzraCelebration of dead ladies.For voice & chamber ensemble(1976)77 p. 142/5Smit, LeoAcademic graffiti. For voice & chamber ensemble(1962/63)14 p.

(2 copies).

 142/6Smit, LeoCanzone: L'addio: per tenore e pianoforte(1951)4 p. 142/7Smit, LeoCapriccio: for string orchestra(1958-74)45 p. 142/8Smit, LeoCarol.For soprano, alto & tenor(1944)2 p. 142/9Smit, LeoChannel firing: for baritone & piano(1970)12 p. 156/6Smit, LeoFour kookaburra marches: for orchestra(1972)36 p. 142/10Smit, LeoIn a dark time: for high voice & piano(1959)9 p. 142/11Smit, LeoSuite of piano pieces(1944)28 p. 142/12Smit, LeoA transient view: 5 choruses for unaccompanied voices(1967)13 p. 143/1Smith, LelandAdvice to young ladies: set for women's chorus with clarinet, violin, and violoncello (or with piano)(1963)14 p. 143/2Smith, LelandThree Spanish songs: for voice & guitar(1959)10 p. 143/3Smith, RussellAvowal (Gestandnis).For voice & piano(1974)2 p. 143/4Smith, RussellDuo: for flute or oboe and bassoon or cello(1948)3 p. 143/5Smith, RussellMagnificat: for soprano solo, chorus & orchestra(1969)177 p. 143/6Smith, RussellPalatine songs: for high voice, vibaphone, cymbal, clarinet horn and cello(n.d.)39 p. 143/7Smith, RussellRiver of darkness.For voice & piano(1973)15 p. 143/8Smith, RussellSymphony: for alto [voice] & orchestra(1976/77)72 p.

[includes 1 page note "TO THE PERFORMERS" and 3 leaf music insert].

 143/9Smith, Russell[Three Preludes].For piano(1973)13 + 3 + 6 p. 143/10Smith, RussellThree songs: for high voice with piano accompaniment(1974)14 p. 143/11Smith, RussellTrio: for violin, violincello & piano(1974)55 lvs. 143/12Smith, RussellVariations in D: for cello & piano(1947)12 p. 143/13Smith-Masters, Anthony B.Piano concerto no. 2.Full score(1983)47 p. 143/14Snavely, Chester PKlee.For mixed chorus (SATB)(n.d.)1 leaf 156/7Spelman, Timothy MatherHomesick Yankee in North Africa: rhapsody for orchestra(1945)32 p. 143/15Starer, RobertBallade: for violin & orchestra(1955)59 p. 144/1Steger, WernerSerenade: für streichorchester(1961)12 p. 144/2Stevens, HalseyShe's somewhere in the sunlight strong.For voice & piano(1942)1 leaf 144/3Striko, AnthonyLast puppet: a one set opera : for mixed chorus (SATB) and piano(1956-59)148 p. 144/4Svane, RandyFantasy: for violin & piano(1973)15 p. 144/5Svane, RandyPsalm 63.For voice & piano(1974)5 lvs. 144/6Svane, RandyPsalm 98.For voice & piano(1974)6 lvs. 144/7Sydeman, William JHomage to L'histoire du soldat.For small orchestra(1962)44 p. 156/8Takemitsu, ToruEucalypts(1970)20 p. 144/8Talma, LouiseAll the days of my life: cantata for voice & chamber ensemble(1963)45 p. 144/9Thompson, T.Dance portraits.Piano solo(1963-65)10 p. 144/10Thompson, T.Piece in slow motion: psalm for trumpet, piano, bass, cello, percussion(1965)16 p. 145/1Thomson, VirgilFive pieces from the Song of Solomon: for solo voice and percussion(n.d.)[11] p. 145/2Thomson, VirgilPastorale (Portrait of Aaron Copland).For chamber ensemble(n.d.)11 p. 145/3Thomson, VirgilTen easy pieces and a coda.Piano solo(1926)6 p. 145/4Thomson, VirgilViolin sonata I: violin & piano(1930)21 p. 145/5Thomson, VirgilViolin sonata I: violin part(1930)9 p. 145/6Thorne, FrancisRhapsodic variations for piano and orchestra(1965)60 p. 156/9Thorne, FrancisSymphonic variations on a Duke Ellington theme(1959)46 p. 145/7Tosar, H. A."Aves errantes" de Rabindranath Tagore (Stray birds): triptico para voz masculina y 11 instrumentistas(n.d.)81 p. 145/8Tsamitt, CárlosFriso araucano: para soprana y baritono y orquesta(1963)unpaged 145/9[Unidentified composer][Preludes I, II & III].Piano solo(1970)15 lvs. 156/11Urquhart, R. CraigMix: for orchestra(1975/76)[22] p. 145/10Urquhart, R. CraigString quartet in five movements(n.d.)8 p. 145/11Van Wyk, CarlOp my Ou Ramkietjie.For voice & piano(n.d.)6 p. 145/12Van Wyk, CarlWandellied(n.d.)7 lvs. 145/13[Various Composers]Variations on happy birthday in tribute to Eugene Ormandy(1970)30 p. 145/14Vazzana, AnthonyBirthday greeting to Copland.For chamber ensemble(ca. 1974)5 lvs. 145/15Vianna, FructuofoSabiá : canção.For voice & piano(1938)4 p. 145/16Villa-Lobos, HeitorBachianas brasileiras - no. 9: para orquestra de vozes(1945)18 p. 145/17Waters, EmoryThree short pieces for orchestra(1976)52 lvs. 146/1Webster, DanielDo you remember?For voice & piano(n.d.)6 lvs. 146/2Wessel, MarkString-quartette(n.d.)29 p.

(includes parts)

 146/3Wilding-White, R[aymond]Paraphernalia : a regalia of madrigalia from Chou and the South: for voice, winds, violin & piano(1960)55 lvs. 146/4Wilson, RichardAugust 22: for chorus of voices, percussion and piano(ca. 1974)28 p. 146/5Wilson, RichardBallad of Longwood Glen: for tenor & harp(1975)30 p. 146/6Wilson, RichardIn Schrafft's : a setting of W. H. Auden's poem: for mixed chorus, clarinet, harpsichord and mirimba(1979)18 p. 146/7Wilson, RichardMusic for solo flute(1972)11 p. 146/8Wilson, RichardSerenade : variations on a simple march: for clarinet, viola and string bass(1978)30 p. 146/9Wilson, RichardSour flowers: eight piano pieces(1979)22 p. 146/10Witkin, BeatriceParameters for eight instruments(1964)18 p. 146/11Woodard, JamesGit along little dogie: for violin, voice & piano(1960)15 p. 146/12Yannatos, JamesSymphony no. 1: full score(1958)118 p. 146/13Yannatos, JamesThree songs: voice & string quartet(1959)8 p. 156/12Zupko, RamónFixations: piano, violin, cello & tape(1974)30 p. Published Music by Others 157/1Albeniz, IsaacIberia, 1er cahier.Madrid: Union Musical Espanola, [1906] 157/2Albeniz, IsaacIberia, 4e cahier.Madrid: Union Musical Espanola, [1907] 157/3Astaburuaga, René AmengualCaricia.Voice & piano. Santiago: Facultad de Bellas Artes de la Universidad de Chile, [1935] 157/4Bach, Johann SebastianAn introduction to Bach.Piano solo. Cincinnati: Willis Music Co., [1946] 157/5Bach, Johann Sebastian"Bleib' bei uns, denn es will Abend werden" : Cantate.Klavierauszug mit Text. Leipzig: Breitkopf & Härtel, [n.d.] 157/6Bach, Johann SebastianBrandenburg concerto no. 3 - G major.New York: Broude Bros., [n.d.] 157/7Bach, Johann SebastianChoralgesange, band II.Leipzig: Edition Peters, [n.d.] 157/8Bach, Johann SebastianClavecin bien tempere, volume I.Paris: Durand & Cie, [1915] 157/9Bach, Johann SebastianConcerto in A minor : for violin.New York: G. Schirmer, Inc., [1920] 157/9Bach, Johann SebastianConcerto in E major : for violin and piano.New York: G. Schirmer, Inc., [1919] 158/1Bach, Johann SebastianEnglish suites, vol 1.New York: G. Schirmer, Inc., [1896] 158/2Bach, Johann SebastianFrench suites.New York: G. Schirmer, Inc., [1896] 158/3Bach, Johann SebastianFuga no. 8 do 1o volume do clavecin bem temperado: arranjado para côro mixto a... 4 vozes desiguaces do H. Villa-Lobos. Rio de Janeiro: Casa Arthur Napoleão,[n.d.] 158/4Bach, Johann SebastianKantate Nr. 12 : "Weinen, Klagen, Sorgen, Zagen".Leipzig: Breitkopf & Härtel, [1890] 158/5Bach, Johann SebastianKantate Nr. 20.Leipzig: Breitkopf & Härtel, "O Ewigkeit, Du Donnerwort!"[1890] 158/6Bach, Johann SebastianKantate Nr. 182.Leipzig: Breitkopf & Härtel, [1895] 158/7Bach, Johann SebastianKonzert C Moll: für Violine und Oboe oder für zwei Violinen mit Klavierbegleitung. Leipzig: Edition Peters, [n.d.] 158/8Bach, Johann SebastianKunst der Fuge. Leipzig: C. F. Peters, [n.d.].Leipzig: C. F. Peters, [n.d.] 158/9Bach, Johann SebastianMagnificat : Klavier-Auszug.Leipzig: C.F. Peters, [n.d.] 158/10Bach, Johann SebastianOrgel-Toccata C Dur: transcr. for piano solo by F. Busoni. Leipzig: Breitkopf & Härtel, [1900] 158/11Bach, Johann SebastianOrgelchoral-Vorspiele, Heft I: transcr. for piano solo by F. Busoni. Leipzig: Breitkopf & Härtel, [1898] 158/12Bach, Johann SebastianOrgelwerke, Band 3.Leipzig: Steingräber-Verlag, [n.d.] 159/1Bach, Johann SebastianPräludium, Fuge, Allegro, Es Dur: transcr. for piano solo by F. Busoni. Leipzig: Breitkopf & Härtel, [1915] 159/2Bach, Johann SebastianPräludium und Fuge D Dur: for piano solo. Leipzig: Breitkopf & Härtel, [1902] 159/3Bach, Johann Sebastian[Sonatas : for unaccompanied violin].Berlin: Ed. Bote & G. Bock, [1908] 159/4Bach, Johann SebastianWohltemperiertes Klavier, Band II.Leipzig: C. F. Peters, [n.d.] 159/5Bacon, ErnstTributaries.Songs for voice & piano. Berkeley: Musical Offering, [1978] 159/6Bacon, ErnstCoal scuttle blues: for two pianos. New York: Associated Music Publishers, [1944]

[co-authored by Otto Luening].

 159/7Barber, SamuelAdagio for strings: arranged for organ.... New York: G. Schirmer, Inc., [1939] 159/8Barber, SamuelCapricorn concerto: score for flute, oboe, trumpet and strings. New York: G. Schirmer Inc., [1945] 196D/1Barber, SamuelEssay for orchestra: for orchestra. New York: G. Schirmer, Inc., [1941] 196D/2Barber, SamuelMedea's meditation and dance of vengeance: op. 23A, for orchestra. New York: G. Schirmer, Inc., [1944] 196D/3Barber, SamuelDie Natali: choral preludes for Christmas, op. 37. New York: G. Schirmer Inc., [1961] 196D/4Barber, SamuelPiano concerto: op. 38, full score. New York: G. Schirmer Inc., [1962] 159/9Barber, SamuelOverture to "The school for scandal": for orchestra. New York: G. Schirmer, Inc., [1941] 196A/1Barth, Hans (compiler)Piano music of today.Vienna: Universal Edition, [ca. 1936] 159/10Bartók, BélaDivertimento for string orchestra.London: Boosey & Hawkes, [1940] 159/11Bartók, BélaEtudes, op. 18. piano solo.Vienna: Universal Edition, [1920] 159/12Bartók, BélaFünf Lieder, op. 16.: Gesang und Klavier. Vienna: Universal Editions, [1923] 159/13Bartók, BélaImprovisations : pour piano.Wien: Universal Editions, [1922] 159/14Bartók, BélaPiano-concerto no. 3.London: Boosey & Hawkes, [1947] 159/15Bartók, BélaSonate : piano solo.Vienna: Universal Editions, [1927] 159/16Bartók, BélaSuite, op. 14: piano solo. Vienna: Universal Editions, [1918] 160/1Beethoven, Ludwig vanKonzert G-Dur für Klavier und Orchester, op 58.Leipzig: Breitkopf & Härtel, [n.d.] 160/2Beethoven, Ludwig vanPiano concerto no. 1 : in C major, op. 15.New York: Edwin F. Kalmus, [n.d.] 160/3Beethoven, Ludwig vanQuartette, op. 18 [Band I]: partitur. Leipzig: C. F. Peters, [n.d.] 160/4Beethoven, Ludwig vanQuartette, op. 59 und op. 74 [Band II]: partitur. Leipzig: C. F. Peters, [n.d.] 160/5Beethoven, Ludwig vanQuartette, op. 95, op. 127, op. 130 [Band III]: partitur. Leipzig: C. F. Peters,[n.d.] 160/6Beethoven, Ludwig vanQuartette, op. 131, op. 132, op. 133, op. 135 [Band IV]: partitur. Leipzig: C. F. Peters,[n.d.] 161/1Beethoven, Ludwig vanSonate per pianoforte, volume II.Milano: G. Ricordi & Co., [1919] 161/2Beethoven, Ludwig vanSonate per pianoforte, volume III.Milano: G. Ricordi & Co., [1919] 161/3Beethoven, Ludwig vanSymphonien no. 6-9: piano solo. Leipzig: C. F. Peters, [n.d.] 162/1Ben-Haim, PaulSonatina, op. 38: piano. Tel-Aviv: Israeli Music Publications, [1950] 162/2Berger, ArthurDuo for oboe and clarinet.New York: C. F. Peters, [1955] 196D/5Berger, ArthurIdeas of order: full score. New York: C. F. Peters, [1956] 162/3Berger, ArthurThree poems of Yeats from "Words for music, perhaps".New York: New Music Edition, [1950] 162/4Berio, LucianoAllelujah II: per cinque gruppi di strumenti. Milano: Edizioni Suvino Zerboni, [1960] 162/5Berlioz, HectorAbsence: [from] "Les nuits d'été", op. 7, no. IV. Paris: Costallat & Cie, [n.d.] 162/6Berlioz, HectorAuf dem Friedhofe.Leipzig: Breitkopf & Härtel, [1841]

(3 copies).

 162/7Berlioz, HectorDie Gefangene (Erste Fassung).Leipzig: Breitkopf & Härtel, [n.d.] 162/8Berlioz, HectorRoman carnival overture, op. 9.New York: Associated Music Publishers, [n.d.] 162/9Berlioz, HectorSymphonie descriptive [Royal hunt and storm from "The trojans"].[France], [n.d.] 162/10Berlioz, HectorVillanelle: [from] "Les nuits d'été", op. 7, no. I. Paris: Costallat & Cie, [n.d.] 162/11Bernstein, LeonardOverture to "Candide": [for] orchestra. New York: G. Schirmer, Inc., [1957] 196D/6Bernstein, LeonardKaddish (Symphony no. 3): vocal score. New York: Amberson Enterprises, Inc., [1965] 196D/7Bernstein, LeonardTrouble in Tahiti: piano-vocal score. G. Schirmer, Inc., [1953] 162/12Bernstein, LeonardSeven anniversaries: for piano. New York: M. Witmark & Sons, [1944] 162/13Binet, JeanSix mélodies: pour chant et piano. Paris: Éditions Maurice Senart, [n.d.] 196D/8Blitzstein, MarcThis is the garden : a cantata of New York for mixed chorus and orchestra.New York: Chappell & Co., [1957] 163/1Bloch, ErnestL'abri = The shelter: [from] Poèmes d'automne. New York: G. Schirmer, Inc., [1918] 163/2Bloch, ErnestLa vagabonde = The vagabond: [from] Poèmes d'automne. New York: G. Schirmer, Inc., [1918] 163/3Bloch, ErnestPsaume 22.New York: G. Schirmer, Inc., [1919] 163/4Bloch, ErnestPsaume 114.New York: G. Schirmer, Inc., [1919] 163/5Bloch, ErnestPsaume 137.New York: G. Schirmer, Inc., [1919] 163/6Bloch, ErnestSchelomo: violoncello & piano. Vienna: Universal Edition, [1918] 163/7Bloch, ErnestSonate pour violon et piano.New York: G. Schirmer, Inc., [1922] 163/8Blondel, Jorge UrrutiaMusica folklorica ritual de La Tirana.Partitura. Santiago: Escuela y Conjuntos Nacionales, [1962] 163/9Blondel, Jorge UrrutiaTres coros infantiles de caracter Chileno.Santiago: Revista de Arte, Universidad de Chile, [1939] 163/10Boulez, Pierre2ème sonate: pour piano. Paris: Heugel et Cie, [1950] 196C/1Boulez, PierreTroisième sonate pour piano - formant 2 - trope.London: Universal Edition, [1961] 163/11Brahms, JohannesClavierstücke, op. 119.Berlin: N. Simrock, [1893] 163/12Brahms, JohannesSelected piano compositions.Boston: Oliver Ditson Company, [1910] 163/13Brahms, JohannesSix pieces for pianoforte, op. 118.Los Angeles: R. W. Heffelfinger, [n.d.] 163/14Brahms, JohannesVariationen über ein Thema von Josef Haydn, Op 56a: für Orchester. Leipzig: Breitkoff & Härtel, [n.d.] 163/15Brahms, JohannesVariations on a theme by Paganini, op. 35.Piano. London: Augener Ltd., [n.d.] 164/1Britten, BenjaminAn American overture (1941): for orchestra. London: Faber Music Ltd., [1985] 164/2Britten, BenjaminBilly Budd : an opera in four acts: vocal score. London: Boosey & Hawkes, [1951]

(includes published libretto).

 164/3Britten, BenjaminThe burning fiery furnace, op. 77.Vocal score. London: Faber Music Ltd., [1966] 164/4Britten, BenjaminOur hunting fathers, op. 8 : symphonic cycle for soprano solo & orchestra.London: Winthrop Rogers Editions, [1936] 165/1Britten, BenjaminThe poet's echo, op. 76: high voice and piano. London: Faber Music Ltd., [1967] 196D/9Britten, BenjaminQuartet no. 1: score. London: Boosey and Hawkes, [1942] 165/2Britten, BenjaminSinfonia da requiem, op. 20.Full score. London: Hawkes & Son, [1942] 165/3Britten, BenjaminSymphony, op. 68: for cello and orchestra. London: Boosey & Hawkes, [1963] 165/4Britten, BenjaminSymphony, op. 68: for cello and orchestra : reduction for cello and piano. London: Boosey & Hawkes, [1963; rev. 1964] 165/5Britten, BenjaminThe young person's guide to the orchestra, op. 34.Full score. London: Hawkes & Son, [1947] 165/6Bruch, MaxViolin concerto in G minor, op. 26: orchestra score. New York: Edwin F. Kalmus, [n.d.] 165/7Bush, AlanRelinquishment : for piano.London: Oxford University Press, [1929] 165/8Busoni, FerruccioHarlekins Reigen : Rondo Arlecchinesco.Partitur. Leipzig: Breitkopf & Härtel, [1917] 165/9Busoni, FerruccioIndianisches Tagebuch, Erstes Buch.piano. Leipzig: Breitkopf & Härtel, [1916] 165/10Buxtehude, DietrichOeuvres pour orgue : passacaille, chacones, préludes et fugues, toccatas, canzonette.Paris: Éditions Maurice Senart, [1923] 166A/1Carlos, WalterPompous circumstances : on a theme by Sir Edward Elgar for moog synthesizer.New York: Tempi Music Inc., [1975] 166A/2Carpenter, John AldenSea drift : symphonic poem.New York: G. Schirmer, Inc., [1936] 166A/3Carter, ElliottConcerto for orchestra.New York: Associated Music Publishers, [1972] 166A/4Carter, ElliottA symphony of three orchestras.New York: Associated Music Publishers, [1978] 196D/10Carter, ElliottVariations for orchestra : full score.New York: Associated Music Publishers, Inc., [1957] 166B/1Caturla, Alejandro G.Dos poemas Afro-Cubanos: voz e piano. Paris: Éditions Maurice Senart, [1930] 166A/5Cazden, Norman6 preludes and fugues for piano, op. 106.Bangor: Andrews Music House, [1974] 166A/6Chabrier, EmmanuelDix pièces pittoresques: pour piano. Paris: Enoch & Cie, [n.d.] 166A/7Chagrin, FrancisSymphony.Score. London: Novello & Co., [1967] 166A/8Ch´vez, CarlosConcerto for violin and orchestra: violin & piano version. New York: Mills Music, Inc., [1964] 196/DCh´vez, CarlosConcerto for violin and orchestra: violin & orchestra version. New York: Mills Music, Inc., [1964] 166A/9Ch´vez, CarlosInitium: for orchestra. Melville: Belwin-Mills Publishing Corp., [1975] 166B/2Ch´vez, CarlosSinfonia India: for large orchestra, 1935/36

80 p.

 166A/10Ch´vez, CarlosSinfonia no. 5: for string orchestra. Los Angeles: Affiliated Musicians, Inc., [1954] 166A/11Ch´vez, CarlosSoli no. 2: for wind quintet. New York: Mills Music, Inc., [1963] 167/1Chopin, FredericBallades and impromptus, vol. 31: [from] Chopin's complete works for the piano. New York: G. Schirmer, Inc., [1894] 167/2Chopin, FredericEtudes, vol. 33: [from] Chopin's complete works for the piano, book eight. New York: G. Schirmer, Inc., [1916] 167/3Chopin, FredericMazurkas, vol. 28: [from] Chopin's complete works for the piano, book two. New York: G. Schirmer, Inc., [1915] 167/4Chopin, FredericScherzi and fantasy, vol. 32: [from] Chopin's complete works for the piano, book seven. New York: G. Schirmer, Inc., [1915] 167/5Chopin, FredericSonatas, vol. 35: [from] Chopin's complete works for the piano, book eleven. New York: G. Schirmer, Inc., [1895] 167/6Chopin, FredericWaltzes, vol. 27: [from] Chopin's complete works for the piano, book I. New York: G. Schirmer, Inc., [1915] 196D/12Colgrass, MichaelAs quiet as: for orchestra. New York: MCA Music, [1969] 196D/13Colgrass, MichaelThe earth's a baked apple: piano-vocal score. New York: MCA Music, [1970] 196D/14Colgrass, MichaelNew people: for mezzo-soprano, viola, and piano. New York: MCA Music, [1970] 167/7Converse, Frderick SAmerican sketches : symphonic suite for orchestra.Score. New York: Edwin F. Kalmus, [1937] 168/1Cordero, RoqueSonatina ritmica: para piano. Washington D.C.: Pan American Union, [1954] 168/2Corelli, ArcangeloSonata in D, vol. 8: for violin and piano. New York: G. Schirmer, Inc., [1908] 168/3Cósme, LuisMãi d'agua canta: para violino e piano. Rio: Irmãos Vitale & C., [n.d.] 168/4Cósme, LuisOração á Teiniaguá.Para violino e piano. Rio: [Irmãos Vitale & C.], [n.d.] 168/5Cósme, LuisSalamanca do Jaráu.For orchestra. Porto Alegre: Luiz Cósme, [1945] 168/6Cósme, LuisTres Manchas: para piano. [Rio: Irmãos Vitale & C.], [n.d.] 168/7Dallapiccola, LuigiCanti di liberazione: per coro misto e grande orchestra. Milano: Edizioni Suvini Zerboni, [1955] 168/8Dallapiccola, LuigiJob : una sacra rappresentazione: riduzione per canto e pianoforte. Milano: Edizioni Suvini Zerboni, [1952] 196C/1Damon, S. Foster (compiler)Series of old American songs.Piano-vocal score. Providence: Brown University Library, 1936

[review copy; facsimile reproductions with brief annotations].

 196A/2Danenberg, V. (compiler)Latviešu kora dziesma.Vocal score. Riga: Latvijas Valsts Izdevnieciba, [1955] 196E/1Daus, AbrahamSongs of Rahel: for low voice, flute, and viola. New York: Leeds Music Publications, [1952] 196C/2Davies, Peter MaxwellString quartet.London: Schott & Co. Ltd., [1962] 168/9Debussy, ClaudeBerceuse héroïque: piano à 2 mains. Paris: A. Durand & Fils, [1915] 168/10Debussy, ClaudePelléas et Mélisande: partition pour chant et piano. Paris: Fromont, [1902]

copyright by A. Durand [1907].

 169/1Debussy, ClaudePreludes, 1er livre: pour piano. Paris: A. Durand & Fils, [1910] 169/2Debussy, ClaudePreludes, 2me livre: pour piano. Paris: A. Durand & Fils, [1913] 169/3Debussy, ClaudeTwelve songs: for high voice. Boston: Oliver Ditson Company, [1913] 169/4Del Tredici, DavidFour songs : on poems of James Joyce: for voice and piano. New York: Boosey & Hawkes, [1974] 196E/2Del Tredici, DavidI hear an army: for soprano and string quartet. London: Boosey & Hawkes, [1974] 196E/3Del Tredici, DavidPop-pourri: for soprano, rock group, chorus, and orchestra. London: Boosey & Hawkes, [1974] 169/5Del Tredici, DavidScherzo: for piano, four hands. New York: Boosey & Hawkes, [1975] 169/6Del Tredici, DavidSoliloquy: for piano. New York: Boosey & Hawkes, [1975] 196E/4Del Tredici, DavidSyzygy: for soprano, horn and chamber orchestra. London: Boosey & Hawkes, [1974] 169/7Del Tredici, DavidTrio : for violin, viola and violoncello.Boston: Ione Press / E. C. Schirmer Music Co., [1974] 196A/3Demets, Paris E. (editor)Album des 6: pour piano. Paris: E. Demets, [1920] 169/8Diamond, DavidA myriologue: for piano. New York: Southern Music Publishing Co. Inc., [1971] 169/9Diamond, DavidAlone at the piano : pieces for beginners.New York: Southern Music Publishers Co. Inc., [1968]

(2 copies).

 169/10Diamond, DavidChorale.For mixed chorus (SATB). New York: Southern Music Publishing Co. Inc., [1951] 169/11Diamond, DavidConcertino : for piano and small orchestra.Reduction for two pianos. New York: Southern Music Publisheing Co. Inc., [1969] 169/12Diamond, DavidConcerto : for piano and orchestra.Reduction for two pianos. New York: Southern Music Publishing Co. Inc., [1966] 196E/5Diamond, DavidConcerto : for small orchestra: full score. New York: Southern Music Publishing Co. Inc., [1970] 169/13Diamond, DavidDon't cry : Song for high voice and piano.New York: G. Schirmer, Inc., [1983] 169/14Diamond, DavidThe fall : a cycle of nine songs for voice and piano.New York: Columbia University Press, [1983] 169/15Diamond, DavidHomage to Paul Klee: voice & piano. Bryn Mawr, PA: Elkan-Vogel, Inc., [1973] 170/1Diamond, DavidMusic for Shakespeare's Romeo and Juliet (1947).Full score. London: Boosey & Hawkes, [1948] 170/2Diamond, DavidMusic, when soft voices die.For voice & piano. New York: Associated Music Publishers, Inc., [1944] 170/3Diamond, DavidQuintet : for flute, string trio and piano.New York: Southern Music Publishing Co. Inc., [1942] 170/4Diamond, DavidRounds : for string orchestra.Score. Philadelphia: Elkan-Vogel Co. Inc., [1946] 170/5Diamond, DavidSonata no. 2 : for violin and piano.New York: G. Schirmer, Inc., [1982] 170/6Diamond, DavidString quartet no. 2: for 2 violins, viola and cello. New York: Southern Music Publishing Co. Inc., [1958] 196E/6Diamond, DavidString quartet no. 5: for 2 violins, viola and cello. New York: Southern Music Publishing Co. Inc., [1967] 170/7Diamond, DavidString quartet no. 7: for 2 violins, viola and cello. New York: Southern Music Publishing Co. Inc., [1968] 196E/7Diamond, DavidSymphony no. 1: full score. New York: Southern Music Publishing Co. Inc., [1969] 196E/8Diamond, DavidSymphony no. 4: full score. New York: Southern Music Publishing Co. Inc., [1949] 196E/9Diamond, DavidSymphony no. 5: full score. New York: Southern Music Publishing Co. Inc., [1968] 196E/10Diamond, DavidTimon of Athens: for orchestra. New York: Leeds Music Corporation, [1950] 170/8Diamond, DavidThe tomb of Melville: for piano. New York: Leeds Music Corporation, [1950] 170/9Diamond, DavidTwo anthems: for mixed chorus (SATB). New York: Southern Music Publishing Co. Inc., [1969] 170/10Diamond, DavidWarning.For mixed chorus (SATB) and tubular bells. Bryn Mawr, PA: Elkan-Vogel, Inc., [1973] 70/11Diercks, JohnAlleluia: SSAA a cappella. New York: Dow Music Publishers, [1958] 170/12Diercks, JohnHow long, O Lord: SATB, organ. New York: Dow Music Publishers, Inc., [1960] 170/13Diercks, JohnTwo psalms.For mixed chorus (SATB). New York: Dow Publishers, Inc., [1960] 170/14Doolittle, EliakimExhortation.For mixed chorus (SATB). Philadelphia: Elkan-Vogel, Inc., [1954] 170/15Dukas, PaulAriane et Barbe-bleue: partition pour piano seul. Paris: A. Durand & Fils, [1906] 171/1Dukas, PaulThe sorcerer's apprentice.For orchestra. New York: Edwin F. Kalmus, [n.d.] 196A/4Duran, Gustav (editor/compiler)14 traditional Spanish songs from Texas.Washington, DC: Music Division, Pan American Union, [1942] 171/2Dvorák, AntonConcerto in A minor, op. 53: for violin and piano. New York: International, [n.d.] 196C/2[Ediciónes de la Sria], compilation10 cantos para escuelas primarias y secundarias.Piano-vocal score. Mexico: Ediciónes de la Sria, 1944 171/3Egk, WernerDer Revisor : komische Oper in fünf Akten.Klavierauszug. [Berlin]: B. Schott's Söhne, [1957] 171/4Einem, GottfriedDanton's Tod : einer Oper in zwei Teilen ....Klavierauszug mit Text. Wien: Universal-Edition, [1947] 171/5Éloy, Jean-ClaudeEquivalences: pour 18 instrumentistes. Paris: Heugel & Cie, [1965] 171/6Éloy, Jean-ClaudeEtude III: partition d'orchestre. Paris: Heugel & Cie, [1965]

(2 copies).

 172/1Fauré, Gabriel2e quintette, op. 115: partition et parties. Paris: A. Durand & Fils, [1921] 172/2Fauré, Gabriel2me sonate pour violon & piano, op. 108.Paris: A. Durand & Fils, [1917] 172/3Fauré, Gabriel6me nocturne : pour piano, op. 63.Paris: J. Hamelle, [1918] 172/4Fauré, Gabriel12me barcarolle : pour piano, op. 106.Paris: A. Durand & Fils, [1916] 172/5Fauré, Gabriel13e barcarolle : pour piano, op. 116.Paris: A. Durand & Fils, [1921] 172/6Fauré, Gabriel13e nocturne : pour piano, op. 119.Paris: A. Durand & Fils, [1922] 172/7Fauré, GabrielPelléas et Mélisande, op. 80.For orchestra. Paris: J. Hamelle, [n.d.] 172/8Fauré, GabrielPréludes, op. 103: pour piano. Paris: Heugel & Cie, [1910] 172/9Fauré, GabrielTrio : pour piano, violon et violoncello.Paris: A. Durand & Fils, [1923] 173/1Fennimore, JosephBits and pieces: piano suite. New York: Edward B. Marks Corporation, [1970] Fere, V.See Vlasov, V. The spring in Ala-Too : fragments from the ballet. 196E/11Fine, IrvingSerious song for orchestra: full score. New York: Broude Brothers, [1959] 173/2Franck, CésarPrélude, fugue et variation, op. 18: pour piano à 2 mains. Paris: A. Durand & Fils, [1910] 173/3Freed, ArnoldAcquainted with the night: for medium voice and piano. New York: Boosey & Hawkes, Inc., [1965] 173/4Freer, Eleanor EverestBird song.For high voice & piano. Chicago: Music Library of Chicago, [1936] 173/5Galan, NatalioIntermedio variado: para dos pianos. La Habana: José Marti, [1960] 173/6Gershwin, GeorgeConcerto in F : for piano and orchestra.New York: New World Music, [1927] 196E/12Gesualdo, Don CarloIllumina nos: vocal score. Arranged by Stravinsky. London: Boosey & Hawkes, [1957] 173/7Ghedini, Giorgio FedericoConcerto dell'albatro (da "Moby Dick" di Hermann Melville): partitura. Milano: Edizioni Suvini Zerboni, [1949] 173/8Gilbert & SullivanThe Mikado : or, the town of Titipu: vocal score. New York: Wm. A. Pond & Co., [1885?] 173/9Gluck, Christoph Willibald vonIphigenia in Aulis : overture.Score. New York: Associated Music Publishers, [n.d.] 173/10Gluck, Christoph Willibald vonOrpheus : Klavierauszug.Vocal score. Leipzig: C.F. Peters, [n.d.] 173/11Goldmark, RubinFrom the old mission : from "Prairie idylls" : a suite of four pieces for the piano.New York: G. Schirmer, [1915] 173/12Goldmark, RubinThe meadow lark : from "Prairie idylls" : a suite of four pieces for the piano.New York: G. Schirmer, [1915] 173/13Goloubew, EugenePoème: pour violon et piano. Moscow: Staatsmusikverlag, [1935] 173/14Gounod, CharlesRomeo and Juliet.Vocal score. New York: G. Schirmer, Inc., [1897] 174/1Grenet, Emilio (editor)Música popular Cubana : 80 composiciones revisadas y corregidas.For voice & piano. La Habana: Southern Music Publishing Co., [1939] 174/2Grieg, EdvardHolberg suite, op. 40.For string orchestra. Copenhagen: Wilhelm Hansen / Peters Edition, [1951] 174/3Grieg, EdvardSonata for pianoforte, op. 7.New York: G. Schirmer, [1906] 196E/13Guarnieri, CamargoToada triste: for piano solo. No publisher, [n.d.] 196C/3Haubenstock-Ramati, RomanCredentials.Score. Vienna: Universal Edition, [1963] 196E/14Haubenstock-Ramati, RomanPetite musique de nuit : mobile pour orchestre.Vienna: Universal Edition, [1959] 196F/1Haubenstock-Ramati, RomanSymphonies de timbres.Full score. Vienna: Universal Edition, [1958] 174/4Händel, Georg FriedrichConcerto grosso, op. 6, no. 4 (A minor).Score. New York: Broude Bros., [n.d.] 196A/5Hart, Jane (compiler)Singing bee! : a collection of favorite children's songs.New York: Lothrop, Lee & Shepard Books, [1982] 174/5Haydn, JosephAndante con variazioni in Fm.Piano solo. New York: G. Schirmer, [1899] 196F/2Haydn, JosephKoncerto C Dur: pro violoncello a orchestr: partitur. Prague: Statni hudebni vydavatelstvi, [1962] 174/6Haydn, JosephSonatas, vol. I (nos. 1-10).Piano solo. New York: G. Schirmer, [1894] 174/7Haydn, JosephSymphony no. 88 in G major: orchestra score. New York: Edwin F. Kalmus, [n.d.] 174/8Haydn, JosephSymphonie nr. 95.Score. New York: Edwin F. Kalmus, [n.d.] 174/9Haydn, JosephSymphonie nr. 102, B Dur.Score. Leipzig: Breitkopf & Härtel, [n.d.] 174/10Helfer, WalterAppassionata: for violin and piano. Vienna: Universal-Edition, [1932] 196F/3Henze, Hans WernerBeing beauteous : Kantate auf das gleichnamige Gedicht aus "Les illuminations" (1872/73) von Arthur Rimbaud für Koloatur-sopran, Harfe und vier Violoncelli.Mainz: Edition Schott, [1963] 174/11Hindemith, PaulDas Marienleben: für Sopran und Klavier. London: Schott & Co. Ltd., [1948] 174/12Hindemith, PaulDas Marienleben, op. 27: für Sopran und Klavier. Mainz: B. Schott's Söhne, [1924] 174/13Hindemith, PaulReihe kleiner Stücke, op. 37: Klavier. Mainz: B. Schott's Söhne, [1927] 175/1Honegger, ArthurConcertino pour piano et orchestre: réduction pour 2 pianos. Paris: Éditions Maurice Senart, [1925] 175/2Honegger, ArthurPacific 231: réduction pour piano 4 mains. Paris: Éditions Maurice Senart, [1924] 175/3Honegger, ArthurLe roi David: partition pour chant et piano. Lausanne: Fœtisch Frères, [1924] 175/4Honegger, ArthurSept pièces brèves: pour piano. Paris: Éditions de La Sirène, [1920] 175/5Husa, KarelSonatina: piano 2ms. Prague: Fr. A. Urbánek A. Synové, [1947] 196C/3Instituto de Investigaciónes MusicalesAntología del folklore musical chileno.Lead sheet with text. Santiago: Instituto de Investigaciónes Musicales, Universidad de Chile; part 1, 1960; part 2, 1961; part 2, 1961; part 3, Danzas de Chile, 1963,

(Vincent Salas Viu, director)

 175/6Ivanov, JanisSimfoniia no. 7: full score. Moscow: Gosudarstvennoe Voennoe Izdatel'stvo, [1955] 175/7Ives, Charles50 songs: piano-vocal score. Published privately, [1922] 196F/4Ives, CharlesThe unanswered question: for chamber orchestra. Score and parts. New York: Southern Music Publishing Co., Inc., [1953] 176/1Kliuzner, BorisSymphony.Score. Leningrad: Soviet Composer, [1959] 176/2Konjovi , PetarKoštana.Vocal score. Belgrade: Dr avni Izdava ki Zavod Jugoslavije, [1946] 176/3Korngold, Erich WolfangThe fairy tale recites and epilogue, op. 3, no. 7.piano solo. New York: G. Schirmer, [1911] 177/1Krenek, ErnstFünf Klavierstücke, op. 39.Vienna: Universal-Edition, [1926] 177/2Krenek, ErnstPiano sonata no. 4.Long Island Cty: Bomart Music Publication, [1950] 177/3Krenek, ErnstViolinkonzert, op. 29: violino e piano. Vienna: Universal-Edition, [1925] 177/4Kurtz, EugeneConversations: pour 12 instrumentistes : partition d'orchestre. Paris: Société des Éditions Jobert, [1966] 177/5Kurtz, EugeneLe marcheur solitaire: monologue pour orchestre. Paris: Société des Éditions Jobert, [1965] 177/6Kurtz, EugeneMotivations: pour piano. Paris: Société de Éditions Jobert, [1964] 196F/5Kurtz, EugeneSymphonie pour orchestre à cordes: full score. Paris: Éditions Jean Jobert, [1962] 177/7Kurtz, EugeneThree songs from Medea: partition chant et piano. Paris: Société des Éditions Jobert, [1961] 178/1Lee, Dai-KeongIntroduction and allegro: for string orchestra. Score. New York: Sprague-Coleman, Inc., [1942] 178/2Lee, NoëlConcergences: pour flûte et clavecin. Paris: Gérard Billaudot, [1974] 178/3Levinson, GeraldTrio for clarinet, violoncello, and piano.Bryn Mawr, PA: Merion Music, Inc., [1985] 178/4Liszt, FranzEtude in D major (Un sospiro).For piano. New York: G. Schirmer, [n.d.] 178/5Liszt, FranzHark, the lark: transcription from the song by F. Schubert. New York: Century Music Publishing Co., [1908] 178/6Liszt, FranzRhapsodie hongroise no. 6 : "Au Comte Antoine D'Appony".For piano. New York: G. Schirmer, [1902] 178/7Liszt, FranzRhapsodie hongroise no. 11 : "Au Baron Fery Orczy" : pour piano.Berlin: Schlesinger'sche, [n.d.] 178/8Lloyd, CarolinePaisajes: suite para piano. Bogota: Hernan Diaz, [1972] 178/9Lopatnikoff, NikolaiFantasia concertante, op. 42: for violin and piano. New York: MCA Music, [1967] 178/10Lopatnikoff, NikolaiIntervals, op. 37 : 7 studies for piano.New York: Leeds Music Corporation, [1957] 196F/6Lopatnikoff, NikolaiSymphony no. 3: full score. New York: Leeds Music Corporation, [1951]

See also: Bacon, Ernest. Coal scuttle blues

 178/11Lutoslawski, WitoldMuzyka alobna : na orkiestre smyczkowa = Musique funèbre: pour orchestre a cordes. Partytura. Warsaw: Polskie Wydawnictwo Muzyczne, [1958] 178/12Mahler, GustavAdagietto from Fifth symphony.For string orchestra. Detroit: Luck's Music Library, [n.d.] 178/13Mahler, GustavDas Lied von der Erde : eine Symphonie ...: Klavierauszug mit Text. Vienna: Universal-Edition, [1911] 178/14Mahler, GustavKindertotenlieder : songs on the death of infants: für eine Singstimme mit Klavier oder Orchester. Leipzig: C. F. Kahnt, [1905] 178/15Mahler, GustavSymphony no. 4 in G major.Score. New York: Edwin F. Kalmus, [n.d.] 179/1Marquiset, ArmandIz Guete.Piano-vocal score. Paris: Simon, [n.d.] 196A/6Medley, Bill and Pat (editors)Standard literature, volume 3.For piano. Winona: Hal Leonard Publishing Corporation, 1983 179/2Menasce, Jacques deOutrenuit: Cinq mélodies sur des textes de Georges Cattaui. Paris: Durand & Cie, [1953] 179/3Menasce, Jacques deSonatina no. 2: piano solo. New York: Mercury Music Corp., [1945] 179/4Menasce, Jacques deSonate pour alto and piano: en un mouvement. Paris: Durand & Cie, [1956] 179/5Mendelssohn, FelixLieder ohne Wörte: für Pianoforte solo. Leipzig: C. F. Peters, [n.d.] 179/6Mendelssohn, FelixTrio, op. 49: for piano, violin, violoncello. London: Augener Ltd., [n.d.] 179/7Meyerbeer, GiacomoDie Afrikanerin : Oper in 3 Akten: Klavierauszug. Berlin: Ed. Bote & G. Bock, [n.d.] 179/8Mihály, AndrásMonodia (per orchestra): partitura. Budapest: Editio Musica Budapest, [1972] 180/1Milford, RobinMiniature string quartet in G, op. 35.London: Oxford University Press, [1938] 180/2Milhaud, DariusLa création du monde : ballet de blaise Cendrars: pour piano a 4 mains. Paris: Max Eschig & Cie, [1923] 196F/7Milhaud, DariusLes choéphores: partition d'orchestre. Paris: Heugel Editeur, [1916] 196F/8Milhaud, DariusDouzième quatuor à cordes: score. Paris: Éditions Salabert, [1948] 196H/1Milhaud, DariusOctuor à cordes: score. Paris: Heugel Editeur, [1949] 180/3Milhaud, DariusSaudades do Brazil: suite de danses : pour piano. Paris: E. Demets, [1922] 180/4Mjaskovsky, NicolaiBizarreries : six esquisses, op. 25.Berlin: Édition Russe de Musique, [1923] 180/5Moncayo, José PabloHuapango : partitura de orquesta.Mexico City: Ediciones Mexicanas de Música, [1950] 180/6Monteverdi, ClaudioIl combattimento di Tancredi e Clorinda: per canto e pianoforte. Milano: Societa Anonima Notari, [1919] 180/7Mortet, Luis CluzeauMar de Luna: canto y piano. Montevideo: Editorial Cooperativa Interamericana de Compositores, [1941] 180/8Mozart, Wolfgang AmadeusKlavier-Konzert Nr. 23, A Dur, K.V. 488.Wiesbaden: Breitkopf & Härtel, [n.d.] 180/9Mozart, Wolfgang AmadeusKonzert B-Dur : für Klavier und Orchester, KV 595.Leipzig: Breitkopf & Härtel, [n.d.] 180/10Mozart, Wolfgang AmadeusPiano concerto no. 17 in G major, K. 453.Score. New York: Edwin F. Kalmus, [n.d.] 180/11Mozart, Wolfgang AmadeusPiano concerto no. 20 in D minor, K. 466.Score. New York: Associated Music Publishers, [n.d.] 180/12Mozart, Wolfgang AmadeusSonaten: für Pianoforte 2 Händig. Wien: Universal-Edition, [n.d.] 180/13Mozart, Wolfgang AmadeusSymphonie Nr. 40 G Moll, K.V. 550.Wiesbaden: Breitkopf & Härtel, [n.d.] 180/14Mozart, Wolfgang AmadeusViolin concerto no. 4 in D major, K. 218.New York: Edwin F. Kalmus, [n.d.] 181/1Mussorgsky, ModesteChants et danses de la mort.Piano-vocal score. St. Petersburg: W. Bessel & Co., [1911] 181/2Mussorgsky, ModesteTableaux d'une exposition: pour piano. London: Augener Ltd., [1914] 181/3Nabokoff, NicolasContrastes et développements: pour piano. Berlin: Édition Russe de Musique, [n.d.] 181/4Nystedt, KnutSpenningens land : symfonisk fantasi, op 19.Score. Drammen: Harald Lyche & Co's Musikforlag, [1949] 181/5Nystedt, KnutTroens triumf: suite for blandet kor a cappella. Oslo: Musikk-Huset A/S, [1954] 181/6Orgad, Ben-ZionBallade for violin (unaccompanied).New York: Mercury Music Corp., [1950] 181/7Ornstein, LeoDanse sauvage (Wild man's dance), op. 13, no. 2.Piano solo. London: Schott & Co., [1915] 181/8Pál, KadosaSerenade, op. 65 : für Kammerorchester.Budapest: Editio Musica, Budapest, [1970] 181/9Palestrina, Giovanni daStabat mater: prose à 2 chœurs. For mixed chorus (SATB). Paris: Chanteurs de St. Gervais, [1911] 181/10Peixe, Guerra3 canções.Canto y piano. São Paulo: Ricordi Brasileira, [1955] 196C/4Penderecki, KrzysztofOfiarom Hiroszimy TREN = To the Victims of Hiroshima THRENODY : pour 52 instruments a cordes.Score. Warsaw: P. W. P. Przedstawicielstwo, [1961] 196C/5Penderecki, KrzysztofPolymorphia: für 48 Streichinstrumente. Partitur. Germany: Hermann Moeck, [1963] 196B/1Philipp, Isidor (editor)Anthology of French piano music : volume I, early composers.For piano. Boston: Oliver Ditson Company, [1906] 181/11Pisk, PaulVier Klavierstücke, op. 3: piano solo. Vienna: Universal-Edition, [1922] 181/12Popov, GavriilSeptet, op. 2.Instrumental parts. Moscow: Muzsektor Gosizdata Universal'noe Izdat, [1929] 181/13Prokofiev, SergeiContes de la vieille grand'mère, op. 31: pour piano. Leipzig: Breitkopf & Härtel, [1922] 181/14Prokofiev, SergeiLe pas d'acier: réduction pour piano à 2 mains.... Berlin: Édition Russe de Musique, [1928]

(includes handwritten story description).

 181/15Prokofiev, Sergei[Visions fugitive, op. 22].For piano. [Germany]: A. & G., [n.d.]

[missing cover pages and op. 22, no.1]

 182/1Purcell, HenryThree, four and five part fantasias for strings.Score and parts. London: J. Curwen & Sons Ltd., [1927]

[item includes correspondence re: AC's use of score].

 182/2Rachmaninoff, SergeiPiano concerto no. 1, op. 1: orchestral score. New York: Edwin F. Kalmus, [n.d.] 182/3Ramey, PhillipArabesque : for solo flute.New York: G. Schirmer, [1986] 182/4Ramey, PhillipCanzona : for piano.New York: G. Schirmer, [1985] 182/5Ramey, PhillipEpigrams: piano solo. London: Boosey & Hawkes, [1968] 182/6Ramey, PhillipLeningrad rag: for piano. New York: Piedmont Music Company, Inc., [1974] 182/7Ramey, PhillipMemorial: piano solo. New York: Henmar Press Inc., [1981] 182/8Ravel, MauriceDaphnis et Chloé: partition pour le piano réduite.... Paris: A. Durand & Fils, [1910] 182/9Ravel, MauriceSonatine: pour le piano. Paris: A. Durand & Fils, [1905] 182/10Ravel, MauriceLe tombeau de Couperin: 6 pieces pour piano. Paris: A. Durand & Fils, [1918] 182/11Ravel, MauriceTrio pour piano, violon et violoncelle.Paris: A. Durand & Fils, [1915] 183/1Ristic, MilanII. Simfonija: partitura. Belgrade: Edicija Udru enja Kompozitora, [1959] 183/2Roldán, AmadeoMotivos de son III mulata: transcripción para canto y piano. La Habana: Musicalia, [1932] 183/3Roussel, AlbertSuite en fa: pour orchestre. Paris: A. Durand & Cie, [1927] 196H/2Ruggles, CarlPortals: for string orchestra. New York: American Music Edition, [1930] 196H/3Salazar, AdolfoCuatro letrillas: para cors a cappella. Mexico City: Ediciones Mexicanas de Música, [1948] 184/1Salmanov, V.Dvenadtsat': piano-vocal score. Leningrad: Soviet Composer, [1958] 184/2Salmanov, V.Symphony.Score. Moscow: Soviet Composer, [1959] 184/3Santa Cruz, Domingo5 poemas trágicos: para piano solo. Santiago: [publisher unknown], [1929] 184/4Santa Cruz, DomingoCantos de Soledad.Piano-vocal score. Santiago: Revista de Arte, Universidad de Chile, [1936] Santa Cruz, DomingoQuartet no. 1.New York: Peer International Corporation, [1956] 184/5Santorsola, GuidoAgonia: canto y piano. Montevideo: Editorial Cooperativa Interamericana de Compositores, [1942] 184/6Santorsola, GuidoImágenes musicales: para piano y canto. Montevideo: A. Monteverde y Cia, [1936] 184/7Satie, ErikGymnopedies : orchestrated by Claude Debussy.Score. New York: Edwin F. Kalmus, [n.d.] 184/8Sauguet, HenriLes forains : ballet: réduction pour piano. Paris: Rouart, Lerolle & Cie, [1946] 184/9Sauguet, HenriLa rencontre : Œdipe et la Sphinx.Reduction for piano. Paris: Heugel et Cie, [1949] 184/10Scarlatti, Domenico25 Sonaten.For piano. Leipzig: C.F. Peters, [1909] 184/11Scarlatti, DomenicoKlavierwerke, Band I: piano solo. Vienna: Universal-Edition, [n.d.] 184/12Scarlatti, DomenicoOpere complete per clavicembalo, volume 6.o: Suites 251 a 300. For piano. Milano: G. Ricordi & C., [n.d.] 196C/6Schäffer, BogusawCollage + form: for eight jazzmen and orchestra. Score. Warsaw: P. W. P. Przedstawicielstwo, [1965] 185/1Schmitt, FlorentSonate libre en deux parties enchainées: (Ad modum clementis aquae) : pour violon et piano. Paris: A. Durand & Fils, [1920] 185/2Schoenberg, ArnoldDrei Klavier-Stücke, op. 11. Vienna: Universal-Edition, [1910] 185/3Schoenberg, ArnoldFünf Klavierstücke = Five piano pieces, op. 23.Copenhagen: Wilhelm Hansen, [1923] 185/4Schoenberg, ArnoldFünf Orchesterstücke, op. 16.Leipzig: C. F. Peters, [1912] 185/5Schoenberg, ArnoldSechs kleine Klavierstücke, op. 19.Vienna: Universal-Edition, [1913] 185/6Schoenberg, ArnoldSuite fur Klavier, op. 25.Vienna: Universal-Edition, [1925] 185/7Schubert, FranzCompositions for the pianoforte.New York: G. Schirmer, [1897] 185/8Schubert, FranzDanses pour piano.Braunschweig: Henry Litolff, [n.d.] 185/9Schubert, FranzSymphony no. 5 in B major.Score. New York: Associated Music Publishers, Inc., [n.d.] 186/1Schuman, WilliamNew England triptych : three pieces for orchestra after William Billings.Bryn Mawr, PA: Merion Music, Inc., [1957]

(includes notes of AC in music manuscript).

 186/2Schumann, RobertAlbum no. 1 : piano solo.Boston: B. F. Wood Music Co., [1908] 186/3Schumann, RobertCello concerto in A minor, op. 129.New York: Edwin F. Kalmus, [n.d.] 186/4Schumann, RobertDavidbündler, op. 6 : Klavierwerke.Leipzig: Breitkopf & Härtel, [n.d.] 186/5Schumann, RobertFantasiestücke, op. 12: for the pianoforte. New York: G. Schirmer, [1893] 186/6Schumann, RobertFaschingsschwank, op. 26: for the pianoforte. New York: G. Schirmer, [1897] 186/7Schumann, RobertKonzert A Moll, op. 54: Klavier zu 2 Händen. Leipzig: C. F. Peters, [n.d.] 186/8Schumann, RobertPhantasie, op. 17: for the pianoforte. New York: G. Schirmer, [1914] 186/9Schumann, RobertPiano concerto - A minor, op. 54.Score. New York: Broude Bros., [n.d.] 186/10Schumann, RobertScenes from childhood, op. 15: for the pianoforte. New York: G. Schirmer, [1893] 186/11Schumann, RobertSchumann-album, vol. 1 : songs with pianoforte accompaniment.Vienna: Universal-Edition, [n.d.] 186/12Schumann, RobertSonata for piano in G minor, op. 22.New York: G. Schirmer, [1902] 186/13Schumann, RobertVariations on the name "ABEGG", op. 1 and Papillons, op. 2.New York: G. Schirmer, [1914] 187/1Scott, CyrilSphinx, op. 63: for the pianoforte. London: Elkin & Co. Ltd., [1908] 187/2Scriabin, AlexanderFünfte Sonate für Klavier, op. 53.Berlin: Édition Russe de Musique, [n.d.] 187/3Scriabin, AlexanderPoème no. 1, op. 32 (from Deux poémes pour piano).Leipzig: M. P. Belaïeff, [1904] 187/4Scriabin, AlexanderQuatre préludes pour piano, op. 48.Leipzig: M. P. Belaïeff, [1906] 187/5Scriabin, AlexanderSatanische Dichtung für Pianoforte, op. 36.Leipzig: M. P. Belaïeff, [1904] 187/6Scriabin, AlexanderSiebente Sonate für Klavier, op. 64.Berlin: Édition Russe de Musique, [1909] 187/7Scriabin, AlexanderSonate (fa mineur) pour piano, op. 6.Leipzig: M. P. Belaïeff, [1895] 187/8Scriabin, AlexanderSonate no. 3, en fa dièse mineur pour piano, op. 23.Leipzig: M.P. Belaïeff, [1898] 187/9Scriabin, AlexanderSonate no. 10 pour piano, op. 70.Moscow: P. Jurgenson, [n.d.] 187/10Scriabin, AlexanderTrois études pour piano, op. 65, no. II.Moscow: P. Jurgenson, [n.d.] 187/11Scriabin, AlexanderZwei Klavierstücke = Deux morceau pour piano, op 59.Berlin: Édition Russe de Musique, [n.d.] 196B/2Seelig, Carl (compiler)Grotesken-Album.For piano. Vienna: Universal-Edition, [1922] 196H/5Seiber, MátyásUlysses: cantata for tenor solo, chorus, and orchestra : vocal score. London: Schott & Co., [1948] 187/12Sessions, RogerOrchestral suite from "The black maskers": for orchestra. New York: Cos Cob Press, [1932] Sessions, RogerQuartet no. 2.New York: Edward Marks Music Corporation, [1954] 187/13Sgambati, GiovanniToccata, op. 18, no. 4.For piano. New York: G. Schirmer, [1915] 196C/4Sahnow, Will (compiler)Sing as we grow.Piano-vocal score. London: Workers' Music Association, 1946 187/14Sibelius, JeanFrom the land of thousand lakes : ten sketches for the pianoforte.Boston: Boston Music Co., [1911] 188/1Smetana, FriedrichThe bartered bride overture: orchestral score. New York: Hawkes & Son, [1937] 188/2Smit, LeoA transient view: five choral settings for mixed voices. New York: Carl Fischer, [1976] 188/3Stravinsky, IgorApollon musagète: réduction pour piano à 2 mains par l'auteur. Berlin: Édition Russe de Musique, [1928] 188/4Stravinsky, IgorAgon : ballet for twelve dancers: piano score. London: Boosey & Hawkes, [1957] 188/5Stravinsky, IgorLe baiser de la fée.For piano. Berlin: Édition Russe de Musique, [1928] 188/6Stravinsky, IgorCapriccio pour piano et orchestre: réduction pour 2 pianos.... Berlin: Édition Russe de Musique, [n.d.] 188/7Stravinsky, IgorConcerto en ré pour violon et orchestre: partition violon & piano. Mainz: B. Schott's Söhne, [1931] 188/8Stravinsky, IgorConcerto per due pianoforti soli.Mainz: B. Schott's Söhne, [1936] 188/9Stravinsky, IgorGrande suite de histoire du soldat: arrangement pour piano.... London: J. & W. Chester, [1922] 188/10Stravinsky, IgorJ. S. Bach Choral-Variationen über das Weihnachtslied "Vom Himmel hoch da komm'ich her": for mixed chorus and orchestra : full score. London: Boosey & Hawkes, [1956]

(includes 2 pages of notes).

 189/1Stravinsky, IgorMavre : opera bouffe en 1 acte: réduction pour chant et piano. London: Édition Russe de Musique/Boosey & Hawkes, [1947] 196G/7Stravinsky, IgorOde : elegiacal chant in three parts.Score. New York: Associated Music Publishers, [1946] 196H/7Stravinsky, IgorPulcinella suite: for orchestra. London: Boosey & Hawkes, [1924] 189/2Stravinsky, IgorŒdipus Rex : opéra oratorio en deux actes: réduction pour chant et piano. Berlin: Édition Russe de Musique, [1927]

(includes 1 page of choral notes in typescript).

 189/3Stravinsky, IgorRagtime : pour onze instruments: transcription pour piano.... Paris: Éditions de La Sirène, [1919] 189/4Stravinsky, IgorSuite de Pulcinella pour petit orchestre: partition d'orchestre (revised 1949 version). London: Boosey & Hawkes, [1949] 189/5Stravinsky, IgorSymphonie en ut pour orchestre: partitur. London: Schott & Co, Ltd., [1948] 189/6Szeligowski, TadeuszPiesni zielone = Chansons vertes.Piano-vocal score. Warsaw: Towazystwo Wydawnicze Muzyki Polskiej, [1931] 189/7Szöllösy, AndrásMusica per orchestra: partitura. Budapest: Editio Musica, Budapest, [1973]

(2 copies).

 189/8Szymanowski, KarolIIIme sonate, op. 36: piano solo. Vienna: Universal-Edition, [1919] 189/9Szymanowski, KarolDes Hafis Liebeslieder, op. 24.Vienna: Universal-Edition, [1913] 189/10Szymanowski, KarolMasques : trois morceaux de piano, op. 34.Vienna: Universal-Edition, [1919] 189/11Szymanowski, KarolMétopes, op. 29 : piano solo.Vienna: Universal-Edition, [1922] 189/12Szymanowski, KarolMythes : trois poèmes, op. 30: [for] violon et piano. Vienna: Universal-Edition, [1921] 189/13Szymanowski, KarolPie ni muezzina szalonego = Le muézin passionné = Lieder des verliebten Muezzins, op. 42.piano-vocal score. Vienna: Universal-Edition, [1922] 189/14Szymanowski, KarolVier Gesänge = Cztery pie ni, op. 41.Piano-vocal score. Vienna: Universal-Edition, [1920] 190/1Takemitsu, ToruMasque pour deux flûtes.Tokyo: Ongaku No Tomo Sha, [1960]

(2 copies).

 190/2Tanifuji, HidekoPiano album, band 1.Tokyo: Ongaku No Tomo Ed. Co., [1954] 190/3Tansman, AlexandreConcerto pour piano: avec accompagnement d'orchestre / réduction pour 2 pianos. Paris: Max Eschig & Cie, [1926] 190/4Tansman, AlexandreTroisième sonatine pour piano.Paris: Éditions Max Eschig, [1933] 190/5Tartini, GiuseppeSonata in G minor: for violin and piano. New York: Carl Fischer, [1919] 196H/8Tcherepnin, AlexanderDivertimento: op. 90 : full score. London: Boosey & Hawkes, [1966] 196H/9Tcherepnin, AlexanderSymphonic prayer: full score. Bonn: Édition M. P. Belaieff, [1960] 196H/10Tcherepnin, AlexanderSymphony no. 4: op. 91 : full score. London: Boosey & Hawkes, [1959] 196B/3Teen-agers at the Shaker Village Work Camp (compilers)Songs of the Shakers.Pittsfield, MA: Shaker Village Work Camp, [ca. 1956] 190/6Thorne, FrancisEight introspections: for piano. New York: Edward B. Marks Music Corporation, [1965] 190/7Tippett, MichaelConcerto for double string orchestra.Score. London: Schott & Co, Ltd., [1946] 196B/4Toor, Frances (editor)Cancionero Mexicano: para piano o guitarra. Mexico: Frances Toor, [1931] 190/8Tschaikowsky, PeterConcerto no. 1 in B minor, op 23.New York: G. Schirmer, [1905] 190/9Tschaikowsky, PeterRomeo and Juliet: orchestra score. New York: Edwin F. Kalmus, [n.d.] 190/10Tschaikowsky, PeterSymphonie Nr. 5 [in] E minor, op. 64: partitur. Wiesbaden: Breitkopf & Härtel, [n.d.] 190/11Tsukatani, AkihiroSuite for strings and percussions.Score. Tokyo: Ongaku No Tomo Sha, [1962] 190/12Turchi, GuidoInvettiva (dai "Carmina Burana").Vienna: Universal-Edition, [1949]

(concert program for premiere of this work enclosed).

 191/1[Unknown author/compiler/editor]Russkie narodnye pesni : sbornik vtoroi.Moscow: Gosudarstvennoe Voennoe Izdatel'stvo SSR, [1936] 191/2Vitali, TommasoCiaccona (in G minor) for violin and piano.New York: Carl Fischer, [1921] 191/3Vivaldi, AntonioConcerto [in] la mineur: violon et piano. Mayence/Leipzig: B. Schott's Söhne, [1912] 191/4Vlasov, V. and V. FereThe spring in Ala-Too : fragments from the ballet.Score. Moscow: State Music Publishers, [1958] 196C/5Wade, J. (editor)Christy's minstrels': 145 new songs and choruses in vocal score.Piano-vocal score. London: C. Sheard, [n.d.]

(complete edition, 3 volumes in 1).

 191/5Wagner, RichardLohengrin: a romantic opera in three acts. Piano-vocal score. New York: G. Schirmer, [n.d.] 192/1Wagner, RichardThe mastersingers of Nuremberg: complete vocal score. Mainz: B. Schott's Söhne, [1903] ; New York: G. Schirmer, [1904] 192/2Wagner, RichardParsifal: vocal score with piano accompaniment.... Cincinnati: The John Church Company, [1904] 193/1Wagner, RichardDas Rheingold: piano selection. New York: G. Schirmer, [1904] 193/2Wagner, RichardSiegfried Idyll.Score. New York: Associated Music Publishers, [n.d.] 193/3Wagner, RichardTristan and Isolda: drama in three acts. New York: G. Schirmer, [1906] 193/4Wagner, RichardWagner-Liszt album: for pianoforte. New York: G. Schirmer, [1896] 196B/5Walker, William (compiler)The southern harmony, and musical companion : containing a choice collection of....Philadelphia: E. W. Miller, [ca. 1854] 193/5Walton, WilliamPortsmouth point : an overture: full score. London: Oxford University Press, [1928] 193/6Weber, Carl Maria vonConcertino für Klarinette und Orchester, op. 26.Wiesbaden: Breitkopf & Härtel, [n.d.] 193/7Weber, Carl Maria vonDer Freischüz : romantische Oper in drei Aufzügen.Piano-vocal score. Wolfenbüttel: L. Holle, [n.d.] 193/8Webern, Anton11. Kantate, op. 31 : Klavierauszug mit Singstimmen.Vocal score. Vienna: Universal, [1951] 193/9Webern, AntonDrei Gesänge, op. 23: Gesang und Klavier. [Austria]: Universal Edition, [1936] 193/10Webern, AntonQuartett für Geige, Klarinette, Tenorsaxophon und Klavier, op. 22: partitur. Vienna: Universal Edition, [1932]

(2 copies).

 193/11Webern, AntonVariationen für Klavier, op. 27.Vienna: Universal Edition, [1937] 193/12Webern, AntonVier Stücke, op. 7 : Geige und Klavier.Vienna: Universal Edition, [1922] 194/1Weill, KurtAufstieg und Fall der Stadt Mahagonny: Klavierauszug. Vienna: Universal Edition, [1929]

(includes note in AC's hand re: characters).

 194/2Weisgall, HugoSix characters in search of an author : opera in three acts.Piano-vocal score. Bryn Mawr, PA: Merion Music, Inc., [1957] 194/3Weisgall, HugoThe stronger : opera in one act.Piano-vocal score. Bryn Mawr, PA: Merion Music, Inc., [1957] 194/4Weisgall, HugoThe tenor : opera in one act.Piano-vocal score. Bryn Mawr, PA: Merion Music, Inc., [1957] 196B/6White, John/Shackley, George (compilers)The lonesome cowboy : songs of the plains and hills.For voice and piano. New York: Geo. T. Worth & Co., [1930] 194/5Wilson, Domingo Santa CruzViñetas: cuatro piezas para piano solo. S. Diego, Chile: Casa Amarillo, [1932] 195/1Wilson, RichardEclogue: for piano. New York: Boosey & Hawkes, [1980] 195/2Wolfe, StanleySymphony no. 3: full score. New York: Boosey & Hawkes, [1964] 195/3Wolpe, StefanDance : in form of a chaconne.New York: Arrow Music Press, Inc., [1941] 195/4Wolpe, StefanPassacaglia: for piano solo. New York: New Music Edition, [1947] 195/5Wolpe, StefanSonata for violin and piano.Score & part. New York: McGinnis and Marx, [1955] 196C/6Workers' Music Association (compiler)Pocket song book.Lead sheet with text. London: Workers' Music Association, 1948 196C/7Workers' Music Association (compiler)Sing and learn: a song book for children with tonic & staff notation.Piano-vocal score. London: Workers' Music Association, 1940

(second edition).

 195/6, 7Yashiro, AkioSymphonie pour grand orchestre.Tokyo: Ongaku No Tomo Sha, [1959]

(2 copies).

 Sullivan, Arthur Seymour

See; Gilbert & Sullivan

 Writings and Oral Presentations Writings and Oral Presentations, 1925-88 and undated (35 boxes)

Writings by Aaron Copland, 1925-88 and undated (22 boxes)

Boxes 197-218, 229-230

Divided into Articles, Books, Lectures & Speeches, Radio and Television. Includes unpublished manuscripts, notes and outlines; letters, typescripts, galley and page proofs; published articles clippings, reviews and promotional material. Articles and Lectures & Speeches arranged alphabetically by title; Books arranged alphabetically by title, then chronologically by year of publication; Radio and Television arranged alphabetically by country, then by station name, station call letters or title.

Writings by Others, 1925-88 and undated (13 boxes).

Boxes 219-228, 230-232

Divided into About Aaron Copland, Articles, Booklets, Interviews, Libretti, Poetry and Scripts. Includes manuscripts, typescripts, unpublished and published printed material and microfilm. Arranged alphabetically by author in each category, then by title.

 Writings by Aaron Copland Articles 197/1A.C. (A composer) looks at LP, n.d. 197/2A.C.: Foreword to Modern Music reprints of articles about Igor Strav[insky], n.d. 197/268Aaron Copland. Arthur Berger [Book review],

See: Writings by Others, About AC, Articles: Clurman, Harold. Aaron Copland

 197/3113Aaron Copland: A visit to Israel, 1969 197/3Aaron Copland remembers Nadia,

See: Writings by AC, Articles: A tribute to Nadia Boulanger

 197/4Aaron Copland talks about American music to-day, 1958 197/546AAaron Copland writes from South America, 1947 197/6About Billy the Kid, n.d. 197/723Active market in new music records, 1936 197/864AAlways in my thoughts, 1953 197/899AAmerica's cultural explosion - its scope and challenge,

See: Writings by Others, About AC, Interviews: The Playboy Panel. America's cultural explosion -its scope and challenge

 197/9L'america ha la sua música, 1951 197/10America's young men of promise, 1926 197/1122The American composer gets a break, 1935 197/1242The American composer today, n.d. 197/13American composers on records, 1959 197/14American culture I: Music, 1956

See also: Writings by AC, Articles: Report on American music, 1956

 197/15American music since 1930, 1945 229/159The American musical scene, 1950 197/1664Are my ears on wrong? A reply to Mr. Henry Pleasants, 1955

See also: Writings by AC, Articles: Modern music: 'Fresh and different'

 197/1750The art of Darius Milhaud, 1948

See also: Writings by AC, Articles: Sobre la música en el cine

 197/18As a musician: Women's University Glee Club, n.d. 197/19ASCAP and the symphonic composer, 1964 229/298ASCAP and the symphonic composer, 1964 197/2073At the thought of Mozart, 1956 197/218Baden-Baden, 1927 197/22The battle of jazz and the classics, n.d. 197/2345Benjamin Britten: The Rape of Lucretia, an opera in two acts [Music review], 1947 197/24Carlos Chavez - Mexican composer, 1928 197/25Charles Ives, 1964 197/26118Claire Reis (1889-1978), 1978

See also: Writings by AC, Lectures & Speeches: Claire Reis

 197/27Claire Raphael Reis, n.d. 198/118The composer and his critic, 1932 198/2The composer and the audience, n.d. 198/3The composer as conductor, n.d. 198/491The composer as critic, 1961

See also: Writings by AC, Lectures & Speeches: The composer as critic

 198/5Composer from Brooklyn: An autobiographical sketch, 1941 198/619The composer in America, 1923-1933, 1933 198/7The composer in the United States, n.d. 198/8The composer speaks out! Meet the composer!, n.d. 198/992A composer's praise, 1962 198/1048Composer's report on music in South America, 1947

See also: Writings by AC, Articles: South American journey; See also: Writings by AC, Lectures & Speeches: [La música de las americas]

 198/1186Composers and composing, 1960 198/1232The composer get wise, 1940 198/1383Composers in Russia, 1960 198/14116Composers in the university, 1970 198/15The composers of South America, 1941 198/1637The composers of South America, 1942 198/16Composers without a halo,

See: Writings by AC, Articles: Komponisten ohne Glorienschein

 198/17Composers' letters, 1963 198/18Composing for Something wild, 1961 229/375El compositor en los Estados Unidos, 1959 198/1916Contemporaries at Oxford, 1931 198/20Contemporary music - Is it peculiar?, n.d. 198/21104The contemporary scene, 1966 198/22Copland on Carter, 1978 198/23117Copland salutes Boulanger, 1977 198/24Cousin Michael, 1964 198/2565Creativity in America, 1952 198/2661Current chronicle: United States, New York, 1951 198/27The danger of writing concert music, n.d. 198/284Defends the music of Mahler [Letter to the editor], 1925 198/2976The dilemma of our symphony orchestra, 1956

See also: Writings By AC, Lectures & Speeches: The dilemma of our symphony orchestra

 198/3024Discoveries of a music critic, by Paul Rosenfeld [Book review], 1936 198/31[Dmitri Shostakovich - 60th birthday], 1966 229/467The essence remained. The Life and music of Béla Bartók. Halsey Stevens [Book review], 1953

See also: Writings by AC, Articles: The life and music of Béla Bartók

 198/32European festivals and premiers: A glance backward, 1960 198/32Famous pupil recalls famous teacher,

See: Writings by AC, Articles: A tribute to Nadia Boulanger

 198/3340Faure [sic] festival at Harvard, 1945

Also: Faure [sic] centennial in America

 198/3469Festival in Caracas: Recent Venezuelan event was devoted to composers of Latin America, 1954 198/3536Five post-romantics, 1941 199/1For composers news record, n.d. 199/2For the record! [Letter to editor?], n.d. 199/3Foreword to Gardner Reed's book, Thesaurus of orchestral devices, n.d. 199/4Forword to new collection of 'The Gift to be Simple', May 1970 199/4Four Weeks in the Soviet Union, 1960

See: Writings by AC, Articles: Composers in Russia

 199/5Franz Liszt, n.d. 199/6From a composer's journal, n.d. 199/713From a composer's notebook, 1929 229/5From the mail pouch: The composer's ob[?], A response from eleven who were represented at Critics' concerts [Letter to editor], 1942 199/839From the '20's to the '40's and beyond, 1943 229/6Gabriel Fauré, a neglected master, n.d. 199/964The gifted listener, 1952 199/9Her best pupils are famous,

See: Writings by AC, Articles: A tribute to Nadia Boulanger

 199/10How we listen, n.d. 229/7In appreciation... [Leonard Bernstein], 1978 199/11100In memory of Marc Blitzstein (1905-1964), 1964 229/863An indictment of the fourth B, 1952 199/12Intro[duction] to Claire Reis' book, Composers, conductors and critics, 1974 199/13106Irving Fine (1914-1962), 1962 199/14116Is the university too much with us?, 1970 199/1529Is there a revolution in the arts?, 1940 229/9Jak sluchac muzyki wspólcaesnej (Listening to contemporary music) (In Polish), n.d. 199/167Jazz structure and influence, 1927 199/17Komponisten ohne Glorienschen (Composers without a halo), 1947 199/18Latin Americans in music, 1942 199/1958Leon Kirchner: Duo for violin and piano [Music review], 1950 199/20[Letter from composer], 1954 199/20[Letter to editor] From the mail pouch: The composers' ob[?],

See: Writings by AC, Articles: From the mail pouch: The composer's ob[?], A response from eleven who were represented at Critics' concerts

 199/21[Letter to editor], New York Times, 27 April 1972 199/22[Letter to editor], New York Times, n.d. 199/22[Letter to editor] Defends the music of Mahler,

See: Writings by AC, Articles: Defends the music of Mahler

 199/23[Letter to editor re: Olin Downes], n.d. 199/24[Letter to music editor], New York Times, 4 Oct. 1954 229/1056A[Letters to the editor], New York Times Magazine, 1950, 14 Jan. 229/11[Letters to the editor], New York Times Magazine, 1966 4 Sept. 199/25The life and music of Béla Bartók. Halsey Stevens [Book review], 1953 199/25List of recorded works on contemporary American composers,

See: Writings by AC, Articles: American composers on records

 199/25Listening to contemporary music,

See: Writings by AC, Articles: Jak shuchac muzyki wspólczesnej

 199/26The live composer, 1939 199/26Looking back with Aaron Copland,

See: Writings by AC, Books, Copland: 1900 through 1942, Miscellany: Article

 199/2712The lyricism of Milhaud, 1929 199/2889Making music in the star-spangled manner, 1960

See also: Writings by AC, Lectures & Speeches: Search for an "American" music

 199/28Man's right to knowledge,

See: Writings by AC, Articles: Music and the human spirit

 199/28Marc Blitzstein remembered,

See: Writings by AC, Articles: In memory of Marc Blitzstein

 199/29[Mellers, Wilfred Howard], 1965 199/29Memorial to Paul Rosenfeld,

See: Writings by AC, Articles: Benjamin Britten: The Rape of Lucretia, an opera in two acts

 229/1227Mexican composer, n.d. 199/30Miklós Rósza and Bernard Herrmann, n.d. 199/31Milhaud: First Symphony; In Memoriam; Protée [Record review], n.d. 199/31Mlle. Boulanger, 80 this month, has taught greatest composers,

See: Writings by AC, Articles: A tribute to Nadia Boulanger

 199/31Mlle. Boulanger and her bakery,

See: Writings by AC, Articles: A tribute to Nadia Boulanger

 229/1371(72)Modern music: 'Fresh and different', 1955 199/3215Modern orchestration surveyed, 1930 229/1456A modernist defends modern music, 1949 229/15102Music: My way of life, 1964 199/3370,70AMusic and the human spirit, 1954

See also: Writings by AC, Articles: La música como aspecto del espiritu humano

 200/1Music and the movies, 1949

See also: Writings by AC, Articles: Tip to movie goers: Take off those ear-muffs; See Also: Writings by AC, Lectures & Speeches: Music in the movies

 200/1Music as an aspect of the human spirit,

See: Writings by AC, Artices: Music and the human spirit; See also: Writings by AC, Articles: La música como aspecto del espiritu humano

 200/240Music for the theatre, n.d. 200/3Music in America: Past, present, and future, n.d. 200/4Music in Cuba, 1941 200/5Music in the air, n.d. 200/6The music of Israel [Book review], n.d. 229/1666Music out of everywhere: Notes without music. An autobiography, by Darius Milhaud [Book review], 1953 200/710Music since 1920, 1928 200/8Tr70La música como aspecto del espiritu humano, n.d.

See also: Writings by AC, Articles: Music and the human spirit

 200/936ALa música en el extranjero, 1941 200/10La música moderna è nata in reazione a Wagner, 1951 200/11Tr53La música per film: nuovo mezzo di espressione musicale, n.d. 200/11Musical world honors teacher Nadia Boulanger,

See: Writings by AC, Articles: A tribute to Nadia Boulanger

 200/12Musikalisches Schaffen in Amerika, 1965

See also: Writings by AC, Articles: Creativity in America

 200/12Nadia Boulanger, master teacher: She fans musical spark,

See: Writings by AC, Articles: A tribute to Nadia Boulanger

 200/1384Nadia Boulanger: An affectionate portrait, 1960 200/14Nadia Boulanger: Mother of modern music, 1981 200/14Nadia Boulanger at 80 still foremost music teacher,

See: Writings by AC, Articles: A tribute to Nadia Boulanger

 200/1544Neglected works: A symposium, 1946 200/16Tr49Eine neue amerikanische Komponistengeneration, 1948

See also: Writings by AC, Articles: The new 'school' of American composers; See also: Writings by AC, Articles: Nueva generatión de compositores norteaméricanos

 200/16New music in the U. S. A.,

See: Writings by AC, Articles: The composer in America, 1923-1933

 229/1749The new 'school' of American composers, 1948

See also: Writings by AC, Articles: Eine neue amerikanische Komponistengeneration; See also: Writings by AC, Articles: Nueva generatión de compositores norteaméricanos

 200/17A note on Irving Fine, 1962

See also: Writings by AC, Articles: Irving Fine (1914-1962)

 229/1814A note on Nadia Boulanger, 1928 200/1821AA note on young composers, 1935 200/1942Notes on a cowboy ballet, n.d. 200/20Notes without music, by Darius Milhaud [Book review], 1953

See also: Writings by AC, Articles: Music out of everywhere: Notes without music. An autobiography, by Darius Milhaud [Book review]

 200/21Tr49Nueva generatión de compositores norteaméricanos, 1947

See also: Writings by AC, Articles: The new 'school' of American composers; See also: Writings by AC, Articles: Eine neue amerikanische Komponistengeneration

 200/22On being a composer, n.d. 200/2341On the notation of music, 1944 200/24On the occasion of the 70th birthday of Serge Prokofieff, 1961 200/2520One hundred and fourteen songs, 1934 201/1103An open letter about the BBC, 1965 201/287Oper für Amerika, 1960 201/3[Opera for America], 1959 201/425Our younger generation - ten years later, 1936 201/5Outline of history (Nef), n.d. 201/5Paris octogenarian is a musical marvel,

See: Writings by AC, Articles: A tribute to Nadia Boulanger

 201/6The personality of Stravinsky, 1949 201/7[Phonograph recordings], n.d. 201/8Piano fantasy, 1957 201/9Piano fantasy - the commission, n.d. 201/10114Piano music of Noël Lee, n.d. 201/10Pioneer listener,

See: Writings by AC, Articles: Discoveries of a music critic, by Paul Rosenfeld [Book review]

 201/11Playing safe at Zurich, 1926 201/1281AThe pleasures of music, 1959

See also: Writings by AC, Lectures & Speeches: The pleasures of music; See also: Writings by AC, Lectures & Speeches: contemporary trends in music today

 230/181BThe pleasures of music, 1959

See also: Writings by AC, Lectures & Speeches: The pleasures of music

 201/13Portrait of a symphony, n.d. 201/1494A quarter-century reflection, 1963 201/15Questions on music, n.d. 201/15Quiet city,

See: Writings by AC, Articles: Composers in Russia

 201/16Ralph Hawkes: In memorium, 1950 201/1775Report on American music, 1956 201/1874Rubin Goldmark: A tribute, 1956 201/19Salute to the arts and artists of Latin America, 1967 201/20123A salute to the Schwann, n.d. 201/2121Scherchen on conducting and Ewen on composers [Book review], 1935 201/22Schoenberg and his school, by René Leibowitz [Book review], n.d. 201/2326Scores and records, 1936 201/24Scores and records, Jan.-Feb. 1937 201/25Scores and records, May-Jun. 1937 201/26Scores and records, 1938 201/2730Second thoughts on Hollywood, 1940 202/140Serge Koussevitzky and the American composer, 1944 202/1She has taught the greatest...,

See: Writings by AC, Articles: A tribute to Nadia Boulanger

 202/1She taught many of the world's best musicians,

See: Writings by AC, Articles: A tribute to Nadia Boulanger

 202/1Shoptalk: On the notation of music,

See: Writings by AC, Articles: On the notation of music

 202/2Tr50Sobre la música en el cine, n.d.

See also: Writings by AC, Articles: The art of Darius Milhaud

 202/3Some notes on my "Music for the Theatre", 1941

See: Writings by AC, Articles: A tribute to Nadia Boulanger; See also: Writings by AC, Radio, United States: WNCN: Aaron Copland comments, 1968-1971, Series I: Program 2, Draft; See also: Writings by AC, Radio, United States: WQXR: [Music for the theatre]

 202/4South American journey, 1947

See also: Writings by AC, Articles: Composer's report on music in South America; See also: Writings by AC, Lectures & Speeches: [La música de las americas]

 202/5Special fondness for B. B. [Benjamin Britten], n.d. 202/651Stefan Wolpe: Two songs for alto and piano [Music review], 1948 202/6The story behind El Salón méxico, 1948

See: Subject File, compositions, El salón méxico, Programs 1938-1942

 202/717Stravinsky and Hindemith premieres, 1932 202/89Stravinsky's "Oedipus Rex", 1928 202/9Talk on N. B. [Nadia Boulanger], n.d. 202/1062ATanglewood: 1952,

Also: Tanglewood's future: Measures to insure continuity include extensive new scholarship program

 202/11The teacher: Nadia Boulanger, 1960 202/1228Thomson's musical state [Book review], 1939 230/253Tip to moviegoers: Take off those ear-muffs?, 1949

See also: Writings by AC, Articles: Music and the movies; See also: Writings by AC, Lectures & Speeches: Music in the movies

 202/13110A tribute to Nadia Boulanger, 1967 202/13The tutor of eminent composers, Mlle. Boulanger going strong at 79,

See: Writings by AC, Articles: A tribute to Nadia Boulanger

 202/14113A visit to Israel, 1969 202/1593A visit to Snape, 1963 202/16[A visiting composer], 1958 230/382'A vital and varied music', n.d. 230/42What Europe means to the aspiring composer, 1925 230/552What is Jewish music?: The music of Israel [Book review], 1949 202/17112When private and public worlds meet, 1968 202/18Where are we? What's been happening to so-called serious music in the sixties, n.d. 202/19William Schuman: String quartet no. 4 [Music review], 1951 230/6Workers sing!, 1934 230/754The world of a-tonality: Schoenberg and his school [Book review], 1949 202/2025AThe world of the phonograph, 1937 202/21The youngest generation of American composers, n.d. 202/22Zoltán Kodály, n.d. 202/23[Zoltán Kodály - 80th birthday], 1962 202/24Miscellany: Notes for articles, n.d. Books 203/1Copland: 1900 through 1942 (1984), 1970-1985, n.d.

Correspondence, 1970-1985, n.d.

 230/8Copland: 1900 through 1942 (1984), 1970-1985, n.d.

Miscellany: Article, 1984

 203/2Copland: 1900 through 1942 (1984), 1970-1985, n.d.

Miscellany: Notes; Promotional material; Reviews, 1981-1984, n.d.

 203/3Copland: 1900 through 1942 (1984), 1970-1985, n.d.

Uncorrected proof (bound), 1984

 203/4Copland on music (1960), 1959-1962, n.d.

Correspondence, 1959-1960

 203/5Copland on music (1960), 1959-1962, n.d.

Manuscript

 203/6Copland on music (1960), 1959-1962, n.d.

Miscellany: Notes; Promotional Material; Reviews; Sources, 1960-1962, n.d.

 203/7Copland on music (1960), 1959-1962, n.d.

Notes

 203/8Copland on music (1960), 1959-1962, n.d.

Outlines

 203/9Copland on music (1960), 1959-1962, n.d.

Outlines: Revised versions

 203/10Copland on music (1960), 1959-1962, n.d.

Proofs, page

 203/11Copland on music (1960), 1959-1962, n.d.

Typescript, draft

 203/12Copland on music (1960), 1959-1962, n.d.

Typescript, corrected

 203/13Copland on music (1960), 1959-1962, n.d.

Typescript, final

 204/1Music and imagination (1952), 1952-1974, n.d.

Correspondence, 1952

 204/2Music and imagination (1952), 1952-1974, n.d.

Manuscripts

 204/3Music and imagination (1952), 1952-1974, n.d.

Miscellany: Promotional Material; Reviews, 1952-1974, n.d.

 230/9Music and imagination (1952), 1952-1974, n.d.

Miscellany: Review, proof, 1953

 204/4Music and imagination (1952), 1952-1974, n.d.

Proofs, galley

 204/5Music and imagination (1952), 1952-1974, n.d.

Proofs, galley (author's copy)

 204/6Music and imagination (1952), 1952-1974, n.d.

Proof, page (incomplete)

 204/7-8Music and imagination (1952), 1952-1974, n.d.

Typescript, corrected

 204/9Music and imagination (1952), 1952-1974, n.d.

Typescript, final

 205/1The new music (1968), 1962-1969, n.d.

Correspondence, 1962-1968, n.d.

 205/2The new music (1968), 1962-1969, n.d.

Index

 205/3The new music (1968), 1962-1969, n.d.

Manuscripts

 205/4The new music (1968), 1962-1969, n.d.

Miscellany: Notes; Reviews, 1968-1969, n.d.

 205/5-9The new music (1968), 1962-1969, n.d.

Proofs, corrected

 206/1The new music (1968), 1962-1969, n.d.

Proofs, galley, 8/16/67

 206/2The new music (1968), 1962-1969, n.d.

Proofs, galley, 9/21/67

 206/3The new music (1968), 1962-1969, n.d.

Proofs, galley, 11/02/67

 206/4-5The new music (1968), 1962-1969, n.d.

Rejected pages, Our new music

 206/6The new music (1968), 1962-1969, n.d.

Typescript, corrected

 206/7The new music (1968), 1962-1969, n.d.

Typescript, final

 207/1Our new music (1941), 1941-1948, n.d.

Correspondence, 1941-1948, n.d.

 207/2Our new music (1941), 1941-1948, n.d.

Miscellany: Promotional material; Reviews, 1941-1947, n.d.

 207/3Our new music (1941), 1941-1948, n.d.

Outlines

 207/4Our new music (1941), 1941-1948, n.d.

Spanish edition

 207/5Our new music (1941), 1941-1948, n.d.

Typescript, draft

 207/6-9Our new music (1941), 1941-1948, n.d.

Typescript, corrected

 207/10Our new music (1941), 1941-1948, n.d.

Typescript, final

 208/1What to listen for in music (1939), 1937-1954, n.d.

Correspondence, 1937-1939, 1953, n.d.

 208/2What to listen for in music (1939), 1937-1954, n.d.

Hebrew edition, 1954

 208/3What to listen for in music (1939), 1937-1954, n.d.

Miscellany: Promotional material; Reviews, 1938-1940, n.d.

 230/10What to listen for in music (1939), 1937-1954, n.d.

Miscellany: Promotional material

 208/4What to listen for in music (1939), 1937-1954, n.d.

Proofs, galley

 208/5What to listen for in music (1939), 1937-1954, n.d.

Proofs, page

 Map Case C Drw2/1What to listen for in music (1939), 1937-1954, n.d.

Proofs, page

 208/6What to listen for in music (1939), 1937-1954, n.d.

Typescript, draft

 208/7-8What to listen for in music (1939), 1937-1954, n.d.

Typescript, corrected

 208/9What to listen for in music (1939), 1937-1954, n.d.

Typescript, final (author's copy)

 208/10-11What to listen for in music (1939), 1937-1954, n.d.

Typescript, final (printer's copy)

 209/1What to listen for in music (1957), 1956-1966, n.d.

Correspondence, 1956

 209/2What to listen for in music (1957), 1956-1966, n.d.

Miscellany: Reviews, 1957-1966, n.d.

 209/3What to listen for in music (1957), 1956-1966, n.d.

Notes

 209/4What to listen for in music (1957), 1956-1966, n.d.

Proofs, galley (author's copy)

 209/5What to listen for in music (1957), 1956-1966, n.d.

Proofs, galley (printer's copy)

 209/6What to listen for in music (1957), 1956-1966, n.d.

Typescript, corrected

 209/7What to listen for in music (1957), 1956-1966, n.d.

Typescript, final (author's copy)

 209/8What to listen for in music (1957), 1956-1966, n.d.

Typescript, final (printer's copy)

 209/9-11What to listen for in music (1988, re-issue), 1988

Proofs, page

 Lectures and Speeches 210/11-LGAddress, graduating class, Toronto Conservatory of Music, 1950 210/2Address, graduating excecises, Brooklyn College, 1975 210/3Address, graduating exercises, Juilliard School of Music, 1981 210/4-7The aesthetic climate of today (English and Spanish), 1963

See also: Writings by AC, Lectures & Speeches: New trends in cont[emporary] music

 210/8Aesthetics of modern music, 1927

See also: Writings by AC, Lectures & Speeches: Emergence of the Amer[ican] composer 1940-1955

 210/9An American composer: Charles Ives, n.d. 210/9The American composer today,

See: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] isiom: Four lectures on contemporary music; See: Writings by AC, Lectures & Speeches: Composing in America (then and now)

 210/10The American Composers Alliance, 1977 210/1119-LGAmerican contemporaries: Younger generation, 1957 210/12American music, ca. 1936 210/12American music,

See: Writings by AC, Lectures & Speeches: "Modern" American music - Part II

 210/13American music - a survey, n.d. 210/14American music and the American scene, 1940, 1950 210/1511-LVAmerican scene in music, 1949 210/16Americans, 1940 210/17Das amerikanische Musikleben, 1954, 1964 210/18L'amerique et sa musique, 1949 210/19The annual American Music Festival, n.d. 210/20Appalachian spring, n.d. 210/21Appreciation of modern music, 1927 210/2215-LGThe artist and society, 1959 210/22Arts in the university,

See: Writings by AC, Lectures & Speeches: Role of university in the arts (Arts in the university)

 210/2322-LVBerlioz - from the composer's standpoint, 1954 210/23Bernstein, Leonard,

See: Writings by AC, Lectures & Speeches: L. B. [Leonard Bernstein]

 210/24Boulez, 1977 210/2512-LVCentral European composers, 1950 210/26Claire Reis, 1978

See also: Writings by AC, Articles: Claire Reis (1889-1978)

 210/2726-LVComparative trends of recent European & American music, 1956, 1961 210/2810The composer and his audience, 1956 210/2991-AThe composer as critic, 1961

See also: Writings by AC, Articles: The composer as critic

 210/3033-LVThe composer as critic, n.d. 210/31Composer attitudes of the twenties, n.d. 210/3210-LGThe composer in the modern world, 1957 210/3325-LVComposer looks at music in America, 1954 210/34Composer today, n.d. 210/34The composer's viewpoint,

See: Writings by AC, Lectures & Speeches: The meaning of music

 210/35Composers and conductors conference, 1942? 210/36Composers on criticism, n.d. 210/3718-LGComposing in America (then and now), 1962, 1964

See also: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music

 210/3818-LGCompositional phases [on my three piano works], 1959, 1961 210/3932-LVCompositional techniques in the 20th cent[ury], 1961 211/1[Contemporary composers in the United States], n.d. 211/1Contemporary music, 1960

See: Writings by AC, Lectures & Speeches: Current trends in cont[emporary] music

 211/2Contemporary music: Living composers, 1938

See also: Writings by AC, Lectures & Speeches: Music in contemporary life; See also: Writings by AC, Lectures & Speeches: Survey of contemporary music

 211/3Contemporary music: Music in the American scene, 1948 211/416-LVContemporary music and its controversies, 1944 211/5[Contemporary music in the U. S.]: The musical panorama in the 70's, n.d. 211/6Contemporary music in the United States, 1951, 1964 211/7The contemporary music in the United States, n.d. 211/7Cont[emporary] music seminar,

See: Writings by AC, Lectures & Speeches: Seminar in contemporary music

 211/8Contemporary trends in music abroad, 1954 211/9-10Contemporary trends in music today, 1962

See also: Writings by AC, Lectures & Speeches: The pleasure of music; See also: Writings by AC, Articles: The pleasures of music

 211/119-LVContrapuntal writing in cont[emporary] music in relation to Bach, 1950 211/1223A-LGConvocation,1967, 1969 230/11Copland at USD, 1975 211/1328-LGCopland-Sessions Concerts, 1928-31, 1971 211/13Cowell, Henry,

See: Writings by AC, Lectures & Speeches: Modern Americans: Sessions; Cowell

 211/13La crTation du monde,

See: Writings by AC, Lectures & Speeches: Darius Milhaud

 211/1429-LG/35-LVCreativity and the composer, 1972, 1973 211/14Creativity and the creative artist,

See: Writings by AC, Lectures & Speeches: Creativity and the composer

 211/14Creativity in America,

See: Writings By AC, Articles: Creativity in America

 211/156-LGCreativity in America today, 1953, 1956, 1965, 1968 211/16Cultural conference, n.d. 211/1721-LVCurrent trends in cont[emporary] music, 1954, 1960, 1961

See also: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music

 211/182-LVDarius Milhaud, 1948 211/19-2014-LGThe dilemma of our symphony orchestra, 1956

See also: Writings by AC, Articles: The dilemma of our symphony orchestra

 211/21Dinner for W[illia]m Schuman, 1967 211/225-LVDmitri Shostakovitch and the new simplicity, n.d. 211/23Effect of the cold war on the artist in the United States, [1949?] 211/24Emergence of the Amer[ican] composer, 1940-1955, 1956 211/25La emergTncia de la música norteamericana, 1961, 1962, 1963 211/2617-LVFaurT, n.d. 211/27[50th anniversary Pulitzer Prize dinner], 1966 211/28-29Film music, 1940

See also: Writings by AC, Lectures & Speeches: Music in the movies

 211/30Film music: Civitas Club, 1940 211/31-3235?Film talk, 1971 211/33For Alvin Johnson, n.d. 211/3425-LGFor 8-13 year olds, 1969 211/35-36Forms of modern music, [193?] 211/35-36Four lectures on contemporary music,

See: Writings by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music

 212/1[Gold medal for music], 1956 212/2History of American music, 1947 212/37-LVInfluence of jazz and "Everyday Music", n.d.

See also: Writings by AC, Lectures & Speeches: Influence of jazz on modern music; See also: Writings by AC, Lectures & Speeches: Intro[duction] to r[h]ythmic considerations in Amer[ican] music

 212/4Influence of jazz on modern music, n.d. 212/5-6Intelligent music-listening, 1937 212/5-6The interpreter,

See: Writings by AC, Lectures & Speeches: On conducting Amer[ican] music; The interpreter from the composer's viewpoint

 212/7Introducing Shostakovitch at dinner, 1949 212/817-LGIntro[duction] of N[adia] Boulanger as teacher, 1958 212/99-LGIntroduction to my music, 1952

See also: Writings by AC, Lectures & Speeches: On my music

 212/10-1120Introduction to the cont[emporary] idiom: Four lectures on contemporary music, 1957-1958

See also: Writings by AC, Lectures & Speeches: Composing in America (then and now); See also: Writings by AC, Lectures & Speeches: Current trends in cont[emporary] music

 212/127-LVIntro[duction] to r[h]ythmic considerations in Amer[ican] music, n.d.

See also: Writings by AC, Lectures & Speeches: Influence of jazz on modern music; See also: Writings by AC, Lectures & Speeches: Influence of jazz and "Everyday Music"

 212/13[Introductory remarks for film "Brute Force"], n.d. 212/14Is America musically mature?, 1941 212/1516-LGJapan's composers, 1960 212/1615-LVJazz and folk influences, 1944 212/1710-LVJewish composers in the western world, 1951 212/18L. B. [Leonard Bernstein], n.d.

See also: Writings by AC, Lectures & Speeches: Talk on Leonard Bernstein

 212/1931-LVLatin American music, 1947-1963 212/19Das Lied von der Erde,

See: Writings by AC, Lectures & Speeches: Mahler - XX cent[ury]

 212/20London speech, 1965

See also: Writings by AC, Lectures & Speeches: Talk for the BBC

 212/21Lotus Club, 1978 212/226-LVMahler - XX cent[ury], n.d. 212/23-24Masterpieces of modern music, 1928-1929

See also: Writings by AC, Lectures & Speeches: aesthetics of modern music

 212/2524-LGThe meaning of music, n.d. 212/26MENC meeting, n.d. 212/26Messiaen, Olivier,

See: Writings by AC, Lectures & Speeches: Music: Pro & Con II - Olivier Messiaen

 212/26Mexican music [III],

See: Writings by AC, Lectures & Speeches: Latin American music

 212/26Milhaud, Darius,

See: Writings by AC, Lectures & Speeches: Darius Milhaud

 213/1"Modern" American music - Part II, 1950, 1953 213/2Modern Americans: Sessions; Cowell, n.d.

See also: Writings by AC, Lectures & Speeches: Music: Pro & Con I - Sessions

 213/2Modern Japanese music,

See: Writings by AC, Lectures & Speeches: Japan's composers

 213/318-LVModern piano music, 1938 213/4Modern piano repertoire and its interpretation, n.d. 213/5Movie music, n.d. 213/622-LGMusic - A composer's view (of music), 1967, 1971 213/73-LVMusic: Pro & Con I - Sessions, 1950

See also: Writings by AC, Lectures & Speeches: Modern Americans: Sessions; Cowell

 213/84-LVMusic: Pro & Con II - Olivier Messiaen, 1950 213/8Music and imagination,

See: Writings by AC, Books: Music and imagination

 213/9Music and the other arts in contemporary America, 1955 213/102-LGMusic for a modern world, 1949 213/1111-LGMusic in contemporary life, 1957 213/12Music in America scene I: New Phases: Cross-section, 1944

See also: Writings by AC, Lectures & Speeches: Jazz and folk influences; See also: Writings by AC, Lectures & Speeches: Music of the Americas; See also: Writings by AC, Lectures & Speeches: Music in the films; See also: Writings by AC, Lectures & Speeches: The problem of style - Shostokovitch vs. Schoenberg

 213/138-LVMusic in the films, n.d. 213/14Music in the movies, n.d.

See also: Writings by AC, Lectures & Speeches: Film music; See also: Writings by AC, Lectures & Speeches: Civitas Club; See also: Writings by AC, Lectures & Speeches: Film talk; See also: Writings by AC, Lectures & Speeches: Writing for films; See also: Writings by AC, Articles: Music and the movies

 213/15Music in the theatre, n.d. 213/15Music of Argentina [IV],

See: Writings by AC, Lectures & Speeches: Latin American music

 213/16Music of the Americas, 1958

See also: Writings by AC, Lectures & Speeches: Latin American music

 213/17[13?]Music of today, 1935-1936 213/18Music of today, 1936 213/19Music of the 20s, 1942, 1963 230/12Music of the 20s, 1942 213/20Music of the 20s, 1960 213/21-2219-LVMusic of the 20s (Harvard lectures), 1952, 1954, 1959, 1960, 1962

See also: Writing by AC, Lectures & Speeches: Introduction to the cont[emporary] idiom: Four lectures on contemporary music

 213/23Musica americana: Part I; La nuova generazione di compositori americani: Part II, 1951 213/23La música contemporanea negli Stati Uniti,

See: Writings by AC, Lectures & Speeches: the contemporary music in the United States, n.d.

 213/24[La música de las americas], n.d.

See also: Writings by AC, Articles: Composer's report on music in South America; See also: Writings by AC, Articles: South American journey

 213/25La música en las peliculas, n.d. 213/25La música norte americana y la escena norte americana,

See: Writings by AC, Lectures & Speeches: Panorama of American composers

 213/25La musique contemporaine aux +tats Unis,

See: Writings by AC, Lectures & Speeches: The contemporary music in the United States

 213/25N[adia] B[oulanger] as teacher,

See: Writings by AC, Lectures & Speeches: Intro[duction] of N[adia] Boulanger as teacher

 213/26Nationalism in Amer[ican] music, n.d. 213/2729-LVNationalist trends in contemporary music, 1961 213/27New music from Latin America,

See: Writings by AC, Lectures & Speeches: Latin American music

 213/28New music in the Americas, n.d. 213/28New music seminar [II], Brazilian music,

See: Writings by AC, Lectures & Speeches: Latin American music

 213/28New phases: Cross-section, 1944

See: Writings by AC, Lectures & Speeches: Music in the American sceneI

 213/2934-LVNew trends in cont[emporary] music, 1964

See also: Writings by AC, Lectures & Speeches: The aesthetic climate of today

 213/3034New trends in contemporary music, 1965 213/30North and South American composers,

See: Writings by AC, Lectures & Speeches: Latin American music

 213/31Notes on G. W. Chadwick, n.d. 213/31Notes on Tender land,

See: Writings by AC, Lectures & Speeches: The operatic problem

 213/31La nueva generaci=n de compositores,

See: Writings by AC, Lectures & Speeches: Panorama of American composers

 213/31La nuova generazione di compositori americani,

See: Writings by AC, Lectures & Speeches: Musica americana: Part I

 214/128-LVOedipus Rex, 1957 214/2On American music, [?], 1978 214/321-LGOn conducting Amer[ican] music; The interpreter from the composer's viewpoint, 1964 214/45-LGOn my music, 1946, n.d. 214/5Opera symposium, 1953 214/68-LGThe operatic problem, 1954, n.d. 214/7-8Panorama of American composers (in English and Spanish), 1947 214/7-8Los placTres de la música,

See: Writings by AC, Lectures & Speeches: The pleasures of music

 214/9-10The pleasures of music, 1959

See also: Writings by AC, Lectures & Speeches: Contemporary trends in music today; See also: Writings by AC, Articles: The pleasures of music

 214/117-LGPreoccupations of young composers, 1955 214/12Presentation of gold medal for music to Elliott Carter, 1971 214/13Presentation of gold medal for music to Virgil Thomson, 1966 214/14Presentation of MacDowell Medal to Robert Frost, 1962 214/1513-LVThe problem of style - Schoenberg vs. Shostakovitch, 1944 214/1627-LVRecent Amer[ican] music: Comparison with Europe, 1956 214/1730-LVRecent European (piano) music, 1959 214/17Reis, Claire,

See: Writings by AC, Lectures & Speeches: Claire Reis; See also: Writings by AC, Articles: Claire Reis; See also: Writings by AC, Articles: Claire Raphael Reis

 214/18Remarks in Japan conference, 1967 214/193-LGRole of the creative artist in education, 1949 214/204-LGThe role of culture in the U. S., 1947 214/21Role of university in the arts (Arts in the university), n.d. 214/21Rubin Goldmark: A tribute,

See: Writings by AC, Articles: Rubin Goldmark: A tribute

 214/22Schools and the arts, n.d. 214/22Schuman, William,

See: Writings by AC, Lectures & Speeches: William Schuman

 214/23Search for an "American" music, 1960

See also: Writings by AC, Articles: Making music in the star-spangled manner

 214/241Seminar in contemporary music, 1957 214/25Serge Koussevitsky[sic]- the 100th anniversary, 1974 214/26[Serious music], 1972 214/26Sessions, Roger,

See: Writings by AC, Lectures & Speeches: Music: Pro & Con I -Sessions; See also: Writings by AC, Lectures & Speeches: Modern Americans: Sessions; Cowell

 214/27The sonata - '39-41, n.d. 214/28Des souris et des hommes, 1958 214/29Speech on recent 'Trends' at Pulitzer Prize dinner, 1966 214/30Speech to Academfa Brasileira de Música, 1947 214/31Stadium concert, Aug. 16, 1939 214/32Stadium concert - Intermission talk, 1939, Jul. 5 214/33Stockhausen lecture, 1963

See also: Writings by AC, Radio, United States: WBAI: Stockhausen's Momente

 214/341-LVStravinsky, 1937 214/35[Style contrasts], 1941 214/36Survey of contemporary music, 1934 214/37Survey of contemporary music, 1940 214/3814-LVSurvey of contemporary music, n.d.

See also: Writings by AC, Lectures & Speeches: Music in contemporary life

 214/39Survey of contemporary music, n.d. 214/40Symphonic masterpieces, 1938-1939 215/1Talk - Music magazine, n.d. 215/226-LG[Talk at New York University], 1970 215/3Talk for the BBC, 1945

See also: Writings by AC, Lectures & Speeches: London speech

 215/4Talk on Leonard Bernstein, 1968

See also: Writings by AC, Lectures & Speeches: L. B. [Leonard Bernstein]

 215/5Talk to university and college concert managers, 1967 215/6[Tanglewood], 1958 215/7[Tanglewood - A musical place], n.d. 215/8Technical steps in sound recording, n.d. 215/8Tender land talk (and the operatic problem),

See: Writings by AC, Lectures & Speeches: The operatic problem

 215/9Thirties in North America: America enters the arena of musical nations, n.d., 215/1012-LGTo band leaders [at convention], 1958 215/10To concentrate on 3 countries - Brazil, Argentina, Mexico,

See: Writings by AC, Lectures & Speeches: Latin American music

 215/11An uncertain glimpse into the musical future, 1972 215/1220-LVUnderstanding contemporary music, 1950, 1957 215/13Unidentified: Miscellany, 215/14Variation form in contemporary music, 1955 215/1524-LVVariation forms - Classical forms in cont[emporary] music, 1952 215/16What to listen for in music, Series I, n.d. 215/17What to listen for in music, Series II, n.d. 215/1827-LGWilliam Schuman, 1971 215/1920-LGWords and music, 1962 215/20Writers and music, n.d. 215/21Writing for films, n.d.

See also: Writings by AC, Lectures & Speeches: Film music

 215/22The younger generation of American composers, n.d. 215/23Youngest generation of American composers, 1961 Radio 216/1Argentina, Radio Argentina,n.d. 216/2Argentina, Radio del Estado,1947 216/3Argentina, Radio El Mundo,1947

See also: Writings by AC, Radio, Uruguay: Radio El Espectador

 216/4Argentina, Radio Libertad,1947 216/5Argentina, Radio Splendid,1947 Nov. 6 216/6Argentina, Radio Splendid, La semana musical,1947 Nov. 12 Australia, The uncomplicated air of Aaron Copland,1975

The uncomplicated air of Aaron Copland

See: Writings by Others, About AC, Interviews: Plush, Vincent.

 216/7Brazil, Marc Blitzstein: The airborne symphony,n.d. 216/8Brazil, Hora do Brazil,Nov 1941

See: Writings by AC, Radio, Brazil: Radio Gazeta

 216/8Brazil, Radio Espectador,

See: Writings by AC, Radio, Brazil: Radio Gazeta

 216/9Brazil, Radio Gazeta,n.d. 216/10Brazil, Radio ministerio de Educação, 6 Oct. [?] 216/11Brazil, Radio ministerio de Educação,13 Oct. [?] 216/12Brazil, Radio ministerio de Educação, Coletanea musical,1947 Sept. 6 216/13Brazil, Radio ministerio de Educação, Copland interview,1947 Sept. 14 216/14Brazil, Radio Nacional: Comments by Copland,1947 Sept. 12 216/15Brazil, Radio Nacional: Questionaire,1947 Sept. 12 216/16Brazil, Radio Nacional: Samuel Barber,n.d. 216/17Brazil, Radio Nacional: Vrigil Thomson,n.d. 216/18Brazil, Radio Roquete Pinto,1947 Sept. 9 216/18Brazil, Radio Sociedade da Bahia,

See: Writings by AC, Radio, Brazil: Radio Gazeta

 216/19Canada, CBC: The American musical scene,1950

See also: Writings by AC, Radio, Great Britain: BBC: The American musical scene

 216/20Chile, Radio La Americana: La audición "Nuevo Mundo",1941 216/21Cuba, Radio Ministerio de Educación,n.d. 216/22Cuba, Radio Nacional,16 Sept. [?] 216/23France, Answers to Bernard Govoty,1955 216/24France, Dupriez, Christian. La musique contemporaine aux États-Unis,1946 216/25France, La voix de l'amerique: L'amerique deppuis,1939, 1946 230/13Germany, Norddeutscher Rundfunk: Program,1961 216/26Great Britain, BBC: The American musical scene,1949

See also: Writings by AC, Radio, Canada: CBC: The American musical scene

 216/27Great Britain, BBC: Music to remember,1962 216/28Great Britain, BBC: Statement on Benjamin Britten,1976 216/29Great Britain, Benjamin Britten Obituary,1976 216/30Italy, Radio Rome,1949 216/31Switzerland, Radio Lausanne,n.d. 216/32United States, ABC: Music of today, Talk by Aaron Copland,n.d. 216/33United States, [American composers series],n.d. 216/34United States, American School of the Air: Music and the friendly arts,1939 216/35United States, CBS: Columbia's Green Room, Copland and Graham,n.d. 216/35United States, CBS: Man's right to knowledge,

See: Writings by AC, Articles: Music and the human spirit

 216/36United States, CBS: Modern masters series - Aaron Copland, pianist-composer,1936 216/37United States, CBS: Music for a great city,1966 216/38United States, CBS intermission,1939 216/39United States, Interview with [Edwin] Seaver,1942 216/40United States, Modern music and audience,(1939?) 216/41United States, WABC: Howard Barlow series,1940 216/42United States, WBAI: Stockhausen's Momente,1962-1963

See also: Writings by AC, Lectures & Speeches: Stockhausen lecture

 216/43United States, WGBH: Our American music, Series IV,1959-1960 216/43United States, WNCN: Aaron Copland comments,1968-1971 216/44United States, WNCN: Aaron Copland comments,1968-1971

Contract

 216/45United States, WNCN: Aaron Copland comments,1968-1971

Correspondence, 1968-1971

 216/46United States, WNCN: Aaron Copland comments,1968-1971

Lists: Series I-III

 216/47United States, WNCN: Aaron Copland comments,1968-1971

Notes; Micellany

 216/48United States, WNCN: Aaron Copland comments,1968-1971

Promotional material

 230/14United States, WNCN: Aaron Copland comments,1968-1971

Promotional material

 217/1-3United States, WNCN: Aaron Copland comments,1968-1971

Series I-III: Programs 1-52; Draft

 217/4-6United States, WNCN: Aaron Copland comments,1968-1971

Series I-III: Programs 1-52; Typescript

See also: Writings by AC, Radio, United States: WQXR: [Music for the theatre]; Writings by AC, Articles: Some notes on my "Music for the theatre"

 217/7United States, WNYC: Questions,1949 217/8United States, WQXR: Interview with Edwin Seaver,1939 217/9United States, WQXR: Memorial to Paul Rosenfeld,1946 217/10United States, WQXR: [Music for the theatre],1942

See also: Writings by AC, Radio, United States: WNCN: Aaron Copland comments, Series I-III, Program 2, Typescript

 217/11United States, WQXR: [New trends in music],1939 217/12United States, WQXR: RCA Victor Record Showcase, Interview with Aaron Copland,n.d. 217/13United States, WQXR: Russian war relief program,1942 217/14United States, WQXR: Testimonial dinner to Dr. Koussevitzky,1944 217/15Uruguay, Radio Ariel, Montevideo, 1947: Interview with Maestro Aaron Copland,1947 217/16Uruguay, Radio El Espectador,1947

See also: Writings by AC, Radio, Argentina: Radio El Mundo

 Venezuela

See: Writings by AC, Radio, Cuba: Radio Ministerio de Educación

 217/17Miscellany, [Appalachian spring],n.d. 217/18Miscellany, [Paul Bowles; Roy Harris; Aaron Copland],n.d. Television 218/1Canada, CBC: The music of man: Program five "The power of invention",1977-1978 218/2Great Britain, BBC: Copland on Copland,1965 218/3Great Britain, BBC: Miscellany: Clippings,1964-1980 218/4United States, CBS: New York Philharmonic Young People's Concerts #1: "Music for the Movie",1969

Miscellany

 218/5United States, CBS: New York Philharmonic Young People's Concerts #1: "Music for the movie",1969

Scripts

 218/6United States, Correspondence, miscellaneous,1957-1981 218/7United States, WGBH: Aaron Copland: Music in the 20s,1965

Correspondence, 1962-1967

 218/8United States, WGBH: Aaron Copland: Music in the 20s,1965

Lists: Music illustrations

 218/9United States, WGBH: Aaron Copland: Music in the 20s,1965

Miscellany: Clippings; Poster (photocopy); Program guide

 230/15United States, WGBH: Aaron Copland: Music in the 20s,1965

Poster

 218/10United States, WGBH: Aaron Copland: Music in the 20s,1965

Schedules

 218/11-12United States, WGBH: Aaron Copland: Music in the 20s,1965

Typescripts, Programs 1-12

 218/13United States, WNBC: Speaking freely,1969 218/14United States, WNET: The American composer, Program #1: Aaron Copland,n.d. 218/15United States, WNET: Bill Moyer's journal "Aaron Copland",1976 218/16United States, WNET: Music in America: Copland conducts Copland,1975 218/17United States, WNEV: Copland profile,1984-1985 218/18United States, WQED: A Copland celebration!,1980

Miscellany

 Map Case C Drw 2/2United States, WQED: A Copland celebration!,1980

Promotional material

 Writings by Others About Aaron Copland Articles 219/1Aaron Copland, 1961 219/2[Aaron Copland](in Persian), 1961 219/3Aaron Copland, n.d. 230/16Aaron Copland, n.d. 219/4Aaron Copland: His flavor is personal, American, 1966-1977 219/5Aaron Copland at 50, 1950 219/6Aaron Copland on jazz, n.d. 219/7Aaron Copland 75th anniversary: Dean of American composers, 1976 219/8About Aaron Copland, n.d. 219/9All' U. S. I. S. Aaron Copland, 1951 219/10America gradually learns importance of artists, Copland notes, 1967 230/17Amerikanische Komponisten: Aaron Copland, 1947 219/11The arts at Northwestern, 1958 219/11An award for Copland,

See: Writings by AC, Articles: Composers in Russia

 219/12Bernstein tells of first time with Copland, n.d. 219/13Boys High School Alumni Association: West coast chapter, 1980, 1983 219/14Composers-in-residence, 1975 219/15Concert, reception honor Aaron Copland on his birthday, 1981 219/16Conferenza all'USIA: Parole e musica di Aaron Copland, 1951 219/17Copland at 70, 1970-1971 230/18Copland comes to town, 1977 219/18Copland views movies as strong challenge to modern composers, 1948 219/18Copland's "Hear Ye, Hear Ye!" and an Ibert ballet,

See: Writings by AC, Articles: Scherchen on conducting and Ewen on composers

 219/19Copland's soundtrack, 1961 219/20Dance Magazine awards 1979: Erick Hawkins; Aaron Copland; Jorge Donn, 1979 219/21Una entrevista con Copland, 1932 219/22Exchange of persons: Aaron Copland completes tour, 1948 230/19Fontainebleau Alumni Bulletin: Music alumni news, Aaron Copland, comp '21, 1952-1954, 1961 219/23For Aaron Copland at 80, 1980 219/24For the people, 1939 219/25Great guys in their day, n.d. 219/26Great men of music, n.d. 230/20Jazz as folk-muisc, 1925 230/21The music man: Harmony in a new found land, 1959 219/27New York state award 1975: New York Council on the Arts, 1975 219/28The premiere of a noted composer's piece for youngsters: "Down a country lane", 1962 212/29Un "Retrato Musical" de Martí?... , 1953 219/30The rise of the American composer, n.d. 219/31S. A. musicians getting to consider New York as hub of music world, n.d. 219/32The second hurricane, n.d. 219/33The simple gift of genius: The music of Aaron Copland on record, 1981 219/34The spectacular 80s, 1983-1984 219/35Thank you, Aaron Copland, 1965 230/22U.S. composers in a bright era, n.d. 219/36A visit to Peekskill, n.d. 219/37Young boro musician wins fellowship honor, 1925 219/38Affelder, Paul. The artists who create the nation's best serious music, 1963 219/39Antheil, George. American music must grow up, 1949 219/40Asbell, Bernard. Hear, hear new music, U.S.A., 1961 230/23Avery, Stanley. When we were 21, 1951 219/41Bauer, Marion. Aaron Copland: A significant personality in American music, 1939 219/42Beals, Kathie. Copland the living classic, 1985 219/43Behrend, Jeanne. Preludio a conco programas: Estudio sobre el panamericanismo musical, 1946 219/44Berger, Arthur V.An Aaron Copland discography, 1955 219/45Berger, Arthur V.An Aaron Copland, Roy Harris, Walter Piston, 1943 219/46Berger, Arthur V.The home-grown Copland, 1950 219/47Berger, Arthur V.The "Third Symphony" of Aaron Copland, 1948 219/48Berger, Arthur V.Stravinsky and the younger American composers, 1955 219/49Bernstein, Leonard. Aaron and Moses, 1975

See also: Writings by Others, About AC, Articles: Composers-in-residence

 230/24Bernstein, Leonard. Aaron Copland: Composer; Conductor, 1969-1970 219/50Bernstein, Leonard. Aaron Copland: An intimate sketch, 1970 219/51Blitzstein, Marc. Four American composers, n.d. 219/52Bohm, Jerome D.American composers and their critics, 1932 230/25Bonvicini, Renzo. Ragazzi romani, 1953 219/53Boulanger, Nadia. Tribute to Aaron Copland, 1975 219/54Boys, Henry. Aaron Copland and his "Piano Variations", 1933 219/55Boys, Henry. The Amsterdam festival, 1933 219/56Burke, Kenneth. Music: A bright evening, with musicians, 1936 219/57Cai, Dorothy Liang-Yu. Visiting Copland, 1983 219/58Canby, Edward Tatnall. A note on the work of Aaron Copland, n.d. 219/58Carter, Elliott. The rhythmic basis of American music, 1955

See: Writings by Others, About AC, Articles: Berger, Arthur V. Stravinsky and the younger American composers

 219/59Chase, Mary Coyle. Sketches of those just added to roll of Pulitzer Prize winners, 1945 219/60Ch´vez, Carlos. Ives y Copland, n.d. 219/61Christophe, Jean. La musique moderne: Un américain à Paris, 1971 219/62Citkowitz, Israel. Aaron Copland - Personal note, 1953 219/63Citkowitz, Israel. Compositores do johe: Aaron Copland, 1948 219/64Clement, Thom. Composer Elmer Bernstein: Scoring fantasy films, 1986 220/1Clurman, Harold. Aaron Copland, by Arthur Berger [Book review], 1953

See also: Writings by Others, Books: Berger, Arthur. Aaron Copland

 220/2Clurman, Harold. My friend Aaron, 1975

See: Writings by Others, About AC, Articles: Boulanger, Nadia. Tribute to Aaron Copland

 220/3Clurman, Harold. Nightlife and daylight, 1947 230/26Cogan, Alice. Musical genius like a prophet, n.d. 220/4Colapinto, Frank. Copland, 1945 220/5Cole, Hugo. Myth of the all-American composer, 1980 220/5Cole, Hugo. Popular elements in Copland's music, 1970-1971

See also: Writings by Others, About AC, Articles: Copland at 70

 230/27Commanday, Robert. At home with Aaron Copland, 1970 220/7Cooper, Martin. Extract from "Music Magazine", 1953 220/8Craft, Robert. Stravinsky: Chronicle of a friendship 1848-1971, 1970 220/9Deutsch, Didier. Aaron Copland, 1961 220/10Diamond, David. The composer and film music, 1941 220/11Diana, Marta. Un coloquio en el Teatro Colon con Aaron Copland, n.d. 220/12Dickinson, Peter. Aaron Copland at eighty-five, 1985 220/13Dickinson, Peter. Copland at 75, 1975 220/14Dommett, Kenneth. Aaron Copland - An appreciation, 1980 230/28Dorfman, Roger. Rise of a composer, 1942 220/15Downes, Olin. Copland at 50, 1950 230/29Drago, Erensto C.Copland, el músico que pudo ser un asessino, n.d. 230/30Dyer, Richard. The neighborly composer, 1975 220/16Edmunds, John, and Gordon Boelzner. Some twentieth century American composers. A selective bibliography, Part I and II, 1957-1959 220/17Evans, Peter. Copland's middle way, 1960 220/18Evans, Peter. First performances: Copland's "Connotations", 1963 220/19Evans, Peter. The thematic technique of Copland's recent works, 1959 230/31Eyer, Ronald F.Meet the composer: Aaron Copland, 1943 220/20Fields, Sidney. Notes on a top composer, 1970 220/21Fierz, Gerold. Aaron Copland, 1956 220/22Figueiredo, Guilherme. Oro, Sr. Copland, 1948 220/23Fine, Irving. Twentieth-century music, 1947 220/24Finkelstein, Sidney. The music of Aaron Copland, Part I and Part II, 1951 220/25Finkelstein, Sidney. Notes on Aaron Copland, 1948 220/26Flanagan, William. The great American composers: Aaron Copland, 1966 220/26Ford, Christopher. Two views of Aaron Copland, 220/27Freed, Richard. America's spirit in music: Aaron Copland, 1966 220/28Freed, Richard. Birthday greetings to - and from - Aaron Copland, n.d. 220/29Frymire, Jack. Copland 68, 1968 230/32Fuller, Donald. A symphonist goes to folk sources, 1948 220/30Garrido, Pablo. Aaron Copland embajador músical de Norte-America, n.d. 220/31Garvie, Peter. Aaron Copland (English and Spanish), 1962-1963 230/33Gelles, George. Don't forget about Copland's writing, 1948 220/32Gill, Dominic. Copland, 1969 220/33Goldbert, Albert. Copland film scores and critics, 1948 230/34Goldberg, Isaac. Aaron Copland, 1929 220/34Goldberg, Isaac. Aaron Copland and his jazz, 1927 220/35Goldman, Richard Franko. The Copland festival, 1960 220/6Conly, John M.Aaron Copland looks ahead, 1965 220/36Goléa, Antoine. Une musique savante, 1962 220/37Goodwin, Noel. The quiet American, 1963 230/35Guernsey, Otis L. Jr.Function of the movie musical score, 1949 220/38PCH. Aaron Copland, n.d. 220/39Hadjinikos, George. Versuch einer Analyse der Copland-Sonate, n.d. 220/40Hall, Roger L.The story of 'Simple gifts': Shaker simplicity in song, 1987 220/41Hamilton, David. Aaron Copland: A discography of the composer's performances, 1970 220/41Hamilton, David. An Aaron Copland photo album, 1970

See: Writings by Others, About AC, Articles: Bernstein, Leonard. Aaron Copland: An intimate sketch

 220/41Hamilton, David. The recordings of Copland's music,

See: Writings by Others, About AC, Articles: Bernstein, Leonard. Aaron Copland: An intimate sketch

 221/1Hanson, Howard. Flowering of American music, 1949 221/2Heinsheimer, H.W.Aaron Copland: The making of an American composer, 1947 230/36Heinsheimer, H.W.Aaron Copland: The making of an American composer, 1948 221/3Heinsheimer, H.W.What price music?, 1947 230/37Henahan, Donal. This Aaron is a musical Moses, 1975 230/38Henderson, Robert. Copland's mark on America, 1980 221/4Hershowitz, Alan. Copland: The music, 1980 230/39Heylbut, Rose. America goes to the ballet, 1948 221/5Hightower, Marvin. A retrospective for Aaron Copland, composer, 1978 221/6Hohenlohe, Manfred. Das Buch von Aaron Copland: Unsere neue Musik, 1949

[Book review]

 221/7Holloway, Robin. Copland: Volume I, 1900-1942, 1985

[Book review]

 230/40Johnson, Harriett. Aaron Copland: Dean of American composers, 1976 230/40Kay, Norman. Aspects of Copland's development, 1970-1971

See: Writings by Others, About AC, Articles: Copland at 70

 221/8Kay, Norman. Copland: All-American composer, 1965 221/9Keener, Andrew. Aaron Copland, 1981 221/10Keens, William. Part of it all: A profile of Aaron Copland, 1982 221/11Kerman, Joseph. American music: The Columbia series (II), 1961 221/12Kirkpatrick, John Jr.On Copland's music, 1928 231/1Klein, Howard. Composers can be their own best conductors, 1966 231/2Klein, Howard. A concert of conductors, 1964 221/13Kolodin, Irving. Celebrating Aaron Copland, 1980 231/3Kolodin, Irving. First fifty years hardest?, 1949 221/14Kolodin, Irving. Music to my ears: Copland at the bowl, Samuel at Cabrillo, 1967 221/14Koussevitzky, Olga. A wise and trusted friend,

See: Writings by Others, About AC, Articles: Boulanger, Nadia. Tribute to Aaron Copland

 221/15Kriegsman, Alan M.As American as a ten-gallon hat, 1974 231/4Kubly, Herbert. America's no. 1 composer, 1948 221/16Kyle, Marguerite Kelly. AmerAllegro, 1950 231/5Lederman, Minna. Some American composers, 1947 221/17Lerner, Bennett. Stalking American music, 1985 231/6Lien, Connie. Going strong at 80, 1981 231/7AHM. The serried past, the full present of Aaron Copland, 1925 221/18McLellan, Joseph. Classic Copland, 1983 221/19Malloch, William. Copland's triumph, 1988 221/20Masselos, William. The composer's workhorse, 1984 221/20Matthews, David. Copland and Stravinsky, 1970-1971

See: Writings by Others, About AC, Articles: Copland at 70

 221/21Mattos, Wilfred. Aaron Copland, n.d. 221/22Mellers, Wilfred. Aaron Copland and the American idiom, 1948 221/22Mellers, Wilfred. Hommage to Aaron Copland, 1970-1971

See: Writings by Others, About AC, Articles: Copland at 70

 221/23Mellers, Wilfred. Language and function in American music, 1942 231/8Milhaud, Darius. Musique des U. S. A., 1947 221/24Moor, Paul. Aaron Copland, 1951 221/25Moor, Paul. In search of a native muse, 1949 231/9Morrill, Charles. An afternoon with Aaron Copland, 1981 221/26Morton, Lawrence. Music notes, 1943 221/27Nelson, Boris. Aaron Copland, 1970 231/10Nichols, Lewis. Talk with Aaron Copland, 1952 221/28Northcott, Bayan. Composers of the sixties, 1970 221/29Northcott, Bayan. Copland in England, n.d. 221/30Northcott, Bayan. Notes on Copland, 1980 221/30O'Brien, Frances. Aaron Copland, a protrait,

See: Writings by AC, Articles: Stravinsky and Hindemith premieres

 221/31Oja, Carol J.The Copland-Sessions Concerts and their reception in the contemporary press, 1979 221/32Oja, Carol J.Cos Cob Press and the American composer, 1988 221/32Oppens, Kurt. A note on Aaron Copland, 1975

See: Writings by Others, About AC, Articles: Composers-in-residence

 221/32Orga, Ates, ed.The composer speaks: Quotes from the composer,

See: Writings by Others, About AC, Articles: Commett, Kenneth: Aaron Copland - In appreciation

 221/33Orrego-Salas, Juan. Aaron Copland: A New York composer, 1948, 1952 221/34Orrego-Salas, Juan. Aarón Copland: Un músico do New York, n.d. 222/1Paddack, John Christopher. Aaron Copland (English and Spanish), 1964 222/2Pasles, Chris. Aaron Copland: A reminder that music is a living art, 1978 222/3Payne, Ifan. Copland on film: Indeed, the best does go on, n.d. 222/4Perlis, Vivian. Aaron Copland and the piano, 1990 222/4Perlis, Vivian. Boulanger - 20th century music was born in her classroom,

See: Writings by AC, Articles: Copland salutes Boulanger

 231/11Perlis, Vivian with Aaron Copland. Copland and the BSO: A lasting friendship, 1981 231/12Pettis, Ashley. Marching with a song, 1934 231/12Plaistow, Stephen. Some notes on Copland's "Nonet",

See: Writings by Others, About AC, Articles: Evans, Peter, First performances: Copland's "Connotations"

 231/13Portela, Francisco V.Copland, arquitecto de la música,, n.d. 231/14Pottersman, Edna. Copland conducts Copland, 1972 222/5Ramey, Phillip. Aaron Copland: Genial patriarch of American music, 1985 222/5Ramey, Phillip. Aaron Copland at eighty: A candid talk with the composer about himself, American music and its makers, 1980

See: Writings by Others, About AC, Articles: Commett, Kenneth: Aaron Copland - An appreciation

 222/6Redlich, H.F.Music from the American continent, 1958 222/7Reed, Philip. Copland and Britten: A composing friendship, 1990 222/8Reti, Rudolph. Copland's "Third Symphony" termed a milestone, 1948 222/9Roddy, Joseph. At 75, Aaron Copland is the first composer to live nicely off his notes, 1975 222/10Roddy, Joseph. The case of Aaron Copland, 1976 222/11Rosenfeld, Paul. Aaron Copland's growth, 1931 222/12Rosenfeld, Paul. The advance of American music, 1939 222/13Rosenfeld, Paul. Musical chronicle, 1925 222/14Roy, Kaus George. A composer grows in Brooklyn, 1952 222/15S, RA. [America's young men of promise], n.d. 222/16S, RA. Musical events, 1932 222/17Salzman, Eric. Aaron Copland: The American composer is eighty, 1981 231/15Salzman, Eric. Disks: Copland, 1961 222/18Sargeant, Winthrop. The case of Aaron Copland, 1946 222/19Sasportes José Estevão. Aaron Copland e a dança na América, 1961 222/19Schonberg, Harold C.Aaron Copland,

See: Writings by Others, About AC, Articles: Dommett, Kenneth. Aaron Copland - An Appreciation

 222/20Schonberg, Harold C.Copland symbolizes a period, 1971 222/21Schuman, William. Aaron Copland, 1979 222/21Schuman, William. A 75th birthday tribute,

See: Writings by Others, About AC, Articles: Boulanger, Nadia. Tribute to Aaron Copland

 222/22Secunda, Shalom. Di groyse idishe compozitors Bloch un Copland (The great Jewish composers Bloch and Copland), 1950 222/23Sessions, Roger. Reflections on the music life in the United States, 1956 222/24Shapiro, Aaron. Aaron Copland wins Pulitzer Prize; Prominent as composer and author, 1945 222/25Shostakovitch, Dmitri. Travel notes - No. 5, 1949 222/26Slonimsky, Nicolas. "The Six" of American music, 1937 222/27Smit, Leo. For and about Aaron on his 75th, 1975 222/27Smith, Cecil Michener. Copland's "Hear Ye, Hear Ye!" and an Ibert ballet,

[Book review]

See: Writings by AC, Articles: Scherchen on conducting and Ewen on composers

 222/28Smith, Cecil Michener. League of Composers program celebrates Copland birthday, 1950 222/28Soria, Dorle J.Artist life, 1970

See: Writings by Others, About AC, Articles: Copland at 70

 222/29Stahmer, Klaus. Aaron Copland: 75 Jahre, 1976 231/16Stell, Loren. Aaron Copland and his influence, n.d. 231/17Stell, Loren. Brooklyn to 'Bill the Kid', 1980 231/18Stemmer, Konrad. Die synchronisierte Zeitschrift, 1952 231/19Stoddard, Hope. Aaron Copland on the composer's craft, 1949 222/30Strode, Rosamund. Aaron Copland at Aldeburgh, n.d. 231/20GAT. Da Trieste, n.d. 222/31Takui, Hyueru. Amerika no ongaku no soko o saguru (American music, a study in depth), 1960 222/32Takui, Hyueru. Tsekai no mei shikishatachi (Aaron Copland - The gift of simplicity). Translated by Junji Miura, 1969 231/21Taubman, Howard. The music of Aaron Copland (in Russian), n.d. 231/22Taubman, Howard. Scored for American: "Aaron Copland: His work and contribution to American music", by Julia Smith, 1956

[Book review]

See also: Writings by Others, About AC, Books: Smith, Julia. Aaron Copland: His work and contribution to American music

 222/33Taubman, Howard. A week for youth, n.d. 222/34Temianka, Henri. On music, 1980 222/34Thomson, Virgil. Contemporary American composers, VII. Aaron Copland,

See: Writings by AC, Articles: Stravinsky and Hindesmith premieres

 222/35Thomson, Virgil. Copland as great man, 1946 231/23Thomson, Virgil. The cult of jazz, 1925 231/23Tircuit, Heuwell. ,

See: Writings by Others, About AC, Articles: Takui, Hyueru. Amerika no ongaku no soko o saguru

 222/36Trench, Kelly. Aaron Copland at 75, 1975 231/24Tryon, Winthrop P.Symphony forecast - New work by Aaron Copland for season's first concert, 1945 231/25Vice. I concerti: Musica americana d'oggi nella converenze di A. Copland, 1951 231/25Walsh, Michael. P.S., 1982

See: Writings by Others, About AC, Articles: Keens, William. Par of it all: A profile of Aaron Copland

 231/25Ward, Robert. Aaron Copland: Four dance episodes from "Rodeo",

[Music review]

See: Writings by AC, Articles: Memorial to Paul Resenfeld

 231/25Warfield, William. Commentary,

See: Writings by AC, Lectures & Speeches: The composer as critic

 231/26Waterfall, Beth. Celebrating the master of American music, 1985 222/37Waters, Edward N.Harvest of the year: Selected acquisitions of the music division, 1967 222/38Watson, Marcia. Copland to receive prize, 1970 222/39Widener, William Harry. Sour blue notes sounded on alleged reds in music, n.d. 222/40Wimbush, Roger. Here and there with Roger Wimbush: Aaron Copland, 1964

See also: Writings by Others, About AC, Interviews: Wimbush, Roger. Here and there with Roger Wimbush: Aaron Copland

 222/41Winner, Percy. Jazz played out, American audiences inert, native composers agree, 1929 222/41Young, Douglas. The piano music, 1970-1971

See: Writings by Others, About AC, Articles: Copland at 70

 222/42Zanetti, Emilia. Aaron Copland giudica il "jazzismo", 1949 Boelzner, Gordon. ,

See: Writings by Others, About AC, Articles: Edmunds, John

 Books 222/43Berger, Arthur. Aaron Copland, 1953-1954

[Book reviews]

See also: Writing by Others, About AC, Articles: Clurman, Harold, Aaron Copland, by Arthur Berger [Book review]

 222/44Smith, Julia. Aaron Copland: His work and contribution to American music, 1956

[Book reviews]

See also: Writings by Others, About AC, Articles: Taubman, Howard. Scored for Americans: "Aaron Copland: His work and contribution to American music"; See also: Writings by Others, About AC, Dissertations: Smith, Julia Frances. Aaron Copland: His work and contribution to American music [Microfilm]

 Dissertations 223/1Bayliss et al.Freshman research project - Aaron Copland, n.d. 223/2Butterworth, Neil. The music of Aaron Copland, n.d. 223/3Cochran, Alfred Williams. Style, structure, and tonal organization in the early film scores of Aaron Copland, 1966 223/4Conte, David Joseph. Aaron Copland's "Piano Quartet" - An analysis, 1982 223/5Didriksen, Helen. Strange company: Aaron Copland, Emily Dickinson, and America at mid-century, 1988 223/6Eckstein, Herbert. Origin, nature and purpose of Aaron Copland's "Third Symphony", 1976 223/7Ehlers, Jeremy. A compositional study of works by Aaron Copland, 1979 224/1Hilliard, Quincy Charles. A theoretical analysis of the symphonies of Aaron Copland, 1984 224/2Horner, Mary Katherine Hall. The ballet suites of Aaron Copland, 1964 224/3Kimball, Craig. On Copland: His music, 1962 224/4Kozinn, Allan. Aaron Copland: An American composer and crusading personality, 1974-1975 224/5Landau, Anne L.The contribution of Jewish composers to the music of the modern world, 1946 224/6Smith, Julia Frances. Aaron Copland: His work and contribution to American music, 1952

[Microfilm]

 224/7Spicknall, Joan Singer. The piano music of Aaron Copland: A performance-tape and study of his original works for piano solo, 1974 Interviews 225/1A. Copland koncertowat w polsce (A. Copland had concerts in Poland), 1966

(in Polish)

 225/2Aaron Copland, 1964 231/27Aaron Copland, 1975 225/3Aaron Copland in conversation with music in America, n.d. 225/4Anketa: Aaron Copland, 1966

(in Czech)

 231/28Classical or modern? Aaron Copland questions a common musical distinction, 1960 231/29Composer Aaron Copeland [sic], 75, goes right on 'Doing his stuff', 1976 231/29Composer Copeland [sic] keeps moving towards 76 in '76, 1976

See: Writings by Others, About AC, Interviews: Composer Aaron Copeland [sic], 75, goes right on 'Doing his stuff'

 225/5Copland and his music… 1974 225/6A leading composer looks at American music today, 1976 231/30Listening to Aaron Copland, 1972 225/7Noted American composer discusses his career, [1973?] 225/8Amaral, Cis. Eighty years young: Aaron Copland talks with Cis Amaral, 1981 231/31Anthony, Michael. Copland: Music for the many, 1973 225/9RB. Música: O que dizem de nós, n.d. 231/32Banner, Randy. Fanfare for the composer, 1981 231/33Bedell, Thomas. The LI interview: Aaron Copland, 1980 225/10Bessom, Malcolm E.Conversation with Copland, 1973 225/10Bestor, Arthur E.Is there a revolution in the arts?,

See: Writing by AC, Articles: Is there a revolution in the arts?

 225/11Black, Cobey. Eternal spring of Aaron Copland, 1974 225/12Bookspan, Martin. Martin Bookspan introduction to Aaron Copland, 1980 231/34Bredeman, Dan. Audience is first - Copland, 1974 231/35Buchwald, Art. P.S. from Paris: We have music too, 1955 231/36Burton, Humphrey. The art and life of Aaron Copland, 1965 231/37Chase, Jeffrey K.Internationalism: Copland notes present tastes, 1963 225/13Clopton, Willard. Audiences need shock says Aaron Copland, 1967 225/14Close, Roy M.Aaron Copland recommends conducting for those over 70, 1976 231/38Cohen, Bruce. Concordy interview - Aaron Copland, 1977 225/15Cole, Hugo. The detached composer, 1964 225/16Cone, Edward T.Conservation with Aaron Copland, 1968 225/16Cone, Edward T.An interview with Aaron Copland on his life and music, 1968

See: Writings by Others, About AC, Interviews: Cone, Edward T. Conversation with Aaron Copland

 225/17Cox, Ainslee. Copland on the podium, 1971 225/18Dower, Catherine. Aaron Copland: Giant on the contemporary music scene, 1970 225/19Dreiblatt, Martha. Lack of tradition blocks musical progress here, n.d. 225/20Dufallo, Richard. Arts in America, 1987-1988 231/39Eby, Starr. Copland 'One of the boys', [1978?] 231/40Edwards, Sydney. Aaron Copland's secret ambition: An opera with elephants in it…, 1963 231/41Elias, Albert J.Copland: Movie music too pat, 1949 225/21Elley, Derek. Turntable: Father figure, 1976 232/1Fernández, Mauro Espinoza. Aaron Copland en El Salvador, 1975 225/22Field. Interview: Aaron Copland 'Every American knows the west', 1976 225/23Freedman, Guy. A Copland portrait, 1977 225/24JDG. Serious music: An interview with Aaron Copland, 1961 225/25Gereben, Janos. Ladies and gentlemen, Aaron Copland, 1974 225/26Gereben, Janos. A venerable 'Talented amateur' coming to Cabrillo, 1978 225/27Gilbert, Douglas. Brahms-Boogie-Woogie visioned for Carnegie Hall, 1945 232/2Glackin, William C.A man as memorable as his music, 1975 225/28Gräter, Manfred. Aaron Copland besucht Europa, 1957 225/29Green, Paul S.Washington exclusive: Dialogue with Aaron Copland, 1979 232/3AH. Tage in Tanglewood: Unterhaltung mit Aaron Copland, 1949

See also: Writings by Others, About AC, Interviews: Hall, Roger L. 'Simple gifts' tune was appealing to Aaron Copland

 225/30Hagler, Susan. Aaron Copland discusses his music, Hollywood, life as faculty commuter, 1944 225/30Hall, Roger L.An interview with Aaron Copland, 1944

See: Writings by Others, About AC, Articles: Hall, Roger L. The story of 'Simple gifts': Shaker simplicity in song

 225/31Hall, Roger L.'Simple gifts' tune was appealing to Aaron Copland, 1981

See also: Writings by Others, About AC, Interviews: AH. Tage in Tanglewood: Unterhaltung mit Aaron Copland

 225/32Havsky, Vladimir. What makes it great: A conversation with Copland, 1970 225/33Heinsheimer, Hans. Tanglewood (in German), n.d. 232/4Hertelendy, Paul. Aaron Copland views women from his time machine, 1978 225/34Holbert, Allan. Copland: I don't aim to please, 1967 225/35Holland, A.K.Music of today: Moderns in retrospect, n.d. 225/36Hoover, Barbara. 'Moses of American music' is roaming on his laurels, 1978 225/37Hume, Paul. Copland, 1969 225/38Hume, Paul. Strong words, music, 1969 232/5Hurwitz, Robert. Interview: Aaron Copland, 1973 232/5Ishii. Earon Kðpurando,

(in Japanese)

See: Writings by Others, About AC, Articles: Takui, Hyueru: Amerika no ongaku no soko o saguru

 232/6Jones, Nona. When day's problems are done: Aaron Copland composes by night, 1962 25/39Keener, Andrew. Interview with Aaron Copland, [1980] 232/7Kenyon, Nicholas. The scene surveyed [Copland surveys the American scene], 1975 225/40Kriegsman, Alan M.Aaron Copland: If America ever had a composer laureate…, 1973 232/8Kriegsman, Alan M.Gift to be simple [Aaron Copland at intersection of American musical currents], 1973 232/9Larry, Sheldon. New world symphonist, 1975 225/41Lee, Laura. In the movies: Composer urges 'Musical engineers' to save customers' ears, 1941 225/42Leishman, Katie. Turning points: Aaron Copland, 1981 225/43Lockspeiser, Edward. Conservation with Copland, 1960 225/44Looney, Douglas. New Music? 'Fascinating' …old music? 'A warm bath', 1969 232/10McLaughlin, Lillian. Copland's advice: Try the moderns, 1969 232/11McLellan, Joseph. Celebrating Copland, 1975 225/45Markle, David. Interview with Aaron Copland 2/25/70, 1970-1973 232/12Mason, Colin. Reluctant isolation, 1960 225/46Mason, Eric. Counterpoint: The composer speaks, 1966 225/47Mayer, William. The composer in the U.S. and Russia: A frank talk between Copland and Khachaturian, 1969 225/48Mayer, William. An historic meeting: Aram Khachaturian and Aaron Copland, [1969] 232/13Mayer, William. An historic meeting: Aram Khachaturian and Aaron Copland, 1969 225/49Millais, Geoffroy. Aaron Copland talking about Benjamin Britten, 1976 225/50Morris, Michael with Reah Sadowsky. [American song: Copland interview], n.d. 232/14Newton, Jim. Copland keeping busy conducting, 1974 226/1Norton, Mildred. [Aaron Copland], 1948 226/2Oja, Carol. Aaron Copland and Minna Lederman on American music in the thirties, 1979 232/15Overton, James L.Copland enjoys his senior status, 1978 226/3Perlis, Vivian. Interview of Aaron Copland, 1980-1981 226/4Perlis, Vivian. The reminiscences of Aaron Copland, 1965-1977

Miscellany, 1965-1977: Correspondence, Notes, Typescript Correction

 226/5-8Perlis, Vivian. The reminiscences of Aaron Copland, 1965-1977

Typescript, 1977

 226/9Phi Mu Alpha Sinfonia: National delegate representative assembly. An interview with Aaron Copland: December, 1970; February, 1971, 1970-1971 226/10The Playboy Panel. America's cultural explosion - Its scope and challenge, n.d. 232/16Plush, Vincent. The uncomplicated air of Aaron Copland, 1975 226/11Ramey, Phillip. A talk with Aaron Copland, 1972 232/17Rosenwald, Peter J.Aaron Copland talk about a life in music, 1980 232/18Ryan, Barbara Haddad. Aaron Copland built legend with his role in U.S. culture, 1977 Sadowsky, Reah. ,

See: Morris Michael. [American song: Copland interview]

 232/19Saucier, Pierre. L'avenir n'est pas auz combinaisons à douze tons, 1955 226/12Scherer, Ron. Copland comments on compositions; Scherer interviews fame composer, 1966 226/13Schulman, Michael. Interview, n.d. 226/14Seaman, Gerald R.Telephone interview with Aaron Copland, 1979 226/15Seaman, Julian. Copland sees hope in trend of moderns, 1928 226/16Singer, Samuel L.Copland cond[ucts], n.d. 226/17Sitts, Richard. Copland says first visit led to return, n.d. 226/18Smit, Leo. Conversation with Aaron Copland, 1980 226/19Smith, Monica. Turntable: Copland looks ahead, 1968 232/20Stearns, Dave. Copland - A common man's composer, 1977 226/20Thurston, Chuck. Straight answers from Copland, 1978 226/21Vadeboncoeur, Joan E.Copland's composing career bloomed late, 1975 232/21Van Sant, Rick. Composer Aaron Copland: He's still spirited at 76 [Premiere composer still youthful in outlook], 1976 232/22Watters, Susan. Eye view: Aaron Copland on the sporting life, 1978 226/22Wilson, Carolyn. Turntable: Cowboys and connotations, 1967 226/23Wimbush, Roger. Here and there with Roger Wimbush: Aaron Copland, 1968

See also: Writings by Others, About AC, Articles: Wimbush, Roger. Here and there with Roger Wimbush: Aaron Copland

 Articles 227/1[Koussevitzky].[Tanglewood],1948 227/2Ch´vez, Carlos.Canto y melodía el dodecafonismo en México,1954 227/3Clurman, Harold S.The future of jazz,1926 227/4Cohen, Ethel S.Credo of a composer: Ben-Zion Orgad,n.d. 227/5Gilbert, L. Wolfe.Sour grapes of wrath,n.d. 227/6Giordano, L.Actitudes para oír música,1933 232/23Glock, William.Nadia Boulanger,1946 227/7Henahan, Donal.And now, Virgil's odyssey,1971 227/8Hoover, Suzanne R.Nadia Boulanger,1977 227/9Johnson, H. Earle.The need for research in the history of American music,n.d. 227/10Kennan, George F.Seek the finer flavor,n.d. 227/11Koussevitzky, Serge.Concerning interpretation,1929

Translated by Nina Bechtereff

 227/12Krenek, Ernst.The composer and the interpreter,1944 227/13Kroll, Jack.The stage is a world,1974 227/14Lederman, Minna.Brief encounters,n.d. 227/15Liepmann, Klaus.Music and engineers,1950 227/17Maisel, Edward.Charles T. Griffes: The life of an American composer,1984 227/16McCorkle, Donald M.The Moravian contribution to American music,1956 227/18Mitsukuri, Shukichi.Japanese scales and theri[sic] harmonic treatment,1959 227/19Noakes, David.Nadia Boulanger: A life dedicated to the art of teaching,1971 227/19Perlis, Vivian.Boulanger-20th-century music was born in her classroom,1971

See: Writings by AC, Articles: Copland salutes Boulanger

 227/20Pirrotta, Nino.The Eda Kuhn Loeb Music Library,1958 232/24Read, Gardner.Tanglewood: Investment in musical futures,1941 227/21Rosenfeld, Paul.[Stravinsky],n.d. 227/22Shaw, Theodore L.The hypocrisies of criticism,1952 227/23Simon, Henry.Leonard Bernstein: Molto furioso,n.d. 232/25Slonimsky, Nicolas.South American composers,1940 232/26Souster, Tim.Organized delirium - Robert Henderson writes about the life and work of Pierre Boulez,1969 232/27Taubman, Howard.Tanglewood tales, or youth makes music,1948 227/24Terse, Paul.Charles Ives (1874-1954): Ein biographischer Überblick,1987 227/25Thomson, Virgil.America's musical maturity: A twentieth-century story,1961 227/26Weisgall, Hugo D.Jewish music in America,1954 227/27Whiteside, Thomas.The blockbuster complex-III: Onward and upward with the arts,n.d. 227/28Wilson, Edmund.Paul Rosenfeld: Three phases,n.d. Booklets 227/29Charles Edward Ives, 1942 227/30Boulanger, Nadia. Gail Kubik: Divertimenti I and II - Sonatinasfor piano and clarinet and piano, 1963 227/31Christliebb, Don. Remembrance of Lawrence Morton, n.d. 227/32Goldberg, Isaac. Jazz music: What it is and how to understand it, 1927 232/28Naur, Robert. Leonard Bernstein, n.d.

(in Dutch and English)

 227/33Neilsen, Tage. Danish music after Carl Nielsen, n.d. 227/33Steuermann, Edward. Gail Kubik: Sonata for piano - Celebrations and Epilogue for piano, 1959

See: Writings by Others, Booklets: Boulanger, Nadia: Gail Kubik: Divertimenti I and II - Sonatinas for piano and clarinet and piano

 227/34Miscellany. 232/29Miscellany. Interviews 227/35Bernstein, Leonard. National Press Club, 1959 232/30Rogers, Michael. The Rolling Stone interview: Paul Bowles, 1974 Libretti 227/36Arita, Nadine and Robert Courtney. Hoe-Down! A musical tribute1985 227/37Davies, Peter Maxwell. Tavernern.d. 227/38Denby, Edwin. Libretto for a play operan.d. 227/39Denby, Edwin. Miltie is a hackien.d. 227/40Lombardo, Kathleen. Savonarolan.d. Poetry 227/42García-Lorca, Fedrico. Walking asleepn.d. 227/43Sannier-Salabert, Bernard. Final1951-1955 Scripts Ballet, Opera, and Play Graham, Martha. Appalachian spring1944

See: Correspondence, Personal: Graham, Martha

 228/1-3Kirstein, Lincoln. Memorial dayn.d. 228/4Robbins, Jerome. Bye bye Jackie1944 228/4Shaw, Irwin. Quiet city1939

See: Subject File, Compositions: Quiet city (Play typescript)

 Page, Ruth. Hear ye! Hear ye!n.d.

See: Music manuscripts and Printed Editions by AC, ARCO no. 26.3

 113/1-6Riggs, Lynn. Tragic ground

See: Music manuscripts and Printed Editions by AC: Music composed by Copland, Not assigned ARCO Number

 Everett, Horace (a.k.a. Erik Johns). Tender land

See: Music Manuscripts and Printed Editions, ARCO 69 misc

 Denby, Edwin.Second hurricane

See: Subject File, Compositions: Second huricane

 Film and Television 228/5Clark, Dennis Lynton. The hanging of Ella Watson, n.d. 228/5Goetz, Ruth and Augustus. The heiress, 1948

See: Subject File, Compositions: The heiress (Film typescript)

 228/5Hellman, Lillian. North Star, 1943

See: Subject File, Compositions: North star (Film typescript)

 228/5Hotchner, A. E.The world of Nick Adams,

See: Music manuscripts and printed editions by AC, ARCO 75 misc.

 228/5Steinbeck, John. The red pony, 1947

See: Subject File, Compositions: The red pony (Film typescript); See also: Music manuscripts and printed editions by AC, ARCO 63: The red pony

 228/5Wilder, Thornton. Our town, 1940

See: Subject File, Compositions: Our town (Film typescript)

 [Unidentified]. Ballad of Billy the kid,

See: Music manuscripts and printed editions by AC, ARCO 33-F

 Diaries Diaries, 1910-85 (12 boxes)

Datebooks, 1935-85 (10 boxes).

Boxes 233-242

Includes pocket and desk daily appointment books; arranged chronologically by year, then by type.

Journals, 1910-73 (2 boxes).

Boxes 243-245

Includes notebooks of varied types; arranged chronologically by year dates noted in journals.

 Datebooks 233/11935, 1936Pocket 233/21937, 1938Pocket 233/31939Desk 233/41940Desk 233/51941Desk 233/61942Desk 233/71943Desk 233/81944Desk 234/11945Desk 234/21946Desk 234/31947Desk 234/41948Desk 234/51949Desk 234/61950Desk 234/71951Desk 235/11952Desk 235/21953Desk 235/31955Desk & Pocket 235/41956Desk & Pocket 235/51957Desk 235/61957Pocket 235/71958Desk 235/81958Oberlin College 236/11959Desk 236/21959Oberlin College 236/31960Desk 236/41960Pocket 236/51960Oberlin College 236/61961Desk 236/71961Pocket 237/11962Desk 237/21962Oberlin College 237/31963Desk 237/41963Oberlin College 237/51964Desk 237/61964Oberlin College 237/71965Desk 238/11965Oberlin College 238/21966Desk 238/31966Oberlin College 238/41967Desk 238/51967Oberlin College 238/61968Desk 238/71968Oberlin College 238/81969Desk 239/11969Oberlin College 239/21970Desk 239/31970Oberlin College 239/41971Desk 239/51971Oberlin College 239/61972Desk 239/71972, 1973Pocket 239/81973Desk 240/11974Desk 240/21974, 1975Pocket 240/31975Desk 240/41976Desk 240/51976, 1977Pocket 240/61977Desk 241/11978Desk 241/21978, 1979Pocket 241/31979Desk 241/41980Desk 241/51980, 1981Pocket 241/61981Desk 242/11982Desk 242/21982Pocket 242/31983Desk 242/41984Desk 242/51985Desk Journals 243/1Notes for an autobiography - A1910-1972 243/3Notes for an autobiography - B1913-1962 243/5My trip abroad: List of performances attended in Paris; Notes on Fauré1921-1923 243/73South American journal; McCarthy hearings (1953); Chronological list of travels1921-1923 243/9Publications; Honors; Trips; Journals; Articles; Articles about; Compositions; Organizations; Lectures; TV; Radio; Recordings1921-1979 243/11[Diary]1927-1959 243/13Conducting activities: Orchestral and chamber music programs1931-1967 243/151South American diary, Aug-Dec 19411941 244/12Genealogy charts: List of publ[ished] works; Degrees; Financial data1941-1973 244/3List of original compositions; Disposition of original manuscripts1943-1960 244/5Financial data1946-1965 244/7Works conducted by AC1947-1976 244/9Red pony journal1948 244/114European diary (including London trip)1948 244/135European notes; Quotes; Dinners at Stravinsky's home; Notes1949-1967 244/155[?]Journal of visits to Venezuela1954-1957 244/1712Recordings; List of AC articles; Lecture engagements1954-1965 245/1Financial data1959-1969 245/36European journal; Notes on making a movie score (Something wild); White House dinner1960-1961 245/57Notes on trip to Mexico-Brazil-Uruguay; Europe; Financial data1962-1963 245/7N[ew] Y[ork] Phil[harmonic]; [Charles Ives] [not in Copland's hand]1963 245/98Latin-American diary; European tour1963-1964 245/119European tour; Financial data1965 245/1310Japan 'diary'1966 245/1511Europe: Israel; Financial data1967-1971 245/17[Europe]; Financial data1973 Correspondence Correspondence, 1911-1991 and undated (69 boxes and 1 tube)

Personal, 1911-1991 and undated (20 boxes).

Boxes 246-265

Includes letters, telegrams and notes to and from Copland. Arranged alphabetically by name, then chronologically. Correspondents with fewer then five items, filed alphabetically, then chronologically, within a Miscellaneous folder which precedes each letter of the alphabet.

General, 1935-1991 and undated (49 boxes and 1 tube).

Boxes 266-314, 467A-467B

Includes letters, telegrams and greeting cards. Arranged alphabetically by correspondent's name, except greeting cards, then chronologically.

 Personal 246/1"A" miscellaneous

Aitken, WebsterAmengual, RenéAmram, DavidAnsermet, ErnestAshbery, John

 246/2Abravanel, Maurice1986 246/3Adler, Clarence1925-1954 246/4Adler, Clarence1957-1968 246/5Adler, Peter1950-1969 246/6Adler, Samuel1950-1970 246/7Adomian, Lan1971-1972 246/8Albee, Edward1958-1967 246/9Allanbrook, Douglas1953-1967 246/10Allers, Franz1942-1943 246/11Anderson, James T.1983 246/12Antheil, George1928-1948 246/13Ardevol, J.1941-1956 246/14Arnell, Anthony1950-1972 246/15Art, Engelhardt1988-1989 246/16Auden, W. H. (Wystan Hugh)n.d. 246/17Austin, William1972-1989 246/18Ashalomov, Jacob1953-1969 246/19"B" miscellaneous

Baker, CarrollBallou, Esther WilliamsonBarer, MarshallBarraud, HenryBaxter, AnneBehrend, JeanneBenét, William RoseBenjamin, ArthurBennett, Richard RodneyBentzon, Niels ViggoBerkeley, LennoxBernat, RobertBishop, ElizabethBlacher, BorisBookspan, MartinBrooks, Van WyckBrunswick, MarkBuketoff, IgorBurkat, Leonard

 246/20Babbitt, Milton1954 246/21Babcock, David1972-1975 246/22Bacon, Ernst1970-1979 246/23Balada, Leonardo1967-1972 246/24Bales, Richard1950-1981 246/25Balso, Hugo1942-1966 246/26Barber, Samuel1944-1975 246/27Bauer, Marion1951-1955 246/28Bavicchi, John1956-1961 246/29Bazelon, Irwin1948-1949 246/30Bean, Betty Randolf1958-1981 246/31Becker, John1969 246/32Beeler, Walter1949-1950 246/33Beeson, Jack1968-1979 246/34Ben-Yohanan, Asher1951-1957 246/35Bennett, Robert Russell1974 246/36Berger, Arthur1941-1982 246/37Bergsma, William1948-1969 246/38Berio, Luciano1952-1970 246/39Bernier, Peggy1938-1971 246/40Bernstein, Elmer1981 247/1-2Bernstein, Leonard1936-1952, 1955-1988, n.d.

[Restricted: Do not serve]

 246/41Biggs, E. Power1953-1967 246/42Bing, Sir Rudolf1979 246/43Bliss, Sir Arthur1964 246/44Blitzstein, Marc1929-1963, n.d. 248/1Bloch, Suzannen.d. 248/2Bloomfield, Theodore1948-1954 248/3Bonaventura, Mario di1962-1981 248/4Boone, Charles1967-1972 248/5Boorstin, Daniel J.1956 248/6Bornstein, Charles Zachary1968-1973 248/7Bornstein, Charles Zachary1974-1980 248/8Boulanger, Nadia1920-1924 248/9Boulanger, Nadia1925-1929 248/10Boulanger, Nadia1931-1939 248/11Boulanger, Nadia1940-1944 248/12Boulanger, Nadia1945-1949 248/13Boulanger, Nadia1950-1959 248/14Boulanger, Nadia1960-1969 248/15Boulanger, Nadia1970-1979 248/16Boulanger, Nadia

Clippings

 248/17Boulanger, Nadia

Envelopes

 248/18Boulanger, Nadia

Miscellaneous

 248/19Boulanger, Nadia

Correspondence from Annette Dieudonne to Aaron Copland

 248/20Boult, Sir Adrian1949 248/21Bowles, Janen.d. 248/22Bowles, Paul1931 248/23Bowles, Paul1932 248/24Bowles, Paul1933 248/25Bowles, Paul1934 248/26Bowles, Paul1935-1937 248/27Bowles, Paul1938-1943 248/28Bowles, Paul1971-1986 248/29Bowles, PaulUndated

See also: Victor Kraft Materials, Correspondence

 249/1Brant, Henry1930-1986 249/2Bray, Byron1954-1976 249/3Brennan, Pat1972-1983 249/4Britten, Benjamin1938-1974 249/5Brozen, Michael1953-1968 249/6Bucci, Mark1949-1956 249/7Burke, William1970-1977 249/8Butterworth, Neil1975-1986

See also: Music, Music Manuscripts and Facsimiles by Others, Butterworth, Neil

 249/9Byrns, Harold1948-1953 249/10"C" miscellaneous

Calder, AlexanderCampos-Parsi, HectorCarvalho, Eleazar deCastelnuovo-Tedesco, MarioCastiglioni, NiccoloCastro, Juan JoséCohn, ArthurComissiona, SergiuConrad, DodaCorigliano, JohnCraft, RobertCronkite, Walter

 249/11Cage, John1963-1975 249/12Cantelli, Guido1956 249/13Carpenter, John Alden1939-1947 249/14Carasas, Enrique1972-1974 249/15Carter, Elliott1945-1988 249/16Carter, Helen [Mrs. Elliott]n.d. 249/17Casadesus, Mrs. Robert1974 249/18Cascorino, Romeo1940-1943 249/19Cascorino, Romeo1944-1966 249/20Cazden, Norman1942-1974 249/21Chanler, Theodore1929-1944 249/22Cherry, Michael1972-1981 249/23Ch´vez, Anita1979-1988 249/24Ch´vez, Carlos1928-1929 249/25Ch´vez, Carlos1930-1932 249/26Ch´vez, Carlos1933-1934 249/27Ch´vez, Carlos1935-1936 249/28Ch´vez, Carlos1937-1939 249/29Ch´vez, Carlos1940-1943 250/1Ch´vez, Carlos1944-1946 250/2Ch´vez, Carlos1947-1951 250/3Ch´vez, Carlos1952-1953 250/4Ch´vez, Carlos1954-1957 250/5Ch´vez, Carlos1958-1959 250/6Ch´vez, Carlos1969-1962 250/7Ch´vez, Carlos1963-1964 250/8Ch´vez, Carlos1965-1968 250/9Ch´vez, Carlos1969-1970 250/10Ch´vez, Carlos1972-1973 250/11Ch´vez, Carlos1974, n.d. 250/12Childs, Robert Barney1954-1971 250/13Churchill, Mary1929-1932 250/14Citkowitz, Israel1926-1927 250/15Citkowitz, IsraelJan.-April 1928 250/16Citkowitz, IsraelMay-Aug. 1928 250/17Citkowitz, IsraelSept.-Dec. 1928 250/18Citkowitz, Israel1929 250/19Citkowitz, Israel1930 250/20Citkowitz, Israel1931-1934 250/21Citkowitz, Israel1942-1967 250/22Citkowitz, Israel

Miscellaneous

 250/23Clurman, Harold1932 250/24Clurman, Harold1933-1934 250/25Clurman, Harold1935-1939 250/26Clurman, Harold1940-1942 251/1Clurman, Harold1943-1949 251/2Clurman, Harold1950-1959 251/3Clurman, Harold1960-1969 251/4Clurman, Harold1970-1979 251/5Clurman, Harold1980, n.d. 251/6Clurman, Harold

Miscellaneous

 251/7Coe, Kenton1959-1973 251/8Cogan, Robert1963 251/9Colombo, Theodore1931-1967 251/10Cone, Edward T.1956-1969 251/11Conroy, William1980-1981 251/12Coolidge, Elizabeth Sprague1946-1952 251/13Copland Family1911-1990

Barkan, Pearl

 251/14Copland Family1911-1990

Bergman, Josephine

 251/15Copland Family1911-1990

Cohan, Robert

 251/16Copland Family1911-1990

Copeland[sic], Arnold

 251/17Copland Family1911-1990

Copeland[sic], Irving

 251/18Copland Family1921

Copland, Harris

 251/19Copland Family1922-1935

Copland, Harris

 251/20Copland Family1911-1990

Copland, Irene

 251/21Copland Family1911-1990

Copland, Laura

 251/22Copland Family1911-1990

Copland, Leon

 251/23Copland Family1911-1990

Copland, Milton

 251/24Copland Family1911-1990

Copland, Ralph

 251/25Copland Family1911-1990

Copland, Sarah

 251/26Copland Family1911-1990

Dworkin, Glen

 251/27Copland Family1911-1990

Furman, Max

 251/28ACopland Family1911-1990

Garfield, Ray

 251/29Copland Family1911-1990

Harris, John

 252/1Copland Family1911-1990

Harris, Leo

 252/2Copland Family1911-1990

Hecht, Albert

 252/3Copland Family1911-1990

Hecht, Jon

 252/4Copland Family1911-1990

Hecht, Kenneth

 252/5Copland Family1911-1990

Hecht, Marion

 252/6Copland Family1911-1990

Hirsch, Lewis

 252/7Copland Family1911-1990

Kaufman, Julius

 252/8Copland Family1911-1990

Koster, June

 252/9Copland Family1911-1990

Koster, Lauren

 252/10Copland Family1911-1990

Lefkowitz, Lewis

 252/12Copland Family1911-1990

Levey, Roger and Sue

 252/11Copland Family1911-1990

Levey, Dorothy

 252/13Copland Family1911-1990

Levy, Mrs. Lawrence

 252/14Copland Family1911-1990

Marcus, Burton

 252/15Copland Family1911-1990

Marcus, Charles

 252/16Copland Family1911-1990

Marcus, Hal

 252/17Copland Family1911-1990

Marcus, Herbert

 252/18Copland Family1911-1990

Marcus, John

 252/19Copland Family1911-1990

Marcus, Joseph

 252/20Copland Family1911-1990

Marcus, Ralph

 252/21Copland Family1911-1990

Margolis, Lewis

 252/22Copland Family1911-1990

Marlin, Felice

 252/23Copland Family1911-1990

Miller, I.A.

 252/24Copland Family1911-1990

Miller, Robert

 252/25ACopland Family1911-1990

Miscellaneous

 252/26Copland Family1911-1990

Mitchell, Irma

 252/27Copland Family1911-1990

Mittenthal, Arnold

 252/28Copland Family1911-1990

Mittenthal, Barbara

 252/29Copland Family1911-1990

Mittenthal, Hyman

 252/30Copland Family1911-1990

Mittenthal, Jake

 252/31Copland Family1911-1990

Mittenthal, Mark

 252/32Copland Family1911-1990

Mittenthal, M.J.

 252/33Copland Family1911-1990

Rogers, Stephanie

 252/34Copland Family1911-1990

Samuels, Linda

 252/35Copland Family1911-1990

Samuels, Robert

 252/36Copland Family1911-1990

Samuels, Sally

 252/37Copland Family1911-1990

Shapiro, Ruth

 252/38Copland Family1911-1990

Simbari, Jill

 252/39Copland Family1911-1990

Somer, Hilde

 252/40Copland Family1911-1990

Uris, Dorothy

 252/41Copland Family1911-1990

Uris, Harold

 252/42Copland Family1911-1990

Uris, Milton

 252/43Copland Family1911-1990

Uris, Percy

 252/44Copland Family1911-1990

Vanda, Bruce

 252/45Copland Family1911-1990

Vanda, Charles

 252/46Copland Family1911-1990

Yellin, Harold

 253/1Cordero, Roque1957-1987 253/2Corman, Robert1949-1953, n.d. 253/3Cornell, Robert M.1953-1979 253/4Corwin, Norman1949 253/5Cowell, Henry1934-1962 253/6Curtin, Phyllis1977 253/7Custer, Arthur1961-1973 253/8"D" miscellaneous

Damrosch, WalterDaniel, OliverDavies, Dennis RussellDelaney, RobertDeutsch, AdolfDixon, DeanDlugoszensky, LuciaDonovan, RichardDorian, FrederickDuke, VernonDwyer, Doriot Anthony

 253/9Dahl, Ingolf1934-1970 253/10Dallapiccola, Luigi1951-1960 253/11Davidovsky, Mario1950-1974 253/12Davies, Peter Maxwell1957-1964 253/13Dello Joio, Norman1952-1969 253/14Del Tredici, David1964-1969 253/15Del Tredici, David1970-1986 253/16Del Tredici, DavidUndated 253/17DeMenasce, Jacques1947-1955 253/18DeMille, Agnes1942-1985

See also: Professional Papers, Business Organizations, De Mille, Agnes

 253/19Denby, Edwin1929-1936 253/20Denby, Edwin1937-1938 253/21Denby, Edwin1939-1962 253/22Des Marais, Paul1948-1975 253/23Diamond, David1935-1939 253/24Diamond, David1940-1944 253/25Diamond, David1944-1949 253/26Diamond, David1950-1955 254/1Diamond, David1956-1959 254/2Diamond, David1960-1965 254/3Diamond, David1966-1970 254/4Diamond, David1971-1988 254/5Diamond, DavidUndated 254/6Diemente, Edward P.1967-1969 254/7Dinerstein, Norman1963-1974 254/8Dorati, Antal1946-1986 254/9Downes, Olin1946-1955 254/10Dreiblatt, Marty1967-1985 254/11Druckman, Jacob1953-1978 254/12Duffallo, Richard1967-1988 254/13"E" miscellaneous

Einem, Gottfried vonEisler, HannsElwell, HerbertErb, DonaldEtler, Alvin

 254/14Engel, Lehman1938-1972 254/15Epstein, Alvin1954-1969 254/16Espinosa, Guillermo1947-1954 254/17"F" miscellaneous

Feldman, MortonFennell, FrederickFerrier, KathleenFiedler, ArthurFine, VivianFinney, Ross LeeFrank, WaldoFuller, Buckminster

 254/18Ficher, Jacobo1943-1967 254/19Fine, Irving1944-1952 254/20Fine, Verna1944-1968 254/21Fine, Verna1969-1988 254/22Fitelberg, Jerzy1932-1950 254/23Fizdale, Robert1946-1963 255/16Goldman, Richard Franko1941-1983 255/17Goldmark, Rubin1919-1922 254/25Foldes, Andor1948-1984 255/1Foss, Lucas1943-1959 255/2Foss, Lucas1962-1980 255/3Franchetti, Arnold1958-1984 255/4Freed, Arnold1969-1971 255/5Furman, James1968 255/6"G" miscellaneous

Gabriel, ArnoldGarfein, JackGarrido, PabloGatti, Guido M.Gauthier, EvaGerhard, RobertoGerschefski, EdwinGershwin, IraGieseking, WalterGilbert, Henry F.Goehr, AlexanderGoldovsky, BorisGramatges, A.Granger, FarleyGreissle, Felix

 255/7Gaburo, Kenneth1956-1976 255/8Galindo, Blas1942-1975 255/9George, Earl1969-1975 255/10Ginastera, Alberto E.1941-1951 255/11Ginastera, Alberto E.1952-1979 255/12Giuffre, Jimmy1965-1969 255/13Glanville-Hicks, Peggy1948-1954 255/14Golde, Morris1953-1975 254/24Flanagan, William1948-1968 255/15Goldman, Edwin Franko1942 254/6Dieudonne, Annette

See: Nadia Boulanger

 255/18Goodman, Benny1963 255/19Goosens, Eugene1942-1944 255/20Gottlieb, Jack1943-1975 255/21Gould, Martha1965-1980 255/22Graham, Martha1941-1985

(includes ballet scripts)

 255/23Green, Johnny1946-1972 255/24Guarnieri, Camargo1941-1950 256/1"H" miscellaneous

Halffter, CristóbalHamilton, IainHarbison, JohnHarris, JohanaHarrison, LouHendl, WalterHeyward, DorothyHillis, MargaretHillyer, RafaelHorowitz, Vladimir

 256/2Haieff, Alexei1944-1967 256/3Hammerstein II, Oscar1949 256/4Hansel, Katherine1954-1956 256/5Hanson, Howard1928-1980 256/6Hardisty, Donald1971-1977 256/7Harpin, Mathias P.1963 256/8Harris, Roy1925-1929 256/9Harris, Roy1930-1933 256/10Harris, Roy1934-1989 256/11Harris, Roy

Miscellaneous

 256/12Hawkins, Erick1942-1950 256/13Heidelberg, Jack1942-1972 256/14Heilner, Irwin1933-1970 256/15Hellman, Lillian1943-1966 256/16Helps, Robert1954-1980 256/17Henderson, Jack1950-1969 256/18Hennagin, Michael1965-1974 256/19Hennessy, Richard1976-1983 256/20Hill, Edward B.1949-1957 256/21Hindemith, Paul1940-1941 256/22Hoffman, Allen1971-1973 256/23Honegeer, Arthur1947 256/24Huffman, Robert1970 256/25Hughes, Robert1958-1973 256/26Husa, Karel1956-1979 256/27"I" miscellaneous

Ichyangagi, ToshiInge, William

 256/28Ibert, Jacgues1950 256/29Imbrie, Andrew W.1956-1967 256/30Ives, Charles E.1932-1955

(Some in the hand of his wife, Harmony)

 256/31"J" miscellaneous

Janis, ByronJanssen, WernerJohnson, HunterJohnson, ThorJolivet, André

 256/32Jacobi, Frederick1933-1950 256/33Jacobs, Paul1979 256/34James, Philip1952-1974 256/35Javits, Jacob1964-1974 256/36Johns, Erik1947-1951

See also: Professional Papers, Business Organizations, Johns, Erik

 256/37Johns, Erik1951-1978

See also: Professional Papers, Business Organizations, Johns, Erik

 256/38Johns, ErikUndated

See also: Professional Papers, Business Organizations, Johns, Erik

 256/39Johns, ErikUndated

See also: Professional Papers, Business Organizations, Johns, Erik

 256/40Johnstone, Winifred1947-1971 256/41Jones, Charles1945-1949 257/1"K" miscellaneous

Karr, GarryKell, ReginaldKennedy, JoanKhrennikov, TikhonKing, Coretta ScottKirkpatrick, RalphKobialka, DanielKodály, ZoltánKramer, A. WalterKrasner, LouisKrenek, Ernst

 257/2Kabalevsky, Dimitri1955 257/3Kahn, Erminie1938-1949 257/4Kahn, Sue Ann1979-1980 257/5Kapell, William1946-1986 257/6Kaufman, Louis1947-1981 257/7Kay, Ulysses1940-1950 257/8Kelly, Jack Perry1973-1977 257/9Kennedy, Edward1966-1986 257/10Kennedy, John Brodbin1968-1984 257/11Kenworthy-Browne, John1959-1964 257/12Kenworthy-Brown, John1965-1979 257/13Kenworthy-Brown, JohnUndated 257/14Kenworthy-Brown, JohnUndated 257/15Kenworthy-Brown, JohnUndated 257/16Kerr, Harrison1943-1953 257/17Khachaturian, Aram1968-1973 257/18Khrennikov, Tikhon1956-1982 257/19Kirchner, Leon1949-1975 257/20Kirkpatrick, John1942-1974 257/21Kirstein, Lincoln1938-1976 257/22Kohn, Karl1953-1967 257/23Kolb, Barbara1972-1987

See also: Music, Manuscripts and Facsimiles by Others, Kolb, Barbara

 257/24Korn, Barbara1957-1962 257/25Korte, Karl1957-1972 257/26Kostelanetz, André1941-1983 257/27Koussevitzky, Serge1925-1949 257/28Kozar, John1976-1980 257/29Kraft, Rheba1972-1982 257/30Kraut, Harry1972-1980 257/31Kubik, Gail1941-1988 257/32Kubly, Herbertn.d. 257/33Kurka, Robert1948-1954 258/1"L" miscellaneous

Labunski, FelixLa Grange, Henri-Louis deLees, BenjaminLenya, LotteLeyda, JayLockwood, Normand

 258/2Lakner, Yehoshua1951-1956 258/3LaMontaine, John1952-1953 258/4Landowska, Wanda1945 258/5Lange, Francisco1942-1949 258/6Lanza, Alcides1965-1969 258/7Layton, Billy Jim1961-1969 258/8Lederman, Minna1959-1979 258/9Lederman, Minna1980-1983 258/10Lederman, MinnaUndated 258/11Lee, Dai-Keong1942-1969 258/12Lee, Noël1956-1986 258/13Lee, NoëlUndated 258/14Leinsdorf, Erich1962-1965 258/15Lescaze, Mary1930-1975 258/16Lescaze, MaryUndated 258/17Lescaze, William1942-1957 258/18Lessard, John1940-1967 258/19Lewis, Peter1961-1967 258/20Lisenbee, Kenneth1974-1975 258/21List, Eugene1974-1975 258/22Lombardo, Robert1955-1969 258/23Lombardo, Robert1970-1983 258/24Lopatnikoff, Nikolai1946-1971 258/25Luening, Otto1943-1949 259/1"Ma-Mes" miscellaneous

Maazel, LorinMacDowell, RoddyMachlis, JosephMacLeish, ArchibaldMahler, FritzMalipiero, Gian FrancescoMartin, FrankMartinu, BohuslavMatsudaira, YoritsunéMenotti, Gian CarloMerritt, A. TillmanMessiaen, Olivier

 259/2"Mey-Mz" miscellaneous

Mitropoulos, DimitriMunch, Charles

 259/3MacDowell, Mrs. Edward1943-1953 259/4Manziarly, Marelle de1941-1988 259/5Manziarly, Marelle de

Envelopes

 259/6Marlowe, Sylvia 259/7Martirano, Salvatore1955-1961 259/8Masselos, William1951-1971 259/9Mata, Eduardo1971-1983 259/10Mayer, William1967-1973 259/11McPhee, Colin1934-1959 259/12Mafano, Paul1963-1964 259/13Mellers, Wilford1943-1975 259/14Mennin, Peter1958-1978 259/15Menuhin, Yehudi1959-1981 259/16Mester, Jorge1954-1970 259/17Middleton, Jean1942 259/18Mignone, Francisco1941-1946 259/19Milhaud, Darius1930-1975 259/20Milhaud, Darius

Miscellaneous

 259/21Milhaud, Madelin1947-1987 259/22Miller, Arthur1956-1972 259/23Miller, Ed1956-1972 259/24Miller, Robert1974-1978 259/25Mills, Charles1950-1958 259/26Miranda, Eduardo1948 259/27Montgomery, Jim1963-1964 259/28Montgomery, Jim1965-1974 259/29Moore, Douglas1948-1963 259/30Moor, Paul1943-1965 259/31Moor, Paul1966-1985 259/32Moreno, Salvadore1942-1957 259/33Morillo, Roberto Garcia1942-1944 259/34Moross, Jerome1942-1944 259/35Morton, Lawrence1940-1970 259/36Morton, Lawrence1971-1980 259/37Mundy, Sophronusn.d. 259/38Musgrave, Thea1958-1973 260/1"N" miscellaneous

Nancarrow, ConlonNeway, PatriciaNin-Culmell, JoaquínNorth, Alex

 260/2Nabokov, Nicolas1945-1963 260/3Nordoff, Paul1953-1970 260/4Nystedt, Knut1948-1952 260/5"O" miscellaneous

O'Keeffe, GeorgiaOrgad, Ben-ZionOrnstein, Pauline (Mrs. Leo)Ozawa, Seiji

 260/6O'Brien, Eugene1972-1978 260/7Odets, Clifford1939-1962 260/8Okuma, Akirer1962-1966 260/9Orbón, Julián1958-1971 260/11Orrego-Salas, Juan1946-1981 260/10Ormandy, Eugene1941-1980 260/12"P" miscellaneous

Page, RuthPanufnik, AndrezejParay, PaulParkening, ChristopherParrott, IanPeress, MauricePetrassi, GoffredoPhillips, BurrillPiatigorsky, GregorPinkham, DanielPonce, Manuel M.Ponselle, RosaPorter, QuincyPrausnitz, FrederickPrevin, André

 260/13Palmer, Robert1938-1957 260/14Paradise, Timothy1978-1981 260/15Parris, Robert1949-1957 260/16Paz, Juan Carlos1941 260/17Pears, Peter1975-1981 260/18Pepe, Carmine1975-1976 260/19Perlis, Vivian1970-1982 260/20Perlis, Vivian1983-1991 260/21Perry, Julia1952-1954 260/22Persichetti, Vincent1942-1987 260/23Peyer, Gervase de1981-1982 260/24Piston, Walter1933-1974 260/25Plotts, Donald1964-1974 260/26Posner, David1965-1974 260/27Poulenc, Francis1950 260/28Prokofieff, Serge1930-1933 260/29Pyle, William1968-1978 261/1"Ra-Rid" miscellaneous

Rains, ClaudeRaksin, DavidRathous, KarolRead, GardnerReich, SteveReiner, FritzRevueltas, Silvestre

 261/2"Rie-Rz" miscellaneous

Rieti, VittorioRobinson, Edward G.Rockfeller, John D., IIRockfeller, NelsonRodgers, RichardRodzinski, ArturRonell, AnnRose, BillyRose, LeonardRosenfeld, PaulRosenman, LeonardRostropovich, MstislavRósza, MiklósRudel, JuliusRukeyser, Muriel

 247/3Ramey, Phillip1967-1968

[Restricted; Do not serve] Originally Box 261/3-6

 247/4Ramey, Phillip1970

[Restricted; Do not serve] Originally Box 261/3-6

 247/5Ramey, Phillip1971-1979

[Restricted; Do not serve] Originally Box 261/3-6

 247/6Ramey, Phillip1980-1985

[Restricted; Do not serve] Originally Box 261/3-6

 261/7Reis, Arthur1978 261/8Ries, Claire1942 261/9Ries, Claire1943-1946 261/10Ries, Claire1948 261/11Ries, Claire1949 261/12Ries, Claire1952-1959 261/13Ries, Claire1960-1968 261/14Ries, Claire1970-1974 261/15Ries, Claire1975-1979 261/16Reti, Rudolph1948-1951 261/17Richie, Donald1962-1969 261/18Riegger, Wallingford1956-1957 261/19Robbins, Jerome1956-1986 261/20Rochberg, George1951-1968 261/21Roger, Bernard1944-1956 261/22Rorem, Ned1944-1984 261/23Rouse, Christopher, III1962-1981 261/24Ruggles, Carl1931-1965 262/1"Sa-Sma" miscellaneous

Safonoff, W.Salkind, MiltonSaminsky, LazareSargeant, WinthropSás, AndréScherchen, HermannScherman, ThomasSchneider, AlexanderSearle, HumphreySeeger, CharlesSerebrier, JoséSerkin, RudolfSerly, TiborSessions, BarbaraSevitzky, FabienShapey, RalphShaw, RobertShepherd, ArthurSherry, FredShifrin, SeymourShneerson, GrigoriSiqueira, JoséSlatkin, LeonardSmallens, Alexander

 262/2"Smi-Sz" miscellaneous

Smith, GreggSmith, MelvilleSmith, OliverSokoloff, NoelSomers, HarrySpender, StephenSpivakovsky, TossyStarer, RobertStein, Gertrude (letter to)Stevens, BernardStevens, RogerStravinsky, VeraStrouse, CharlesSundgaard, ArnoldSurinach, CarlosSwanson, Howard

 262/3Samuel, Gary1948-1966 262/4Sanjuán, Petro1946-1952 262/5Santa Cruz, Domingo1941-1965 262/6Santoro, Claudio1942-1969 262/7Sapp, Allen D.1942-1953 262/8Schaffer, Aaron1916-1919 Aug. 262/9Schaffer, Aaron1919 Sept.-1921 262/10Schippers, Thomas1954-1974 262/11Schoenberg, Arnold1949-1950 262/12Schuller, Gunther1965-1977 262/13Schuman, William1938-1959 262/14Schuman, William1960-1986 262/15Sessions, Roger1926-1927 262/16Sessions, Roger1928 262/17Sessions, Roger1929 262/18Sessions, Roger1930 262/19Sessions, Roger1931 262/20Sessions, Roger1932 262/21Sessions, Roger1933 262/22Sessions, Roger1934 262/23Sessions, Roger1935 262/24Sessions, Roger1953-1973 262/25Sessions, Roger1930-1935, 1953, 1960, n.d.

Photocopies of AC letters to RS

 262/26Shanet, Howard1949-1966 262/27Shapiro, Harold1940-1970 262/28Shawe-Taylor, Desmond1954-1973 262/29Shostakovitch, Dmitri1958-1969 262/30Sidlin, Murry1974-1987 262/31Siegmeister, Elie1932-1988 262/32Sims, Ezra1961-1981 262/33Slonimsky, Nicholas1927 263/1Smit, Leo1944-1956 263/2Smit, Leo1957-1969 263/3Smit, Leo1970-1976 263/4Smit, Leo1977-1983 263/5Smit, Leo

Miscellaneous

 263/6Smith, Carleton Sprague1940-1951 263/7Smith, Julia1948-1958 263/8Smith, Russell1949-1977 263/9Steigerwalt, Gary1977-1979 263/10Steinbeck, John1964-1972 263/11Steinberg, William1946-1969 263/12Stern, Isaac1960-1977 263/13Stevens, Halsey1948-1955 263/14Stevenson, Adlai1962-1965 263/15Stokowski, Leopold1930-1969 263/16Stravinsky, Igor1950-1967 263/17Strickland, William1943-1954 263/18Swanson, Howard1948-1967 263/19Sykes, Gerald1925-1926 263/20Sykes, Gerald1927-1928 263/21Sykes, Gerald1929-1930 263/22Sykes, Gerald1931-1932 263/23Sykes, Gerald1934-1945 263/24Sykes, Gerald1946-1960 263/25Sykes, Gerald1961-1980 263/26Sykes, James1943-1981 263/27Szell, George1947-1968 264/1"T" miscellaneous

Taggard, GenevieveTansman, AlexandreThurmond, StromTibbett, LawrenceTocco, JamesTosar, HéctorTristano, LennieTureck, RosalynTurner, Charles

 264/2Takemitsu, Toru1966-1967 264/3Talma, Louise1960-1980 264/4Tcherepnin, Alexander1964-1986 264/5Temianka, Henri1965-1986 264/6Thomas, John P.1967-1978 264/11Thomas, Michael Tilson1969-1970 264/7Thompson, Timothy1870 264/8Thompson, Randall1950-1960 264/9Thomson, Virgil1931-1988 264/10Thorne, Francis1966-1978 264/12Tippett, Michael1944-1970 264/13Toback, John1963-1967 264/14Toch, Ernst1942-1962 264/15Tower, Joan1988 264/16Trimble, Lester1952-1977 264/17Turpin, Jim1946 264/18"U-V" miscellaneous

Ussachevsky, VladimirVan Loon, Willem HendrikVarèse, EdgarVaron, Lorna Cooke deVeress, SándorVerrall, JohnVincent, John

 264/19Unidentified 264/20Unidentified 264/21Unidentified 264/22Unidentified 265/1Unidentified 265/2Unidentified 265/3Unidentified 265/4Vainio, Lempi1967 265/5Van Vechten, Carl1944-1945 265/6Vauaeteuryck, Mueille1967-1973 265/7Vega, Aurelio de la1958-1959 265/8Villa-Lobos, Heitor1947-1966 265/9"W" miscellaneous

Waart, Edo deWallenstein, AlfredWarren, Robert PennWaxman, FranzWatts, AndréWeber, BenWeisberg, ArthurWelles, OrsonWescott, GlenwayWhitemann, PaulWilson, EdmundWuorinen, CharlesWyler, Williams

 265/10Walker, David1953-1976 265/11Walker, DavidUndated 265/12Ward, Robert1944-1987 265/13Weisgall, Hugo1950-1977 265/14Wiener, Alma1930-1953 265/15Wilder, Thorton1948-1970 265/16Wilson, Richard1969-1983 265/17Wolpe, Stefan1948-1980 265/18Woolridge, David1970-1973 265/19Wyner, Yehudi1947-1978 265/20"X-Y-Z" miscellaneous

Young, La MonteZimbalist, Efrem

 265/21Xenakis, Iannis1963-1969 265/22Zupko, Ramon1957-1975 247/7Lederman, Minna1978 Apr. 16

[Restricted: Do not serve]

 252/25BCopland Family1911-1990

Miscellaneous

 251/28BCopland Family1911-1990

Gaun, Dave

 253/21De Peyer, Gervase

See: Peyer, Gervase de

 Page, Ruth

See: Professional Papers, Business Organizations

 General 266Aa - American Israel 267American Jewish - Az 268Ba - Benz 269Ber - Boz 270Bra - Bz 271Ca - Caten 272Catholic - Columbus 273Combith - Cz 274Da - Dz 275Ea - Ez 276Fa - Fz 277Ga - Gz 278-291Greeting Cards 467AGreeting Cards 467BGreeting Cards 292Ha - Hec 293Hel - Hz 294Ia - Iz 295Ja - Jz 296Ka - Kz 297La - Lz 298Ma - Meh 299Mel - Mz 300Na - Ne 301New - Nz 302Oa - Oz 303Pa - Philh 304Pi - Qz 305Ra - Rz 306Sa - Serv 307Sha - Spey 308St - Sz 309Ta - Tz 310Ua - Uz 311Va - Vz 312Wa - Weste 313Wf - Wz 314Xa - Zz Professional Papers Professional Papers, 1917-1990 and undated (69 boxes).

Business Organizations, 1922-1990 and undated (43 boxes).

Boxes 315-357

Includes correspondence, administrative memos, minutes and reports, notes, contracts, and royalty statements. Arranged alphabetically by organization name, then by subject and chronologically within each subject.

Engagements, 1917-83 (26 boxes)

Boxes 358-383

Includes correspondence to and from Copland, clippings, programs, and schedules. Arranged chronologically by year, month and day, then alphabetically by correspondent's name.

 Business Organizations 315/1Aaron Copland Young Composers Competition1984, 1989 315/2Alfred A. Knopf, Inc.1964-1966 315/3Alphonse-Leduc1928, 1957 315/4American Academy in Rome1986-1987 315/5American Academy of Arts & Letters1940-1959

Correspondence

 315/6American Academy of Arts & Letters1960-1971

Correspondence

 315/7American Academy of Arts & Letters1972

Correspondence

 315/8American Academy of Arts & Letters1973

Correspondence

 315/9American Academy of Arts & Letters1974

Correspondence

 315/10American Academy of Arts & Letters1975-1981

Correspondence

 315/11American Academy of Arts & Letters Correspondence

Notes

 315/12American Academy of Arts & Letters Correspondence

Programs

 315/13American Academy of Arts & Letters Correspondence

Speeches

 315/14American Academy of Arts and Sciences1968 315/15American Committee for Democracy and Intellectual Freedom1940-1950 315/16American Composers Alliance

Bulletin

 315/17American Composers Alliance

Controversy with American Society of Composers, Authors, and Publishers (ASCAP)

 315/18American Composers Alliance

Copyright Act of 1940

 315/19American Composers Alliance1939

Correspondence

 315/20American Composers Alliance1940

Correspondence

 315/21American Composers Alliance1941

Correspondence

 315/22American Composers Alliance1942

Correspondence

 315/23American Composers Alliance1943, Jan.-Jun.

Correspondence

 315/24American Composers Alliance1943, Jul.-Dec.

Correspondence

 316/1American Composers Alliance1944

Correspondence

 316/2American Composers Alliance1945

Correspondence

 316/3American Composers Alliance1949-1951

Correspondence

 316/4American Composers Alliance

Membership Lists

 316/5American Composers Alliance

Minutes of Meetings

 316/6American Composers Alliance

Miscellaneous

 316/7American Council on Education1962, 1964 316/8American Federation of Musicians1978 316/9American Friends of the Aldeburgh Festival1974-1979 316/10American International Music Fund, Inc.1952-1956

Correspondence

 316/11American International Music Fund, Inc.1957-1960

Correspondence

 316/12American International Music Fund, Inc.1961-1966

Correspondence

 316/13American International Music Fund, Inc.1967-1971

Correspondence

 316/14American International Music Fund, Inc.1972-1978

Correspondence

 316/15American Music Center1940-1951

Correspondence

 316/16American Music Center1952-1988

Correspondence

 316/17American Music Publishers, Inc.1965-1966 316/18American Music Rental Library1940 316/19American Musicological Society1978-1979 316/20American Piano Company1927 317/1American Society of Composer, Authors, and Publishers (ACSAP)1960-1975

Awards Panel

 317/2American Society of Composer, Authors, and Publishers (ACSAP)1974

Board of Directors

 317/3American Society of Composer, Authors, and Publishers (ACSAP)

Brochures

 317/4American Society of Composer, Authors, and Publishers (ACSAP)

Bulletin

 317/5American Society of Composer, Authors, and Publishers (ACSAP)

Committee Reports

 317/6American Society of Composer, Authors, and Publishers (ACSAP)1946-1975

Contracts

 318/1American Society of Composer, Authors, and Publishers (ACSAP)1940-1949

Correspondence

 318/2American Society of Composer, Authors, and Publishers (ACSAP)1950-1959

Correspondence

 318/3American Society of Composer, Authors, and Publishers (ACSAP)1960-1967

Correspondence

 318/4American Society of Composer, Authors, and Publishers (ACSAP)1968-1987

Correspondence

 318/5American Society of Composer, Authors, and Publishers (ACSAP)1974

Desk Book

 318/6American Society of Composer, Authors, and Publishers (ACSAP)1961-1981

Financial Statements

 318/7American Society of Composer, Authors, and Publishers (ACSAP)

Lectures

 318/8American Society of Composer, Authors, and Publishers (ACSAP)

Legal Papers

 319/1American Society of Composer, Authors, and Publishers (ACSAP)

Miscellaneous

 319/2American Society of Composer, Authors, and Publishers (ACSAP)1948-1960

Royalty Statements

 319/3American Society of Composer, Authors, and Publishers (ACSAP)1961-1970

Royalty Statements

 319/4American Society of Composer, Authors, and Publishers (ACSAP)1971-1980

Royalty Statements

 319/5American Society of Composer, Authors, and Publishers (ACSAP)1981-1986

Royalty Statements

 319/6American Society of Composer, Authors, and Publishers (ACSAP)1987-1989

Royalty Statements

 320/1American-Soviet Music Society

Agendas

 320/2American-Soviet Music Society

By-Laws

 320/3-4American-Soviet Music Society1946-1947

Correspondence

 320/5American-Soviet Music Society

Notes for Speeches

 320/6American-Soviet Music Society

Press Releases

 320/7American-Soviet Music Society

Programs

See also: National Council of American-Soviet Friendship, Inc.

 320/8American Symphony Orchestra League, Inc.1955-1957, n.d. 320/9Arrow Music Press Inc.

American Music Center, Inc.

 320/10Arrow Music Press Inc.

Background

 320/11Arrow Music Press Inc.

Bank Books

 320/12Arrow Music Press Inc.1938-1940

Bank Statements

 320/13Arrow Music Press Inc.1941

Bank Statements

 320/14Arrow Music Press Inc.1947-1949

Bank Statements

 320/15Arrow Music Press Inc.1950-1951

Bank Statements

 320/16Arrow Music Press Inc.1952-1953

Bank Statements

 320/17Arrow Music Press Inc.1954-1955

Bank Statements

 320/18Arrow Music Press Inc.1959, 1972

Bank Statements

 320/19Arrow Music Press Inc.

Catalogs

 321/1Arrow Music Press Inc.4/4/40-5/28/40

Checks

 321/2Arrow Music Press Inc.12/2/40-5/26/41

Checks

 321/3Arrow Music Press Inc.5/27/41-12/7/43

Checks

 321/4Arrow Music Press Inc.4/16/47-4/1/49

Checks

 321/5Arrow Music Press Inc.4/49-5/50

Checks

 321/6Arrow Music Press Inc.5/50-4/51

Checks

 321/7Arrow Music Press Inc.4/51-4/53

Checks

 321/8Arrow Music Press Inc.5/53-5/54

Checks

 321/9Arrow Music Press Inc.5/54-5/59

Checks

 321/10Arrow Music Press Inc.4/55, 11/72

Checks

 321/11Arrow Music Press Inc.5/48-4/51

Check Stubs

 321/12Arrow Music Press Inc.4/51-12/55

Check Stubs

 321/13Arrow Music Press Inc.4/55

Check Stubs

 321/14Arrow Music Press Inc.1/56-3/61

Check Stubs

 322/1Arrow Music Press Inc.1930-1956

Contracts

 322/2Arrow Music Press Inc.1938-1972

Correspondence (A-L)

322/3Arrow Music Press Inc.1942-1950

Correspondence (American Music Center, Inc.)

322/4Arrow Music Press Inc.1952-1958

Correspondence (American Music Center, Inc.)

322/5Arrow Music Press Inc.1938-1942

Correspondence (Arrow Music Press)

322/6Arrow Music Press Inc.1943-1949

Correspondence (Arrow Music Press)

322/7Arrow Music Press Inc.1950-1972, n.d.

Correspondence (Arrow Music Press)

322/8Arrow Music Press Inc.1941-1960

Correspondence (Associated Music Publishers & Co.)

322/9Arrow Music Press Inc.1949-1957

Correspondence (Barrios, Hilliard, Sain, & Co.)

322/10Arrow Music Press Inc.1944-1962

Correspondence (Boosey & Hawkes, Inc.)

322/11Arrow Music Press Inc.1947-1957

Correspondence (Broadcast Music, Inc.)

322/12Arrow Music Press Inc.1954-1955

Correspondence (Cone, Herbert A.)

322/13Arrow Music Press Inc.1940-1957

Correspondence (Engel, Lehman)

322/14Arrow Music Press Inc.1938-1940

Correspondence (Harold Flammer, Inc.)

322/15Arrow Music Press Inc.1950-1956

Correspondence (Ives, Harmony T.)

322/16Arrow Music Press Inc.1938-1972

Correspondence (M-W)

322/17Arrow Music Press Inc.1948-1952

Correspondence (Weissberger, L. Arnold)

322/18Arrow Music Press Inc.1953-1957

Correspondence (Weissberger & Frosch)

322/19Arrow Music Press Inc.

"Cos Cob Press and the American Composer" by Carol Oja

 323/1Arrow Music Press Inc.1939-1941

Deposit Receipts

 323/2Arrow Music Press Inc.1948-1950

Deposit Receipts

 323/3Arrow Music Press Inc.1952-1962

Deposit Receipts

 323/4Arrow Music Press Inc.

Financial Statements (American Music Center)

323/5Arrow Music Press Inc.

Financial Statements (Arrow Music Press, Inc.)

323/6Arrow Music Press Inc.

Financial Statements (Miscellaneous)

323/7Arrow Music Press Inc.

List of Composers

 323/8Arrow Music Press Inc.

Miscellaneous

 323/9Arrow Music Press Inc.

Notes

 323/10Arrow Music Press Inc.

Production Expenditures

 323/11Arrow Music Press Inc.

Royalty Statements (A-B)

323/12Arrow Music Press Inc.

Royalty Statements (Boosey & Hawkes)

323/13Arrow Music Press Inc.

Royalty Statements (Broadcast Music, Inc.)

323/14Arrow Music Press Inc.

Royalty Statements (C)

323/15Arrow Music Press Inc.

Royalty Statements (D-G)

323/16Arrow Music Press Inc.

Royalty Statements (H-K)

323/17Arrow Music Press Inc.

Royalty Statements (L-P)

323/18Arrow Music Press Inc.

Royalty Statements (Radio)

323/19Arrow Music Press Inc.

Royalty Statements (R-S)

323/20Arrow Music Press Inc.

Royalty Statements (T-W)

323/21Arrow Music Press Inc.

Tax Records

 324/1Arts Club of Chicago1930 324/2Asociación Interamericana de Música (A.I.M.)1955-1957, n.d. 324/3Associated Musicians of Greater New York1966 324/4Ballet Russe de Monte Carlo1942-1949 324/5Ballet Theatre (Ballet Caravan)1938-1964

Contracts

 324/6Ballet Theatre (Ballet Caravan)1938-1969

Correspondence

 324/7Ballet Theatre (Ballet Caravan)

Miscellaneous

 324/8Basil Douglas, Ltd.1961-1969

Correspondence

See also: Thea Dispeker Artists' Representative

 324/9Basil Douglas, Ltd.1970-1973

Correspondence

See also: Thea Dispeker Artists' Representative

 324/10Basil Douglas, Ltd.1974-1980

Correspondence

See also: Thea Dispeker Artists' Representative

 324/10Belock Recording Co.

See: Everest Records

 324/11Belwin Mills Publishing Corp.1940-1987 324/11Berkshire Music Center

See: Tanglewood

 324/11Berkshire Music Festival

See: Tanglewood

 324/11Bernays & Eisner

See: Friedman, Abraham: See: Koussevitzky Music Foundation, Inc.

 324/12Black, Mrs. Charles W.1951 324/13Boosey & Hawkes, Inc.

Biography

 324/14Boosey & Hawkes, Inc.

Bulletins

 324/15Boosey & Hawkes, Inc.

Catalogs

 324/16Boosey & Hawkes, Inc.1964-1971

Clippings

 324/17Boosey & Hawkes, Inc.1938-1949

Contracts

 324/18Boosey & Hawkes, Inc.1950-1959

Contracts

 324/19Boosey & Hawkes, Inc.1960-1969

Contracts

 324/20Boosey & Hawkes, Inc.1979-1980

Contracts

 325/1Boosey & Hawkes, Inc.1946-1988

Correspondence (A-B)

325/2Boosey & Hawkes, Inc.1938

Correspondence (Copland, Aaron)

325/3Boosey & Hawkes, Inc.1939

Correspondence (Copland, Aaron)

325/4Boosey & Hawkes, Inc.1940

Correspondence (Copland, Aaron)

325/5Boosey & Hawkes, Inc.1941 [Jan.-May]

Correspondence (Copland, Aaron)

325/6Boosey & Hawkes, Inc.1941 [Jun.-Dec.]

Correspondence (Copland, Aaron)

325/7Boosey & Hawkes, Inc.1942 [Jan.-Aug.]

Correspondence (Copland, Aaron)

325/8Boosey & Hawkes, Inc.1942 [Sept.-Dec.]

Correspondence (Copland, Aaron)

325/9Boosey & Hawkes, Inc.1943 [Jan.-Mar.]

Correspondence (Copland, Aaron)

325/10Boosey & Hawkes, Inc.1943 [Apr.-Dec.]

Correspondence (Copland, Aaron)

325/11Boosey & Hawkes, Inc.1944 [Jan.-Jun.]

Correspondence (Copland, Aaron)

325/12Boosey & Hawkes, Inc.1944 [Jul.-Dec.]

Correspondence (Copland, Aaron)

325/13Boosey & Hawkes, Inc.1945

Correspondence (Copland, Aaron)

325/14Boosey & Hawkes, Inc.1946 [Jan.-Jun.]

Correspondence (Copland, Aaron)

325/15Boosey & Hawkes, Inc.1946 [Jul.-Dec.]

Correspondence (Copland, Aaron)

325/16Boosey & Hawkes, Inc.1947 [Jan.-Jul.]

Correspondence (Copland, Aaron)

325/17Boosey & Hawkes, Inc.1947 [Aug.-Dec.]

Correspondence (Copland, Aaron)

325/18Boosey & Hawkes, Inc.1948 [Jan.-Jul.]

Correspondence (Copland, Aaron)

325/19Boosey & Hawkes, Inc.1948 [Aug.-Dec.]

Correspondence (Copland, Aaron)

325/20Boosey & Hawkes, Inc.1949 [Jan.-Jul.]

Correspondence (Copland, Aaron)

325/21Boosey & Hawkes, Inc.1949 [Aug.-Dec.]

Correspondence (Copland, Aaron)

325/22Boosey & Hawkes, Inc.1950

Correspondence (Copland, Aaron)

325/23Boosey & Hawkes, Inc.1951 [Jan.-Mar.]

Correspondence (Copland, Aaron)

326/1Boosey & Hawkes, Inc.1951 [May-Dec.]

Correspondence (Copland, Aaron)

326/2Boosey & Hawkes, Inc.1952 [Jan.-Jul.]

Correspondence (Copland, Aaron)

326/3Boosey & Hawkes, Inc.1952 [Aug.-Dec.]

Correspondence (Copland, Aaron)

326/4Boosey & Hawkes, Inc.1953

Correspondence (Copland, Aaron)

326/5Boosey & Hawkes, Inc.1954

Correspondence (Copland, Aaron)

326/6Boosey & Hawkes, Inc.1955 [Jan.-Jun.]

Correspondence (Copland, Aaron)

326/7Boosey & Hawkes, Inc.1955 [Jul.-Dec.]

Correspondence (Copland, Aaron)

326/8Boosey & Hawkes, Inc.1956

Correspondence (Copland, Aaron)

326/9Boosey & Hawkes, Inc.1957

Correspondence (Copland, Aaron)

326/10Boosey & Hawkes, Inc.1958

Correspondence (Copland, Aaron)

326/11Boosey & Hawkes, Inc.1959

Correspondence (Copland, Aaron)

326/12Boosey & Hawkes, Inc.1960

Correspondence (Copland, Aaron)

326/13Boosey & Hawkes, Inc.1961

Correspondence (Copland, Aaron)

326/14Boosey & Hawkes, Inc.1962 [Jan.-Aug.]

Correspondence (Copland, Aaron)

326/15Boosey & Hawkes, Inc.1962 [Sept.-Dec.]

Correspondence (Copland, Aaron)

326/16Boosey & Hawkes, Inc.1963 [Jan.-Jun.]

Correspondence (Copland, Aaron)

326/17Boosey & Hawkes, Inc.1963 [Jul.-Dec.]

Correspondence (Copland, Aaron)

326/18Boosey & Hawkes, Inc.1964 [Jan.-Apr.]

Correspondence (Copland, Aaron)

326/19Boosey & Hawkes, Inc.1964 [May-Sept.]

Correspondence (Copland, Aaron)

326/20Boosey & Hawkes, Inc.1964 [Oct.-Dec.]

Correspondence (Copland, Aaron)

327/1Boosey & Hawkes, Inc.1965 [Jan.-Jul.]

Correspondence (Copland, Aaron)

327/2Boosey & Hawkes, Inc.1965 [Aug.-Dec.]

Correspondence (Copland, Aaron)

327/3Boosey & Hawkes, Inc.1966 [Jan.-Jul.]

Correspondence (Copland, Aaron)

327/4Boosey & Hawkes, Inc.1966 [Aug.-Dec.]

Correspondence (Copland, Aaron)

327/5Boosey & Hawkes, Inc.1967 [Jan.-Jul.]

Correspondence (Copland, Aaron)

327/6Boosey & Hawkes, Inc.1967 [Aug.-Dec.]

Correspondence (Copland, Aaron)

327/7Boosey & Hawkes, Inc.1968 [Jan.-Jul.]

Correspondence (Copland, Aaron)

327/8Boosey & Hawkes, Inc.1968 [Sept.-Dec.]

Correspondence (Copland, Aaron)

327/9Boosey & Hawkes, Inc.1969

Correspondence (Copland, Aaron)

327/10Boosey & Hawkes, Inc.1970

Correspondence (Copland, Aaron)

327/11Boosey & Hawkes, Inc.1971 [Jan.-Jun.]

Correspondence (Copland, Aaron)

327/12Boosey & Hawkes, Inc.1971 [Sept.-Dec.]

Correspondence (Copland, Aaron)

327/13Boosey & Hawkes, Inc.1972 [Jan.-Aug.]

Correspondence (Copland, Aaron)

327/14Boosey & Hawkes, Inc.1972 [Sept.-Dec.]

Correspondence (Copland, Aaron)

327/15Boosey & Hawkes, Inc.1973 [Jan.-Jul.]

Correspondence (Copland, Aaron)

327/16Boosey & Hawkes, Inc.1973 [Aug.-Dec.]

Correspondence (Copland, Aaron)

327/17Boosey & Hawkes, Inc.1974

Correspondence (Copland, Aaron)

327/18Boosey & Hawkes, Inc.1975 [Jan.-May]

Correspondence (Copland, Aaron)

327/19Boosey & Hawkes, Inc.1975 [Jun.-Dec.]

Correspondence (Copland, Aaron)

327/20Boosey & Hawkes, Inc.1976

Correspondence (Copland, Aaron)

327/21Boosey & Hawkes, Inc.1977

Correspondence (Copland, Aaron)

328/1Boosey & Hawkes, Inc.1978

Correspondence (Copland, Aaron)

328/2Boosey & Hawkes, Inc.1979 [Jan.-Mar.]

Correspondence (Copland, Aaron)

328/3Boosey & Hawkes, Inc.1979 [Apr.-Dec.]

Correspondence (Copland, Aaron)

328/4Boosey & Hawkes, Inc.1980

Correspondence (Copland, Aaron)

328/5Boosey & Hawkes, Inc.1981

Correspondence (Copland, Aaron)

328/6Boosey & Hawkes, Inc.1982

Correspondence (Copland, Aaron)

328/7Boosey & Hawkes, Inc.1983 [Jan.-Jul.]

Correspondence (Copland, Aaron)

328/8Boosey & Hawkes, Inc.1983 [Aug.-Dec.]

Correspondence (Copland, Aaron)

328/9Boosey & Hawkes, Inc.1984

Correspondence (Copland, Aaron)

328/10Boosey & Hawkes, Inc.1985

Correspondence (Copland, Aaron)

328/11Boosey & Hawkes, Inc.1986 [Jan.-Aug.]

Correspondence (Copland, Aaron)

328/12Boosey & Hawkes, Inc.1986 [Sept.-Dec.]

Correspondence (Copland, Aaron)

328/13Boosey & Hawkes, Inc.1987 [Jan.-Aug.]

Correspondence (Copland, Aaron)

328/14Boosey & Hawkes, Inc.1987 [Sept.-Dec.]

Correspondence (Copland, Aaron)

328/15Boosey & Hawkes, Inc.1988 [Jan.-May]

Correspondence (Copland, Aaron)

328/16Boosey & Hawkes, Inc.1988 [Jul.-Dec.]

Correspondence (Copland, Aaron)

328/17Boosey & Hawkes, Inc.1989-1990

Correspondence (Copland, Aaron)

328/18Boosey & Hawkes, Inc.Undated

Correspondence (Copland, Aaron)

328/19Boosey & Hawkes, Inc.1936-1976

Correspondence (C-L)

328/20Boosey & Hawkes, Inc.1957-1984

Correspondence (M-R)

328/21Boosey & Hawkes, Inc.1929-1974

Correspondence (S-Z)

329/1Boosey & Hawkes, Inc.

Invitations

 329/2Boosey & Hawkes, Inc.

Lists (Materials for Works)

329/3Boosey & Hawkes, Inc.

Lists (Performances)

329/4Boosey & Hawkes, Inc.

Lists (Scores to be Sent)

329/5Boosey & Hawkes, Inc.

Lists (Works in Libraries)

329/6Boosey & Hawkes, Inc.

Memos

 329/7Boosey & Hawkes, Inc.

Miscellaneous

 329/8Boosey & Hawkes, Inc.1969-1981

Newsletters (Bonn)

329/9Boosey & Hawkes, Inc.1969

Newsletters (Budapest)

329/10Boosey & Hawkes, Inc.1968-1990

Newsletters (London)

329/11Boosey & Hawkes, Inc.1944-1986

Newsletters (New York)

329/12Boosey & Hawkes, Inc.1960-1964

Newsletters (Paris)

329/13Boosey & Hawkes, Inc.1951-1977

Notes

 329/14Boosey & Hawkes, Inc.

Performance Surveys of Orchestras

 329/15Boosey & Hawkes, Inc.

Press Releases

 329/16Boosey & Hawkes, Inc.

Program Notes

 329/17Boosey & Hawkes, Inc.

Promotional Material

 329/18Boosey & Hawkes, Inc.

Receipts

 330/1Boosey & Hawkes, Inc.1939-1944

Royalty Statements

 330/2Boosey & Hawkes, Inc.1945-1947

Royalty Statements

 330/3Boosey & Hawkes, Inc.1948-1949

Royalty Statements

 330/4Boosey & Hawkes, Inc.1950-1951

Royalty Statements

 330/5Boosey & Hawkes, Inc.1952-1953

Royalty Statements

 330/6Boosey & Hawkes, Inc.1954-1956

Royalty Statements

 330/7Boosey & Hawkes, Inc.1957-1959

Royalty Statements

 330/8Boosey & Hawkes, Inc.1960-1962

Royalty Statements

 331/1Boosey & Hawkes, Inc.1963-1964

Royalty Statements

 331/2Boosey & Hawkes, Inc.1965-1966

Royalty Statements

 331/3Boosey & Hawkes, Inc.1967-1968

Royalty Statements

 331/4Boosey & Hawkes, Inc.1969

Royalty Statements

 331/5Boosey & Hawkes, Inc.1970-1971

Royalty Statements

 331/6Boosey & Hawkes, Inc.1972-1973

Royalty Statements

 332/1Boosey & Hawkes, Inc.1974

Royalty Statements

 332/2Boosey & Hawkes, Inc.1975

Royalty Statements

 332/3Boosey & Hawkes, Inc.1976

Royalty Statements

 332/4Boosey & Hawkes, Inc.1977

Royalty Statements

 332/5Boosey & Hawkes, Inc.1978

Royalty Statements

 332/6Boosey & Hawkes, Inc.1979

Royalty Statements

 333/1Boosey & Hawkes, Inc.1980-1981

Royalty Statements

 333/2Boosey & Hawkes, Inc.1982

Royalty Statements

 333/3Boosey & Hawkes, Inc.1983-1984

Royalty Statements

 333/4Boosey & Hawkes, Inc.1985-1986

Royalty Statements

 333/5Boosey & Hawkes, Inc.1988

Royalty Statements

 329/19Boosey & Hawkes, Inc.

Score Corrections (Appalachian Spring - Dance Symphony)

329/20Boosey & Hawkes, Inc.

Score Corrections (Emblems Orchestral Score - Orchestral Variations)

329/21Boosey & Hawkes, Inc.

Score Corrections (Piano Concerto - Third Symphony, untitled)

334/1Boston Musica Viva1979, 1988 334/2Boston Symphony Orchestra1940-1952

Correspondence

 334/3Boston Symphony Orchestra1953-1969

Correspondence

 334/4Boston Symphony Orchestra1970-1981, n.d.

Correspondence

 334/5Boston Symphony Orchestra

Programs

See also: Tanglewood

 334/6Boston University, College of Music1952 334/7Bozell & Jacobs, Inc.1981 334/8Brandeis University1955-1980 334/9British Broadcasting Co. (BBC)1958-1986 334/10Britten Estate1980-1981 334/11C. C. Birchard and Company1937

Contract

See also: Sammy-Birchard Company

 334/12C. C. Birchard and Company1937-1939, n.d.

Correspondence

See also: Sammy-Birchard Company

 334/12C-C Clubs, Inc.

See: Concert Hall Society, Inc.

 334/13Carl Fischer, Inc.1935-1987 334/14Century Association, The1967-1985 334/15Chappell and Co., Inc.1943 334/16Charles Ives Society, Inc.1966-1984

Correspondence

 334/17Charles Ives Society, Inc.

Essays

 353/15Tanglewood (Berkshire Music Center, Bershire Music Festival)

Promotional

 334/18Charles Ives Society, Inc.

Ives Review

 334/19Charles Ives Society, Inc.1939-1981

Miscellaneous

 335/1Charles Scribner's Sons1966 335/2Chelsea House Publishers1967 335/3Civic Films, Inc.1939-1950 335/4Columbia Artists Management1948-1972

Correspondence

 335/5Columbia Artists Management1973-1977

Correspondence

 335/6Columbia Artists Management1978-1979

Correspondence

 335/7Columbia Artists Management1980-1984

Correspondence

 335/8Columbia Artists Management

Miscellaneous

 335/9Columbia Broadcasting System (CBS)1936-1976 335/10Columbia Broadcasting System (CBS) / Columbia Records1935-1986

Contracts

 335/11Columbia Broadcasting System (CBS) / Columbia Records1946-1969

Correspondence

 335/12Columbia Broadcasting System (CBS) / Columbia Records1970-1987

Correspondence

 335/13Columbia Broadcasting System (CBS) / Columbia Records

Miscellaneous

 336/1-2Columbia Broadcasting System (CBS) / Columbia Records1935-1988

Royalty Statements

 336/3Columbia Gramophone Company, Ltd.1936 336/3Columbia Pictures Publication1962-1969

See: Belwin Mills Publishing Corp.

 336/4Columbia University1962-1969 336/5Commonwealth Fund1956-1964, n.d. 336/6Composers' Forum1940-1966 336/7Composers Recordings, Inc.n.d. 336/8Concert Hall Society, Inc.1947-1960 336/9Concerts Management (London) Ltd.1958 336/10Copland School of Music, Queens College1981-1985 337/1Copland-Sessions Concerts of Contemporary Music

Article, "A Chronicle of Copland-Sessions…" by Carol Oja

 337/2Copland-Sessions Concerts of Contemporary Music1928-1931

Clippings

 337/3Copland-Sessions Concerts of Contemporary Music1928-1988

Correspondence

 337/4Copland-Sessions Concerts of Contemporary Music

Programs

 337/5Copland-Sessions Concerts of Contemporary Music

Session, Roger

 337/5Cos Cob Press

See: Arrow Music Press

 337/6Crescent Productions, Inc.1943 337/7Cuban-American Music Group1944-1946

Correspondence

 337/8Cuban-American Music Group

Miscellaneous

 337/9Cuban-American Music Group

Publications

 337/10Curtis Publishing Company1959 337/11Czech Music Foundation1965-1968 337/12Decca Record Company, Ltd.1948-1959 337/13de Mille, Agnes, [Tragic Ground]1945, n.d.

See also: Correspondence, Personal Correspondence

 337/13Department of State

See: United States Government

 337/14Doubleday & Co., Inc.1959, n.d.

Contracts

 337/15Doubleday & Co., Inc.1940-1979

Correspondence

 337/16Doubleday & Co., Inc.1961-1988

Royalty Statements

 337/17Durand & Cie.1950 337/18E. C. Schirmer Music Co.1940-1965

Correspondence

 337/19E. C. Schirmer Music Co.1932-1976

Royalty Statements

 337/20E. P. Dutton & Companyn.d. 337/21Éditions Maurice Senart1922 337/22Éditions Salabert, Inc.1942-1976 338/1Edward MacDowell Association, Inc.1953

Announcements

 338/2Edward MacDowell Association, Inc.1957-1958

Annual Reports

 338/3Edward MacDowell Association, Inc.

Applications

 338/4Edward MacDowell Association, Inc.1962-1981

Articles

 338/5Edward MacDowell Association, Inc.

Background (Alphi Chi Omega; Care and Feeding of Artists)

338/6Edward MacDowell Association, Inc.

Background (A history of the MacDowell Colony)

338/7Edward MacDowell Association, Inc.

Background (Story of the MacDowell Colony)

338/8Edward MacDowell Association, Inc.1957-1966

Bulletin (News)

338/9Edward MacDowell Association, Inc.1963

Bulletin (Personal Notes of Artists)

338/10Edward MacDowell Association, Inc.1959-1960

Certificate of Incorporation and By Laws

 338/11Edward MacDowell Association, Inc.1948-1968

Charts: Artists in Residence

 338/12Edward MacDowell Association, Inc.1950-1965

Clippings

 338/13Edward MacDowell Association, Inc.1966-1976

Clippings

 338/14Edward MacDowell Association, Inc.1962-1969

Correspondence (A-B)

338/15Edward MacDowell Association, Inc.1952-1974

Correspondence (C-D)

338/16Edward MacDowell Association, Inc.1962-1970

Correspondence (E-G)

338/17Edward MacDowell Association, Inc.1963-1975

Correspondence (H-I)

338/18Edward MacDowell Association, Inc.1961-1965

Correspondence (Hale, Kay & Grant and Meyerson)

338/19Edward MacDowell Association, Inc.1954-1967

Correspondence (J-K)

338/20Edward MacDowell Association, Inc.1961-1968

Correspondence (Keene Publishing Corporation)

338/21Edward MacDowell Association, Inc.1959-1966

Correspondence (Kendall, George)

338/22Edward MacDowell Association, Inc.1967-1970

Correspondence (Kendall, George)

339/1Edward MacDowell Association, Inc.1952-1968

Correspondence (L-M)

339/2Edward MacDowell Association, Inc.1933-1956

Correspondence (MacDowell, Mrs. Edward)

339/3Edward MacDowell Association, Inc.1950-1957

Correspondence (MacDowell, Mrs. Edward)

339/4Edward MacDowell Association, Inc.1960-1962

Correspondence (MacDowell, Mrs. Edward)

339/5Edward MacDowell Association, Inc.1963-1964

Correspondence (MacDowell, Mrs. Edward)

339/6Edward MacDowell Association, Inc.1965-1966

Correspondence (MacDowell, Mrs. Edward)

339/7Edward MacDowell Association, Inc.1967-1969

Correspondence (MacDowell, Mrs. Edward)

339/8Edward MacDowell Association, Inc.Undated

Correspondence (MacDowell, Mrs. Edward)

339/9Edward MacDowell Association, Inc.1959-1961

Correspondence (MacDowell Colony)

339/10Edward MacDowell Association, Inc.1962 [Jan.-Aug.]

Correspondence (MacDowell Colony)

339/11Edward MacDowell Association, Inc.1962 [Sept.-Dec.]

Correspondence (MacDowell Colony)

339/12Edward MacDowell Association, Inc.1963 [Jan.-May]

Correspondence (MacDowell Colony)

339/13Edward MacDowell Association, Inc.1963 [Jun.-Dec.]

Correspondence (MacDowell Colony)

339/14Edward MacDowell Association, Inc.1964 [Jan.-Jul.]

Correspondence (MacDowell Colony)

339/15Edward MacDowell Association, Inc.1964 [Aug.-Dec.]

Correspondence (MacDowell Colony)

339/16Edward MacDowell Association, Inc.1965 [Jan.-Aug.]

Correspondence (MacDowell Colony)

339/17Edward MacDowell Association, Inc.1965 [Sept.-Dec.]

Correspondence (MacDowell Colony)

339/18Edward MacDowell Association, Inc.1966

Correspondence (MacDowell Colony)

339/19Edward MacDowell Association, Inc.1967

Correspondence (MacDowell Colony)

339/20Edward MacDowell Association, Inc.1968 [Jan.-May]

Correspondence (MacDowell Colony)

339/21Edward MacDowell Association, Inc.1968 [Jun.]-1969

Correspondence (MacDowell Colony)

340/1Edward MacDowell Association, Inc.1970-1971

Correspondence (MacDowell Colony)

340/2Edward MacDowell Association, Inc.1972-1974

Correspondence (MacDowell Colony)

340/3Edward MacDowell Association, Inc.1975-1976

Correspondence (MacDowell Colony)

340/4Edward MacDowell Association, Inc.1977-1979

Correspondence (MacDowell Colony)

340/5Edward MacDowell Association, Inc.1980-1990

Correspondence (MacDowell Colony)

340/6Edward MacDowell Association, Inc.Undated

Correspondence (MacDowell Colony)

340/7Edward MacDowell Association, Inc.1956-1968

Correspondence (N-Q)

340/8Edward MacDowell Association, Inc.1963-1968

Correspondence (Ruder & Finn)

340/9Edward MacDowell Association, Inc.1961-1968

Correspondence (R-S)

340/10Edward MacDowell Association, Inc.1964

Correspondence (Security First National Bank)

340/11Edward MacDowell Association, Inc.1959-1970

Correspondence (T-Z)

340/12Edward MacDowell Association, Inc.1960-1966

Financial Records (Income & Expenses)

340/13Edward MacDowell Association, Inc.1962-1967

Financial Records (Income & Expense Projections)

340/14Edward MacDowell Association, Inc.1962-1967

Financial Records (Miscellaneous)

340/15Edward MacDowell Association, Inc.1958-1966

Financial Records (Security Holdings)

340/16Edward MacDowell Association, Inc.1961

Financial Reports (Fund Raising Survey)

340/17Edward MacDowell Association, Inc.1966-1968

Financial Reports (Investment)

340/18Edward MacDowell Association, Inc.1962-1966

Financial Statements

 340/19Edward MacDowell Association, Inc.

Invitations

 340/20Edward MacDowell Association, Inc.

Lists

 340/21Edward MacDowell Association, Inc.

Maps

 340/22Edward MacDowell Association, Inc.1956-1968

Meetings

 340/23Edward MacDowell Association, Inc.1962-1980

Memos

 340/24Edward MacDowell Association, Inc.1979

Newsletter: Colony

 340/25Edward MacDowell Association, Inc.

Notes

 340/26Edward MacDowell Association, Inc.

Peterborough

 340/27Edward MacDowell Association, Inc.1963-1981

Programs

 340/28Edward MacDowell Association, Inc.

Promotional Material

 340/29Edward MacDowell Association, Inc.

Reply Cards

 340/30Edward MacDowell Association, Inc.1952, 1980-1981

Reports

 340/31Edward MacDowell Association, Inc.1961-1971

Speeches

 341/1Edwin A. Fleisher Music Collection1940-1951 341/2Everest Records1958-1960

Contracts

 341/3Everest Records1959-1978

Royalty Statements

 341/3Everett, Horace

See: Johns, Erik

 341/3Festival of Contemporary Music

See: Yaddo (Festival of Contemporary Music)

 341/4Fisk University Library1945 341/5Fontainebleau School of Music, Summer Session1982 341/6Ford Foundation1959-1979 341/7Freidman, Abraham (Bernays & Eisner)1953-1964

Correspondence

See also: Koussevitzky Music Foundation, Inc., Correspondence

 341/8Freidman, Abraham (Bernays & Eisner)1965

Correspondence

See also: Koussevitzky Music Foundation, Inc., Correspondence

 341/9Freidman, Abraham (Bernays & Eisner)1966

Correspondence

See also: Koussevitzky Music Foundation, Inc., Correspondence

 341/10Freidman, Abraham (Bernays & Eisner)1967-1968

Correspondence

See also: Koussevitzky Music Foundation, Inc., Correspondence

 341/11Freidman, Abraham (Bernays & Eisner)1970-1971

Correspondence

See also: Koussevitzky Music Foundation, Inc., Correspondence

 341/12Fromm Foundation (Paul Fromm)1959-1967

Correspondence

 341/13Fromm Foundation (Paul Fromm)1968-1983

Correspondence

See also: Tanglewood

 341/14G. Schirmer, Inc.1965-1985 341/15General Learning Corporation1971-1977 341/16George Enescu Society of the United States1986 341/17Group Theatre1939

[Quiet City]

 341/17H. W. Gray Co., Inc. 341/18Harvard University1951-1952, 1965

Correspondence

 341/19Harvard University

Pamphlets

 341/20Harvard University Press1952, 1964

Contracts

 341/21Harvard University Press1953-1981

Correspondence

 341/22Harvard University Press1953-1988

Royalty Statements

 341/23Hewlett-Woodmere Public Schools1975 342/1Independent Citizens' Committee of the Arts, Sciences and Professions, Inc.1946 342/2Institute of Contemporary Arts1959 342/3Inter-American Foundation for the Arts1965 342/3Inter-American Music Center

See: Pan American Union

 342/4International Society for Contemporary Music (ISCM)1955-1958, n.d.

Committees

 342/5International Society for Contemporary Music (ISCM)1948-1966, n.d.

Correspondence

 342/6International Society for Contemporary Music (ISCM)1955-1958

Minutes

See also: League of Composers

 342/7International Television Trading Corp.1986 342/8John Simon Guggenheim Memorial Foundation1971-1978

Annual Reports

 342/9John Simon Guggenheim Memorial Foundation1925-1973

Correspondence

 342/10Johns, Erik1986

See also: Correspondence, Personal Correspondence

 342/11Juilliard School1975-1984 342/12Kiesgen et Giovanna, Bureau International de Concerts1929 343/1Koussevitzky Music Foundation, Inc.1950-1969

Agenda

 343/2Koussevitzky Music Foundation, Inc.1971-1981, n.d.

Agenda

 343/3Koussevitzky Music Foundation, Inc.

Articles

 343/4Koussevitzky Music Foundation, Inc.1951-1952

Catalogs of Commissioned Works

 343/5Koussevitzky Music Foundation, Inc.1958, 1967

Catalogs of Commissioned Works

 343/6Koussevitzky Music Foundation, Inc.

Certificate of Incorporation and By-Laws

 343/7Koussevitzky Music Foundation, Inc.1968-1979

Clippings

 343/8Koussevitzky Music Foundation, Inc.1949-1951

Contracts

 343/9Koussevitzky Music Foundation, Inc.1949-1978

Correspondence (A-B)

343/10Koussevitzky Music Foundation, Inc.1956-1969

Correspondence (Bernays & Eisner)

See also: Friedman, Abraham

 343/11Koussevitzky Music Foundation, Inc.1957-1983

Correspondence (C)

343/12Koussevitzky Music Foundation, Inc.1953-1973

Correspondence (E-G)

343/13Koussevitzky Music Foundation, Inc.1957-1979

Correspondence (H-K)

343/14Koussevitzky Music Foundation, Inc.1942-1946

Correspondence (Koussevitsky Music Foundation, Inc.)

343/15Koussevitzky Music Foundation, Inc.1947-1949

Correspondence (Koussevitsky Music Foundation, Inc.)

343/16Koussevitzky Music Foundation, Inc.1950-1952

Correspondence (Koussevitsky Music Foundation, Inc.)

343/17Koussevitzky Music Foundation, Inc.1953-1959

Correspondence (Koussevitsky Music Foundation, Inc.)

343/18Koussevitzky Music Foundation, Inc.1960-1961

Correspondence (Koussevitsky Music Foundation, Inc.)

343/19Koussevitzky Music Foundation, Inc.1962-1968

Correspondence (Koussevitsky Music Foundation, Inc.)

343/20Koussevitzky Music Foundation, Inc.1970-1976

Correspondence (Koussevitsky Music Foundation, Inc.)

343/21Koussevitzky Music Foundation, Inc.1977

Correspondence (Koussevitsky Music Foundation, Inc.)

343/22Koussevitzky Music Foundation, Inc.1978-1979

Correspondence (Koussevitsky Music Foundation, Inc.)

343/23Koussevitzky Music Foundation, Inc.1980

Correspondence (Koussevitsky Music Foundation, Inc.)

343/24Koussevitzky Music Foundation, Inc.1981-1982, n.d.

Correspondence (Koussevitsky Music Foundation, Inc.)

344/1Koussevitzky Music Foundation, Inc.1987-1989

Correspondence (Koussevitzky Recordings Society)

344/2Koussevitzky Music Foundation, Inc.1938-1965

Correspondence (Koussevitzky, Olga)

344/3Koussevitzky Music Foundation, Inc.1966-1969

Correspondence (Koussevitzky, Olga)

344/4Koussevitzky Music Foundation, Inc.1970-1974

Correspondence (Koussevitzky, Olga)

344/5Koussevitzky Music Foundation, Inc.1975-1977, n.d.

Correspondence (Koussevitzky, Olga)

344/6Koussevitzky Music Foundation, Inc.1950-1979

Correspondence (Library of Congress)

344/7Koussevitzky Music Foundation, Inc.1956-1975

Correspondence (L-R)

344/8Koussevitzky Music Foundation, Inc.1944-1973

Correspondence (S-Z)

344/9Koussevitzky Music Foundation, Inc.1945-1962

Correspondence (University of Rochester)

344/10Koussevitzky Music Foundation, Inc.1944-1978

Financial Statements

 344/11Koussevitzky Music Foundation, Inc.

Invitations

 344/12Koussevitzky Music Foundation, Inc.1946-1964

Lists of Commissions

 344/13Koussevitzky Music Foundation, Inc.1966-1973

Lists of Commissions

 344/14Koussevitzky Music Foundation, Inc.1955-1969

Lists of Suggested Composers

 344/15Koussevitzky Music Foundation, Inc.1970-1978

Lists of Suggested Composers

 344/16Koussevitzky Music Foundation, Inc.Undated

Lists of Suggested Composers

 344/17Koussevitzky Music Foundation, Inc.1960-1979

Memos

 344/18Koussevitzky Music Foundation, Inc.1944-1970

Minutes

 344/19Koussevitzky Music Foundation, Inc.

Miscellaneous

 344/20Koussevitzky Music Foundation, Inc.1951-1974

Notice of Meetings

 344/21Koussevitzky Music Foundation, Inc.

Press Releases

 344/22Koussevitzky Music Foundation, Inc.

Programs

 344/23Koussevitzky Music Foundation, Inc.

Proposals

 344/24Koussevitzky Music Foundation, Inc.1970

Will, Olga Koussevitzky

 345/1League of Composers, Inc.1934-1941

Administrative Records

 345/2League of Composers, Inc.1943-1946

Correspondence

 345/3League of Composers, Inc.1947

Correspondence

 345/4League of Composers, Inc.1948

Correspondence

 345/5League of Composers, Inc.1949

Correspondence

 345/6League of Composers, Inc.1950-1952

Correspondence

 345/7League of Composers, Inc.1953-1954, n.d.

Correspondence

 345/8League of Composers, Inc.

Dinner in honor of Serge Koussevitzky

 345/9-11League of Composers, Inc.1953-1970

International Society for Contemporary Music (ISCM)

 345/12League of Composers, Inc.

Miscellaneous

See also: Modern Music

 345/13Leonard Bernstein Foundation, Inc.1958-1988 346/1Library of Congress1933-1942

Correspondence

 346/2Library of Congress1943-1946

Correspondence

 346/3Library of Congress1947-1949

Correspondence

 346/4Library of Congress1950-1951

Correspondence

 346/5Library of Congress1952-1956

Correspondence

 346/6Library of Congress1957-1965

Correspondence

 346/7Library of Congress1966-1971

Correspondence

 346/8Library of Congress1972-1976

Correspondence

 346/9Library of Congress1977-1980

Correspondence

 346/10Library of Congress1981-1985

Correspondence

 346/11Library of Congress1986-1987, n.d.

Correspondence

 346/12Library of Congress

Inventory of Compositions

 346/13Library of Congress

Manuscripts Disposition Records

 346/14Library of Congress

Miscellaneous

 346/15Lili Boulanger Memorial Fund, Inc.1949-1980 346/16Lincoln Center for the Performing Arts, Inc.1956

Conferences

 346/17Lincoln Center for the Performing Arts, Inc.1956-1970

Correspondence

 346/18Lincoln Center for the Performing Arts, Inc.1971-1986

Correspondence

 346/19Lincoln Center for the Performing Arts, Inc.

Miscellaneous

 346/20Loew's Incorporated1946 347/1Marc Blitzstein Memorial Foundation, Inc.1964 347/2Masada, Youth Zionist Organization of America1937 347/3M.C.A. Artists Ltd. (affiliate of Music Corporation of America)1939-1954

Contracts

 347/4M.C.A. Artists Ltd. (affiliate of Music Corporation of America)1939-1940

Correspondence

 347/5M.C.A. Artists Ltd. (affiliate of Music Corporation of America)1941-1944

Correspondence

 347/6M.C.A. Artists Ltd. (affiliate of Music Corporation of America)1945-1946

Correspondence

 347/7M.C.A. Artists Ltd. (affiliate of Music Corporation of America)1947

Correspondence

 347/8M.C.A. Artists Ltd. (affiliate of Music Corporation of America)1948-1949

Correspondence

 347/9M.C.A. Artists Ltd. (affiliate of Music Corporation of America)1950-1966

Correspondence

 347/10M.C.A. Artists Ltd. (affiliate of Music Corporation of America)

Correspondence (Miscellaneous)

347/11McGraw-Hill Book Company, Inc.1937-1988

Contracts

 347/12McGraw-Hill Book Company, Inc.1937-1949

Correspondence

 347/13McGraw-Hill Book Company, Inc.1950-1988

Correspondence

 347/14McGraw-Hill Book Company, Inc.1938-1958

Royalty Statements

 347/15McGraw-Hill Book Company, Inc.1959-1989

Royalty Statements

 347/16Mercury Theatre1938-1941 347/17Metro-Goldwyn-Mayer Pictures1946 348/1Modern Music1965-1966

Contracts

 348/2Modern Music1965

Correspondence

 348/3Modern Music1966

Correspondence

 348/4Modern Music1967-1968

Correspondence

 348/5Modern Music1970-1971

Correspondence

 348/6Modern Music1972-1973

Correspondence

 348/7Modern Music1974-1976, n.d.

Correspondence

 348/8Modern Music1944-1973, n.d.

Correspondence (Lederman, Minna "Mink" (Mrs. Mell Daniel)) from Aaron Copland

 348/9Modern Music1935-1949

Correspondence (Lederman, Minna "Mink" (Mrs. Mell Daniel)) to Aaron Copland

 348/10Modern Music1950-1969

Correspondence (Lederman, Minna "Mink" (Mrs. Mell Daniel)) to Aaron Copland

 348/11Modern Music1970-1974

Correspondence (Lederman, Minna "Mink" (Mrs. Mell Daniel)) to Aaron Copland

 348/12Modern MusicUndated

Correspondence (Lederman, Minna "Mink" (Mrs. Mell Daniel)) to Aaron Copland

 348/13Modern Music

Miscellaneous

See also: League of Composers, Inc.

 348/13Music Corporation of America

See: M.C.A. Artists, Ltd.

 348/14Music Educators National Conference1942 348/15Music Project for Television1981 348/16National Association for American Composers and Conductors1964 348/17National Association of Educational Broadcasters Radio Networkn.d. 348/18National Broadcasting Company, Inc.1956-1974 348/19National Council of American-Soviet Friendship, Inc.1943-1950

Correspondence

 348/20National Council of American-Soviet Friendship, Inc.

Miscellaneous

See also: American-Soviet Music Society

 348/21National Council of the Arts, Sciences, and Professions1949 348/22National Educational Broadcasting Corporation1962-1970 349/1National Endowment on the Arts1967-1968, n.d.

Correspondence

 349/2National Endowment on the Arts

Miscellaneous

 349/3National Foundation on the Arts and Humanities1966-1967 349/4National Institute of Arts and Letters1941-1959

Correspondence

 349/5National Institute of Arts and Letters1960-1969

Correspondence

 349/6National Institute of Arts and Letters1970-1976

Correspondence

 349/7National Institute of Arts and Letters

Miscellaneous

 349/8National Music Council, Inc.

Bulletins

 349/9National Music Council, Inc.1939-1942

Correspondence

 349/10National Music Council, Inc.

Miscellaneous

 349/11New Music Editions, A Quarterly Publishing Modern Compositions1928, 1941 349/12New School for Social Research1928-1975 349/13New York Philharmonic1972-1980

Contracts

 349/14New York Philharmonic1964-1969

Correspondence

 349/15New York Philharmonic1970-1988

Correspondence

 349/16New York Philharmonic

Miscellaneous

 349/17New York Public Library1979 349/18New York State Council on the Arts1971-1974 350/1New York World's Fair1939 350/1Norris, Frank

See: Black, Mrs. Charles W.

 350/2Ojai Festival1956, 1986 350/3Ossabaw Island Project1961-1969 350/4Paderewski Fund for the Encourgement of American Composers1952 350/5Page, Ruth [Hear Ye! Hear Ye!]1934 350/6Pan American Union (Inter-American Music Center)1942-1967 350/7Paramount Pictures Corporation1966 350/8Paterson Management Limited1965 350/9People's Songs, Inc.1947 350/10Phonograhic Performance Limited1982, 1989 350/11PolyTel Film Ltd.1980 350/12Prentice-Hall Media, Inc. / Schloat Productions1969, 1971

Correspondence

 350/13Prentice-Hall Media, Inc. / Schloat Productions1971-1982

Royalty Statements

 350/14Principal Artists Productions1940 350/15Prometheus Enterprises, Inc., [Something Wild]1961 350/16Pultizer Prize Advisory Board1966-1972 350/17Radio Corporation of America (RCA Records)1948-1953

Correspondence

 350/18Radio Corporation of America (RCA Records)

Notes

 350/19Radio Corporation of America (RCA Records)1960-1974

Royalty Statements

 350/20Radio Corporation of America (RCA Records)1975-1989

Royalty Statements

 350/21Republic Productions, Inc.1948 350/21Riggs, Lynn

See: de Mille, Agnes

 350/22Rockefeller Foundation1968, 1970-1971

Annual Reports

 350/23Rockefeller Foundation1963-1982

Correspondence

 350/24Rockefeller Foundation

Miscellaneous

 350/25St. Martin's Press, Inc.1982-1987 350/25Schloat Productions

See: Prentice-Hall Media, Inc. / Schloat Productions

 351/1Schott's Sons1927, 1930-1988 351/1Sessions, Roger

See: Copland-Sessions Concerts of Contemporary Music

 351/2Silver Burdett Company1963-1980 351/2Smith, Oliver

See: de Mille, Agnes

 351/3Songwriters' Protective Association1956-1958

Contracts

 351/4Songwriters' Protective Association1955-1958

Correspondence

 351/5Songwriters' Protective Association

Miscellaneous

 351/6Springate Corporation1974-1986 351/7Summy-Birchard Company1938-1979

See also: C. C. Birchard and Company

 351/8Tanglewood (Berkshire Music Center, Bershire Music Festival)

Artist Information

 351/9Tanglewood (Berkshire Music Center, Bershire Music Festival)

Brochures

 351/10Tanglewood (Berkshire Music Center, Bershire Music Festival)

Clippings

 351/11Tanglewood (Berkshire Music Center, Bershire Music Festival)1940-1964

Composition Department (Applicants)

351/12Tanglewood (Berkshire Music Center, Bershire Music Festival)1958

Composition Department (Completed Applications)

351/13Tanglewood (Berkshire Music Center, Bershire Music Festival)

Composition Department (Classroom Teaching Materials)

352/1Tanglewood (Berkshire Music Center, Bershire Music Festival)

Composition Department (Composer Catalogues)

352/2Tanglewood (Berkshire Music Center, Bershire Music Festival)

Composition Department (Departmental Memos)

352/3Tanglewood (Berkshire Music Center, Bershire Music Festival)

Composition Department (Formal Analysis)

352/4Tanglewood (Berkshire Music Center, Bershire Music Festival)1961

Composition Department (Notes)

352/5Tanglewood (Berkshire Music Center, Bershire Music Festival)1970-1980

Contracts

 352/6Tanglewood (Berkshire Music Center, Bershire Music Festival)1953-1963

Correspondence (A)

352/7Tanglewood (Berkshire Music Center, Bershire Music Festival)1952-1960

Correspondence (B)

352/8Tanglewood (Berkshire Music Center, Bershire Music Festival)1941-1942

Correspondence (Berkshire Music Center)

352/9Tanglewood (Berkshire Music Center, Bershire Music Festival)1952-1959

Correspondence (Berkshire Music Center)

352/10Tanglewood (Berkshire Music Center, Bershire Music Festival)1961-1988, n.d.

Correspondence (Berkshire Music Center)

352/11Tanglewood (Berkshire Music Center, Bershire Music Festival)1939-1957

Correspondence (Boston Symphony Orchestra)

352/12Tanglewood (Berkshire Music Center, Bershire Music Festival)1958-1962

Correspondence (Boston Symphony Orchestra)

352/13Tanglewood (Berkshire Music Center, Bershire Music Festival)1963-1980, n.d.

Correspondence (Boston Symphony Orchestra)

352/14Tanglewood (Berkshire Music Center, Bershire Music Festival)1952-1980

Correspondence (C)

352/15Tanglewood (Berkshire Music Center, Bershire Music Festival)1952-1980

Correspondence (D-F)

352/16Tanglewood (Berkshire Music Center, Bershire Music Festival)1956-1971

Correspondence (Fromm, Paul)

352/17Tanglewood (Berkshire Music Center, Bershire Music Festival)1952-1988

Correspondence (G-Z)

353/1Tanglewood (Berkshire Music Center, Bershire Music Festival)

Departmental Announcements

 353/2Tanglewood (Berkshire Music Center, Bershire Music Festival)

Faculty and Staff Lists

 353/3Tanglewood (Berkshire Music Center, Bershire Music Festival)

Faculty Board Notes

 342/13John F. Kennedy Center for the Performing Arts1978-1980 353/4Tanglewood (Berkshire Music Center, Bershire Music Festival)

Festival Calendar of Events

 353/5Tanglewood (Berkshire Music Center, Bershire Music Festival)

Forums

 353/6Tanglewood (Berkshire Music Center, Bershire Music Festival)

Fromm Concerts and Players

 353/7Tanglewood (Berkshire Music Center, Bershire Music Festival)

Fromm Music Foundation

 353/8Tanglewood (Berkshire Music Center, Bershire Music Festival)

Happenings

 353/9Tanglewood (Berkshire Music Center, Bershire Music Festival)

Memos

 353/10Tanglewood (Berkshire Music Center, Bershire Music Festival)

Miscellaneous

 353/11Tanglewood (Berkshire Music Center, Bershire Music Festival)

Notes

 353/12Tanglewood (Berkshire Music Center, Bershire Music Festival)

Opening Excercises [remarks by Copland]

 353/13Tanglewood (Berkshire Music Center, Bershire Music Festival)1947-1960

Press Releases

 353/14Tanglewood (Berkshire Music Center, Bershire Music Festival)

Programs

 354/1Tanglewood (Berkshire Music Center, Bershire Music Festival)

Reports

 354/2Tanglewood (Berkshire Music Center, Bershire Music Festival)

Scholarships

 354/3Tanglewood (Berkshire Music Center, Bershire Music Festival)1940-1963

Students Lists

 354/4Tanglewood (Berkshire Music Center, Bershire Music Festival)

Symposium Programs

 354/5Tanglewood (Berkshire Music Center, Bershire Music Festival)1940-1942

Tanglewood Talks

See also: Boston Symphony Orchestra

 354/6Television Productions of America, Inc.1965 354/7Thea Dispeker Artists' Representative1963

Correspondence

 354/8Thea Dispeker Artists' Representative1964

Correspondence

 354/9Thea Dispeker Artists' Representative1965

Correspondence

 354/10Thea Dispeker Artists' Representative1966

Correspondence

 354/11Thea Dispeker Artists' Representative1967

Correspondence

 354/12Thea Dispeker Artists' Representative1968

Correspondence

 354/13Thea Dispeker Artists' Representative1969

Correspondence

 354/14Thea Dispeker Artists' Representative1970

Correspondence

 354/15Thea Dispeker Artists' Representative1971

Correspondence

 354/16Thea Dispeker Artists' Representative1972

Correspondence

 355/1Thea Dispeker Artists' Representative1973

Correspondence

 355/2Thea Dispeker Artists' Representative1974

Correspondence

 355/3Thea Dispeker Artists' Representative1975

Correspondence

 355/4Thea Dispeker Artists' Representative1976-1977, 1979

Correspondence

 355/5Thea Dispeker Artists' Representative1980-1983, n.d.

Correspondence

 355/6Thea Dispeker Artists' Representative

Miscellaneous

See also: Basil Douglas Ltd.

 355/7Theatre Guild1931 355/8Thorne Music Fund, Inc.1967-1968 355/9-11United States Government

Committee for Inter-American Relations

 355/12United States Government1940-1943

Correspondence

 355/13United States Government1944-1949

Correspondence

 355/14United States Government1950-1970

Correspondence

 356/1Universal-Edition1932 356/2Universidad de Chile1943-1944

Correspondence

 356/3Universidad de Chile

Miscellaneous

 356/4AUniversity of Oklahoma1958-1959 356/5Vanguard Recording Society, Inc. (West Projects, Inc.)1960-1983 356/6Walter W. Naumberg Foundation, Inc.1946-1949

Correspondence

 356/7Walter W. Naumberg Foundation, Inc.1950-1951

Correspondence

 356/8Walter W. Naumberg Foundation, Inc.1952

Correspondence

 356/9Walter W. Naumberg Foundation, Inc.1956-1958

Correspondence

 356/10Walter W. Naumberg Foundation, Inc.1960-1961

Correspondence

 356/11Walter W. Naumberg Foundation, Inc.1962-1965

Correspondence

 356/12Walter W. Naumberg Foundation, Inc.1966-1977

Correspondence

 356/13Walter W. Naumberg Foundation, Inc.

Miscellaneous

 356/13Warren Schloat Productions

See: Prentice-Hall Media, Inc. / Schloat Productions

 356/13Watts, Schuyler

See: de Mille, Agnes

 356/13West Projects, Inc.

See: Vanguard Recording Society, Inc.

 356/14WGBH Educational Television1965 356/14Whittlesey House

See: McGraw-Hill Book Company, Inc.

 356/15William Morris Agency1955 357/1WNCN Radio1968-1970 357/2WNDT Educational Broadcasting Corporation1967-1968 357/3Workers' Music Association Ltd.1944-1954 357/4World Law Fundn.d. 357/5World Peace Conference1949 357/6W. W. Norton & Company1957-1981 357/7Yaddo (Festival of Contemporary Music)

Clippings

 357/8Yaddo (Festival of Contemporary Music)

Conferences

 357/9Yaddo (Festival of Contemporary Music)1932-1987

Correspondence

 357/10Yaddo (Festival of Contemporary Music)

Notes

 357/11Yaddo (Festival of Contemporary Music)

Programs

 BMG Music

See: Radio Corporation of America

 CBS

See: Columbia Broadcasting Systems (CBS)

 356/4BUniversity of Rochester1969-1979 Engagements 358/1John Wanamaker, New York1917 Feb. 28 358/2Boy's High School1918 Jun. 21 358/3Boston Symphony1927 Jan. 28 to 1927 Jan. 29 358/4Boston Symphony (BSO in New York)1927 Feb. 3 358/5New School for Social Research1928 Dec. 17 358/6Cleveland Museum of Art1929 Jan. 27 358/7League of Composers / Metropolitan Opera House1929 Apr. 25 358/8Pierre Degeyter Club[c.1933] Mar. 16 358/9League of Composers1934 Apr. 8 358/10Pierre Degeyter Club [lecturer]1934 May 11 358/11Town Hall1935 Dec. 7 358/12Hotel Delano / League of American Writers [lecturer]1936 Dec. 9 358/13New School1937 Feb. 3 to 1937 Apr. 7 358/14High-Low Concerts / Hotel St. Regis1938 Feb. 23 358/15Westminster Choir School [unclear whether AC participated]1938 May 27 358/16Bronxville Women's club1938 Nov. 30 358/17Brooklyn Museum1939 Feb. 18 358/18Bowdoin College1939 Feb. 19 358/19Brooklyn Institute of Arts and Sciences1940 Jan. 11 358/20Pro Musica, Inc.1940 Jan. 12 358/21High School of Music and Art1940 Dec. 5

Steigman, Benjamin M.

 358/22South Orange-Maplewood Adult School [lecturer]1940 Dec. 12 358/23Allentown Musical Club1941 Jan. 6 358/24-28Latin America1941 Aug. 19 to 1941 Dec. 13

Avisada, PanagraCorréa de Azevedo, Luiz HeitorFreitas, Maria deKoseleff, AlexanderLange, Francisco CurtLima, José Inácio CabralMoe, Henry AllenPereira, Antonio de SaQuevedo, AntonioRexach, ConchitaSeeger, CharlesState Department [correspondent unreadable]Trueblood, EdwardUniversidad de Chile [correspondent unreadable]Valcarenglis, Guido [not sure about last name]

 359/1Octave Club [lecturer]1942 Feb. 18 359/2Town Hall1948 Nov. 30 359/3Town Hall Music Forum1943 Feb. 17 359/4University of Redlands [lecturer]1943 Mar. 28 359/5University of Chicago [lecturer]1944 Apr. 11 359/6Harvard University [year is estimated]1944 May 3 to 1944 May 31 359/7Library of Congress [Appalachian Spring premiere]1944 Oct. 30 359/8WNYC American Music Festival1945 Feb. 22 359/9-14Latin America1947 Aug. 14 to 1947 Nov. 28

Amorim, RoneBarry, Roberto F.Belton, WilliamBoxhorn, KurtBrown[?]Depenbrock, John F.Epstein, LeonardEspinosa, GuillermoFarrell, GordonFay, Julio CesarFranklin, Albert B.Ginastera, AlbertoGropp, Arthur E.Halpern, FedericoHill, HowardKidder, DorothyLange, Francisco C.Luckey, Robert E.Maggi, Carlos and Julio BayceMiller, George E.Murphy, Edmund R.Radio Sociedade MerrymanRivera, Rodolfo O.Santa Cruz, DomingoVidal, Armando

 359/15League of Composers1948 Apr. 5 359/16Ballet Russe de Monte Carlo / Metropolitan Opera House1948 Sept. 22 359/17University of California, Los Angeles [lecturer]1948 Nov. 4 to 1948 Nov. 16 359/18Modern Institute of Art1948 Dec. 19 359/19Composers' Forums [moderator]1949 Feb. 24 359/20England / United Kingdom [date is approximate]1949 May 14 359/21Wellesley College [conference participant]1949 Oct. 17 359/22Julius Hartt Musical Foundation1950 Apr. 12 359/23Women's City Club of New York1950 Apr. 20 359/24Columbia University / Festival of Contemporary Music1950 May 18 to 1950 May 21 359/25Griffith Music Foundation1950 Oct. 7 359/26-27Agnes Scott College1950 Oct. 26

Laney, Emma May

 359/28Toronto Conservatory1950 Nov. 9 359/29New England Conservatory1950 Nov. 30 360/1Europe: Italy1951 Feb. 15 to 1951 Mar. 31 360/2Israel1951 Apr. 13 360/3Italy1951 Jun. 2 360/4Harvard University / Norton Lectures1951 Nov. 13 to 1952 May 15 360/5Dartmouth College1952 Apr. 29 360/6Queens College1952 May 16 360/7Academy of Arts and Letters1952 May 28 360/8New Friends of Music1952 Nov. 2 360/9George Peabody College1953 Apr. 27 360/10Mexico1953 Aug. 31 360/11International Society for Contemporary Music1954 Mar. 20 360/12Europe: Switzerland / London1954 Apr. 30 360/13Boston University College of Music1954 May 12 360/14Latin America: Venezuela[1954 Nov. 28?] 360/15Baltimore Museum of Art1955 Jan. 18 360/16Oberlin College1955 Feb. 17 360/17Town Hall1955 Mar. 8 360/18-19Europe [2 trips][1955 Apr. 18 to 1955 Nov. 30?]

Barraud, HenryGobre[?]Helm, EverellStrobel, HeinrichSudwestfunk, Baden-Baden

 360/20-21National Symphony1956 Jan. 11

Black, RalphCox, OscarEdwards, John

 360/22-23Institute of Contemporary Arts / Corcoran Gallery1956 Jan. 12

Richman, Robert

 360/24-25Mills College[1956 Jan. 14?]

Kirchner, LeonLyon, Margaret E.

 360/26-27Stanford University1956 Jan. 15

Crosten, William L.

 360/28University of California, Berkeley1956 Jan. 16

Connors, B. J.

 360/29San Francisco Museum of Art1956 Jan. 17

Peterson, Clifford R.

 360/30-31Vancouver Symphony1956 Jan. 21

Philips, Robert

 360/32City College of New York1956 Mar. 15 360/33Institute of Contemporary Arts, Corcoran Gallery1956 Mar. 27 360/34Chicago Symphony / Ravinia Festival Association1956 Jul. 21 360/35Harvard Law School1956 Dec. 6 360/36New School1957 Jan. 30 360/37Institute of Contemporary Arts / Corcoran Gallery1957 Feb. 2 360/38University of Pennsylvania, Philadelphia1957 Feb. 3 360/39-41Latin America / Festivales de Musica latinoamericana de Caracas1957 Mar. 28 360/42Cornell University1957 Apr. 24 360/43Ford Hall Forum1957 Apr. 28 360/44Ojai Festival1957 May 24 to 1957 May 26 360/45Brandeis University1957 Jun. 8 360/46-47University of Buffalo1957 Oct. 10 to 1958 Jan. 16 361/1New York Philharmonic1958 Jan. 30 361/2New York Philharmonic / Young People's Concerts [contract]1958 Feb. 1 361/3Illinois Wesleyan University1958 Feb. 13 361/4Washington University1958 Feb. 16 361/5Northwestern University1958 Feb. 21 361/6International Society for Contemporary Music / Fromm Music Foundation1958 Mar. 1 361/7University of Iowa, Cedar Rapids1958 Mar. 2 361/8University of Chicago1958 Mar. 6 361/9University of Wisconsin, Milwaukee1958 Mar. 9 361/10Canadian Music Association (Ontario)1958 Mar. 6 361/11Chamber Music Society of Baltimore1958 Apr. 13 361/12University of Louisville1958 Apr. 19 361/13-14Ojai Festival1958 May 23 to 1958 May 25

Morton, Lawrence [contract]

 361/15Oberlin College1958 Jun. 9 361/16-19Europe: Dartington Hall Festival / Copenhagen / Stuttgart1958 Aug. 20 361/20-21Little Orchestra Society [clippings only]1958 Dec. 15

Weissel, William L.

 361/22St. Louis Symphony1959 Jan. 2 361/23Brandeis University Club / Hunter Playhouse [program only]1959 Jan. 13 361/24Academy of Music [clippings only]1959 Jan. 24 361/25Composers' Forums [clippings only]1959 Jan. 29 361/26-27Boston Symphony1959 Apr. 10

Perry, Thomas D.

 361/28Syracuse University [clippings only]1959 Apr. 19 361/29Temple University [clippings only]1959 May 4 361/30Boston Symphony [clippings only]1959 Jun. 14 361/31WQED & WQEX - Pittsburgh1959 Jun. 22

Ziegler, John W.

 361/32Festival of Two World; Spoleto [clippings only][1959 Jun. 23 to 1959 Jul. 12?] 361/33Boston Symphony / Tanglewood, Berkshire Festival1959 Jul. 26

Perry, Thomas D.

 361/34Princeton University1959 Sept. 1 361/35Edinburgh Festival [clippings only]1959 Sept. 7 to 1959 Sept. 12 361/36Carnegie Institute of Technology1959 Oct. 9 to 1959 Oct. 10 361/37Boston Symphony1959 Nov. 19 to 1959 Nov. 21

Perry, Thomas D.

 361/38Columbia Symphony Orchestra / Town Hall [pianist with Barber, Sessions, Foss and conducted for Les noces]1959 Dec. 20 361/39-40Boston Symphony1960 Jan. 1 to 1960 Jan. 5

Perry, Thomas D. [contracts]

 361/41-42Dallas Symphony1960 Jan. 11

Adler, SamuelWatrous, Alan

 361/43North Texas State College1960 Jan. 11 361/44National Orchestral Association1960 Feb. 5 361/45-48Soviet Union1960 Mar. 14

Adams, David S. [addressed to Elaine A. Fry of USIA]Colwell, Frederick A.Khrennikov, TikhonLaura[?]Morton, Byron B.StepanovWeise, Robert W.

 361/49-50London: London Symphony / BBC1960 Apr. 11 to 1960 Apr. 24

Andrewes, JohnBowling, MaryCruft, JohnDouglas, BasilFleischmann, ErnestGlazer, RuthHolton, Robert W.Mott, GunterWhewell, Michael

 361/51Goucher College1960 Apr. 26 362/1-4Far East / Boston Symphony1960 Apr. 29 to 1960 Jun. 17

Perry, Thomas D.

 362/5-6Europe1960 Jun. 22

Britten, Benjamin

 362/7Boston Sympony [contract only]1960 Aug. 13 362/8-9Aspen Music Festival1960 Aug. 15 to 1960 Aug. 24

Singer, Norman

 362/10Symphony of the Air1960 Sept. 2

Toobin, Jerome

 362/11-12New York Philharmonic / Young People's Concerts1960 Nov. 7 to 1960 Nov. 13 362/13-14New Orleans Symphony1961 Jan. 10

Dailey, Jack F.

 362/15Composers' Showcase / Museum of Modern Art1961 Jan. 26 to 1961 Feb. 2 362/16New York Philharmonic1961 Feb. 13 362/17-18University of Massachusetts, Amherst1961 Feb. 23

Canfield, Karen Anne Reseigh

 362/19-20Dumbarton Oaks1961 Mar. 2

Thacher, John S.

 362/21Tri-City Symphony1961 Mar. 11 to 1961 Mar. 12

Gigante, Charles

 362/22-23University of Arizona, Tucson1961 Mar. 24

Buchhauser, Andrew

 362/24-25Temple Beth Israel Forum1961 Mar. 26

Spector, Eleanor W.

 362/26Peabody Institute1961 Apr. 19 362/27-28University of Delaware1961 Apr. 20

Loudis, Anthony J.

 362/29-30WJR-Detroit / Detroit Adventure1961 Apr. 23

Birenbaum, William M.Haas, Karl

 362/31Inter American Festival / Centro Interamericano de Música1961 Apr. 25

Espinosa, Guillermo[illegible]

 362/32Brandeis University1961 Apr. 27 362/33Wayne State University1961 Apr. 28 362/34-35Ann Arbor May Festival / Philadelphia Orchestra1961 May 6

Hall, RogerRector, Gail

 362/36Contemporary Concerts Inc., Chicago1961 May 7

Welch, John

 363/1-3Europe: United Kingdom / Yugoslavia / Spain1961 May 11 to 1961 Jun. 12

Abbey, DeniseAlexander, EdwardAndrewes, JohnColwell, Frederick A.Douglas, BasilHenry, George D.Horton, RodMason, Francis S.

 363/4Boston Symphony / Tanglewood, Berkshire Festival [contract only]1961 Jun. 28 363/5-6Seattle Symphony [contract only]1962 Jan. 15 363/7-8Vancouver Symphony1962 Jan. 21 363/9-10Japan1962 Feb. 1 to 1962 Feb. 7

Uemura, Kogoro

 363/11-13England / United Kingdom1962 Feb. 8 to 1962 Mar. 1

Carroll, Mark [note on letter to Mollie Waters]Douglas, BasilFleischmann, ErnestGustave, H.[Tuneeya?], Marie

 363/14CBC1962 Jun. 15 363/15-16Chicago Symphony / Ravinia Festival Association1962 Jul. 7 to 1962 Jul. 11 363/17-19Latin America1962 Jul. 15 to 1962 Aug. 6

Balzo, HugoBorup, Edgar S.Brooks, PhillipsFreeman, H. GordonMoody, George T.Purcell, Edward T.Sanchez, ManuelTalice, Rodolfo V.Vallarta, Manuel SandovalWebb, James H. Jr.

 363/20New York Philharmonic1962 Sep. 23 363/21Educational Broadcasting1962 Oct. 3 to 1962 Oct. 5

Epstein, David M.

 363/22Mount Holyoke College1962 Oct. 10 363/23United States Information Agency1962 Nov. 9 364/1Wellesley College1963 Feb. 13 364/2Naumberg Memorial Lecture / Rutgers University1963 Feb. 2

Mann, Alfred

 364/3University of Hartford / Hartt College of Music1963 Mar. 14 364/4Festival of Contemporary Music / University of Michigan, Ann Arbor1963 Mar. 27 364/5-6San Antonio Symphony1963 Mar. 30

Norton, Clinton E.

 364/7-8Europe: London / Germany / Italy1963 Apr. 5 to 1963 May 11

Abbey, DeniseAlexander, EdwardBogianckino, MassimoDeary, William P.Douglas, BasilFerguson, JocelynMason, FrancisMoody, George T.Shetler, NormanTiburtius, T.

 364/9Tanglewood, Berkshire Festival1963 Jun. 29 to 1963 Jul. 28 364/10-13Latin America1963 Sept. 9 to 1963 Oct. 20

Alcazar, Oscar H.Borup, Edgar S.Braunstein, ElizabethCaamaño, RobertoEscobar, Luis AntonioFreeman, FultonFry, Elaine A.Garrido-Lecca, CelsoGinastera, AlbertoGolbin, MathildeKarnis, Michael V.Lacerda, CarlosLogan, Anne M.Magary, FrankPrensa, SeccionQuesada, Alfonso deQuesada, Erneste deQuesada, Lorenzo A.Quesada Ricardo deSalcedo Rojas, AlfredoSanta Cruz, DomingoSchroder, JoséTurner, Philip A.Vasquez, José I.Wool, Robert M.

 364/14-16Europe / Germany1963 Nov. 18 to 1963 Dec. 17

Goslick, SiegfriedHaas, KarlHartmann, RudolffLefebre, DodiePietsch, Karl PeterRosen, HeinzSpilling, Willy [written to Thea Dispeker]Warner, Robert B.

 364/17New York Philharmonic1964 Jan. 9 364/18University of Cincinnati1964 Feb. 3 364/19Syracuse University1964 Feb. 6 364/20New York Philharmonic / Young People's Concerts1964 Feb. 8

Moseley, Carlos

 364/21-22Portland Junior Symphony1964 Mar. 4 to 1964 Mar. 8

Avshalomov, JacobHirsch, Elizabeth

 364/23-24Goucher College1964 Apr. 20

Galkin, Elliot W.

 364/25-26University of Rhode Island1964 May 4 to 1964 May 5

Custer, ArthurHorn, Francis H.

 364/27New York Philharmonic1964 May 7 364/28-29Europe: England / Paris / Amsterdam1964 May 14 to 1964 Jun. 19

Abbey, DeniseBois, MarioBornoff, JackBril, France-Yvonne deDouglas, BasilFleischmann, ErnestGreissle, FelixHartel, CarlaMaegaard, JanOrem, Virginia E.Schnutz, Rosemarie G.Werner, Maurice

 365/1Centre Culturel Americain1964 Jun. 11 365/2-3Stadium Concerts, Inc.1964 Jul. 16

Soria, Dorle J.

 365/4-5Chicago Symphone / Ravinia Festival1964 Jul. 23

Cooper, David S.Dern, Caroline W.Geraghty, Helen

 365/6Tanglewood / Berkshire Festival1964 Aug. 3 to 1964 Aug. 16 365/7Sarah Lawrence College1964 Oct. 25

Haines, EdmundLindsey, ElizabethWard, Catherine (Mrs. Paul L.)Ward, Paul L.

 365/8Library of Congress1964 Oct. 31 365/9Educational Broadcasting1964 Nov.13

Miller, Allan

 365/10-11Rochester Philharmonic1964 Dec. 3

Collins, BrendaSomogyi, Laszlo

 365/12Chicago Symphony1964 Dec. 5

Edman, Silas

 365/13-14Chatham College1964 Dec. 14

Eddy, Edward D.

 365/15-16Pittsburgh Symphony1964 Dec. 18

Collins, BrendaEdwards, John S.

 365/17Vassar College1965 Mar. 3

Crouch, JohnMiddleton, Robert

 365/18-19New England Conservatory1965 Mar. 10

DeVaron, Lorna CookeWilliams, Chester W.

 365/20-21Boston Symphony1965 Apr. 9

Gill, Richard T.Leinsdorf, Erich

 365/22Voice of America1965 Apr. 19

Boxer, HaroldEspinosa, Guillermo

 365/23Inter-American System1965 Apr. 25 365/24-25Newton Public Schools1965 May 5 to 1965 May 7

Brown, Charles E.

 365/26-27Kalamazoo College1965 May 17 to 1965 May 23

Hammar, Russell A.

 365/28-29Chicago Symphony / Ravinia Festival1965 Jul. 6

Edman, SilasHillis, MargaretMcGregor, LauretteNorman, Vera

 365/30New York Philharmonic1965 Jul. 28

Moseley, CarlosWeissel, William

 365/31-32Tanglewood, Berkshire Festival1965 Aug. 8 to 1965 Aug. 22 365/33-34New York Philharmonic [contract only]1965 Aug. 24 to 1965 Aug. 28 365/35-36Southern California Symphony / Hollywood Bowl1965 Aug. 31 365/37Yale University1965 Sept. 28

Wilson, Keith

 365/38-40Europe: United Kingdom / Italy / Poland1965 Sept. 30 to 1965 Nov. 14

Adams, David S.Ampenoff, R.Burton, HumphreyCarroll, Martin C.Chappell, HerbertCh´vez, QuitaCohen, Abe [to Thea Dispeker]Dispeker, TheaDouglas, BasilFleischmann, ErnestGlock, WilliamHall, R. A.[Henriuq, Cabrille ?]Hildebrand, SuzanneIglesias, AntonioKierownika, ZicaLefebre, DodieMellers, WilfordMott, GuntherOrgaz, ManuelPaterson, RobertPonsonby, RobertSchnutz, Rosemarie G.Semlow-Horodecka, PaulinaStaehelin, MargueriteStephens, Bart N.Todd, J. DouglasVauk, H. P.Werner, MauriceZakrzewski, Szymon

 365/41-42Cleveland Orchestra1965 Nov. 26

Barksdale, A. Beverly

 366/1-2University of Utah, Salt Lake City1966 Jan. 24

Fletcher, James C.Maryon, Edward D.McMurrin, Sterling M.

 366/3-4Utah Symphony1966 Jan. 25

Abravanel, MauriceCollins, BrendaStoll, Forrest D. [same letter as signed by E. Maryon]

 366/5-6California State College / California Chamber Symphony1966 Feb. 21

Strang, GeraldTemianka, Henri

 366/7-8Stanford University1966 Feb. 23

Hoglund, J. Steven

 366/9-10Musica Viva Series / San Francisco Symphony1966 Mar. 2

Collins, BrendaScafidi, Joseph A.

 366/11-12Baltimore Symphony Orchestra / Salisbury State College1966 Mar. 8

Adler, Peter HermanCollins, Brenda

 366/13Johns Hopkins University1966 Mar. 10

Adler, Peter HermanSynodinos, John A.

 366/14CBC1966 Mar. 24

Collins, Brenda

 366/15-16Indiana State College / Indiana University of Pennsylvania1966 Mar. 25

Bernat, RobertNicholson, Arthur

 366/17-18Inter-American Music Festival1966 Mar. 28 to 1966 Apr. 1

Morales, Luis M. RodriguezParsi, Hector Campos

 366/19-20International House1966 Apr. 4

Cook, Howard A.

 366/21Instituto Nacional de Cultura y Bellas Astes / Music Festival of Caracas[1966 Apr. 20?]

Palacios, Inocente [both letters in Spanish]Salcedo-Bastardo, J. L.

 366/22-23Philadelphia Art Alliance1966 Apr. 21

Merrick, James KirkWolff, Katherine

 366/24Swarthmore College1966 Apr. 21

Shane, Joseph B.Swing, Peter Gram

 366/25New York Philharmonic1966 Jul. 15 366/26-27Daytona Beach Festivals / London Symphony Orchestra1966 Aug. 18

Davidson, TippenKassman, Eugene B.

 366/28-29Japan: Nippon Columbia Musical Enterprise / Yomiuri-Nippon Symphony [2 more concerts also Sept. 21 and Sept. 27]1966 Sept. 16

Friedman, AbrahamKugimoto, ShinNozaki, Tatsuya

 366/30-31Library of Congress1966 Oct. 13

Spivacke, Harold

 366/32-33Westchester Symphony Orchestra[1966 Dec. 2?]

Kahn, Betty

 366/34-35Minnesota Orchestra1967 Jan. 6

Cisek, Richard M.Collins, BrendaOslund, Nada M.Strommer, JoanWilford, Ronald

 366/36St. Paul's School1967 Jan. 20

Warren, Matthew M.

 366/37-38Musica Viva Series / San Francisco Symphony1967 Jan. 28 to 1967 Feb. 4

Bernell, WilliamBoone, CharlesBounan, AlmaCollins, BrendaFelciano, RichardHarrison, LouJanowski, JudieKohn, KarlLe Rous, Jean-LouisMilhaud, MadeleineNin-Culmell, JoaquinSalkind, MiltonScafidi, Joseph A.

 366/39-40National Symphony1967 Feb. 21

Dougherty, EdwardMickelwait, Marian C.Mitchell, AlmaRogers, Robert

 366/41-42Woman's National Democratic Club1967 Feb. 23

Munroe, Mary

 366/43Concert Artists Guild1967 Mar. 12 366/44Juilliard School1967 Mar. 28 366/45-46State University of New York, Buffalo1967 Apr. 4

Chamberlain, Daniel R.

 366/47-48Jacksonville University1967 Apr. 6

Kinne, Frances B.Long, Ralph G.Peltz, RonaldSpiro, RonaldYessin, Gerson

 366/49-50University of Miami1967 Apr. 8

Lee, William F.Roberts, PaulWilliams, Clifton

 366/51St. Mark's School1967 Apr. 20

Curtis, William H.Engel, Jay G.Pier, Fordyce C.Sickle, Paul Van

 366/52University of Chicago1967 May 4

Levin, Paul

 366/53-54Interlochen Arts Academy, National Music Camp1967 May 6

Baker, Doy M.Johnson, Thor

 366/55-56Oberlin College1967 May 9

Fountain, RobertMelcher, Robert A.

 366/57University of Chicago1967 May 20 366/58Goldman Band / Guggenheim Memorial Concerts1967 Jul. 9

Goldman, Richard Franko

 366/58-60Dartmouth College1967 Aug. 8

Bonaventura, Mario diHill, Mariellyn

 366/61-62Southern California Symphony / Hollywood Bowl1967 Aug. 22

Collins, Brenda

 367/1-2Europe: London / Vienna / Italy1967 Sept. to 1967 Oct. 23

Blomdahl, Karl B.Dispeker, TheaDouglas, BasilEnhorning, MagnusFleischmann, ErnestGellhorn, A.Hilpert, ViolaLakond, WladimirLe Fevre, DodieNabokov, NicolasPaterson, RobertPerdigaõ, M. M. de AzeredoQuesada, Ernesto deQuesada, Ricardo deSachs, HansSunshine, Adrian

 367/3Fulton County Schools1968 Jan. 23

Robinson, Don C.

 367/4-5Atlanta Symphony1968 Jan. 25

Noerr, R. J.Smith, Helen R.White, Leslie C.Woodard, Mrs. Leroy A.

 367/6-7Richmond Professional Institute / Richmond Symphony1968 Feb. 17

Batty, L. WayneCherry, MiltonDietrick, William M. [written to Boosey and Hawkes]Wright, James L.

 367/8National Arts Club1968 Mar. 21 367/9State University of New York (SUNY), Downstate Medical Center1968 Mar. 24

Brooks, Chandler McC.

 367/10-11Montclair State College1968 Apr. 3

Oneglia, Mario F.

 367/12-13Buffalo Philharmonic1968 Apr. 21 to 1968 Apr. 28

Patrick, Mary G. [Secretary to A. Pinsker]Pinsker, Adam A.Wickham, Phyllis J.

 367/14Latin America1968 May 14 367/15Collegiate School1968 May 16

Hoff, Ernestine

 367/16Rockfeller University1968 May 16

Voeller, Bruce R.

 367/17-18Fellowship of Reconciliation1968 May 24

Gould, RaphaelSiegmeister, Elie

 367/19-20Musica Viva Series / San Francisco Symphony1968 Jun. 10 to 1968 Jun. 15

Burnell, WilliamLe Roux, Jean-LouisScafidi, Joseph A.Wilford, Ronald A.[?] Stanley

 367/21-22New York Philharmonic1968 Jun. 25

Simons, Clara

 367/23-24Chicago Symphony / Ravinia Festival1968 Jul. 23

Collins, BrendaGordon, EdwardMcGregor, LauretteTurkin, Marshall W.Wellman, Barbara F.

 367/25-26Civic Orchestra of Chicago1968 Jul. 24

Burgert, Mr. and Mrs. WoodwardEdwards, John S.Peters, Gordon

 367/27-28Cleveland Orchestra1968 Aug. 17

Barksdale, A. BeverlyCollins, BrendaLane, Louis

 367/29-30Boston Symphony1968 Aug. 23

Rock, IsabelSmith, Mary H.

 367/31-32London1968 Oct. 20 to 1968 Oct. 31

Denison, JohnDouglas, BasilGreenwood, HenryGustave, H.Jefferson, AlanLawrence, HaroldLawrence, MaryLewis, CharlesMichaelis, Kurt G.Orta, AtesPainter, ColinSunshine, AdrianSuritt, MonicaWoolf, John

 367/33Congregation B'nai Jeshurun1968 Dec. 11

Pilchik, Ely E.Summers, Norman

 367/34-36Israel1968 Dec. 19 to 1969 Jan. 6

Ampenoff, RufuiaBart, AlCohen, AbeCongleton, John D.Dispeker, TheaGellhorn, A.Gilutz, CarmellaLakond, WladimirSamuel, JochananWatanabe, PatriciaWeckmann, LuisWerner, Eric

 368/1-2Hartford Symphony1969 Jan. 22

Collins, BrendaKent, David G.Ravitvh, B. S.Winograd, Arthur

 368/3-4Composers' Showcase1969 Feb. 4

Schwartz, Charles

 368/5-6National Symphony1969 Feb. 11

Fiedler, JohannaFlower, MargaretPhillips, MargotRogers, M. Robert

 368/7Civitas Club of Brooklyn1969 Feb. 19

Denonn, Bess

 368/8-9University of Houston1969 Feb. 27

Horvit, Michael M.Lach, FredellMatthews, James T.Moore, Earl V.

 368/10-11Houston Symphony1969 Mar. 3

Hubbard, JuliaJohnson, Tom M.Previn, André

 368/12-13Drake University1969 Mar. 5

Jackson, Paul J.Pisoni, MichaelPyle, Francis

 368/14-15Hudson Valley Philharmonic1969 Mar. 15 to 1969 Mar. 22

Fricker, KennethMonteux, ClaudeWelch, John

 368/16-17Sang Prize1969 Mar. 30

Kilkenny, William J.Marsh, Robert C.Umbeck, Sharvy G.

 368/18Jewish Community Center of Baltimore1969 Apr. 7

Reubens, BenReubens, Kathryn

 368/19-20Baltimore Symphony Orchestra1969 Apr. 9 to 1969 Apr. 10

Goldberg, AnnKeefer, Lubov

 368/21Hofstra University1969 Apr. 16 368/22State University of New York (SUNY), Stony Brook1969 Apr. 23 368/23-24Syracuse University1969 May 1

Boatwright, HowardKrasner, Louis

 368/25-26Pittsburgh Symphony1969 May 16

Collins, BrendaMiller, MildredSell, StephenSteinberg, William

 368/27Peabody Institute1969 Jun. 1 368/28-29Garden State Arts Center / New York Philharmonic1969 Jun. 19

Collins, BrendaHoughton, DeborahLarson, JohnMosely, CarlosSimons, Clara

 368/30-31Temple University / Zagreb Philharmonic1969 Jun. 28

Bohlen, AnnCollins, Brenda [includes 1 letter from G. Brobyn]Kanter, DavidKeith, BetsyPage, RobertStoff, Clare

 368/32-33Stratford Festival1969 Jul. 23 to 1969 Jul. 25

Collins, BrendaDeBello, Victor

 368/34-35Louisville Orchestra / 'Downtown Salutes the Arts'1969 Sept. 20

Boden, BrenchCollins, BrendaFenn, ThomasJohnston, Penelope A.

 368/36-37Detroit Symphony1969 Sept. 25

Collins, BrendaHarrington, HowardHochberg, MorrisKrato, DarleneLawson, Robert F.

 368/38-39New York Philharmonic / Young People's Concerts1969 Oct. 29

Collins, Brenda

 368/40-41Europe: Baden-Baden / Budapest / Bucharest / London [Budapest was just a visit]1969 Nov. 7 to 1969 Nov. 25

Alexander, EdwardAntunes, Juliet C.Baruch, Gerth-WolfgangDayton, Daryl D.Douglas, BasilFlorea, IonGellhorn, A.Gustave, H.Hafrey, Daniel J.Hamilton, DavidLade, JohnLawrence, HaroldLewis, Arthur W.Orem, VirginiaRapeanu, ValeriuSárai, TiborSarlos, LaszloScerback, ClementUnion of Composers of RomaniaWright, Tony

 369/1Yale University1970 Jan. 30 369/2Charlotte Symphony1970 Feb. 21 369/3-4Plymouth Congregational Church1970 Feb. 22

Brunelle, Philip

 369/5KSTP-Minneapolis1970 Feb. 26

Wolf, Henry

 369/6-7Minnesota Orchestra1970 Feb. 26

Cisek, Richard M.Collins, BrendaLancaster, ThomasOslund, Nada M.Zelle, Ann

 369/8Chamber Music Society of Baltimore1970 Mar. 15

Greenspan, John P.Rothschild, Randolph S.

 369/9-10Toledo Orchestra1970 Mar. 20

Coats, Gordon T.Collins, BrendaHoughton, DeborahHowland, JamesPeoples, Carol

 369/11-12Ohio State University1970 Mar. 31

Beall, Harry S.Kates, StephenUllman, Marjorie

 369/13-14Columbus Symphony / Ohio State University [lecture at OSU]1970 Apr. 1

Beall, Harry S.Mirro, TheresaUllman, Marjorie [addr. To OSU and Columbus Symphony]Whallon, Evan [1 letter addressed to Tony Russo]

 369/15University of Chicago1970 Apr. 7

Meyer, Leonard B.

 369/16-17Chicago Symphony1970 Apr. 9

Collins, BrendaEdwards, JohnMeine, KennethThe Pick-Congress

 369/18-19St. Louis Symphony1970 Apr. 23

Cain, James N.Collins, BrendaFox, Mrs. CarlJanowski, Judie

 369/20-21Cornell College1970 Apr. 26

Evans, Jesse G.Strausbaugh, JoyWilford, Ronald

 369/22-23Rochester Philharmonic1970 May 20

Cioffi, Donna M.Collins, BrendaHoughton, DeborahIannaccone, T.Sheppard, CraigWilkens, Frances S.

 369/24-25Interlochen Arts Academy1970 Jul. 9 to 1970 Jul. 12

Wilson, George C.

 369/26Phi Mu Alpha Sinfonia Fraternity1970 Jul. 10

Neumeyer, Carl M.

 369/27Tanglewood, Berkshire Festival1970 Jul. 24 to 1970 Jul. 28 369/28-29Cleveland Symphony / Blossom Festival1970 Aug. 1

Barksdale, A. BeverlyCarlucci, Joseph B.Collins, BrendaMerrill, LindseyPage, Shirley

 369/30WCLV-Cleveland [video on Copland's works]1970 Aug. 9

Murray, Michael

 369/31-32Los Angeles Philharmonic / Southern California Symphony / Hollywood Bowl1970 Aug. 13

Fleischmann, ErnestHoughton, DeborahRubanoff, JayeWilford, Rondald

 369/33-34Los Angeles County Museum of Art1970 Aug. 14

Morton, Laurence

 369/35-36Germany1970 Sept. 28 to 1970 Oct. 8

Bickel, H. W.Blank, D.Dispeker, TheaGellhorn, A.Lichteig, GioelaLinke, ManfredLutze, H.Morris, Brewster H.Pietsch, Karl Peter

 369/37-38New York Philharmonic1970 Oct. 29

Collins, Brenda

 369/39-40London Symphony Orchestra1970 Nov. 11

Andrewes, JohnDouglas, BasilEast, Sylvia C.Foggin, MyersGoodell, Robert C.Horner, keithMellers, WilfridPrevin, AndréSascby, Richard

 369/41New York University1970 Nov. 18

Patterson, Benjamin

 369/42Juilliard School / Albert Schweitzer Chair in the Humanities1970 Nov. 19 to 1970 Nov. 25

Waldrop, Gideon

 370/1Huntington High School1971 Jan. 16 370/2-3DePauw University1971 Jan. 26

Aikman, PatrickFitzpatrick, ThomasWhite, Donald H.

 370/4-5University of Wisconsin, Milwaukee1971 Jan. 28

Downey, John

 370/6-7Milwaukee Symphony1971 Jan. 31

Collins, Brenda [1 letter written to David Walker]Janowski, JudieSchermerhorn, KennethThomas, Richard C.

 370/8-9Hunter College1971 Feb. 9

Hirshbein, OmusHunter, Ralph

 370/10-11North Carolina School of the Arts1971 Mar. 11

Ward, Robert

 370/12-13University of Hartford / Hartt College of Music1971 Mar. 17

Mattran, Donald A.

 370/14-15Empire Sinfonietta / WPIX-New York [studio test]1971 Apr. 17

Hughes, RichardZalkind, Ronald [1 letter written to Leonard Bernstein]

 370/16-17New York Philharmonic1971 Jun. 17

Collins, Brenda

 370/18-19Europe: France / United Kingdom1971 Jun. 26 to 1971 Jul. 12

Adams, DavidAnderson, BurnettBoulanger, NadiaCourtinat, L.Daziano, Gilles J.DevigneDouglas, BasilDuclos, DidierEvarts, JohnGellhorn, A.Grahame, G. A.Lawrence, HaroldLee, NoëlMacaulay, CarolMarks, AngelaMellers, WilfridMuller, JacquelineO'Sullivan, Conal P.Price, JanetSannier-Salabert, BernardTodd, J. Douglas[Vice-Chancellor]Werner, Diana

 370/20-21University of Toronto1971 Jul. 28

Applebaum, LouisBrown, JohnCroombs, WilliamKushner, GordonMatejcek, Jan

 370/22-23Harvard University1971 Aug. 9

Crooks, Thomas

 370/24-26Evansville Philharmonic1971 Oct. 17

Christian, MinasDowns, HughFrieberg, Eloise "Chickie"Hyatt, Richard V.

 370/27-28Cornell University1971 Oct. 31

Bilson, Malcolm [dinner invitation]Cowdery, BillPalmer, Robert[no name] [disguised invitation probably from students]

 370/29-30Kansas State University, Manhattan1971 Nov. 13

Cogswell, MarjorieSteinbauer, Robert A.

 370/31-32Ottawa University1971 Nov. 16

DeFries, StanleyKlugman, Mark J.

 370/33-34Empire Sinfonietta1971 Dec. 16

Zalkind, Ronald

 371/1-2West Virginia University1972 Feb. 15

Bessom, Malcolm E.Canning, ThomasEngberg, Jon E.Fullerton, BobReyer, CarolynStoneman, E. Donnell

 371/3-4Jacksonville University1972 Mar. 1

Kinne, Frances B.

 371/5-6University of Florida, Gainesville1972 Mar. 2

Edwardson, MickieGodwin, DwightGrigsby, JohnO'Connell, StephenPoole, ReidTroupin, Edward

 371/7-9Mexico1972 Mar. 13 to 1972 Mar. 19

Burnett, AnnCarmona, GloriaGarrido, VincenteMata, Eduardo

 371/10-11Los Angeles Philharmonic / Southern California Symphony / Hollywood Bowl1972 Mar. 22

Carasas, EnriqueFleischmann, ErnestHeifetz, JayJanowski, JudiePriest, AnitaRubanoff, Jaye

 371/12-14University of Texas, Austin / Walter Prescott Webb Symposium1972 Apr. 3

Dickens, Jo AnnFranz, Joe B.

 371/15-16University of Nebraska, Lincoln1972 Apr. 20

Moran, John P.

 371/17Queens College [concert cancelled]1972 Apr. 20

Corn, MiriamEisman, LawrenceErickson, Raymond

 371/17-18London: New Philharmonic / BBC1972 May 31 to 1972 Jun. 2

Gustave, H.McDonald, GeraldPadmore, ElaineRichardson, David

 371/19-20Grant Park Concerts1972 Jul. 1

Bass, RichardSchofer, Marvin

 371/21Civic Orchestra of Chicago1972 Jul. 3

Peters, Gordon

 371/22-23St. Louis Symphony / Mississippi River Festival1972 Jul. 29

Cain, James N.Pastreich, PeterSchofer, MarvinSilbey, Paula J.

 371/24WJR-Detroit1972 Aug. 8

Haas, KarlKeenan, Mary LouZieve, Morton [letter written to Museum of Modern Art]

 371/25-26Detroit Symphony / Meadow Brook1972 Aug. 10

Kallai, Sandor

 371/27University of Hartford / Hartt College of Music1972 Aug. 23 371/28-29Denver Symphony1972 Sept. 25

Kent, David G.Priestman, BrianSchofer, MarvinTrogdon, JoVoorhees, Mary Margaret and James

 371/30-31University of Colorado, Boulder1972 Sept. 27

Chavez, AbrahamCollins, Walter S.Duckworth, GuyImig, Warner

 372/1-2Johns Hopkins University / Milton S. Eisenhower Symposium1972 Nov. 3

Blume, Michael H.Muller, Steven

 372/3-4Austin Symphony Orchestra / University of Texas, Austin1972 Nov. 11

Cohen, CandyDeFord, JohnFranz, Joe B.Korte, KarlSankey, Stuart

 372/5-6Indiana University1972 Nov. 19

Bain, Wilfred C.Christ, William B.Eaton, JohnOrrego-Salas, Juan A.

 372/7University of British Columbia1972 Nov. 30

[Kent, Doug?]Maxwell, SheilaMcCorkle, Donald M.

 372/8-9Vancouver Symphony1972 Dec. 1

Crawley, Lois K. [one letter written on a memo from D. Kent]Dunston, Douglas G.Janowski, JudieKent, DouglasSchofer, Marvin

 372/10United States Air Force Band1973 Feb. 11 372/11-12Skidmore College1973 Feb. 14

Green, GeorgeMolloy, Eileen

 372/13Indiana Central College1973 Feb. 26

Marshall, Elise S.

 372/14-15St. Paul Chamber Orchestra1973 Mar. 3

Jones, WilliamReuber, Marlene M.Schofer, MarvinSell, Stephen [letter addressed to M. Schofer]Sieber, Richard E. [addressed to Stephen Sell]

 372/16-17CHCH-TV-Hamilton / Hamilton Philharmonic / McMaster University1973 Mar. 16

Walker, AlanWebster, Elizabeth

 372/18-19University of Arizona, Tucson1973 Apr. 1

Henderson, Scott [letter addressed to M. Schofer]Janowski, JudieSchofer, Marvin

 372/20-21Staten Island Community College1973 Apr. 4

Birenbaum, William M.Schiff, Mortimer

 372/22-23University of Kansas, Lawrence / Symposium of Contemporary American Music1973 Apr. 29

Davis, Jed H.Shumway, Stanley N.

 372/24-25Music Educators National Conference (MENC): Southern Division1973 May 3

Cotter, Robert Robinson, Don C.Simmons, James W.R.Wincenc, Joseph

 372/26New York Philharmonic1973 Jun. 1 372/27-28Grant Park Concerts1973 Jun. 23

Bass, Richard

 372/29Civic Orchestra of Chicago1973 Jun. 25

Peters, Gordon

 372/30-31St. Louis Symphony / Mississippi River Festival1973 Aug. 18

Cain, James N.Middendorf, PatriciaPastreich, PeterSchofer, Marvin

 373/1-5Europe: Budapest / Ankara, Istanbul / Prague / Madrid1973 Sept. 22 to 1973 Oct. 29

Ampenoff, RufinaBechyné, VáclàvBerk, MükerremGedenyi, IldikoGellhorn, A.Getchell, John S.Hortkova, KinaJuhász, ElödKarsay, GyulaKasanof, AntonKüyel, ErolOlcer, BilgePauer, JiríPeterson, BarbaraPicon, LeonQuesada, RicardoSarlós, LászlóStanley, DianeSvestka, KarelVarga, Bálint AndrásWhitestone, AnnabelleZorek, John H.

 373/6Columbia University1973 Dec. 3

Shanet, Howard

 373/7University of Cincinnati1974 Jan. 16

Cowden, Robert L.Smith, Orcenith

 373/8-9Cincinnati Symphony1974 Jan. 18

Bredemann, DanGidwitz, JohnWebster, Albert K.

 373/10-11National Symphony1974 Feb. 5

Benfield, JimDenton, WilliamDorati, AntalSchofer, MarvinSidlin, Murry

 373/12-13United States Information Agency1974 Feb. 7

Kelly, Gordon B.

 373/14-15Woman's National Democratic Club1974 Feb. 7

Sher, Pearl H. (Mrs. Robert E.)

 373/16Columbia University1974 Feb. 20 373/17-18Indianapolis Symphony1974 Mar. 1

Chenette, Louis F.Harper, H. ThomasKumb, FritzSchofer, MarvinScott, Hubert N.

 373/19-20Buffalo Philharmonic1974 Mar. 23

Cole, RobertHarmon, Mrs. WilliamSchofer, Marvin

 373/21-22State University of New York (SUNY), Buffalo1974 Mar. 26

Mikhashoff, YvarSchwarz, Terry Charles

 373/23-24Brooklyn Philharmonia1974 Mar. 30

Edwards, Maurice

 373/25-26Rochester Philharmonic1974 May 2

Anderson, Mrs. Don H.Anderson, Sylvia [letter addressed to Comp. In Perform.]Brown, StephenList, EugeneMiller, KennethQuattro, MarySchofer, MarvinScott, Howard H.Venezia, Donald [letter addressed to Mary Quattro]

 373/27-28Phoenix Symphony1974 May 13

Callahan, Thomas F.Davis, Dana J.Feldman, NanGutwillig, JacquelineMata, EduardoMoyer, JoSpector, Eleanor

 373/29Educational and Cultural Fund of the Electrical Industry1974 May 19 374/1Boston Symphony / Tanglewood, Berkshire Festival1974 Jul. 21 374/2-3United Kingdom: International Festival of Youth / University of Keele1974 Aug. 9 to 1974 Aug. 25

Amis, JohnAndrewes, JohnBennett, ArthurBryer, JoyBryer, LionelDickinson, PeterDouglas, BasilFriese-Greene, AnthonyKozar, JohnMcNair, JennyPearson, SheilaSheppar, CraigWallis, Nicola

 374/4-5National Symphony1974 Oct. 10

Dorati, AntalHanley, KatherineIdema, JoyceKreeger, David Lloyd

 374/6-7Cleveland Orchestra / "Copland Week"1974 Nov. 4

Barksdale, A. BeverlyBoyd, Jane [letter from Schofer]Erb, DonaldFreedman, FrederickLevenson, David S.Maazel, LorinMaxwell, MichaelSchofer, Marvin

 374/8-9University of San Diego1974 Nov. 21

LiMandri, Charles

 374/10-11California Chamber Symphony1974 Nov. 24

Gualtieri, EmilySass, RosaleeTemianka, Henry

 374/12-13Honolulu Symphony1974 Nov. 29

Brown, Robert B.Coats, Gordon T.Dougherty, Barbara A.Hite, CatherineJones, RogerLaMarina, RobertLevine, JosephPotter, Prudence S.Schofer, MarvinZorek, John H.

 374/14-15San Salvador1975 Feb. 19 to Mar. 3

Amman, SofiaCrider, DonDayton, DarylKnott, MaryMolina, Arturo Armando

 374/16-17Western Connecticut State College1975 Mar. 13

Furman, JamesPhi Mu Alpha Sinfonia

 374/18Syracuse University1975 Mar. 16 374/19-20Syracuse Symphony1975 Mar. 21

Crossly, JoyseDolloff, DonaldFreundlich, AugustKallai, SandorKells, GeorgiaKrasher, LouisPrausnitz, Frederik

 374/21-22John F. Kennedy Center for the Performing Arts1975 Apr. 5

Schofer, MarvinScribner, Norman

 374/23-24University of Delaware1975 Apr. 14

Crafton, Robert

 374/25Princeton University1975 Apr. 15

American Whig-Cliosophic SocietyLesser, EveStern, Peter

 374/26-27Dallas Symphony1975 May 1

Battey, Davis A.Glass, MichaelGloyd, Russell S.Jagoda, Jo KurthLane, Louis (letter enclosed with D. Battey letter)Schofer, Marvin

 374/28-29Dallas Baptist College1975 May 2

Wendelburg, Norma

 374/30-31California State University, Northridge1975 May 5

Fierro, CharlesHeidsiek, Ralph G.Skapski, George J.Vega, Aurelio de la

 374/32-33California State University, Sacramento1975 May 7

Glovinsky, Ben

 374/34California Chamber Symphony1975 May 10

Temianka, Henri

 375/1-2University of Southern California1975 May 10

Vazzana, AnthonyVollmer, Harold

 375/3-4Muncie Symphony Orchestra / Ball State University1975 May 14

Hargreaves, RobertHill, Arthur D.Pollard, Marilyn

 375/5Brooklyn College[1975 May 20?] 375/6-7Minnesota Orchestra1975 Jul. 4

Britton, LindaDalrymple, Mrs. John S.Engle, Donald L.Smith, Henry Charles

 375/8University of Minnesota / High School Musician's Project1975 Jul. 5

Sieber, Richard

 375/9-10Aspen Music Festival1975 Jul. 12 to 1975 Jul. 22

Birdwell, EdwardDufallo, RichardHardy, GordonMester, JorgeShulman, HelenSlater, Joe E.Stern, Edgar and PollyWoodward, King R.Zukofsky, Paul

 375/11-12National Symphony1975 Jul. 26

Britz, DianeHolmes, GeraldLudwig, John M.McHenry, Robert W.Rizzo, FrancisSt. Jacques, J. Claire

 375/13Boston Symphony / Tanglewood, Berkshire Festival1975 Aug. 19 375/14-16Europe: Copenhagen / Paris / United Kingdom1975 Aug. 31 to 1975 Oct. 4

Adam, PeterAndersen, Lykke PoulAndrewes, JohnBevan, PeterBoulanger, NadiaBurton, AnthonyDickson, William S.Dispeker, TheaDouglas, BasilGarnham, MaureenGellhorn, A.Gerstein, BeverlyGolightley, KennGreenberg, RodneyGroves, CharlesHall, BarrieHeller, PeterHorner, KeithJamison, Judith R.Norgard, PerSava, HelenSoalhat, P. and J.Theodore Presser CompanyWinder, AnneZago, P.Zorek, John

 375/17-18Oregon Symphony / "Mr. Copland Come West" [several local colleges involved]1975 Nov. 1 to 1975 Nov. 7

Birnbaum, LeilaDundore, Mary MargaretHyslop, DavidJarrett, G. JaneMartin, Gerry J.Trudeau, S. JohnVallion, Nina

 375/19-21Harrisburg Symphony1975 Nov. 18

Ebner, George H.Epstein, DavidGeduldig, Mrs. Michael M.Sheppard, Walter P.

 375/22-23Shippensburg State College1975 Nov. 19

Reitmeyer, John W.Shover, Blaine

 376/1Minnesota Orchestra[1975 Dec. 1?] 376/2-3American Symphony1975 Dec. 7

Aaron, Arthur

 376/4Walter W. Naumberg Foundation1975 Dec. 15 376/5Mark Hellinger Theatre / Martha Graham Dance Company1975 Dec. 16 376/6-7Toronto Symphony1976 Jan. 1

Bickford, EricaHachbarn, MadeleneHomburger, WalterMorawtz, RuthSchofer, MarvinSperling, A. M.

 376/8-9Los Angeles Master Chorale1976 Jan. 16

Goldstein, SylviaThreadgill, FrancisWagner, Roger

 376/10-11San Jose Symphony / San Jose State University1976 Jan. 23

Archibeque, CharleneHarrison, LouMacdonald, AnnetteThomson, DonWinter, Michael

 376/12-13National Symphony1976 Feb. 24

Denton, William L.Dorati, AntalSchofer, MarvinSidlin, MurryWeber, Ruthanna M.

 376/14-15North Carolina Symphony1976 Feb. 27

Caldwell, John T.Gosling, JohnWatson, J. Perry

 376/16-17Stockholm / Konsertforeningen1976 Mar. 3

Gellhorn, A.Koeberling, UrsulaLodding, Henrik F.Sherrard, Janet

 376/18University of Utah, Salt Lake City1976 Mar. 15

Gardner, David P.Gardner, Pete D.

 376/19-20Utah Symphony1976 Mar. 18

Abravanel, MauriceBeutler, Mrs. WilliamBurton, DorothyKay, Betty L.Landes, Carleen

 376/21Harvard Club1976 Mar. 25 376/22-23Haverford College1976 Mar. 26

Davison, John

 376/24-25Kansas City Philharmonic1976 Mar. 30

Jarratt, HowardLoeb, AnnPeress, MauriceSchofer, MarvinSies, Nancy

 376/26-27Ottawa University1976 Apr. 1

Bobbish, CarlDeFries, Stanley

 376/28-29Cincinnati Symphony1976 Apr. 9

Britz, DianeBurlingame, MartyHaas, KennethMiller, KennethMonder, StevenSchippers, ThomasWulsin, Joan

 376/30-31Miami University1976 Apr. 11

Cope, David

 376/32-33Rochester Philharmonic1976 Apr. 22

Britz, DianeColombia Artists ManagementDechario, Tony H.Scott, Howard H.Stewart, Barbara and JimWebster, Michael

 376/34-35Kent State University1976 Apr. 25

Merrill, LindseyWatson, Walter

 376/36-37Ann Arbor May Festival1976 Apr. 30

Rector, Gail W. [1 letter to the Philadelphia Orchestra Association]

 376/38-39Buffalo Philharmonic1976 May 6

Bielski, MichaelBritz, DianeLawrence, HaroldSchofer, MarvinTarbet, NatalieWalsh, Betty

 376/40-41Ojai Festival1976 May 21

Golden, EugeneIzant, BettyMorton, Laurence

 376/42-43Winnipeg Festival / CBC1976 May 27

Redekopp, HaroldSchofer, Marvin

 377/1-2Minnesota Orchestra1976 Jul. 3

Britz, DianeBursch, RussFeldman, Mary AnnSchofer, MarvinTrygstad, Linda [form letter for guest conductors]

 377/3-4Tidewater Music Festival1976 Jul. 14

Denton, William

 377/5-6National Symphony / Wolf Trap Farm Park1976 Jul. 25

Denton, William L.Holmes, GeraldRizzo, FrancisSchofer, Marvin

 377/7Philadelphia Orchestra / Saratoga Festival1976 Aug. 5

Britz, DianeHarnack, CurtisMcElheran, BrockSokoloff, Boris

 377/8-9Banff Festival of the Arts1976 Aug. 6 to 1976 Aug. 21

Adams, JorieArmstrong, NeilBaril, Armand G.Leighton, DavidTemianka, HenriZukerman, George

 377/10-11Los Angeles Philharmonic / Southern California Symphony / Hollywood Bowl1976 Aug. 24

Britz, DianeFleischmann, ErnestFlynn, Norma

 377/12-13Europe: Leeds Festival / University of Keele / CBS Records / University of East Anglia / Goteburg / Brussels1976 Oct. 18 to 1976 Nov. 10

Andrewes, JohnAustin, J. F.Bigsby, C. W.Crisford, JaneDickinson, PeterDispeker, TheaDouglas, BasilGellhorn, A.Goehr, AlexanderHammarstrom, KerstinKoeberling, UrsulaLodding, Henrik F.Lord Mayor of Leeds, TheMacGregor, J.Mauroy, JacquesMyers, PaulRennie, JillTaylor, VivienneThys, H.Ydewalle, Francoise d'Zago, P.

 377/14Tulane University [honorary doctorate also given]1976 Nov. 29

Hackney, SheldonHansen, Peter S.

 377/15-16New Orleans Symphony1976 Nov. 30

Blum, LucilleBreit, VirginaGreene, Thomas A.Khinoy, NinaLanglais, Mary [dinner party hostess]Reese, Helen G.

 377/17-18University of Bridgeport / Carlson Festival of Arts1976 Dec. 4

Horn, Ruth CarlsonMiles, LelandValante, Harrison R.Wentzel, Ruby

 377/19-20National Symphony / Inauguration Day1977 Jan. 18

Lobanov, Oleg

 377/21-22Yale University1977 Jan. 24

Nelson, Philip F.Perlis, Vivian

 377/23-24Union College / American Composers' Forum1977 Feb. 11

Bucci, JaneDuffy, John [cc. addressed to Jane Bucci]

 377/25-26Occidental College1977 Mar. 3

Gross, Robert

 377/27MacPhail Center for the Arts1977 Mar. 24 377/28Minneapolis Public Library [program 'Bookends']1977 Mar. 26

Fluck, John A.

 377/29-30St. Paul Chamber Orchestra1977 Mar. 26

Britz, DianeDavidson, J. RandallDavies, Dennis RussellHowland, JamesJohnson, DoloresThompson, Mrs. Wayne

 377/31-32University of Wisconsin, River Falls1977 Mar. 27

Jong, Conrad deWold, Elliot R.Wolfe, Wayne

 378/1-2California State University, Fullerton1977 Mar. 29

Dietzer, M'louFarrelly, WallaceKarson, Burton

 378/3-4University of Redlands1977 Apr. 1

Arnold, Steven DavidDawson, Eugene E.Simonds, Mr. and Mrs. JamesWilson, Jack

 378/5-6University of Oklahoma, Norman1977 Apr. 6

Hennagin, Michael

 378/7-8Nebraska Wesleyan University1977 Apr. 26

Wyman, William A.

 378/9-10Denver Symphony1977 May 1

Britz, DianeEcklund, Philip C.Heitler, EmmettHobson, Mona G.Oldenburger, PyxiePriestman, BrianSchofer, MarvinSkinner, Howard

 378/11-12State University of New York (SUNY), Buffalo1977 Jun. 1

Duffy, John [addressed to Morton Feldman]Wachob, William K.

 378/13New York Philharmonic / Financial World Magazine1977 Jun. 6

Brown, MaryJanowski, JudieLobanov, OlegO'Kelly, Patricia J.St. Jacques, J. Claire

 378/14-15National Symphony1977 Jun. 1

Oldenburger, PyxieSchofer, Marvin

 378/16-17Temple University / Pittsburgh Symphony1977 Jun. 21

Charlick, BruceKaplan, SidSchofer, MarvinWolfgong, Samuel K.Zalkind, RonaldZiegler, John J.

 378/18-19Santa Fe Chamber Music Festival1977 Jul. 23

McVay, Alan [form memo]Rich, Sheldon

 378/20-21Philadelphia Orchestra / Saratoga Festival1977 Aug. 12

Hankerson, CraigKhinoy, NinaMcElheran, BrockOrio, DorothyOrmandy, EugeneSokoloff, Boris

 378/22-23Rochester Philharmonic1977 Aug. 20

Berryhauser, JacobCameron, JaniceMurphy, ChristineSchofer, Marvin

 378/24Library of Congress1977 Sept. 29 378/25-26Yale University1977 Oct. 15

Nelson, Philip F.Polisi, Joseph W.

 378/27-28Fromm Music Foundation / Harvard University1977 Nov. 1

Gratto, ChristineLearning From PerformersVosgerchian, LuiseYarmolinsky, Ben

 378/29-30National Symphony1977 Nov. 14

Denton, William L.Lobanov, OlegRostropovich, MstislavSchofer, Marvin

 378/31-32Johns Hopkins University / Lester Levy Lecture1977 Nov. 15

Galkin, ElliotMuller, StevenStam, David H.

 378/33-34Florida Philharmonic1977 Dec. 14

Kent, DavidSchofer, MarvinTrogdon, Mary Jo

 379/1-2Houston Symphony1978 Jan. 9

Alexander, Robert H.Keithan, Mary AnnMedvitz, James T.Parker, PatriciaSchofer, MarvinWoolcock, Michael

 379/3-4Van Cliburn Foundation1978 Jan. 12

Alexander, Robert H.Dupree, Betty ClaireGiordano, John

 379/5-6University of Tulsa1978 Jan. 14

Justice, Jim

 379/7-8Baltimore Symphony Orchestra1978 Feb. 21

Britz, DianeGoldberg, AnnOldenburger, PyxieSchofer, Marvin

 379/9-10Johns Hopkins Medical Institution1978 Feb. 23

Comissiona, SergiuUdvarhelyi, George B.

 379/11-13Australia1978 Mar. 4 to 1978 Mar. 21

Barnes, FrankDuckmanton, T. S.Ellis, R. E.Gellhorn, A.Grylls, KarenHarrison, G. K.Henchman, NancyHolmes, HelenHort, H.Hughes, AnthonyJames, David W.Koeberling, UrsulaLascelles, Gerald R.Macourt, MerrileeMoretti, Jean D.Mueller, SusanMurdoch, JamesPlush, VincentSmart, R.Winter, Arthur

 379/14St. Paul Chamber Orchestra1978 Mar. 24 379/15-16National Symphony1978 Mar. 26

Idema, JoyceLobanov, Oleg

 379/17-18American University1978 Mar. 31

Kraut, Alan and Kay MussellMussell, Kay and Alan KrautOldenburger, PyxieTurner, Lauran [re: campus radio station interview]

 379/19-20United States Military Academy, West Point1978 Apr. 16

Beckwith, Charles E.Price, DavidSchofer, Marvin

 379/21-22Crane School of Music / State University College, Potsdam1978 Apr. 29

Jadlos, John L.McElheran, JaniceThayer, Robert W.

 379/23-24Oakland University / "Aaron Copland Week"1978 May 10

Allvin, RaynoldHampton, Anna

 379/25-26Toronto Symphony1978 May 16

Campbell, JamesColumbia Artists ManagementCooper, BarbaraOldenburger, PyxieSchofer, Marvin

 379/27-28Plymouth Congregational Church1978 May 21

Brunelle, PhilipBuran, Mr. and Mrs. David [AC's hosts]

 380/1-2Michigan Opera Theatre / Central Michigan University1978 Jun. 3

DiChiera, David

 380/3-4National Symphony / Wolf Trap Farm Park1978 Jun. 3

Idema, JoyceLobanov, OlegSchofer, MarvinSt. Jacques, J. Claire

 380/5-6St. Louis Symphony1978 Jul. 8

Gardner, RobertaSchofer, Marvin

 380/7National Symphony1978 Aug. 25 380/8-10Cabrillo Music Festival1978 Aug. 27

Schofer, MarvinWagner, Lois P.

 380/11-12Norfolk Symphony1978 Sept. 17

Crociata, Francis

 380/13-14Oakland Ballet1978 Oct. 20

De Domenico, ThomasGuidi, RonnHertelendy, PaulOber, Doris A.Osher, Lauren

 380/15University of California, Riverside1978 Oct. 22

Lucarelli, Anthony A.

 380/16-17California Institute of the Arts1978 Oct. 24

England, Nicholas M.

 380/18Los Angeles County Museum of Art1978 Oct. 30 380/19-20Indiana State University [honorary degree]1978 Nov. 7

Cowden, Robert L.Daily, JamesLandini, RichardSinger, Joan

 380/21-22Memphis State University1978 Nov. 10

Fruchtman, EfrimGaver, William D.Hudson, AnneRoberts, David M.Saliba, Konnie

 380/23-24Tennessee Technological University1978 Nov. 14

Brahmstedt, Howard K.Jager, Robert

 380/25-26National Symphony1978 Nov. 21

Idema, JoyceO'Kelly, Patricia J.

 380/27Sarah Lawrence College1978 Dec. 6

DeCarlo, CharlesLock, StanleyNosek, Cynthia

 380/28-29San Antonio Symphony1979 Jan. 27

Andrews, Richard T.Bennett, Mrs. DaleEisenberg, Marlene A.

 380/30-31Chamber Arts Ensemble [audience member, music by AC]1979 Jan. 28

Threadgill, Francis

 380/32-33St. Paul Chamber Orchestra [first concert date of tour]1979 Feb. 17

Davies, Dennis RussellPoindexter, AdeleVenittelli, AliceVenittelli, Alice and SalvatoreWeil, Fred and Suzanne

 381/1-2San Diego Symphony1979 Mar. 15

Barnhart, LindaEros, PeterHanek, DianeMaxwell, MichaelStall, George

 381/3-4Dance Magazine1979 Mar. 19

Philip, Richard N.

 381/5-6University of Missouri, Columbia1979 Apr. 9

Craven, Gene W.McGlothlin, Donald E.Reuter, Paul K.Uehling, Barbara S.

 381/7-8Vermont Symphony1979 Apr. 19

Demas, TerranceGratwick, JoelGuigui, EfrainMack, AndrewMiller, RobertPreece, Thayer E.

 381/9-10Rochester Philharmonic1979 Apr. 26

Dechario, Tony H.Richmond, KenStein, Richard A.

 381/11-12University of Denver1979 May 4

LaGuardia, Vincent C.

 381/13-14Nyack Public Schools1979 May 15

DiPetrillo, John

 381/15-16Florida State University, Tallahassee1979 May 18

Housewright, Wiley L.Murray, RobertPittman, [Mrs?] MaevanPope, W. StuartSchmidt, Harry

 381/17-18National Symphony1979 May 28

Hankenson, CraigIdema, JoyceJanowski, JudieO'Kelly, Patricia J.

 381/19-20Festival Casals1979 Jun. 4

Childs, BetsyJanowski, JudieMester, Jorge

 381/21Lincoln Center Institute1979 Jul. 13

Dunbar, Jun.Schubart, Mark

 381/22-23National Symphony / Wolf Trap Farm Park1979 Aug. 4

Brown, MaryJanowski, JudieLobanov, OlegO'Kelly, Patricia J.St. Jacques, J. Claire

 381/24-25Toronto Symphony1979 Aug. 10

Armstrong, J. WrayEisenberg, Marlene A.Gibson, Helen R.Mills, JackScott-Patterson, Helen

 381/26-27Philadelphia Orchestra / Saratoga Festival1979 Aug. 15

Chesbrough, Herbert A.Meyer, Nancy [form memo to conductors]Philadelphia OrchestraSantarlasci, Joseph H.Sokoloff, BorisSopko, Julie O.

 381/32-33University of Arizona, Tucson [part of 1979 Tour with Minnesota Orchestra]1979 Oct. 15

Hull, RobertMuczynski, RobertSwanson, Philip J.

 381/28-29University of Delaware1979 Nov. 12

Craig, Gary G.Harward, Donald W.Pressley, Dan N.

 381/30-31Michigan State University1979 Nov. 14

Bloomquist, Kenneth

 381/32Third Street Music School Settlement1979 Nov. 14 381/33Kansas State University, Manhattan1979 Nov. 27

Hougen, Harvey R.Kruh, Jan

 381/34-35John F. Kennedy Center for the Performing Arts1979 Dec. 1 to 1979 Dec. 2

Daly, Robert [five other CBS employees signed letter]Futch, JudyGalperin, FernNelson, Gretchen M.Stevens, GeorgeStevens, Roger

 381/36Third Street Music School Settlement1979 Dec. 6 382/1-2Brooklyn Philharmonia1980 Jan. 3

Edwards, MauriceKriegel, I. Stanley

 382/3-4National Orchestral Association1980 Feb. 5

Adam, ClausGoldstein, SylviaSchweitzer, Lois H.

 382/5-6University of Pennsylvania, Philadelphia1980 Feb. 29

Narmour, Eugene

 382/7Primetime Saturday / NBC News1980 Apr. 12

Lukk, Tiiu

 382/8-9Buffalo Philharmonic1980 Apr. 13

Allen, KatherineBielski, Michael E.Flint, KatyKubacki, Jane M.Rudel, JuliusVigorito, VickiZweig, Ilene

 382/10-11Indianapolis Symphony1980 May 9

Beerstein, BarbaraFlint, KatyIndianapolis Symphony, PublicityKumb, FritzLewis, SheilaTerry, JaneTubesing, PamelaVogel, Mindy

 382/12Indianapolis Arts Chorale1980 May 11

Marshall, Elise

 382/13National Symphony1980 May 26

McDaniel, Sharon [contract enclosure letters]Noerr, Robert J.

 382/14-15Brown University [honorary degree awarded]1980 Jun. 1

Coakley, John P.Ermey, WilliamReichley, Robert A.Swearer, Howard R. [one is a dinner invitation]Vincent, Robert K.

 382/16New York Philharmonic1980 Jun. 18 382/17-18National Symphony1980 Jun. 28

Janowski, JudieKukuk, Jack W.

 382/19Tanglewood, Berkshire Festival1980 Jul. 5 382/20-21Detroit Symphony1980 Sept. 22

Bryk, LillianDorati, AntalRaeburn, Andrew

 382/22New York Philharmonic1980 Oct. 11 382/23-24American Symphony1980 Nov. 8

Aaron, ArthurAdkinson, KathyBean, Betty RandolphGarrick, Joel [letter to Arthur Aaron]Wall, Linda [letter to Arthur Aaron]Wasserman, Cece

 382/25-26National Symphony1980 Nov. 14

Gray, Karen M.Noerr, RobertRostropovich, MstislavWall, Linda

 382/27Harvard University1980 Nov. 19 382/28Symphony Space / Wall-to-Wall Copland and Americana1980 Nov. 22 382/29-30Europe: London / Brussels / Paris1980 Nov. 29 to 1980 Dec. 12

Barenboim, DanielBero, MichelBilliet, J.Douglas, BasilEden, UrsulaGernham, MaureenHemmings, PeterLewis, DvoraSnow, ChristopherTakach, KathrynThys, H.Worth, B.Zago, P.

 382/31-32Chamber Consortium1981 Jan. 9

Roth, Arnold W.Wilson, Thomas

 382/33-34Albany Institute1981 Mar. 20

Mikhashoff, Yvar

 382/35-36University of Nevada, Las Vegas1981 May 17

Vanda, Charles

 383/1All-City High School Orchestra1981 May 20 383/2Juilliard School1981 May 29 383/3-4National Symphony1981 Jun. 27

McDaniel, Sharon [contract enclosure letters]Noerr, Robert J.

 383/5-6Dallas Symphony1981 Jul. 5

Blaine, Martha T.Harrison, JulieMata, EduardoStone, Leonard David

 383/7-8John F. Kennedy Center for the Performing Arts1981 Sept. 9

Istomin, MartaZukofsky, Paul

 383/9Composers' Showcase1981 Sept. 30 to 1981 Oct. 2 383/10-11San Diego Symphony1982 Mar. 6

Atherton, DavidDenton, William L.Kobryner, Joe

 383/12-13San Diego Chamber Orchestra1982 Mar. 6

Belliaeff, Marjorie

 383/14-15Kansas State University, Manhattan [honorary degree]1982 Apr. 28

Acker, DuaneCochran, Alfred W.Steinbauer, Robert A.Strecker, Julie

 383/16-17State University of New York, New Paltz [honorary degree]1982 May 23 [and] 1982 Jul. 24

Chandler, AliceFinn, William J.Wharton, Clifton R.

 383/18-19National Symphony1982 May 30

Bogdesic, KarmenBrill, JonathanJanowski, JudieO'Kelly, Patricia J.Stull, Robert K.

 383/20-21Chamber Consortium1982 Jun. 12

Freedman, Ellis J.Roth, Arnold

 383/22New York Philharmonic1982 Jun. 16 383/23-24Chicago Symphony / Ravinia Festival1982 Jul. 4

Bogdesic, KarmenJanowski, Judie

 383/25-26Santa Fe Chamber Music Festival1982 Jul. 15

Directors of Santa Fe FestivalDufour, PeggyRich, Sheldon

 383/27-28National Symphony1982 Aug. 24

White, Kevin H.

 383/29-30New Haven Symphony1982 Dec. 7

Lacny, CatherineSidlin, Murry

 383/31Composers' Showcase / Whitney Museum of American Art1983 Mar. 4 383/32Milwaukee Symphony1983 Jun. 1

Foss, Lucas

 383/33State University of New York, Purchase1983 Jul. 16 383/34[program does not state place / sponsor]1983 Nov. 20

Notes and Lists

 383/35[program does not state place / sponsor]n.d.

Programs

 383/36[program does not state place / sponsor]1983 Nov. 20

Schedules

 Subject File Subject File, 1923-1990 and undated (45 boxes).

Boxes 384-428

Divided into Brochures, Bulletins, Catalogues, Clippings, Compositions, Newsletters, Notes, Opera Ideas, Programs, Promotional Materials, Recording, Tribute and Multiple Composition, United States Congress, and White House. Includes correspondence, clippings, programs, promotional material and other printed matter. Arranged alphabetically by subject; then Brochures, Bulletins, Catalogues, Compositions, Opera Ideas, Recording, Tribute and Multiple Composition, and United States Congress arranged alphabetically by title or subject; and Clippings, Newsletters, Notes, Programs and Promotional Materials arranged chronologically.

 Brochures 384/1Copyright Laws 384/2Judson O'Neill Beall Steinway Inc.1968-69 384/3New York World's Fair1964-65 384/4Opera Survey1954 Bulletins 384/5Alumni Honor Roll 384/6Amercian Music Festival 384/7Éditions Salabert 384/7Inter-American Music Bulletin 384/8Musicanada 384/9Miscellaneous 384/10Miscellaneous 384/11Miscellaneous Catalogues 385/1Art Exhibit1953-1958 385/2Art Exhibit1960 385/3Art Exhibit1960-1967 385/4Art Exhibit1968-1974 385/5Art Exhibit1975 385/6Art Exhibit1987 386/1Aaron Copland 386/2Other Composers

A-Ber

 386/3Other Composers

Br-Car

 386/4Other Composers

Co-D

 386/5Other Composers

F-H

 386/6Other Composers

L-O

 386/7Other Composers

P-Si

 386/8Other Composers

St-Z

 386/9Schools

Academia Nazionale di Santa Cecilia

 386/10Schools

Cambridge

 386/10Schools

Columbia University

 386/11Schools

Instituto Torcuato di Tella

 386/12Schools

Oberlin

 386/13Schools

West Point

 Clippings 387/11920s 387/21930s 387/31940s 387/41950-1955 387/51956-1959 387/61960-1961 388/11962-1965 388/21966-1967 388/31968-1969 388/41970 388/51971 389/11972-1974 389/21975 389/31976 Jan.-July 389/41976 Aug.-Dec. 389/51977 389/61978 390/11979, 197[?] 390/21980 390/31981 390/41982 Jan.-May 390/51982 June-Dec. 390/61983 391/11984 391/21984 Mar. 24 391/31985 391/41986 Jan.-Apr. 391/51986 May-Dec. 391/61987 392/11988 392/21989 392/3198[?] 392/41990 392/5-6Undated Compositions 393/1Alone1984-1986

Correspondence

 393/2Appalachian spring, Ballet1944-1960

Clippings

 393/3Appalachian spring, Ballet1963-1976

Clippings

 393/4Appalachian spring, Ballet1977-1984

Clippings

 393/5Appalachian spring, Balletn.d.

Clippings

 393/6Appalachian spring, Ballet1944-1986

Programs

 393/7Appalachian spring, Ballet1940-1973, n.d.

Promotional

 393/8Appalachian spring, Orchestra suite1945

Clippings

 393/9Appalachian spring, Orchestra suite1946-1948

Clippings

 393/10Appalachian spring, Orchestra suite1952-1959

Clippings

 393/11Appalachian spring, Orchestra suite1960-1968

Clippings

 393/12Appalachian spring, Orchestra suite1970-1974

Clippings

 393/13Appalachian spring, Orchestra suite1975-1979

Clippings

 393/14Appalachian spring, Orchestra suite1980-1983

Clippings

 393/15Appalachian spring, Orchestra suiten.d.

Clippings

 393/16Appalachian spring, Orchestra suite1944-1945

Programs

 393/17Appalachian spring, Orchestra suite1945-1946

Programs

 393/18Appalachian spring, Orchestra suite1947-1953

Programs

 393/19Appalachian spring, Orchestra suite1954-1961

Programs

 394/1Appalachian spring, Orchestra suite1961-1966

Programs

 394/2Appalachian spring, Orchestra suite1967-1974

Programs

 394/3Appalachian spring, Orchestra suite1975-1979

Programs

 394/4Appalachian spring, Orchestra suite1980-1984

Programs

 394/5Appalachian spring, Orchestra suite1953-1985, n.d.

Promotional

 394/6Appalachian spring, Orchestra suite for 13 Instruments1947-1980

Clippings

 394/7Appalachian spring, Orchestra suite for 13 Instruments1964-1978

Programs

 394/8Appalachian spring, Orchestra suite for 13 Instruments1979-1983

Programs

 394/9Appalachian spring, Orchestra suite for 13 Instruments1975-1983, n.d.

Promotional

 394/10Appalachian spring, Orchestra suite for 13 Instruments1945-1977

Miscellaneous

 395/1As it fell upon a day1923-1984

Clippings, Programs, Promotional, Miscellaneous

 395/2Billy the kid, Ballet1939-1941

Clippings

 395/3Billy the kid, Ballet1942-1950

Clippings

 395/4Billy the kid, Ballet1960-1982

Clippings

 395/5Billy the kid, Balletn.d.

Clippings

 395/6Billy the kid, Ballet1941

Programs

 395/7Billy the kid, Ballet1938-1947

Promotional

 395/8Billy the kid, Ballet1950-1982

Promotional

 395/9Billy the kid, Balletn.d.

Promotional

 395/10Billy the kid, Ballet1939-1988

Miscellaneous

 395/11Billy the kid, Orchestra1940-1947 395/12Billy the kid, Orchestra1951-1959 395/13Billy the kid, Orchestra1951-1969 395/14Billy the kid, Orchestra1970-1983 395/15Billy the kid, Orchestran.d. 395/16Billy the kid, Orchestran.d. 395/17Billy the kid, Orchestra1940-1942 395/18Billy the kid, Orchestra1943-1948 395/19Billy the kid, Orchestra1950-1955 395/20Billy the kid, Orchestra1956-1968 395/21Billy the kid, Orchestra1969-1970 396/1Billy the kid, Orchestra1970-1974 396/2Billy the kid, Orchestra1975-1978 396/3Billy the kid, Orchestra1979 396/4Billy the kid, Orchestra1979-1982 396/5Billy the kid, Orchestran.d. 396/6Billy the kid, Orchestra1955-1984, n.d. 396/7Cantide of freedom, Chorus and Orchestra1954-1979

Clippings, Commission correspondence, Miscellaneous

 396/8Cantide of freedom, Chorus and Orchestra1955-1977

Programs

 396/9The cat and the mouse1930-1980

Clippings, Programs

 396/10C. B. S. playhouse signature1966-1967

Clippings

 396/11Ceremonial fanfare1969-1970

Clippings, Commission correspondence

 396/12Ceremonial fanfare1979-1986

Programs

 396/13Choral music1975-1982

Promotional

 396/14The city, film1939-1941

Clippings, Programs

 396/15Concerto for clarinet1950-1959

Clippings

 396/16Concerto for clarinet1960-1969

Clippings

 396/17Concerto for clarinet1970-1981

Clippings

 396/18Concerto for clarinetn.d.

Clippings

 396/19Concerto for clarinet1946

Commission correspondence

 396/20Concerto for clarinet1950-1963

Programs

 396/21Concerto for clarinet1964-1973

Programs

 396/22Concerto for clarinet1973-1977

Programs

 396/23Concerto for clarinet1978-1980

Programs

 397/1Concerto for clarinet1950-1963

Promotional

 397/2Concerto for clarinet1964-1970

Promotional

 397/3Concerto for clarinet1975-1978

Promotional

 397/4Concerto for clarinet1979-1984

Promotional

 397/5Concerto for clarinet1963, 1965, 1971

Miscellaneous

 397/6Connotations for orchestra1962

Clippings

 397/7Connotations for orchestra1963

Clippings

 397/8Connotations for orchestra1964-1973

Clippings

 397/9Connotations for orchestra1974-1981

Clippings

 397/10Connotations for orchestran.d.

Clippings

 397/11Connotations for orchestra1959-1960, n.d.

Commission correspondence

 397/12Connotations for orchestra1962, n.d.

Correspondence

 397/13Connotations for orchestra1962

Programs

 397/14Connotations for orchestra1962-1968

Programs

 397/15Connotations for orchestra1973-1977

Programs

 397/16Connotations for orchestra1962-1963

Promotional

 397/17Cortege macabre1925-1975

Clippings, Miscellaneous

 397/18Cortege macabre1925-1971

Programs

 398/1Dance panels1963-1980

Clippings

 398/2Dance panels1963

Programs

 398/3Dance panels1965-1978

Programs, Promotional

 398/4Dance panels1961-1979, n.d.

Miscellaneous

 398/5Dance symphony1928-1972

Clippings

 398/6Dance symphony1973-1981, n.d.

Clippings

 398/7Dance symphony1931-1970

Programs

 398/8Dance symphony1971-1983

Programs

 398/9Dance symphony1937-1975

Promotional, Miscellaneous

 398/10Danza de jalisco1968-1970

Clippings, Programs

 398/11Danzón cubano, Two pianos1942-1969, n.d.

Clippings, Miscellaneous

 398/12Danzón cubano, Two pianos1942-1960

Programs, Promotional

 398/13Danzón cubano, Orchestra suite1946-1978, n.d.

Clippings

 398/14Danzón cubano, Orchestra suite1946-1983

Programs

 398/15Danzón cubano, Orchestra suite1963-1980, n.d.

Promotional

 399/9Dirge1955-1978

Clippings, Programs, Promotional

 399/10Down a country lane1963-1981

Clippings

 399/11Duo for flute and piano1971-1986, n.d.

Clippings

 399/12Duo for flute and piano1967-1969

Commission correspondence

 399/13Duo for flute and piano1971-1989, n.d.

Programs, Promotional

 399/14Duo for flute and piano1971-1976

Miscellaneous

 399/15Duo for violin and piano1981, n.d.

Clippings

 401/6Emblems1965-1976, n.d.

Clippings

 401/7Emblems1964-1967

Programs

 401/8Emblems1970-1980

Programs

 401/9Emblems1965-1975

Promotional

 401/10Emblems1964, n.d.

Miscellaneous

 401/11Episode1960-1978

Clippings, Programs, Promotional

 401/12Fanfare for the common man1944-1976

Clippings

 401/13Fanfare for the common man1977

Clippings

 401/14Fanfare for the common man1978-1979

Clippings

 401/15Fanfare for the common man1980-1983, n.d.

Clippings

 401/16Fanfare for the common man1944-1979

Programs

 401/17Fanfare for the common man1980,1983, n.d.

Programs

 401/18Fanfare for the common man1946-1982

Promotional, Miscellaneous

 402/1First symphony1927-1969

Clippings

 402/2First symphonyn.d.

Clippings

 402/3First symphony1927-1934

Programs

 402/4First symphony1934-1935

Programs

 402/5First symphony1936-1960

Programs

 402/6First symphony1960-1980

Programs

 402/7Five kings, Ballet1939

Clippings, Programs, Promotional

 402/8Four motets1979-1984

Clippings, Programs, Promotional

 402/9Grong1934

Program

 402/10Happy (birthday) anniversary1970-1973

Clippings

 402/11Happy (birthday) anniversary1969-1977

Programs

 402/12Hear ye! Hear he!1934-1936, n.d.

Clippings

 402/13Hear ye! Hear he!1934-1936, n.d.

Programs, Miscellaneous

 402/14Heiress, Film1948-1954, n.d.

Academy Award Presentation, Clippings

 402/15Heiress, Film1950

Magazines

 402/16Heiress, Film1948

Promotional, Script

 402/17Hoe down (Rodeo)1945-1953, n.d.

Clippings

 402/18Hoe down (Rodeo)1945-1947, n.d.

Programs

 403/1An immorality1962-1968

Clippings, Programs

 403/2In evening air1976-1978

Clippings

 403/3In the beginning1947-1957

Clippings

 403/4In the beginning1960-1965

Clippings

 403/5In the beginning1966-1969

Clippings

 403/6In the beginning1970-1974

Clippings

 403/7In the beginning1975-1980, n.d.

Clippings

 403/8In the beginning1946

Commission correspondence

 403/9In the beginning1947-1963

Programs

 403/10In the beginning1964-1968

Programs

 403/11In the beginning1971-1984, n.d.

Programs

 403/12In the beginning1947-1984, n.d.

Promotional

 403/13In the beginning1947-1950, n.d.

Miscellaneous

 403/14Inaugural fanfare1969-1977

Clippings

 403/15Inaugural fanfare1967-1985

Commission correspondence, Programs, Miscellaneous

 404/1Inscape1967

Clippings

 404/2Inscape1968-1973, n.d.

Clippings

 404/3Inscape1967-1970

Programs

 404/4Inscape1970-1972

Programs

 404/5Inscape1973-1984

Programs, Promotional

 404/6Inscape1967-1969, n.d.

Miscellaneous

 410/1Into the streets may first1934

New Masses

 404/7John Henry1955-1979

Clippings

 404/8John Henry1940-1980

Commission correspondence, Programs, Miscellaneous

 404/9Lark1943-1981, n.d.

Clippings, Programs, Promotional

 404/10Las agachadas1942-1980, n.d.

Clippings, Programs

 404/11Las agachadas1949-1963

Promotional, Miscellaneous

 404/12Lento espressivo1985

Miscellaneous

 404/13Letter from home1947-1978

Clippings, Programs, Miscellaneous

 404/14Letter from home1944-1978

Commission correspondence, programs, Miscellaneous

 405/1Lincoln portrait1942-1943

Clippings

 405/2Lincoln portrait1944-1965

Clippings

 405/3Lincoln portrait1966-1968

Clippings

 405/4Lincoln portrait1969-1975

Clippings

 405/5Lincoln portrait1976-1980

Clippings

 405/6Lincoln portraitn.d.

Clippings

 405/7Lincoln portrait1942

Commission correspondence

 405/8Lincoln portrait1942-1947

Programs

 405/9Lincoln portrait1949-1962

Programs

 406/8Music for a great city1967-1978

Promotional, Miscellaneous

 406/9Music for movies1943-1988

Clippings, Programs, Promotional

 406/10Music for radio1926-1950

Clippings, Programs, Promotional, Miscellaneous

 406/11Music for theater1925-1933

Clippings

 406/12Music for theater1934-1941

Clippings

 406/13Music for theater1945-1981

Clippings

 406/14Music for theatern.d.

Clippings

 406/15Music for theater1925-1932

Programs

 406/16Music for theater1933-1940

Programs

 406/17Music for theater1941-1956

Programs

 406/18Music for theater1958-1974

Programs

 407/1Music for theatern.d.

Programs

 407/2Music for theater1928-1985, n.d.

Promotional

 407/3Music for theater1941, n.d.

Miscellaneous

 407/4Night thoughts1974-1978

Clippings

 407/5Night thoughts1972-1980, n.d.

Programs, Promotional

 407/6Nocturne1972 Oct.

Program

 407/7Nonet1961-1981, n.d.

Clippings

 407/8Nonet1957-1960

Commission correspondence

 407/9Nonet1961-1965

Programs

 407/10Nonet1966-1977

Programs

 407/11Nonet1960-1983, n.d.

Promotional, Miscellaneous

 407/12North star, Film1943-1952, n.d.

Clippings

 407/13North star, Film1943

Script

 407/14North star, Film1941-1954, n.d.

Miscellaneous

 407/15Of mice and men, Film1939-1969, n.d.

Clippings

 410/3Of mice and men, Film

Program

 408/1Old American songs1951-1967

Clippings

 408/2Old American songs1968-1978

Clippings

 408/3Old American songs1979-1981

Clippings

 408/4Old American songs1951-1970

Programs

 408/5Old American songs1971-1976

Programs

 408/6Old American songs1977-1978

Programs

 408/7Old American songs1979-1981, n.d.

Programs

 408/8Old American songs1950-1984, n.d.

Promotional, Miscellaneous

 408/9Orchestral variations1950-1984, n.d.

Clippings

 408/10Orchestral variations1958

Clippings

 408/11Orchestral variations1960-1985, n.d.

Programs

 408/12Orchestral variations1976-1982

Programs

 408/13Orchestral variations1958-1984

Promotional, Miscellaneous

 408/14Our town, Film1940-1988

Clippings, Programs

 408/15Our town, Film1940

Script

 408/16Our town, Filmn.d.

Miscellaneous

 408/17Out town, Suite1940-1981, n.d.

Clippings

 408/18Out town, Suite1941-1982

Programs, Promotional

 409/1Outdoor overture1939-1973

Clippings

 409/2Outdoor overture1974-1983, n.d.

Clippings

 409/3Outdoor overture1938

Commission correspondence

 409/4Outdoor overture1938-1946

Programs

 409/5Outdoor overture1947-1963

Programs

 409/6Outdoor overture1964-1980

Programs

 409/7Outdoor overture1981-1984, n.d.

Programs

 409/8Outdoor overture1939-1981, n.d.

Promotional

 409/9Outdoor overturen.d.

Miscellaneous

 409/10Passacaglia1963-1980, n.d.

Clippings, Programs, Promotional

 409/11Piano concerto1927-1953

Clippings

 409/12Piano concerto1954-1965

Clippings

 409/13Piano concerto1966-1983

Clippings

 409/14Piano concerton.d.

Clippings

 409/15Piano concerto1943

Commission correspondence

 409/16Piano concerto1926-1954

Programs

 411/1Piano concerto1958-1969

Programs

 411/2Piano concerto1970-1985

Programs

 411/3Piano concerto1936-1985, n.d.

Promotional, Miscellaneous

 411/4Piano fantasy1957-1972

Clippings

 411/5Piano fantasy1973-1981, n.d.

Clippings

 411/6Piano fantasy1957-1965

Programs

 411/7Piano fantasy1966-1988, n.d.

Programs

 411/8Piano fantasy1956-1958, n.d.

Correspondence, Miscellaneous

 411/9Piano fantasy1957-1982, n.d.

Promotional

 411/10Piano music, General1945-1974

Clippings

 411/11Piano music, General1975-1980

Clippings

 411/12Piano music, General1981, n.d.

Clippings

 411/13Piano music, General1923-1983, n.d.

Programs

 411/14Piano music, General1940-1983, n.d.

Promotional, Miscellaneous

 412/1Piano sonata1942-1947

Clippings

 412/2Piano sonata1948-1960

Clippings

 412/3Piano sonata1961-1970

Clippings

 412/4Piano sonata1971-1972

Clippings

 412/5Piano sonata1973-1981

Clippings

 412/6Piano sonatan.d.

Clippings

 412/7Piano sonata1944

Programs

 412/8Piano sonata1945-1947

Programs

 412/9Piano sonata1948-1957

Programs

 412/10Piano sonata1958-1971

Programs

 412/11Piano sonata1972-1975

Programs

 412/12Piano sonata1976-1981, n.d.

Programs

 412/13Piano sonata1938-1958

Promotional

 412/14Piano sonata1959-1978, n.d.

Promotional

 412/15Piano sonata1942-1952, n.d.

Miscellaneous

 412/16Piano variations1931-1965

Clippings

 412/17Piano variations1966-1982

Clippings

 412/18Piano variationsn.d.

Clippings

 412/19Piano variations1934-1941

Programs

 412/20Piano variations1942-1952

Programs

 413/1Piano variations1953-1974

Programs

 413/2Piano variations1975-1982, n.d.

Programs

 413/3Piano variations1930-1947

Promotional

 413/4Piano variations1948-1958

Promotional

 413/5Piano variations1959-1982, n.d.

Promotional

 413/6Piano variations1951-1981, n.d.

Miscellaneous

 413/7Poet's song1926-1974

Clippings

 413/8Preamble1949-1973, n.d.

Clippings, Promotional, Miscellaneous

 413/9Preamble1949

Commission correspondence

 413/10Preamble1948-1965

Programs

 413/11Proclamation1983-1987

Clippings, Promotional, Programs

 413/12Quartet for piano and strings1950-1975

Clippings

 413/13Quartet for piano and strings1976-1986, n.d.

Clippings

 413/14Quartet for piano and strings1950

Programs

 413/15Quartet for piano and strings1951-1953

Programs

 413/16Quartet for piano and strings1954

Programs

 413/17Quartet for piano and strings1955-1972

Programs

 414/1Quartet for piano and strings1973-1978

Programs

 414/2Quartet for piano and strings1979-1983, n.d.

Programs

 414/3Quartet for piano and strings1951-1986, n.d.

Promotional

 414/4Quiet city1941-1959

Clippings

 414/5Quiet city1960-1975

Clippings

 414/6Quiet city1976-1981, n.d.

Clippings

 414/7Quiet city1939

Play Typescript

 414/8Quiet city1939-1941

Programs

 414/9Quiet city1942

Programs

 414/10Quiet city1943-1946

Programs

 414/11Quiet city1947-1965

Programs

 414/12Quiet city1966-1972

Programs

 414/13Quiet city1973-1983

Programs

 415/1Quiet city1942-1980

Promotional

 415/2Quiet city1981-1984, n.d.

Promotional

 415/3Quiet city1941-1957, n.d.

Miscellaneous

 415/4Red pony, Film1947

Typescript

 415/5Red pony, Suite1948-1976

Clippings

 415/6Red pony, Suite1977-1983

Clippings, Miscellaneous

 415/7Red pony, Suite1964-1968, n.d.

Notes, Correspondence

 415/8Red pony, Suite1948-1980, n.d.

Programs

 415/9Red pony, Suite1942-1980

Promotional

 415/10Rodeo, Ballet1942-1984, n.d.

Clippings

 415/11Rodeo, Ballet1942-1945

Programs

 415/12Rodeo, Ballet1948-1985

Programs

 415/13Rodeo, Ballet1954-1981, n.d.

Promotional

 415/14Rodeo, Suite1947-1981

Clippings

 415/15Rodeo, Suite1972-1977

Clippings

 415/16Rodeo, Suite1978-1983

Clippings

 415/17Rodeo, Suiten.d.

Clippings

 416/1Rodeo, Suite1943-1948

Programs

 416/2Rodeo, Suite1950-1971

Programs

 416/3Rodeo, Suite1972-1977

Programs

 416/4Rodeo, Suite1980-1990, n.d.

Programs

 416/5Rodeo, Suite1943-1989, n.d.

Promotional, Miscellaneous

 400/1El salón México1938-1957

Clippings

 400/2El salón México1958-1962

Clippings

 400/3El salón México1963-1975

Clippings

 400/4El salón México1976-1984, n.d.

Clippings

 400/5El salón México1937-1938

Programs

 400/6El salón México1938-1942

Programs

 400/7El salón México1943-1946

Programs

 400/8El salón México1948-1966

Programs

 400/9El salón México1967-1972

Programs

 401/1El salón México1973-1976

Programs

 401/2El salón México1977-1978

Programs

 401/3El salón México1979-1985

Programs

 401/4El salón México1954-1981, n.d.

Promotional

 401/5El salón Méxicon.d.

Miscellaneous

 416/6Second hurricane1936-1938

Clippings

 416/7Second hurricane1938-1942

Clippings

 416/8Second hurricane1942-1978

Clippings

 416/9Second hurricanen.d.

Clippings

 416/10Second hurricane

Photographs

 416/11Second hurricane1937-1958

Programs

 416/12Second hurricane1960-1978

Programs

 416/13Second hurricane1937-1985, n.d.

Promotional

 416/14Second hurricane

Script

 416/15Second hurricane

Script

 416/16Second hurricane

Script

 416/17Second hurricane1941-1942, 1964, 1976-1977

Miscellaneous

 416/18Second hurricanen.d.

Miscellaneous

 417/1Sextet1947-1979, n.d.

Clippings

 417/2Sextet1939-1976

Programs

 417/3Sextet1977-1979

Programs

 417/4Sextet1980-1988

Programs

 417/5Sextet1943-1969

Promotional

 417/6Sextet1970-1988

Promotional

 417/7Sextetn.d.

Promotional, Miscellaneous

 417/8Short symphony1982-1985

Clippings, Programs, Promotional

 417/9Short symphony no. 21935-1981, n.d.

Clippings

 417/10Short symphony no. 21934-1970

Programs

 417/11Short symphony no. 21971-1978

Programs

 417/12Short symphony no. 21979-1982

Programs

 417/13Short symphony no. 21960-1982

Promotional, Miscellaneous

 417/14Something wild1961-1962, n.d.

Clippings

 418/1Statements for orchestra1942-1967, n.d.

Clippings

 418/2Statements for orchestra1942-1957

Programs

 418/3Statements for orchestra1958-1969

Programs

 418/4Statements for orchestra1970-1975

Programs

 418/5Statements for orchestra1976-1981

Programs

 418/6Statements for orchestra1942-1976, n.d.

Promotional, Miscellaneous

 418/7Symphonic ode1932-1980, n.d.

Clippings

 418/8Symphonic ode1932-1978

Programs

 418/9Symphonic ode1979-1980

Programs

 418/10Symphonic ode1932-1976

Promotional, Miscellaneous

 418/11Symphonic ode - revised1932-1977, n.d.

Clippings

 418/12Symphonic ode - revised1931-1956

Programs

 418/13Symphonic ode - revised1960-1980

Programs

 418/14Symphonic ode - revised1956, n.d.

Miscellaneous

 419/1Symphony for organ1925-1964

Clippings

 419/2Symphony for organ1966-1980

Clippings

 419/3Symphony for organ1981-1982, n.d.

Clippings

 419/4Symphony for organ1924-1981

Programs

 419/5Symphony for organ1982-1983, n.d.

Programs

 419/6Symphony for organ1932-1976, n.d.

Promotional, Miscellaneous

 419/7Tender land, Ballet1978-1979

Clippings

 419/8Tender land, Opera1954-1962

Clippings

 419/9Tender land, Opera1963-1975

Clippings

 419/10Tender land, Opera1976-1987, n.d.

Clippings

 419/11Tender land, Opera1954-1988, n.d.

Correspondence

 419/12Tender land, Opera1965, n.d.

Notes

 419/13Tender land, Opera1954-1957

Programs

 419/14Tender land, Opera1958-1964

Programs

 419/15Tender land, Opera1965-1972

Programs

 405/10Lincoln portrait1963-1967

Programs

 405/11Lincoln portrait1968-1976

Programs

 405/12Lincoln portrait1977-1982, n.d.

Programs

 405/13Lincoln portrait1969-1983, n.d.

Promotional

 405/14Lincoln portraitn.d.

Miscellaneous

 406/1Mid-day thoughts1983-1984

Clippings, Programs

 406/2Motet1934-1937

Programs, Promotional

 406/3Music for a great city1964 May

Clippings

 406/4Music for a great city1964-1971, n.d.

Clippings

 406/5Music for a great city1962

Commission correspondence

 406/6Music for a great city1949-1966

Programs

 406/7Music for a great city1968-1980

Programs

 419/16Tender land, Opera1973-1977

Programs

 419/17Tender land, Opera1954-1982, n.d.

Promotional

 419/18Tender land, Opera

Script

 420/1Tender land, Suite1958-1980

Clippings

 420/2Tender land, Suite1978-1990, n.d.

Programs

 420/3Tender land, Suite1958-1959

Programs

 420/4Tender land, Suite1960-1969

Programs

 420/5Tender land, Suite1970-1983

Programs

 420/6Tender land, Suite1959-1983

Promotional

 420/7Third symphony1946

Clippings

 420/8Third symphony1947

Clippings

 420/9Third symphony1948-1956

Clippings

 420/10Third symphony1957-1959

Clippings

 420/11Third symphony1960-1970

Clippings

 420/12Third symphony1972-1987

Clippings

 420/13Third symphonyn.d.

Clippings

 420/14Third symphony1946-1947

Programs

 420/15Third symphony1947

Programs

 421/1Third symphony1948-1950

Programs

 421/2Third symphony1952-1958

Programs

 421/3Third symphony1959-1962

Programs

 421/4Third symphony1965-1966

Programs

 421/5Third symphony1967-1969

Programs

 421/6Third symphony1970-1973

Programs

 421/7Third symphony1974-1976

Programs

 421/8Third symphony1977-1980

Programs

 421/9Third symphony1981-1989

Programs

 421/10Third symphony1947-1982

Programs

 421/11Third symphony1946, 1958, n.d.

Miscellaneous

 422/1Three Latin American sketches1972-1981, n.d.

Clippings, Miscellaneous

 422/2Three Latin American sketches1972-1977

Programs

 422/3Three Latin American sketches1979-1982

Programs, Promotional

 422/4Three songs1986

Program

 422/5Threnody I, II1972-1978, n.d.

Clippings, Miscellaneous

 422/6Threnody I, II1971-1982, n.d.

Programs

 422/7Threnody I, II1973-1974

Promotional

 422/8Threnody I, II1977-1981, n.d.

Promotional

 399/1Twelve poems by Emily Dickinson1950-1968

Clippings

 399/2Twelve poems by Emily Dickinson1969-1977

Clippings

 399/3Twelve poems by Emily Dickinson1978-1981

Clippings

 399/4Twelve poems by Emily Dickinson1950, 1970, n.d.

Poems, Programs

 399/5Twelve poems by Emily Dickinson1950-1972

Programs

 399/6Twelve poems by Emily Dickinson1973-1980, n.d.

Programs

 399/7Twelve poems by Emily Dickinson1954-1982, n.d.

Promotional

 399/8Twelve poems by Emily Dickinson1949-1988, n.d.

Miscellaneous

 422/9Two choruses for women1926-1952

Clippings, Programs, Promotional

 422/10Two pieces for string orchestra1928-1970, n.d.

Clippings

 422/11Two pieces for string orchestra1928-1965

Programs

 422/12Two pieces for string orchestra1933, n.d.

Promotional

 422/13Two pieces for string quartet1928-1976

Clippings

 422/14Two pieces for string quartet1929-1980

Programs, Promotional

 422/15Two pieces for violin1927-1969

Clippings

 422/16Two pieces for violin1927-1949, n.d.

Programs, Promotional

 422/17Variations on a Shaker melody1966-1978

Clippings, Programs

 422/18Violin sonata1944-1956

Clippings

 422/19Violin sonata1957-1968

Clippings

 422/20Violin sonata1969-1981, n.d.

Clippings

 423/1Violin sonata1944-1945

Programs

 423/2Violin sonata1946-1948

Programs

 423/3Violin sonata1949-1950

Programs

 423/4Violin sonata1951-1957

Programs

 423/5Violin sonata1958-1968

Programs

 423/6Violin sonata1969-1976

Programs

 423/7Violin sonata1978-1981, n.d.

Programs

 423/8Violin sonata1944-1951

Promotional

 423/9Violin sonata1952-1976

Promotional

 423/10Violin sonata1977-1983, n.d.

Promotional

 423/11Vitebsk1929-1960

Clippings

 423/12Vitebsk1961-1972

Clippings

 423/13Vitebsk1973-1981, n.d.

Clippings

 423/14Vitebsk1929-1949

Programs

 423/15Vitebsk1950-1967

Programs

 423/16Vitebsk1968-1976

Programs

 423/17Vitebsk1977-1983

Programs

 423/18Vitebsk1946-1984, n.d.

Promotional

 423/19Vocalise1973

Clippings, Programs

 423/20What do we plant1946

Programs

 Newsletters 424/1The Floating Bear1962 Notes 424/2Miscellaneous1971, n.d. Opera Ideas 424/3Clippings, Correspondence, Notes, Script1950-1986 Programs 424/41923 424/51930-1939 424/61940-1949 424/71950-1959 424/81950-1959 424/91960-1964 424/101964 424/111965 424/121966-1968 425/11968-1970 425/21970-1971 425/31973-1976 425/41977 425/51978-1979 425/61980-1988 410/21988 Promotional Materials 426/11960-1982, n.d. Recording 426/2Clippings, Promotional1965-1985, n.d. 426/3Programs1941-1979 426/4Programs1980-1981 426/5Programs1982-1983 426/6Programs1985-1990, n.d. 426/7Promotional1950-1991 United States Congress 427/1House Un-American Activities Committee1953, n.d.

Clippings

 Map Case C Drw 2/3House Un-American Activities Committee1936-1953

Clippings

 427/2House Un-American Activities Committee1953 Jan. 16

Congressional Record

 427/3House Un-American Activities Committee1953 Jan.-1953 Aug.

Correspondence

 427/4House Un-American Activities Committee1953 Sept.-1957 Feb.

Correspondence

See also: Biography, Legal Papers, Attorney Correspondence

 427/5House Un-American Activities Committee

Evidentiary Documents

 427/6House Un-American Activities Committee

Lists

 427/7House Un-American Activities Committee

Notes

 427/8House Un-American Activities Committee

Statements

 White House 428/1Franklin D. Roosevelt [1933-1945]1945

Invitations [Inaugural]

 428/2John F. Kennedy [1961-1963]1961-1962

Correspondence

 428/3John F. Kennedy [1961-1963]1961-1962

Invitations [General]

 428/4Lyndon B. Johnson [1963-1969]1964-1965

Correspondence

 428/5Lyndon B. Johnson [1963-1969]1964-1965

Invitations [General]

 428/6Lyndon B. Johnson [1963-1969]1965

Invitations [Inaugural]

 428/7Lyndon B. Johnson [1963-1969]1965

Invitations [Inaugural]

 428/8Lyndon B. Johnson [1963-1969]1968

Telegram

 428/9Gerald Ford [1974-1977]1975-1976

Invitations [General]

 428/10Jimmy Carter [1977-1981]1977-1981

Invitations [General, Inaugural]

 428/11Jimmy Carter [1977-1981]1977-1980

Correspondence

 428/12Ronald Reagan1985

Correspondence

 428/13Ronald Reagan1981-1988

Invitations [General, Inaugural]

 Scrapbooks Scrapbooks, 1924-78

Box 467

Four volumes that include articles, clippings, photographs, programs and other memorabilia. Arranged chronologically.

 467C/1Copland-Sessions Concerts1924-1931

On Microfilm: 93/2002 <Mus> Item 1 DO NOT SERVE ORIGINAL

 467C/3Scrapbook1924-1942

On Microfilm: 93/2002 <Mus> Item 3 DO NOT SERVE ORIGINAL

 467C/4Yaddo Scrapbook1932-1933

On Microfilm: 93/2002 <Mus> Item 2 DO NOT SERVE ORIGINAL

 467C/2ABC Australian Tour1978

[not on microfilm]

 Biography Biography, 1921-1988 and undated (9 boxes)

Boxes 429-434, 453-455

Includes correspondence, notebook, lists, two birthday albums containing letters, music manuscripts, poems, photographs and ink drawings, calling cards, clippings, miscellaneous bank, investment, insurance, medical and property records and documents, invitations, and passports. Arranged alphabetically by subject.

 429/14BFamily Tree 429/1Accountant Papers

H. N. Whitney, Goadby

 429/2Accountant Papers

Korsh and Krauss

 429/3Autobiobraphical Notes 429/4Biographical Notebook

Lectures

 429/5Biographical Notebook

Writings by AC

 429/6Biographical Notebook

Writings about AC

 429/7Biographical Notebook

Book Reviews

 429/8Biographical Notebook

Radio Appearances

 429/9Biographical Notebook

Recordings

 429/10Biographical Notebook

Trips

 429/11Biographical Notebook

Programs Conducted

 429/12Biographical Notebook

List of Works

 429/13Biographical Notebook

Honors

 429/14ACalling Cards 429/15Biographical Sketches

Miscellaneous

 429/16Biographical Sketches

Obituary

 429/17Household

Automobile

 429/18Household

Automobile

 429/19Household

Bank Statements

 429/20Household

Bills: Miscellaneous

 429/21Household[1957]

Check Stubs

 430/1Household

Citibank: Investment Summary

 430/2Household

Citibank: Miscellaneous

 430/3Household

Citibank: Statement of Transactions

 430/4Household

Horizon Gas Company

 430/5Household

Insurance: Blue Cross

 430/6Household

Insurance: Equitable Brokers

 430/7Household

Insurance: Miscellaneous

 430/8Household

Insurance: Schiff Terhune

 430/9Household

Insurance: Schiff Terhune

 430/10Household

Mayfair Travel

 430/11Household

Miscellaneous

 430/12Household

Safety Deposit Information

 431/1Household

Stock Investment Stubs

 431/2Household

Stock Statements

 431/3Invitations 431/4Legal Papers1946-1952

Attorney Correspondence

 431/5Legal Papers1953-1967

Attorney Correspondence

See also: Subject File: House Un-American Activities Committee

 431/6Legal Papers1970-1978

Attorney Correspondence

 431/7Legal Papers1979-1980

Attorney Correspondence

 431/8Legal Papers1981

Attorney Correspondence

 431/9Legal Papers1982-1984

Attorney Correspondence

 454Birthday Album, 70th 455Birthday Album, 80th 432/1Legal Papers1985

Attorney Correspondence

 432/2Legal Papers1986

Attorney Correspondence

 432/3Legal Papers1987

Attorney Correspondence

 432/4Legal Papers

Last Will and Testament

 432/5Lists

Addresses

 432/6Lists

Address Books

 432/7Lists

AC American Music Collection

 432/8Lists

Composition Department Members: Tanglewood

 432/9Lists

Compositions by AC

 432/10Lists

Conducting Engagements

 432/11Lists

Lecture Engagements

 432/12Lists

AC Letter Files

 432/13Lists

Lincoln Portrait Narrators

 432/14Lists

Peekskill Archives

 432/15Lists

Photographs

 432/16Lists

Recordings

 432/17Lists

Television Appearances

 432/18Lists

Trips

 432/19Lists

Unidentified

 432/20Lists

Writings by AC

 433/1Medical Records

Inoculations

 433/2Medical Records

Miscellaneous

 433/3Music Assistant Information 433/4Passports 433/5Passport Information 433/6Passport Photos Map/4Peekskill House, Architectual Maps and Blueprint 453Peekskill House, Architectual Specifications 433/7Property information 433/8Property Information 433/9Property Information 434Rolodex 433/10Stamp Collection Awards Awards, 1934-1985 and undated (26 boxes)

Boxes 435-438, Map Case C/Drw2

Honorary Degrees include diplomas and certificate accompanied by correspondence, programs, reviews and other printed material. Arranged alphabetically by the presenting organization.

Boxes 439-452, 457-463

Citations, Medals, etc. include certificates, proclamations, plaques, medals, keys to cities and, some cases, accompanying correspondence, programs, reviews and other printed material. Arranged alphabetically by the presenter's name.

 Honorary Degrees 438/1Brandeis University1957

(printed materials)

 457/1Brandeis University1957

(diploma)

 435/1Brooklyn College1975 435/2Brown University1980 438/2The Catholic University of America1979 435/3Columbia University1971

(printed materials)

 457Columbia University1971

(diploma)

 438/3Fairfield University1968 435/5Harvard University1961

(printed materials)

 458/5Harvard University1961

(printed materials)

 457Harvard University1961

(diploma)

 457/3Illinois Wesleyan1958 Map/2Indiana State University1978

(diploma)

 438/5Jacksonville University1967 438/6Kalamazoo College1965 435/6Kansas State University1982

(diploma)

 435/7Kansas State University1982

(Phi Beta Kappa)

 438/7Long Island University1974

(printed materials)

 438/8Long Island University1974

(diploma)

 436/2New England conservatory1977 457New School for Social Research1983

(diploma)

 438/9New York University1970 436/3Oberlin College1958 436/4Ohio State University1970 436/5Ottawa University1976 Map/2Peabody Institute, Conservatory of Music1969

(diploma)

 436/6Princeton University1956

(printed materials)

 457/4Princeton University1956

(diploma)

 436/7Queens College1981 437/3Rutgers University1967

(printed materials)

 Map/2Rutgers University1967

(diploma)

 437/4San Francisco Conservatory of Music1976 435/4University of Florida1972 437/5State University of New York, New Paltz1982 437/6Syracuse University1964

(printed materials)

 457Temple University1959

(in tube)

 438/11Tulane University1976 457/5University of Florida1972 438/4University of Hartford1959 457University of Portland1975 436/1University of Michigan1964 437/1University of Redlands1977 437/2University of Rhode Island1964 438/10University of Rochester1976 437/3University of Utah1966

(printed materials)

 457/2University of Utah1966

(diploma)

 437/8University of York1971

(printed materials)

 457/5Syracuse University1964

(diploma)

 Citations, Medals, etc. 441/3Academia Nacional de Belles Artes1962

(membership)

 452/1Academia Nacional de Belles Artes1963

(award)

 441/5Academy of Motion Picture Arts and Sciences1940

(nomination)

 441/4Academy of Motion Picture Arts and Sciences1943

(nomination)

 441/6Accademia Filarmonica Romana1963

(membership)

 441/7Accademia Nazionale de Santa Cecilia1956

(membership)

 450/1Accademia Nazionales Santa Cecilian.d.

(medal)

 440/4Akademie der Künste1983

(membership)

 440/34Albany Institute of History and Art1981

(concert)

 440/17American Academy of Arts and Letters Medal1956

(printed materials)

 441/1American Academy of Arts and Sciences1951

(membership)

 458/1American Academy of Arts and Sciences1951

(citation)

 440/6American Chamber Orchestra1982

(tribute)

 458/2American Composers' Alliance1968

(award)

 440/9American-Israel Cultural Foundation1976

(award)

 459ASCAP1945

(plaque)

 441/1ASCAP1946

(membership)

 446/1ASCAP1985

(plaque)

 458/3American Symphony1975

(citation)

 460American Symphony Orchestra Golden Baton Award1978

(baton)

 440/7Art Critic's Circle1963

(award)

 446/3Association of College, University and Community Arts Administrators1976

(plaque)

 440/11The Bohemians1971

(dinner)

 439/1Boys High School Alumni Associationn.d.

(citation)

 443/1Boys High School Alumni Association1953

(plaque)

 440/12Brandeis University1960

(award)

 451/10Brandeis University1960

(medal)

 440/13Brandeis University1963

(tribute)

 440/14Brandeis University1975

(award)

 451/7Brandeis University1975

(medal)

 441/8-9Brandeis University Medaln.d.

(printed materials)

 463/1Brooklyn Academy of Music1961

(citation)

 440/5Chamber Symphony Society of California1975

(Allegro Ball)

 447City of Bridgeportn.d.

(key)

 447City of Buffalon.d.

(key)

 439/2City of Chicago1980

(AC day)

 447City of Clevelandn.d.

(key)

 439/3City of Cleveland1974

(AC week)

 439/5City of Harrisburg1975

(AC week)

 447City of Jacksonville1972

(key)

 447City of Kansas Cityn.d.

(key)

 452/6City of Los Angeles1975

(award)

 451/4City of New York1970

(medal)

 449/1City of New York1980

(plaque)

 440/22City of New York1983

(concert)

 439/9City of Peekskill1985

(AC week)

 442/3City of Portland1975

(AC week)

 440/37City of San Josen.d.

(letter)

 447City of San Juann.d.

(key)

 447City of San Salvador1975

(key)

 439/4Commander's Cross of the Order of Merit of the Federal Republic of Germany1970

(printed materials)

 452/12Commonwealth of Pennsylvania1975

(citation)

 452/14El Concejo Municipal de San Salvador1974

(citation)

 440/8Consul General of the United States1978

(luncheon)

 446/2Cookeville, Tennessee1978

(plaque)

 458/4County of Los Angeles1964

(citation)

 449/3County of Oswego1979

(plaque)

 440/16Da Capo Chamber Playersn.d.

(concert)

 463/2Dancemagazine1979

(plaque)

 452/4Edinburgh Film Festival1959

(award)

 441/12Friends of Music1964

(award)

 450/2German Crossn.d.

(medal)

 451/2Die Gesellschaft der Musikfreundn.d.

(medal)

 451/8Harvard Glee Clubn.d.

(medal)

 439/6Harvard University1978

(citation)

 441/13Harvard University1934, 1944, 1951

(appointment as lecturer)

 440/15Hebrew Arts School1982

(dinner)

 441/14Henry Street Settlement1966

(award)

 440/19Institut de France1970

(membership)

 440/24International Capital of the Age of Enlightenment1979

(award)

 441/11International Congress on Nutrition1960

(award)

 440/20Joffrey Ballet1989

(dinner)

 440/1Kansas State University1982

(AC festival)

 459Kennedy Center Honors1979

(medal)

 459/1Lamont School of Musicn.d.

(plaque)

 440/21Library of Congress1981

(concert)

 440/10Los Angeles County Museum of Art1970

(concert)

 451/9Louisiana Council for Music and Performing Artsn.d.

(medal)

 440/23MacDowell Colony Medal1961

(printed materials)

 451/3MacDowell Medal1961

(medal)

 441/15Massachusetts Federation of Music Clubsn.d.

(awards)

 452/7Mostra Internazionale d'Art Cinematografica1959

(award)

 440/25Mu Phi Epsilon1986

(citation)

 441/15Music Critic's Circle1944, 1946

(award)

 441/16Music Educators' National Conference1973

(award)

 440/26Music in the Mountainsn.d.

(concert)

 445/1National Academy of Recording Arts and Sciences1960

(plaque)

 445/2National Academy of Recording Arts and Sciences1960

(plaque)

 445/3National Academy of Recording Arts and Sciences1962

(plaque)

 445/4National Academy of Recording Arts and Sciences1966

(plaque)

 445/5National Academy of Recording Arts and Sciences1966

(plaque)

 445/6National Academy of Recording Arts and Sciences1967

(plaque)

 445/7National Academy of Recording Arts and Sciences1974

(plaque)

 445/8National Academy of Recording Arts and Sciences1975

(printed materials)

 446/4National Academy of Television Arts and Sciences1960-61

(plaque)

 444/1National Academy of Television Arts and Sciences1966-67

(plaque)

 451/5National Association for American Composers and Conductorsn.d.

(medal)

 450/3National Bicentennial Medal1976

(medal)

 440/27National Endowment for the Arts Medal1986

(printed materials)

 441/17National Federation of Music Clubs1941

(award)

 441/18National Institute of Arts and Letters1942

(membership)

 441/19National Institute of Arts and Letters Medal1956

(printed materials)

 440/28National Music Awards1976

(award)

 441/20National Press Club1974

(award)

 452/8New York State Assembly1985

(citation)

 440/29New York State Music Awards1975

(award)

 463/3New York State Music Awards1981

(citation)

 440/18New York State Music Awards1981

(award)

 443/2Oakland University1978

(plaque)

 441/21Oklahoma City1943

(award)

 440/30Ovation Magazine1989

(award)

 451/1Paramount Center for the Arts1985

(medal)

 439/11Pennsylvania House of Representatives1990

(citation)

 441/22Philharmonic Symphony Society of New York1970

(membership)

 442/4Phi Mu Alpha1961

(membership)

 448Phi Mu Alpha1970

(plaque)

 443/5Phi Mu Alpha1972

(plaque)

 443/3Phi Mu Alpha1974

(plaque)

 442/1Phi Mu Alpha1976

(award)

 443/4Phi Mu Alpha1979

(plaque)

 440/31Pi Kappa Lambda1970

(membership)

 440/32The Pierian Sodality of 18081962

(certificate)

 451/6Pittsburgh Bicentennial1958

(medal)

 440/38Preservation and Revitalization of Cold Springs Area1983

(reception)

 452/2President of Brooklyn1980

(award)

 452/13Presidential Medal of Freedom1964

(printed materials)

 459Presidential Medal of Freedom1964

(medal)

 440/35Pulitzer Prize1945

(printed materials)

 450/4Rainier, Prince de Monaco, IIIn.d.

(medal)

 457/5Royal Philharmonic Society1970

(membership)

 441/23Royal Society for the Encouragement of Arts Manfactures and Commerce1960

(membership)

 444/2San Josen.d.

(plaque)

 441/24Scholastic Teacher's National Film and Filmstrip Awards1960

(award)

 442/2State of Kansas1976

(membership)

 452/10-11State of New York1979

(citation-2 copies)

 439/7State of Louisiana1976

(AC Days)

 461/1State of Michigan1980

(citation)

 452/9State of New York1983

(citation)

 439/8State of North Carolina1976

(AC Day)

 452/15State of Tennessee1978

(award)

 439/14State of Utah1976

(AC Week)

 439/12State University of New York at Potsdamn.d.

(citation)

 440/36Stereo Review1981

(award)

 439/13Syracuse University Chancellor's Medal1975

(printed materials)

 459Syracuse University Chancellor's Medal1975

(medal)

 440/39Tanglewoodn.d.

(concert)

 441/25Third Street Music School Settlement1979

(award)

 449/2Town of Cortland1985

(plaque)

 440/2Umpaqua Community College1981

(AC Festival)

 458/7United States Air Force Bandn.d.

(citation)

 452/16United States Senate1985

(citation)

 441/10Universidad de Chile1963

(award)

 452/3Universidad de Chilen.d.

(award)

 450/5Universidad do Estado da Guanabara1950

(medal)

 452/5Universidad do Estado da Guanabara1963

(award)

 440/40University of Leeds1977

(tribute)

 439/10University of Pennsylvania1980

(citation)

 459/3University of Pennsylvania Glee Club1970

(plaque)

 441/26Venezuelan Association of Authors and Composers1957

(award)

 439/15Washington, DC1980

(AC Day)

 462Westchester Council for the Arts1981

(plaque)

 458/7Westchester County Executive1981

(citation)

 461/2Westchester County Executive1985

(citation)

 450/6Westchester County Merit Awardn.d.

(medal)

 440/3Westchester Music and Arts Camp1981

(festival)

 440/33William Penn College1983

(award)

 441/27Wisdom Magazinen.d.

(award)

 441/28Yale University Howland Medal1970

(printed materials)

 450/7Yale University Howland Medaln.d.

(medal)

 450/8Yale University Samuel Simons Sanford Medaln.d.

(medal)

 Art Art, 1944-1983 and undated (8 boxes and map case drawer)

Boxes 456, 464-466, 509, 516, 519-522

Art Works includes pencil and ink drawings and sketches, etchings, watercolors, woodcut, engraving, reproductions. Arranged alphabetically by subject, then by artist.

MapCase C/Drw2

Posters include published posters. Arranged alphabetically by the name of the organization, event or performer.

 Art Works Of Aaron Copland 509/3Albee, E.

(pencil sketch)

 519/1Altman, N.

(right and left handprints)

 509/5Boyce, John

(pencil sketch)

 509/7Frueh, A.

(pencil sketch)

 516/2Frubauf, Aune

(woodcut)

 465Hirsch, Joseph

(portrait)

 516/3Hoffnung, Gerard

(caricature reproduced in journal)

 516/4Irene

(sketch)

 456/2Nando

(caricature)

 516/6Oslundigo, E. R.

(watercolor)

 456/3Perrin, Joyous

(ink sketch)

 509/9Re, F.

(engraving, 2 copies)

 519/7Ross, Alvin

(ink sketch)

 509/12Schiff, R.

(ink sketch)

 456/5Schiff, R.

(pencil sketch)

 509/2Unidentified

(caricature)

 509/1Unidentified

(caricature with Charles Ives)

 519/3Unidentified

(ink sketch)

 456/10Unidentified

(mounted newspaper photo of AC and Benny Goodman)

 519/4Unidentified

(pencil sketch)

 519/2Unidentified

(portrait)

 Other Works 516/1Chagell, Marc

(Print, included in a program honoring Nadia Boulanger)

 466Children

(drawings)

 464Johnson, J. R.

(painting)

 509/6Keahy, Ruth

(watercolor, El Saloon Mexico)

 MapPicasso, Pablo

(numbered print of bull and horse)

 509/11Ross, A.

(etching)

 509/10Ross, A.

(etching, one for each month)

 456/8Unidentified

(18th century songbook)

 516/5Unidentified

(Japanese fabric sculpture)

 519/6Unidentified

(paper collage)

 520Unidentified

(Tango folio)

 Map/6Unidentified

(watercolor and floor plan of AC's house)

 456/13Wolf, R.

Statements on art

 Poetry 509/4Breaking Out 456/4The Dream of the House 509/13All is Brilling 520For Aaron Copland

(5 poems)

 456/1Patrick County, Virginia Posters 464Albany Institue 464American Symphony Orchestra 464Australian concerts 519/5Terry Barous

(senior recital)

 464Bologna concert Map/5Boston Symphony Orchestra 456/9Boston University concert Map/4Bowery Ensemble 456/11Empire Sinfonietta Map/5Harvest of Music Festival Map/5Israel Philharmonic Map/7Miscellaneous, oversize 456/12Ojai Festival 464Christopher Parkening 464Russian concerts Map/5Richard J. Schiff Map/5Second hurricane 456/7Leo Smit recital Map/5Syracuse University concert Map/5Tender land 464Trieste Philharmonic 464WFNL Photographs Photographs, c. 1889-1985 and undated (46 boxes)

Boxes 468-494, 496-514

Divided into Photoprints with Aaron Copland (AC), Photoprints without Aaron Copland (AC), Contact Sheets with and without Aaron Copland (AC), Photo Albums, Color Slides, and Negatives.

Includes black and white and color photoprints in several sizes, color slides, black and white contact prints, black and white and color negatives, and color transparencies (mostly 35mm, but includes oversize, copy and square negatives). Photoprints with and without Aaron Copland arranged by subject from the most personal and relevant to Copland to less important and significant, then roughly in chronological order; Photo Albums arranged in approximate chronological order; Color Slides arranged by subject; and Negatives arranged according to pre-existing job codes in alpha-numeric order when available, and according to newly-assigned codes arranged by subject, then numerically.

 Photoprints: with Aaron Copland (AC) Portraits 1900-1930 491/11906, at age 6 [enlargement of smaller print] 506/1[1920?], "Copland 1924" (Ortho) [I;37] 491/21920s, Aaron Copland in Paris 491/3ca. 1920s 506/21923 506/3[1926?], "Copland in front of Koussevitzky's house, Boston, 1925" [I;101] 506/4-91930, 6 signed and mounted prints (Hermann Collmann) 468/4Miscellaneous, at piano 468/3Miscellaneous, informal 468/1-2Miscellaneous 1931-1960 492/1-3[ca. 1930s], series, one mounted (Victor Kraft)[ca. 1930s] 471/1-31932, series (Carl Van Vechten)1932 506/10[1932], "Copland 1927" [copy of photo by Carl Van Vechten][1932] 492/111946, "Studio in the Berkshires September, 1946" (Victor Kraft)1946 506/111947, signed and mounted (Irving Penn)1947 491/4[1947], signed and mounted (Irving Penn)[1947] 492/13ca. 1951, at piano, "Barn studio in Berkshires, circa 1951" (Victor Kraft)ca. 1951 492/141958, Life magazine (Gordon Parks)1958 492/151959, (Harold Shapero)1959 492/161960, (C. Manos)1960 491/5Undated, 1 photo, matted (Carl Van Vechten)n.d. 492/7Undated, 2 photos (Victor Kraft) [Negs. CC-CP-N-1057-R2;22,23]n.d. 492/5Undated, 2 photos, 3 printsn.d. 471/4Undated, 3 Photos (G. Platt Lynes)n.d. 492/6Undated, 2 printsn.d. 491/6-9Undated, 8 proofs (Pach Bros.)n.d. 492/8-10Undated, At piano [Berkshires studio]n.d. 492/12Undated, [Berkshires?, outdoors] (Victor Kraft)n.d. 492/4Indated, Informal, includes Mexicon.d. 512 (Color slidesUndated, [Massachusetts house exterior and interior, sunset] (Victor Kraft)n.d. 469/1-3Miscellaneous 470/1-4Miscellaneous 472/1Miscellaneous 472/2Miscellaneous 472/5Miscellaneous, Aaron Copland at piano 472/3-4Miscellaneous, informal 1961-1990 493/4-61960s, proofs (Lotte Meitner-Graf)1960s 493/11[1960s], 2 photos, "in 60's" (Marc and Evelyne Bernheim)[1960s] 493/12[1960s], 3 photos, "in 60's" (Editta Sherman)[1960s] 506/13[ca. 1960s][ca. 1960s] 509/1 (Color)[ca. late 1960s?], mounted[ca. late 1960s?] 493/91962, Apr. Life magazine (Yale Joel)1962 Apr. 496/31970, Feb., mounted (John Hustad)1970 Feb. 493/14[ca. 1970s], signed and mounted[ca. 1970s] 509/2-3 (Color)[ca. 1970s], outside, mounted[ca. 1970s] 511/1 (Color)1971, mounted (Martha Crumb)1971 493/131972, (Bob Fullerton)1972 511/2 (Color)1977, signed and mounted (Leo Smit)1977 493/151978, 3 photos, signed (King Wehrle)1978 506/121979, (Hans Namuth)1979 496/41979, mounted (Mickey Adair)1979 493/16-201980, 13 photos (Suzie E. Maeder)1980 511/3 (Color)[ca. 1980], (Iris Posner)[ca. 1980] 509/4 (Color)[ca. 1980], matted[ca. 1980] 493/211981, signed, (Nancy Rica Schiff)1981 493/221982, signed and mounted (Ralph Titus)1982 493/231983, (Arthur Mones)1983 493/241984, at piano (Lucy Cobos)1984 493/251985, signed (Marianne Barcellona)1985 511/4 (Color)[ca. 1985], (from [by?] Ann Mann)[ca. 1985] 493/2Undated, At piano (Dennis Goulden)n.d. 493/3Undated, At piano (Victor Kraft?)n.d. 493/1Undated, At piano, signed by Aaron Copland (Paul Moor)n.d. 474/1Undated, Series (David Diamond)n.d. 473/2Undated, Series (Editta Sherman)n.d. 493/7-8Undated, Signed and mounted (Lotte Meitner-Graf)n.d. 493/10Undated, 1 print (Kazuo Inoue Okayama)n.d. 473/1Miscellaneous 473/3Miscellaneous 474/2Miscellaneous 475/1-3Miscellaneous 475/5Miscellaneous 490/1-3 (Color)Miscellaneous 475/4Miscellaneous, at the piano AC Family 496/11909, Aaron Copland with sister Josephine [enlargement copy]1909 496/21935, Golden wedding anniversary banquet for Aaron Copland's parents, mounted [banquet camera photo]1935 5051935, Golden wedding anniversary banquet for Aaron Copland's parents [banquet photo, rolled]1935 476/6Aaron Copland with family 476/1-5Miscellaneous 490/4 (Color)Miscellaneous AC Conducting 1930-1960 Foreign Countries 494/31960, Berlin, conducting "Nonet" (Paul Moor)1960 494/1[1960, Japan] (Kazuo Inoue Okayama)[1960] 494/2[1960?], Japan, "Conducting in Japan" (Jun Miki)[1960?] 477/1Miscellaneous United States 494/4[1940s?, Tanglewood], 2 photos (Victor Kraft) 477/2Miscellaneous 477/3Unidentified 1961-1980s Foreign Countries 477/41963, Columbian National Symphony 477/5-81970, Berlin (Victor Kraft) 477/91970, Berlin (Peter Muck) 477/111970, London, London Symphony Orchestra (Julian Hahn) 477/121970, London, London Symphony Orchestra (Victor Kraft) 512 (Color slides)1970 Nov., London, London Symphony Orchestra (Victor Kraft?) 477/131980, London, London Symphony Orchestra (Crowthers) 494/5-61980, London, [London Symphony Orchestra?], 5 photos (Suzie Maeder) 477/10Undated, England (Victor Kraft) 477/14-15Miscellaneous United States 494/71964 Summer, New York City, Lewis Stadium, rehearsal of Lincoln Portrait with Adlai Stevenson (Marc and Evelyne Bernheim) 477/161970, Los Angeles (Mary Leipziger) 512 (Color slides)1970 Dec., New York Philharmonic Orchestra 494/12[ca. 1970s], Kent State University (Jack Davis) 494/9-101971 Nov., Kansas State University, Copland Festival (Ralph Titus) 494/11[1972], Austin Symphony (James E. Alvis) 477/17[1972], Mississippi River Festival (Charles H. Cox) 4971973 Feb. 11, United States Air Force Band and Singing Sergeants, Washington, D.C. [photo scrapbook] 511/5 (Color)1976, Saratoga Springs, 2 photos (Allen J. Winigrad) 511/6 (Color)[1976? Saratoga Springs], 3 photos 494/131981 Sept., Library of Congress, conducting "Nonet" 494/8Undated, Detroit Symphony Orchestra with William Warfield (L. Wardrop) 497Undated, Norfolk Symphony Orchestra [photo scrapbook] 512a (Color slides)Undated, San Francisco [dual slides] 478/1-3Unidentified and Miscellaneous Miscellaneous 496/5[ca. 1960s], Unidentified 498/8Undated, 1 print (Goldstein) 498/1Undated, 2 prints (Kenneth Love) 498/9Undated, 4 photos, mounted (J. Fowler) 496/6Undated, Enlarged photo (Gordon Clarke) 478/4Undated, Series of 15 prints (Gordon Clarke) 498/2-7Undated, Series of 17 prints (Nicholas Tucker) 478/5-6Miscellaneous 490/5 (Color)Miscellaneous 512 (Color slides)Unidentified AC Performing 497At piano, 1967, Congregation of the Arts, Dartmouth College [photo album] 512At piano, 1970 Nov., Aaron Copland with André Previn and London Symphony Orchestra, "Piano Concerto" rehearsal 478/7At piano, undated 478/8Film 478/9Radio 490/7 (Color)Radio and Television 478/10Television 490/6 (Color)Miscellaneous AC with Composers 499/3Barber, Samuel and Virgil Thomson, Gian Carlo Menotti, and William Schuman, ca. 1940, "Aaron Copland with American composer friends" (John Stewart) 478/11Bernstein, Leonard 478/12Boulanger, Nadia 478/13Boulanger, Nadia and Serge Koussevitzky 478/14Britten, Benjamin 507/8Koussevitzky, Serge, 1944 May, "American Composers' Testimonial Dinner in Honor of Dr. Serge Koussevitzky" 499/4Koussevitzky, Serge and Arthur Honegger, 1947, Tanglewood (Victor Kraft) 478/15Milhaud, Darius 499/2Rochester, New York Conf[erence] of American Composers, 1925 478/16Smit, Leo 512 (Color slide)Thomson, Virgil and Roger Sessions 499/1Thomson, Virgil, Walter Piston, and Herbert Elwell, 1924, Paris 479/1Miscellaneous, includes

Blitzstein, MarcDiamond, DavidSneden's Landing group

 479/2Miscellaneous, includes

Fine, IrvingHaieff, AlexeiPiston, Walter

 479/3Miscellaneous, includes

Barber, Samuel and Gian Carlo Menotti [1945, II:65, NEG.]Rorem, Ned

 479/4Miscellaneous, includes

Fine, IrvingFoss, LukasHindemith, Paul

 479/5Miscellaneous, includes

Shostakovitch, Dmitri, Dmitri Kabalevsky, and Soviet groupVilla-Lobos, Heitor

 479/6Miscellaneous, includes

Ch´vez, CarlosFoss, LukasGinastera, AlbertoThomson, Virgil

 479/7Miscellaneous, includes

Elwell, Herbert, Walter Piston, and Virgil Thomson, 1926 group, ParisPoulenc, Francis

 490/8 (Color)Miscellaneous, includes

Piston, Walter

 AC with Conductors 499/4Koussevitzky, Serge and Arthur Honegger, 1947, Tanglewood (Victor Kraft) 509/5 (Color)Mehta, Zubin ca. 1980 480/1-2Miscellaneous 490/9 (Color)Miscellaneous AC with Choreographers 499/6Robbins, Jerome, J. B. Kennedy, and Arthur Gold and Robert Fizdale 499/5Smith, Oliver and Agnes de Mille, 1942, Tanglewood (Victor Kraft) 480/3Miscellaneous AC with Performers 480/4Gold, Anthony Robert and Fizdale, n.d. 506/14MacLeish, Archibald, 1923 499/7Barzin, Leon and National Orchestra Association, 1975 (Ezio Petersen, UPI) 497Dartmouth College, Congregation of the Arts, 1967 [photo scrapbook] 480/5-8Miscellaneous, includes Goodman, Benny, 1970 490/10 (Color)Miscellaneous - Performers, Composers, Politicians 496/7Unidentified (Bern Ketchum) AC with Famous People and Politicians 481/1Miscellaneous, includes

John F. Kennedy, at White House

 481/2Miscellaneous AC with Recording and Publishing Executives 499/8Hawkes, Ralph, ca. 1949, Tanglewood 481/3Miscellaneous AC with Friends 481/4-5Bernstein, Leonard, Tanglewood (Victor Kraft)

see also AC with composers and Festivals and Artist colonies, Tanglewood (Victor Kraft)

 490/11 (Color)Bernstein, Leonard 499/9Bernstein, Leonard, ca. 1940, at piano, 2 photos (Victor Kraft) 499/10Bernstein, Leonard, 1962, at rehearsal for "Connotations" 481/6Clurman, Harold 490/12 (Color)Ramey, Philip 499/11Walker, David and Nadja [AC's dog], ca. 1970 481/7Early photos, 1912-1920, n.d. 481/8-10Miscellaneous 490/13-14 (Color)Miscellaneous AC with Acquaintances 499/14Garfein, Jack, 1961, Peekskill 499/12LaTouche, John , 1937, on set of Rudy Burkhardt's film "145 West 21" 499/13Mosely, Carlos (Victor Kraft) 481/11-13Miscellaneous 490/15 (Color)Miscellaneous AC with others 481/14Miscellaneous 490/16 (Color)Miscellaneous Festivals and Artist Colonies 482/1Aspen, Colorado 482/2Ojai, California 482/3Sante Fe, New Mexico 482/4-11Tanglewood, [1940s] 501/1 (Color)Tanglewood, [1940s] 482/12Tanglewood, 1985 483/1University of Gainsville, Florida, 1972 483/3Miscellaneous, includes

MacDowell Colony

 501/2 (Color)Miscellaneous, includes

O'Keefe, Georgia and Aaron Copland, Santa Fe

 483/2Yaddo, 1932 Travel 483/4Argentina 483/5Brazil 483/6Colombia 483/8France 483/7France, 1920s 483/9-11Great Britain 483/12Israel 483/13Japan 503Japan, 1962, Jan., "Joint U. S. - Japan Conference on Cultural and Educational Interchange January 1962" [Photo album] 483/14-15Latin America 483/16-17Mexico, includes

Denby, Edwin and Aaron Copland

 483/18Peru 483/19Poland 483/20Portugal 483/21Puerto Rico 484/1Turkey 484/2United States 484/3USSR 484/4Venezuela 484/5-9Miscellaneous 501/3-4 (Color)Miscellaneous Events 484/11Awards, "Golden Apple" 484/10Awards, Miscellaneous 501/5 (Color)Awards, Miscellaneous, honors 484/12Birthday celebrations, 1977, John Hopkins University 501/6 (Color)Birthday celebrations, Miscellaneous 496/8Dinners, 1944, May 16, "American Composers' Testimonial Dinner in Honor of Dr. Serge Koussevitzky, May 16, 1944" [banquet camera photo] 484/13Dinners, 70th birthday 484/14Dinners, 80th birthday, Boosey & Hawkes 484/15Dinners, Miscellaneous 501/7 (Color)Dinners and Receptions 484/17Honorary Degrees, 1950s 484/18-19Honorary Degrees, 1960s 484/20Honorary Degrees, 1970s - 1980s 499/15Honorary Degrees, 1971, Columbia University 484/16Honorary Degrees, 1958 June, Oberlin College 501/8 (Color)Honorary Degrees, Miscellaneous 497Lectures and Seminars, 1967, Dartmouth College, Congregation of the Arts [photo scrapbook] 485/1Lectures and Seminars, 1972, University of Texas, Symposium 485/2Lectures and Seminars, Miscellaneous 485/3Press Conferences and Interviews 485/4Receptions Photoprints: without Aaron Copland (AC) Composers 500/1Berger, Arthur (Victor Kraft) 500/2-3Bernstein, Leonard, [ca. 1947, NY Times article] (Victor Kraft) 500/4Bernstein, Leonard, signed (Lotte Meitner-Graf) 500/5Bernstein, Leonard and brother, [ca. 1930s] (Andrée Vilas) 485/5Blitzstein, Marc and David Diamond and Colin McPhee, [ca. 1940s] (Victor Kraft?) 500/6Bowles, Paul [ca. 1930s] (Victor Kraft) 500/7Britten, Benjamin, n.d. (Andrée Vilas) 485/6Britten, Benjamin, n.d. (Victor Kraft) 500/8Cage, John, [ca. 1947, NY Times article] (Victor Kraft) 485/7Diamond, David, [ca. 1948] (Victor Kraft) 485/8Foss, Lukas, [11/47 NY Times] (Victor Kraft) 500/9Foss, Lukas, [11/47 NY Times] (Victor Kraft) 500/10Haieff, Alexei, [ca. 1947, NY Times article] (Victor Kraft) 500/11Henze, Hans Werner 500/12Honnegger, Arthur and Elizabeth Sprague Coolidge, Tanglewood, [1947] (Victor Kraft) 502/18Kennedy, J. B., n.d. (Daniel Entin) 485/9Milhaud, Darius, [ca. 1940s] (Victor Kraft) 485/10Piston, Walter, [ca. 1940s] (Victor Kraft) 500/13Shapero, Harold, [ca. 1947, NY Times article] (Victor Kraft) 500/14Stravinsky, Igor, (Victor Kraft) 500/15Thomson, Virgil, [ca. 1980s] (Nancy Rica Schiff) 500/16Tippett, Michael (Nicholas Tucker) 485/11-13Miscellaneous 501/11 (Color)Miscellaneous 500/17Unidentified Conductors 502/1Boult, Sir Adrian 502/2Davies, Meredith 502/3Hoffman, Irwin, [ca. 1940s] (Victor Kraft) 502/4Hoffman, I. and Leonard Bernstein and Serge Koussevitzky, Tanglewood, 1947 (Victor Kraft) 486/1Koussevitzky, Serge and Olga (Victor Kraft) 496/9Koussevitzky, Serge, signed and matted, (L. Neustein) 502/5-7Shaw, Robert [1947, rehearsal at NY City Center, 1947, for Harper's Bazaar] (Victor Kraft) 486/2Miscellaneous Choreographers 502/8Robbins, Jerome (Victor Kraft) Performers 502/9-10Fizdale, Robert and Arthur Gold, 1947, 4 prints, (Victor Kraft) 502/11-15Kapell, William, 15 prints, (Victor Kraft) 502/16-17Newlin, D[ika?]., 6 prints, (Victor Kraft) 501/11 (Color)"Tender Land" production, and other productions 486/3Miscellaneous Friends 502/18Kennedy, J. B. (Daniel Entin) 486/4-5Kraft, Victor, includes

Kraft, Jeremyphotos [1935] (Carl Van Vechten)

 502/19Kraft, Victor, [with camera], ca. 1940 501/12 (Color)Ramey, Philip 502/20Ross, Alvin, signed (Carmen Schiavone) 486/6-8Miscellaneous 501/13 (Color)Miscellaneous Acquaintances 500/12Coolidge, Elizabeth Sprague and Arthur Honegger, [1947, Tanglewood] (Victor Kraft) 486/9Miscellaneous Miscellaneous People/Subjects 502/21"Peter Grimes" scenes (Andrée Vilas) 506/15Mittenthal store, Texas, 1889 [copy of photo] 506/16Tree, 1964 Feb., signed and matted (Robert Lombardo) 486/10Miscellaneous, includes

Abstract (Victor Kraft)Goldmard, RubinSchindler, KurtUnidentified people

 Ballet 487/1"Billy the Kid" 487/2"Dance Panels", 1963, Munich 487/3Miscellaneous Motion Pictures 487/4"North Star", [1943], includes

photos (Margaret Bourke-White)

 487/5Miscellaneous Photos of Artwork 487/6Miscellaneous 501/14 (Color)Miscellaneous Houses 487/7"Rock Hill," Peekskill, NY (Victor Kraft?) 487/8Miscellaneous 501/15 (Color)Miscellaneous 507 (Color slides)Miscellaneous Contact Sheets 488/1AC Portraits: Early (1900-1930) and Middle (1931-1960) 488/2-3AC Portraits: Middle (1931-1960) 510/1AC Portraits: Middle (1931-1960) and Late (1961-1990) 488/4-5AC Portraits: Late (1961-1990) 488/6AC Portraits: Miscellaneous 510/2AC Conducting: Middle, Foreign Countries, 1964, [London?] 488/7-8AC Conducting: Miscellaneous 488/9AC in studio 489/1AC with Composers

Foss, Lukas and Harold Shapero (Victor Kraft)

 510/3AC with Composers

Chávez, Carlos and Harold Clurman [ca. 1960s] (Victor Kraft)

 506/17AC with others: Reception 488/10-14AC with others: Miscellaneous 506/18Travel: London, 1970 (Victor Kraft) 506/19Travel: London, 1972 (Victor Kraft) 489/2Composers

Piston, Walter (Victor Kraft)

 489/3-4Composers

Miscellaneous

 510/4Friends

Bernstein, Leonard (Victor Kraft)

 489/5Performers

Fizdale, Robert and Arthur Gold (Victor Kraft)

 489/6Performers

Miscellaneous

 489/7-10Tanglewood 489/11Tanglewood

Miscellaneous

 Photo Albums 504Family: ca. late 1800s-early 1900s)

[photo albums are in fragile condition]

 513Aaron Copland alone

[photo albums are in fragile condition]

 513Aaron Copland with friends

Clurman, HaroldKraft, VictorLavinia, IL., [1932-34]

[photo albums are in fragile condition]

 514Mexico, 1932

Aaron Copland aloneAaron Copland, Carlos Chávez and Victor KraftLandscapes

[photo albums are in fragile condition]

 514United States, 1932:

Aaron Copland aloneKraft, Victor alone and with Paul BowlesLandscapes

[photo albums are in fragile condition]

 Color Slides 508, 511, 512Miscellaneous

see "Photoprints" container listings for color slides in specific categories

 Negatives Black and White 50735mm and 2.5x2.5 negatives

Not to be served see following "Explanation to code system"

 5084x5 negatives and 5x7, 8x10 copy negatives

Not to be served see following "Explanation to code system"

 Color 51235mm, 2.5x2x5 negatives, and one 8x10 transparency

Not to be served see following "Explanation to code system"

 Victor Kraft Materials Victor Kraft Materials, c. 1918-76 and undated (41 boxes)

Boxes 521-544, 546-551, 554-564

Divided into Biographical, Correspondence, Photoprints, Contact Sheets, Color Slides, Negatives, Artwork, and Printed Matter.

Includes letters, telegram, manuscript and typewritten notes, identification cards and passport, address book, bank checks and statements, receipts, purchase orders, black and white and color prints, black and white contact prints, color slides, black and white and color negatives, color transparencies (mostly 35 mm, but includes oversize, copy and square negatives), a watercolor and etching print, post cards, clippings, and maps. Biographical, Professional Papers, Photoprints, Contact Sheets, Color Slides and Printed Matter arranged by subject (Photoprints follow similar order as photoprints in Photographs series); Correspondence arranged chronologically; Artwork arranged alphabetically by subject, and Negatives arranged according to pre-existing job codes in alpha-numeric order when available, and according to newly-assigned codes arranged by subject, then numerically.

 Biographical 521/1Personal Papers and Identification 521/2Foreign Service application Correspondence 521/3Paul Bowles, 1935-1936 521/4Miscellaneous, 1937-1975 Professional Papers 521/5Miscellaneous 521/6-7Brazil, 1951-1953[?] Photoprints Victor Kraft - Portraits 522/2Early 522/3Portraits; early and middle, includes

portraits (Cecil Beaton)Self-portraitsSelf-portraits with camera

 522/4Middle, includes self-portraits 547/1Middle with camera 522/6Middle with camera 522/5Middle and late, includes Passport photos Victor Kraft - Family 522/1Family and childhood 522/7Alone and with Jeremy Kraft: Late 535/1-2 (Color)With Jeremy Kraft, [ca. 1970s, snapshots] 522/8Victor Kraft with others 523/1Victor Kraft with Pearl Kazin, includes Brazil [curled prints] and Wedding photos, 1951 523/2Kazin, Pearl alone [curled prints] Composers and Performers 547/2Copland, Aaron

Portraits: [Middle]

 547/3Copland, Aaron

1948, Tanglewood, "Copland-Milhaud with composition students"

 524/1 (Color)Copland, Aaron

With others, includes Kraft, Jeremy

 547/6Dancers, in studio 547/4Foss, Lukas; and Alexei Haieff 524/2Johns, Erik and Frances Garman, [ca. 1940s?] 547/7Kapell, William 547/5McPhee, Colin; Walter Piston; and Igor Stravinsky 547/8Mitropoulos, Dmitri 547/9Robbins, Jerome 547/10Shaw, Robert, 1947, City Center, New York 547/11Tanglewood, 1940s, includes

Hofman, Irwin, conductingPercussion classViolinist, unidentified

 524/3Miscellaneous, includes

Haeiff, AlexeiLopatnikoff, NicolaiMitropoulos, Dmitri

 524/4Miscellaneous 547/12Unidentified performers, backstage 524/1Kraft, Victor with camera Famous People 548/1Bowles, Paul, [ca. 1930s] 548/2Denby, Edwin, [ca. 1930s, Mexico] 548/3Laughton, Charles and Elsa Lanchester 548/4McCullugh, Carson, signed (Ronny Jaques) 548/5Rosenfeld, Isaac 525/1Van Vechten, Carl, protrait series 525/2Miscellaneous Miscellaneous People 548/7"The Captain with friend", 8 prints 548/8Soldiers descending steps, 2 copies 525/3Men, mostly unidentified 548/13Unidentified, 4 prints 525/6Unidentified, Children 525/7Unidentified, Group photos 548/9Unidentified, Men 525/4Unidentified, Women 548/12Unidentified, Woman, elderly 548/10-11Unidentified, Women, [Story photos?] New York City 551/4Baseball game 551/1-2Brooklyn Bridge 525/8Cityscapes 551/3Columbus Circle 525/9-11Street Scenes 551/5-6Street Scenes Foreign Countries 529/2Brazil, 1951, "Maranhao Uprising, 10-16-51" [curled prints] 526/1-2Brazil, 1951-52, [curled prints] 527/1-2Brazil, 1951-52, [curled prints] 530/1-3Brazil, 1951-52, miscellaneous [slightly curled prints] 528/1-3Brazil, 1952, "Cooperativa Agraria" [curled prints] 529/1Brazil, 1952, "Cooperativa Agraria" [curled prints] 531/1-2Guatemala, [curled prints] 533/1-7Mexico 533/8-9Mexico, 508 W114 Ca8-7621 [slightly curled prints] 532/2Mexico, "Parana Dupes" [badly curled prints] 532/1Mexico, Miscellaneous 552/1-7Mexico, Miscellaneous 553/1-7Mexico, Miscellaneous 534/1-2Miscellaneous, includes

ItalyFrancePhoto post cardsUnidentified

 Story Photos 550/8Butcher 550/5Harper's Bazaar

Dresden, Professor [for Harper's Bazaar?]

 550/6Harper's Bazaar

Potter-Ladd, Mrs., 6/5/47

 534/3Harper's Bazaar

Wernick, Robert for Harper's Bazaar

 550/7Harper's Bazaar

Unidentified woman [for Harper's Bazaar?]

 550/1-4Junior Bazaar; 1947 Feb., "How They Got Started"

Brier, MaryHaas, BettyHappel, ErikaFaculty

 534/4-5Miscellaneous, [mostly unidentified] Fashion / Models 549/2-6Garman, Frances 549/7-10Models, miscellaneous 549/1Studies, nude figures, 4 prints 534/6Miscellaneous Magazine Product Photos 534/7-9Miscellaneous Miscellaneous Subjects 534/11Animals 534/12General 550/10General 534/10Landscapes 535/4 (Color)Landscapes 550/9Landscape Contact Sheets 536/1Kraft, Victor, includes portraits and self-portraits

 536/2Composers and Performers, Aaron Copland and Aaron Copland with others

 562Composers and Performers, Aaron Copland [rolled contact strip]

 561/1Composers and Performers, Aaron Copland, in England

 546/1Composers and Performers, Mitropoulos, Dmitri

 536/3Composers and Performers, Miscellaneous

 536/4Famous people

 536/5-7Miscellaneous people

 562Miscellaneous people

 561/2Miscellaneous people

 537/1New York City

 546/5United States, "Pendle Hill July 1955 w. Orders!"

 546/2United States, Street scenes

 544/3United States, Travel

 537/2-7Foreign Countries, Brazil

 538/1-4Foreign Countries, Brazil

 539/1-2Foreign Countries, Brazil [curled prints]

 540/1-2Foreign Countries, Brazil [curled prints]

 562Foreign Countries, Brazil [assorted subjects]

 546/3Foreign Countries, Brazil

 544/1Foreign Countries, Europe, includes France and Spain

 541/1-2Foreign Countries, Guatemala [curled prints] [includes "Gran Banda Sinfonica de Miami"]

 562Foreign Countries, Haiti [rolled contact strips]

 542/1 and 543/1Foreign Countries, Italy, Puglia region [photos for L'Oeil magazine] [badly curled prints]

see Professional Papers, Miscellaneous

 538/5-6Foreign Countries, Mexico

 562Foreign Countries, Mexico [assorted subjects]

 545Foreign Countries, Mexico [story boards]

 538/7Foreign Countries, Miscellaneous

 544/2Foreign Countries, Unidentified

 544/3Travel/Landscapes, miscellaneous and unidentified

 536/8Story photos

 536/9Fashion model, includes

Garman, Frances

 536/10-11Fashion models

 546/4Fashion models

 536/12Miscellaneous subjects, includes

"1st Nikon Test""Jablon-Infra-red-Warfield" [Jablonski]

 536/13Miscellaneous subjects

 562Miscellaneous subjects and unidentified

 Color Slides 554 {FOLDER]Russian slides, "Sikhote-Alin Reserve", Produced by Novosti Press Agency [Nature scenes]

[FRAGILE, DO NO EXPOSE TO BRIGHT LIGHT]

 554 [BINDER]Victor and Jeremy Kraft, 1974 Sept.

 554 [BINDER]Aaron Copland with two unidentified people

 554 [BINDER][Brazil] 1951 Aug. 29

[The dates are the processing dates printed on the boxes in which these negatives were stored.]

 554 [BINDER][Brazil] 1952 May 20

[The dates are the processing dates printed on the boxes in which these negatives were stored.]

 554 [BINDER][Brazil] 1952 May 21

[The dates are the processing dates printed on the boxes in which these negatives were stored.]

 554 [BINDER][Brazil] 1952 Aug. 29, "R74"

[The dates are the processing dates printed on the boxes in which these negatives were stored.]

 554 [BINDER][Brazil] 1953 [April?]

[The dates are the processing dates printed on the boxes in which these negatives were stored.]

 554 [BINDER][Brazil] 1953 July 27

[The dates are the processing dates printed on the boxes in which these negatives were stored.]

 554 [BINDER]Italy [Pisa]

 555 [BINDER][Mexico?], 1954 Sept. 24, A-B-C-D

 555 [BINDER]Unidentified, 1955 Sept. 14

 555 [BINDER]Unidentified, 1956 Mar. 16

 555 [BINDER][Undated and unidentified]

 Negatives 556 - 558, 56335 mm negatives and 8x10 copy negatives 559 (Color)35mm, 2.5x2.5, 4x5 negatives and [size?] transparencies Negatives/Negative Sleeves and Wrappers 560Sampling of sleeves with notes and identification codes by Victor Kraft Artwork 564/9Brazil, 1948-49, Fundaçao Brasil Central (F. B. C.) [3 maps]

 564/1Robert Davison[?], watercolor landscape, signed, 1948 Oct.

 564/4Kraft, Victor; "The Story of Licorice," MacAndrews and Forbes Company [photos]

 564/5Kraft, Victor; "Sao Paulo Celebrates Hemisphere's First Art Biennial", LOOK magazine, vol 16, no. 5, Feb. 26, 1952 [photos]

 564/7Junior Bazaar and Harper's Bazaar, miscellaneous magazine pages [photos]

 564/3Miscellaneous post cards [Reproductions of artwork]

 564/2Tsachacbosov, numbered etching print of a fish, signed, 1946

 564/6Miscellaneous magazine and newspaper clippings, includes

American composer portraits, 1948 [photos]Copland, Aaron, "The Story Behind El Salon Mexico"

 564/8Miscellaneous foreign publications

 Copland Library Copland Library, Books Retained, 1908-1988 and undated.

Open shelves

Includes published hardbacks and softbacks. Arranged in alphabetical order by author, then by title.

 Orquestra Sinfónica de México1929-30 Adrian, P. G.Réflexions sur l'univers sonoreEditions Richard-Masse1954

signed by author

 Alfred KnopfRead at a luncheon given by Fannie Hurst, Anne O'Hare McCormack, and H. L. Mecnken …Alfred Knopf1941 Amado, JorgeABC de Castro AlvesLivararia Martins, Editora1945 American Society of Composers, Authors and Publishers (ASCAP)Copyright Law Symposium, no. 21-34Columbia University1986

front cover embossed with Aaron Copland

 Andreis, Josip and Slavko Zlatić, eds.Yugoslav musicEdition Jugoslavija Beograd1959 Andrews, Edward D.The Gift to be simpleJ. J. Augustin1940 Anouilh, JeanPièces brillantesLa Table Ronde1951 Antek, SamuelThis was ToscaniniVanguard1963

Presented to Copland by the Toscanini Association

 Ausubel, Nathan, ed.A treasury of Jewish folkloreCrown1948 Bacon, ErnstNotes on the pianoSyracuse1963

sign by author

 Bakeless, Katherine LittleStory-lives of American composersStokes1941

includes Copland

 Balzac, Honoré deLe Lys dans la ValléeÉditions R. Simonn.d. Bang, HermanErzentrische NovellenFischer1921 Barolini, AntonioElegie di CrotonFeltrinelli Editore1959

signed by author

 Bator, VictorThe Béla Bartók Archives: history and catalogueBartók Archives1963

signed by author

 Byard, Samuel Preston, ed.Hill country tunesAmerican Folklore Society1944 [Bearsley, Aubrey]The later work of Aubrey BeardsleyDover1967

signed

 Beck, GeorgGuide to the beauty of BambergBayerische1969

annotations by Copland

 Beck, GeorgesDarius MilhaudHeugel1949 Becker, JohnAfter GenevaLondon Magazine Editions1975

signed by author

 Berger, ArthurAaron CoplandOxford1953

notated

 Berger, ArthurAaron CoplandClub du Libre Americain1962 Berger, MelvinMasters of modern musicLothrop1970

includes Copland

 Bergson, HenriThe two sources of morality and religionDoubleday1954 Bernanos, GeorgesSous le soleil de SatanPlon1926 Bernstein, LeonardFindingsSimon and Schuster1982

signed by author

 Bernstein, LeonardThe joy of musicSimon and Schuster1959

signed by author

 Bever, Adolphe van and Paul LéautaudPoètes d'aujourd'huiMercure1922 Boccaccio, GiovanniDecamerònRizzoli1950

2 vols.

 Borevitz, VictorB. C. E. Biggest Century EnterpriseBorevitz1972 Botkin, B. A., ed.The Pocket Treasury of American folklorePocket1950 Boucher, MauriceLa philosophie de Hermann KeyserlingLes Éditions Rieder1927 Breton, AndréSituation du surréalisme entre les deux guerresÉditions de la Revue Fontaine1945 Brincourt, AndréLa farandoleLa Table Ronde1952 Brindle, Reginald SmithSerial compositionOxford University Press1967 Brooks, Van WyckThe pilgrimage of Henry JamesDutton1925 Bruyr, JoséL'écran des musiciensLes Cahiers de France1930

signed by author

 Bruyr, JoséHonegger et son oeuvreÉditions Corrêa1947 Bynner, WitterCakeKnopf1926

signed by author

 Cage, JohnWriting through Finnegans WakeUniversity of Tulsa1978

presented to Copland by the Oswego County Council on the Arts

 Campos, Jorge HernandezLa parabola del Terron1945 Campos RubénEl folklore y la música méxicanaSecretaría de Educación Pública1928 Camus, AlbertL'étrangerGallimard1942 Camus, AlbertLe mythe de SisypheGallimard1942 Camus, AlbertLa pesteGallimard1947 Carco, FrancisJésus-la-CailleArtheme Fayardn.d. Cartwright, Jean and JohnEnjoy Santa Fe moreNew Mexico Publishing Co.1976 Castillo, B. Díaz del.Conquista de la nueva españa, tomo IIEspasa-Clape1928 Cendrars, BlaiseHistoires vraiesGrasset1938 Chapin, Katherine GarrisoinLament for the stolenCentaur1938

signed by author

 Chevalier, Maurice and Robert DoisneauMy ParisMacmillan1972

signed

 Childs, Barney… and other poemsPrivately printed1955

numbered, signed by author

 Citron, Samuel and David DiamondThe golden slippersFriends of the Jewish Theatre for Children1967 Clermont-Tonnerre E. de.Robert do Montequiou et Marcel ProustFlammarion1925 Cober, AlanThe forgotten societyDover1975

signed

 Cocteau, JeanCarte blancheÉditions de la Sirene1920 Cocteau, JeanLettre à Jacques MaritainLibrairie Stock1926 Cocteau, JeanMon premier voyageGallimard1936 Cocteau, JeanOpuimLibrairie Stock1930 Cogley, JohnReport on blacklisting: II Radio-televisionThe Fund for the Republic1956 Conteurs AnglaisLa Venus IndienneBibliothèque des curieux1921 Copland, AaronAtt lyssna tíll musikStockholm: Gebers1949

What to listen for, Swedish transl.; 2 hard copies

 Copland, AaronAz új zene, 1900-1960Zenemükiadó1973

The new music, revised and enlarged edition, Hungarian transl.; 2 copies, 1 signed, Budapest

 Copland, AaronAtt lyssna tíll musikGebers, Almquist & Wiksells1957

What to listen for, Swedish transl.; 1970 printing, soft copy

 Copland, AaronCome ascoltare la musicaGarzanti1950

What to listen for, Italian transl.; 2 paper copies

 Copland, AaronCome ascoltare la musicaGarzanti1954

What to listen for, Italian transl.; paperback

 Copland, AaronCome ascoltare la musicaGarzanti1959

What to listen for, Italian transl.; hard copy

 Copland, AaronCómo escuchar la músicaFondo de Cultura Económica1955

What to listen for, Spanish transl.; 2 paper copies: 8th reprint, 1984 and 10th reprint, 1988

 Copland, AaronCómo escuchar la músicaFondo de Cultura Económica

What to listen for, Spanish transl.; 3 hard copies: 1st edition, 1955; 2nd edition, 1961; 3rd edition, 1967

 Copland, AaronComo ouvir (e entender) músicaEditôra Artenova1974

What to listen for, Portuguese transl.

 Copland, AaronCopland on musicDoubleday1960 Copland, AaronCopland on musicAndre Deutsch1961 Copland, AaronCopland on musicDa Capo1960

1976 reprint

 Copland, AaronCopland on musicNortonn.d.

soft copy, pages msg.

 Copland, AaronLerne Musik hörenKasparek1948

What to listen for, German transl.; 2 copies

 Copland, AaronLuister zo naar musiekZomer & Keuningsn.d.

What to listen for, Dutch transl.; 1 hard copy, 1 soft copy

 Copland, AaronMusic and imaginationMentor1952

paperback

 Copland, AaronMusic and imaginationHarvard1952

composer copy, 2nd printing 1953

 Copland, AaronMusic and imaginationHarvard1952

paperback, sixth printing

 Copland, AaronMusic and imaginationOxford1952 Copland, Aaron[Music and imagination]Shorinsha, Tokyo1962

Japanese transl.

 Copland, Aaron[Music and imagination]Shridhar Hari1962

Annotated; Marathi transl., Bombay

 Copland, Aaron[Music and imagination]1968

Russian transl., in three parts

 Copland, AaronMúsica e imaginaciónEmece1955

3 soft copies

 Copland, AaronMúsica y músicos contemporáneosEditorial Losada1945

Our new music, 2 copies

 Copland, AaronMusik von heuteHumboldt1947

Our new music

 Copland, AaronThe new music, 1900-1960Norton1968

rev. and enlarged edition; 1 soft copy, 2 hard copies, one cased in hard cover

 Copland, AaronThe new music, 1900-1960MacDonald1968

rev. and enlarged edition; 2 hard copies

 Copland, AaronA nova músicaGráfica Record Editôra1969

The new music; 2 soft copies

 Copland, AaronNueva música, 1900-1960Editorial Letras1969

The new music, rev. and enlarged edition, Spanish transl.; 2 hard copies

 Copland, AaronOur new music, leading composers in Europe and AmericaWhittlesey, McGraw-Hill1941

3 hard copies, 1 with notations for 1966 revision

 Copland, AaronUnsere neue MusikKasparek1947

Our new music, German transl.

 Copland, AaronVom richtigen anhören der MusikRowohlts1967

What to listen for, revised and enlarged edition, German transl.; paperback

 Copland, AaronWhat to listen for in musicWhittlesey1939

Accomp. Study Outline, 2 copies, annotated

 Copland, AaronWhat to listen for in musicMentor1953

2 copies

 Copland, Aaron[What to listen for in music]Tehran, Iran: Zavar1956

Persian transl.

 Copland, AaronWhat to listen for in musicMcGraw-Hill1957

revised edition

 Copland, Aaron[What to listen for in music]Cairo: Hassan Irani1958

Arabic transl.

 Copland, Aaron[What to listen for in music]Tokyo: Ongaku no tomo-sha1965

Japanese transl., signed by Tsukatami

 Copland, Aaron and Vivian PerlisCopland, 1900 through 1942St. Martin's1984

hardback, signed by Copland

 Coulette, HenriThe war of the secret agentsScribner's1966 CounterattackRed Channels: Report of Communist influence in radio and televisionAmerican Business Consultants1950

annotations on Copland entry

 Crevel, RenéLe clavecin de DiderotÉditions Surrealistes1932

signed, gift to Copland

 Davison, AlvinThe human body and healthAmerican Book Company1908 Derais, François and Henri RambaudL'envers du journal de GideLe nouveau portique1951 Diamond, DavidThe Alice and Frederick Slee lecturesUniversity of Buffalo1961 Dolan, Robert EmmettMusic modern mediaSchirmer1967

signed by author

 Drutman, IrvingGood companyLittle, Brown1976 Edwards, ArthurThe art of melodyPhilosophical Library1956

signed by author

 Eekhoud, GeorgeEscal-VigorMercure de Francen.d. Eekhoud, GeorgeLe terroir incarnéLa Renaissance d'Occident1923 Elöd, JuhászAmerikai variációkZenemükiadó1969

signed by author

 Elöd, JuhászBernstein StoryZenemükiadó1972

signed by author

 Engel, GabrielGustave Mahler: song-symphonistBruckner Society of America1932

signed by author

 Engel, LehmanWords with musicMacmillan1972

signed

 Ewen, David, ed.The book of modern composersKnopf1942

pencil marks, section on Copland

 Ewen, David, ed.Composers of todayWilson1934

Copland copy, pencil notes

 Fennell, FrederickTime and the windsG. LeBlanc1954

signed by author

 Fernández, JustinoFolklore MéxicanoEugenio Fischgrundn.d.

signed

 Fernández, RamónAndré GideÉditions R. -A. Corrêa1931 Foote, Arthur and Walter R. SpaldingModern harmony in its theory and practiceSchmidt1905

Copland notes

 Forster, E. M.Alexandria: a history and guideDoubleday1961 Forster, E. M.MauriceEdward Arnold1971 Fox, IdaIn the windAntiphon1970

signed by author

 France, AnatoleL'anneau d'améthysteCalmann-Levyn.d. Franco, EnriqueLa música en los estados unidosLa Editora Nacional1955

signed by author

 Friedman, SanfordRip Van WinkleAtheneum1980

signed by family

 Gagliani, OliverOliver GaglianaiIdeograph1975

signed by author

 Gagliani, OliverOliver Gaglianai: a retrospective1984

signed

 Gagne, Cole and Tracy CarasSoundpieces, interviews with American composersScarecrow1982

signed, includes Copland section

 Galantière, Lewis, ed.The Goncourt journalsDoubleday1958 Gavoty, Bernard and Daniel LesurPour ou contre la musique moderneFlammarion1957

signed by author

 Genet, JeanPompes funebres1948 Georges-Michel, MichelGens de théâtre que j'ai connus 1900-1940Brentano1942

signed by friend

 Gide, AndréAndré GideÉditions du Capitole

numbered #897

 Gide, AndréAinsi soit-il ou les jeux sont faitsGallimard1952 Gide, AndréAmyntasGallimard1925 Gide, AndréAttendu que …Charlot1943 Gide, AndréLes caves du VaticanNouvelle Revue Française1922 Gide, AndréLes contemporainsCapitole1928

numbered edition

 Gide, AndréCorydonNouvelle Revue Française1924 Gide, AndréUn esprit non prévenuÉditions Kra1929 Gide, AndréEt nunc Manet in teIdes et Calendes1947 Gide, AndréLes faux-monnayeursGallimard1925 Gide, AndréFeuillets d'automneMercure de France1949 Gide, AndréL'immoralisteMercure1923 Gide, AndréIncidencesNouvelle Revue Française1924 Gide, AndréJournal, 1929-1942Gallimard1946 Gide, AndréJournal, 1942-1949Gallimard1950 Gide, AndréJournal des faux-monnayeursGallimard1927 Gide, AndréLes nourritures terrestresGallimard1921 Gide, AndréNouveaux prétextesMercure1921 Gide, AndréLes nouvelles nourrituresGallimard1935 Gide, AndréPaludesGaimard1926 Gide, AndréPrétextesMercure1923 Gide, AndréRetouches à mon retour de l'U.R.S.S.Gallimard1937 Gide, AndréLe retour de l'enfant prodigueGallimard Gide, AndréRetour de l'U.R.S.S.Gallimard1936 Gide, AndréRobertGallimard1930 Gide, AndréSaülGallimard1922 Gide, AndréSi le grain ne meurt, IINouvelle Revue Française1924

3 vols.

 Gide, AndréLa symphonie pastoraleGallimard1925 Gide, AndréVoyage au Congo: Carnets de routeGallimard1927 Gide, AndréLe Voyage d'UrienGallimard1929 Gide, André and J. L. BarraultLe procès: Pièce tirée du roman de KafkaGallimard1947 Goldfarb, Rabbi Israel and Samuel E. GoldfarbFriday evening melodiesBureau of Jewish Education1918

signed by author

 Gorali, Moshe, Gideon Almagor and Moshe Bick, eds.The golden peacockHaifa Music Museum1970 Gordon, Henry EvartsVocal expression in speechGinn and Company1911 Gordon, PhilipThe availability of contemporary American music for performing groups …Teachers College, Columbia University1950

signed by author

 Goss, MadeleineModern music-makersDutton1952

Section on Copland

 Graham, MarthaNotebooks of Martha GrahamHarcourt Brace Jovanovichn.d.

Advance uncorrected proofs

 Gräter, ManfredKonzert führer neue MusikFischer-Bucherei1955

signed by author

 Green, JulienAdrienne MesuratLibrairie Plon1927 Green, JulienJournal, 1935-1939Librairie Plon1939 Green, JulienJournal, 1950-1954Librairie Plon1955 Gregory, Horace, ed.The poems of CatullusGrove Press1956

signed

 Gregory, Horace, ed.The triumph of lifeViking1943 Gruen, JohnThe private world of Leonard BernsteinViking Press1968 Hahn, ReynaldoJournal d'un musicienPlon1933 Hallgren, Mauritz A.Seeds of revoltKnopf1933 Hammond, MacThe horse opera and other poemsOhio State University1966

signed by author

 Harrison, LouLou Harrison's music primerPeters1971

signed by author

 Hayden, GeorgeThe cancer of the French candystoreman …R. E. Martin1972

signed by author

 Heinsheimer, Hans W.Best regards to AidaKnopf1968

signed by author

 Henriot, ÉmileLes livres du second rayonLe Livre1926 Henry-MarxRylsLibrairie Ollendorffn.d. Hernan, W. J.What you want to say and how to say it in ItalianHernan1920 Hindemith, PaulTestimony in picturesIntroduction by Heinrich Strobel. Schott1961

signed by friend

 Hines, Robert Stephan, ed.The composer's point of viewUniversity of Oklahoma1963

signed by author

 Hoffman, E. T. A.Musikalische Novellen und AuffäßeInseln.d. Hoffnung, GerardHoffnung's musical chairsDobson and Putnum1958

signed by author

 Hoffnung, GerardThe maestroDobson1953

signed by author

 Hölderlin, FriedrichGedichteInseln.d. Holguín, Guillermo UribeVida de un música colombianoLiberia Voluntad1941

signed by author

 Hopkins, AntonyTalking about concertosHeinemann Educational Books1974

signed by author

 Howe, Mark Anthony De WolfeThe tale of TanglewoodVanguard Press1946 Hughes, Rupert, comp., Deems Taylor and Russell Kerr, eds.Music lovers' encyclopediaGarden City Publishing1939

Copland notes inserted

 Hurst, Fannie, ed.A record of tributes to Clarence Adler …n.p.n.d.

in celebration of the fiftieth anniversary of his music …

 Hurtado, LeopoldoEspacio y tiempo en el arte actualEditorial Losada1941

signed by author

 Hurtado, LeopoldoEstética de la música contemporaneaBiblioteca del colegio de graduados de la filosofia …1934

Vol. 2, signed by author

 Hurtado, LeopoldoIntroducción a la estética de la músicaRicordi Americana1951 Hurtado, LeopoldoRealidad de la músicaEmecé Editores1953

signed by author

 Leatherman, Leroy and Martha SwopeMartha GrahamKnopf1966

signed by authors and Graham

 Leconte, ed.Plan de ParisLeconten.d.

Copland notes

 Lee Stern PressWho is who in music, 1941Lee Stern Press1941

signed, program inserted

 Lefèvre, FrédéricEntretiens avec Paul Valéry"Le Lebre"1926 Lenin, V. I.Imperialism: the highest stage of capitalismInternational Publishers1939 Lewis, Richard, ed.In praise of musicOrion1963

signed by author

 Lime, MauriceGide, tel je l'ai connuJulliard1952 Lobato, José Monteiro, ed.Alice no paíz das maravilhas por Lewis CarrollNacional1931 Lockspeiser, Edward, ed.Lettres inédites de Claude Debussy a André CapletÉditions du Rocher1957 Lomax, John and Alan LomaxCowboy songsMacmillan1938 Lomax, John and Alan LomaxOur singing countryMacmillan1941 Luxton, Eleanor G.BanffSummerthought1975

signed by author

 Machado, LavíniaA study of Brazilian folksongsUniversity of Miami, thesis1955 Machlis, JosephThe enjoyment of musicNorton1970

signed by author

 Macintyre, AladsairHerbert MarcuseViking1970 Madariaga, Salvador deAnglais français espagnolsGallimard1930 Maeztu, María deAntología -- siglo XX; prosistas españolesEspasa-Calpe1943 Maeztu, Ramiro deDon Quijote, Don Juan y la CelestinaEspasa-Calpe1943 Mahanna, John G. W.Music under the moonMahanna and Berkshire Symphonic Festival1935 Malipiero, Gian FrancescoL'armonioso labirintoRosa e Ballo1946

signed by author

 Malipiero, Gian FrancescoLa pietra del BandoAteneo1945 Malipiero, Gian FrancescoStrawinskyCavallino1945 Malraux, AndréLa condition humaineGallimard1933 Manos, ConstantinePortrait of a symphonyBasic Booksn.d.

foreword by Aaron Copland

 Maritain, JacquesRéponse a Jean cocteauLibrairie Stock1926 Martínez, OrlandoPasión de la música en MartíLa Habana1953 Mauclair, CamilleLa religion de la musiqueLibrairie Fischbacher1921 Maul, CarlosA glória escandalosa de Heitor Villa LôbosLivaria imperio editora1959

signed by author

 Mauriac, ClaudeJean CocteauOdette Lieutier1945 Maurois, AndréLa vie de DisraeliGallimard1927 Mayer-Serra, OttoPanorama de la música mexicanaEl Colegio de México1941

signed by author

 McCarthy, EugeneOther things and the aardvarkDoubleday1969

signed by the Senator

 McPhee, ColinAngkloeng gamelans in BaliOverdruk uit Djawa1937

signed by author

 McPhee, ColinChildren and music in BaliOverdrum uit Djawa1938

signed by author

 McPhee, ColinA house in BaliAsia Press1946 Meier, M. H. E.Histoire de l'amour grec dans l'antiquitéStendhal1930 Mellers, WilfridCaliban reborn, renewal in twentieth-century musicHarper1967

signed

 Mellers, WilfridFrancois Couperin and the french classical traditionDobsonn.d. Mellers, WilfridMan & his music, romanticism & the 20th centuryRockliff1957 Messiaen, OlivierTechnique de mon langage musicalAlphonse Leduc1944

2 vols., text and music

 Meyer, LeonardEmotion and meaning in musicUniversity of Chicago1956

signed by author

 MichelinFranceMichelin1964

card inserts

 Miller, MerleThe judges and the judgedDoubleday1952

contains handwritten notes

 Mintz, MarilynThe martial arts filmsA. S. Barnes1978

signed by author

 Montagu, AshleyOn being humanHenry Schuman1951

includes postcard

 Moore, MarianneNeverthelessMacmillan1944 Moreno, SalvadorAngeles músicos en MéxicoBellas Artes1957 Morillo, Roberto GarciaCarlos Chavez, vida y obraFondo de Cultura Económica1960 Morillo, Roberto GarciaMusorgskyRicordi1943

signed by author

 Morillo, Roberto GarciaRimsky-KorsakovRicordi1945

signed by author

 Morillo, Roberto GarciaSiete músicos europeosOllantay1949

signed by author

 Morley, HildaA blessing outside usPourboire Press1976

signed by author

 Morris, R. O.The structure of musicOxford1935 Morton, DavidLike a man in loveYankee1953

signed by author

 Mrabet, MohammedLook & move onBlack Sparrow Press1976

translated and signed by Paul Bowles

 Mrabet, MohammedLove with a few hairsBraziller1968

translated by Paul Bowles

 Nelson, Robert U.The technique of variation, a study …University of California1948

signed by author

 New DirectionsDylan ThomasNew Directions1946 New DirectionsFive young American poetsNew Directions1944

incribed & signed by friend, Paul Moor

 Nicolson, NigelPortrait of a marriageAtheneum1973

signed

 Norris, HaroldYou are this nationHarlo1976

signed by author

 Ocampo, Victoria338171 T. E.Éditions des lettres françaises1942 One hundred Japanese folk-songsOngaku no tomo-sha1960 Panufnik, ScarlettOut of the city of fearHodder & Stoughton1956

signed

 Peare, Catherine OwensAaron Copland his lifeHolt Rinehart Winston1969 Salas, Eugenio PereiraLos orígenes del arte musical en ChileUniversidad de Chile1941

signed by author

 Perlis, VivianCharles Ives en el recuerdoEditora Distribuidora Argentina1975

tranls. of Ives Oral History, Copland prologue, signed by Perlis

 Perse, Saint-JohnAmersGallimard1957

signed

 Peyrefitte, RogerLes cles de Saint PierreFlammarion1955 Peyrefitte, RogerL'exilé de CapriFlammarion1959 Peyrefitte, RogerThe exile of CapriPanther1961 Pfleger, KarlAndré Gide: O filho pródigoStella Editora1943 Pickenhayn, Jorge OscarPsicopedagogia musicalCasa Lottermoser1961

signed by author

 Pike, Joseph and Frederick C. WellstoodStratford upon AvonBlack1929

signed, includes letter

 Pincherle, MarcAn illustrated history of musicReynal1959 Pincherle, MarcMusiciens peints par eux-mêmesPierre Cornuau1939 Plaskin, GlennHorowitzMorrow1983

signed by author

 Poole, CliffordOut of joint in the familiarMitre1972

signed by author

 Porter, Eliot"In wildness is the preservation of the world"Kennedy Center1972

signed

 Potsch, WaldemiroBrazil, land and peopleFundação Alfredo Herculano Xavier Potsch1960

signed by author

 Pugsley, Betty and RichardThe sound eternalParaclete1987

Vol. 1

 Queneau, Raymond, ed.Anthologie des jeunes auteursÉditions J. A. R.1955 Queneau, Raymond, ed.Exercises de styleGallimard1949 Râpeanu, ValeriuCălător pe doua continenteEditura Albatros1970 Râpeanu, ValeriuInterferente spiritualEditura Eminescu1970 Reich, SteveWritings about musicNova Scotia College and New York University1974

signed by author

 Reis, Claire, comp.American composers of todayInternational Society for Contemporary Music1930

first edition, includes Copland, Copland pencilled notes inserted

 Reis, Claire, comp.American composersInternational Society for Contemporary Music1932

second edition, Copland pencilled annotations

 Reis, Claire, comp.Composers in AmericaMacMillan1938

Copland annotations in revised edition

 Richmond, LeeNight-rideHPC1981

signed by author

 Richmond, LeeRoads to springHPC1980

signed by author

 Ridge, LolaDance of fireHarrison Smith and Robert Haas1935 Rimsky-Korsakow, NicolasPrincipes d'orchestration, I, IIÉdition Russe de Musique1914

Copland signature

 Rivera, A. Ramon and Thelma GruenbaumTo: music and children with loveexPressAll1979

signed by authors, includes signed note

 Robinson, DavidThe confession of Andrew ClareDavid McKay1968

signed by author

 Romains, JulesLe dieu des corpsGallimard1928 Romains, JulesLucienneGallimard1922 Rorem, NedMusic from inside outGeorge Braziller1967

proofs

 Rorem, NedThe Paris diary of Ned RoremGeorge Braziller1966

uncorrected proof

 Rose, BarbaraAmerican art since 1900Praeger1967

signed by author

 Rosen, CharlesThe classical styleFaber1971

signed by author

 Rosen, Heinz, ed.Ballett TheaterSuddeutscher1963

signed by Rosen

 Rosenberg, Deena and Bernard RosenbergThe music makersColumbia University1979

signed by authors

 Rosner, Stanley and Lawrence E. Abt, eds.The creative expericenceGrossman Publishers1970 Rosten, NormanThrive upon the rockTrident1965

signed by author

 Rukeyer, MurielSelected poemsNew Directions1951

signed by author

 Sachs, MauriceLa chasse à courreGallimard1949 Sagiova, MarketaThe art of singingHawthorn1977

signed by author

 Salazar, AdolfoMúsica y sociedad en el sigle XXLa Casa de españa1939

Copland notes

 Salazar, AdolfoLa rosa de los vientos en la música europeaOrquesta Sinfónica de México1940 Salomon, I. L.Unit & universeClarke & Way1961 Samazeuilh, GustaveForeword and commentary to Vues sur la France par Richard WagnerMercure1943 Saroyan, WilliamLove, here is my hatModern Age1938 Sartori, ClaudioRiccardo MalipieroEdizioni Suvini Zerboni1957

Italian insert typewritten, 22 p.

 Sartre, Jean PaulHuis closGallimard1945 Sartre, Jean PaulL'imaginaireGallimard1948 Sartre, Jean PaulLe murGallimard1939 Sartre, Jean PaulLa nauséeGallimard1938 Sartre, Jean PaulSituations, III, IVGallimard1949 Sartre, Jean PaulLe sursisGallimard1945 Schindler, KurtFolk music and poetry of Spain and PortugalHispanic Institute in the United States1941

Copland annotations

 Schoezer, Boris deIgor StravinskyClaude Aveline1929 Schweitzer, AlfredOut of my life and thoughtMentor1953 Sessions, RogerReflections on the music life in the United StatesMerlin Press1954 Shaker Village Work Camp.Songs of the ShakersShaker Village Work Camp1956 Shanks, Lynn ForrestEnsemble: the gratuitous actShanks1968

from the author

 Shapira, Yesha'yahu, ed.[Zimron: collection of songs with notes]Kibuts ha-me uhad1950 Sherburne, Donald W.A Whiteheadian aestheticYale1961

signed by friend

 Sires, Ina, comp. and ed.Songs of the open rangeC. C. Birchard1928 Sittner, HansAus Schriften und RedenMozartgemeinde1963

signed by author

 Slaught, H. E.First principles of algebraAllyn and Bacon1912

2 copies

 Smith, Carol SturmFat peopleFiction Collective1978 Smith, Georgia TuckerLeave it to Miss AnnieAllen Press1956

signed by author[?]

 Solomon R. Gugenheim MuseumFernand Léger, five themes and variationsSolomon R. Guggenheim Museum1962 Sonneck, O. G.A survey of music in AmericaMcQueen Press1913

signed by author

 Stassinopoulos, AriannaMaria CallasSimon and Schuster1981

signed by author

 Steigman, BenjaminAccent on talentWayne State University1964

signed by author

 Steiner, StanThe vanishing white manHarper & Row1973

signed

 Stravinsky, IgorPoétique musicalePlonn.d.

signed with a note, by Stravinsky

 Stuckenschmidt, H. H.Arnold SchönbergRocher1951 Sykes, GeraldAlienationBraziller1964

2 volumes

 Sykes, GeraldThe cool millenniumPrentice Hall1967

signed by author

 Sykes, GeraldForesights, self-evolution and survivalBobbs-Merrill1975

signed by author

 Thompson, Marilou BonhamAbiding Appalachia, or: where mountain and atom meetSt. Luke's Press[1978]

signed by author

 Thompson, Oscar, ed.Great modern composersDodd1941

includes Copland

 Toor, FrancesA treasury of Mexican folkwaysCrown Publishers1947 Traven, BrunoLa rebelion de los ColgadosInsignia1938 Turkington, Grace A.My countryGinn and Company1918 Valéry, PaulVairétéGallimard1924 Valéry, PaulVivantCahiers du Suc1946 Varga, Bálint AndrásZenézekkelzénerölBezélgetések Világhírü Muzsikusokkal1972

signed by author

 Vega, Aurelio de laThe negative emotionLa Habana1950

signed by author

 Vise, Sidney R.Ray Green: his life and stylistic elements of his music …American Music Edition, Carl Fischer1975

DMA dissertation, letter to AC from Ray Green inserted

 Voice of AmericaThe American Symphony OrchestraVoice of America1967 Voice of America Forum LecturesThe American Symphony OrchestraVoice of America Forum Lectures1967

2 copies

 Instituto di Studi VerdianiVerdiInstituto de Studi Verdiani1969

7, 1966-1969

 Jackson, George Pullen, ed.Down-east spirituals and othersJ. J. Augustinn.d. Jackson, George Pullen, ed.Spiritual folk-songs of early AmericaDover1964 Jarustowski, BorisDie Dramaturgie der klassischen russischen Oper.Henschelverlag1957

signed by author

 Jelinek, HannsAnleitung zür ZwölftonkompositionUniversal-Edition1952

Copland pencil annotations, accompanying "Anhang"

 Johnson, Thomas, ed.Final harvest: Emily Dickinson's poemsLittle, Brown1961 Kai, MiwaSay it in JapaneseDover1954 Kierkegaard, SorenAus dem Tagebuch des VerführersGeorge Muller1927 King, FrancisE. M. Forster and his worldScribner1978

signed

 Kirkpatrick, John ed.The music manuscripts and related materials of Charles IvesJohn Kirkpatrick, Yale University1960

copy 17 of mimeographed catalogue, signed by author

 Kolhaas, MichaelAus einer alten Chronik von Heinrich von KleistLeseln.d.

annotated

 Kosarin, SolJuvenile delinquencyVantage Press1956

2 copies, both signed; letter included from author

 Kostelanetz, Richard, ed.The new American artsHorizon1965 Kramer, AaronDenmark VeseyKramer1952

signed by author

 Last, JefZuyderzéeGallimard1938 VoltaireCandideCluny1936 Vuillemin, LouisGabriel FauréDurand1914

signed by Copland

 Walker, MargaretFor my peopleYale1942

signed by Claire Reis

 Walsh, Thomas, comp.Hispanic anthologyPutnam's1920 Walter, EugèneLove you goodRené Julliard1963

signed by author

 Walter, Eugène and ZevSingerie songerieWilloughby Institute1958 Weinstock, Herbert, ed.Carlos Chávez: North American Press 1936-1950Ediciónes Méxicanas1951 Weiss, Walter A.Solutions1975

signed by author

 Wellesz, EgonArnold SchönbergE. P. Tal1921

signed by Copland

 Wescott, GlenwayThe grandmothersHarpers1927 Xenakis, IannisMusique architectureCasterman1971

signed by author

 Xenakis, IannisMusiques formellesLa Revue Musicale1963

signed by author

 Stravinsky, VeraFantastic cities and other paintingsGodine1979

signed by author

 Index to Lectures and Speeches with AC Numbers

Two numbering systems by Copland were discovered during processing - one for lectures designated as "general" or "miscellaneous" and the other for the lectures designated as "various," the former were assigned the prefix "LG" and the latter the prefix "LV." The following list shows both numbering systems in AC numeric order.

LG = Lectures-General (Miscellaneous) LV = Lectures-Various A = Articles 211/11-LGAddress, graduating class, Toronto Conservatory of Music1950 214/241Seminar in contemporary music1957 214/341-LVStravinsky1937 211/182-LVDarius Milhaud1948 213/102-LGMusic for a modern world1949 213/73-LVMusic: Pro & Con II - Sessions1950 214/193-LGRole of the creative artist in education1949 213/84-LVMusic: Pro & Con II - Olivier Messiaen1950 214/204-LGThe role of culture in the U. S.1947 211/225-LVDmitri Shostakovitch and the new simplicityn.d. 214/45-LGOn my music1946, n.d. 211/156-LGCreativity in America today1953, 1956, 1965, 1968 212/226-LVMahler - XX cent[ury]n.d. 212/37-LVInfluence of jazz and "Everyday Music"n.d. 212/127-LVIntro[duction] to r[h]ythmic considerations in Amer[ican] musicn.d. 214/117-LGPreoccupations of young composers1955 213/138-LVMusic in filmsn.d. 214/68-LGThe operatic problem1954, n.d. 211/119-LVContrapuntal writing in cont[emporary] music in relation to Bach1950 212/99-LGIntroduction to my music1952 210/2810The composer and his audience1956 210/3210-LGThe composer in the modern world1957 212/1710-LVJewish composers in the western world1951 210/1511-LVAmerican scene in music1949 213/1111-LGMusic in contemporary life1957 210/2512-LVCentral European composers1950 215/1012-LGTo band leaders [at convention]1958 210/3813-LGCompositional phases [on my three piano works]1959, 1961 213/17[13?]Music of today1935-1936 214/1513-LVThe problem of style - Schoenberg vs. Shostakovitch1944 211/19-2014-LGThe dilemma of our symphony orchestra1956 214/3814-LVSurvey of contemporary musicn.d. 210/2215-LGThe artist and society1959 212/1615-LVJazz and folk influences1944 211/416-LVContemporary music and its controversies1944 212/1516-LGJapan's composers1960 211/2617-LVFaurTn.d. 212/817-LGIntro[duction] of N[adia] Boulanger as teacher1958 210/3718-LGComposing in America (then and now)1962,1964 213/318-LVModern piano music1938 210/1119-LGAmerican contemporaries: Younger generation1957 213/21-2219-LVMusic of the 20s (Harvard lectures)1952, 1954, 1959, 1960,1962 212/10-1120Introduction to the cont[emporary] idiom: Four lectures on contemporary music1957-1958 215/1220-LVUnderstanding contemporary music1950, 1957 215/1920-LGWords and music1962 211/1721-LVCurrent trends in cont[emporary] music1954, 1960, 1961 214/321-LGOn conducting Amer[ican] music; The interpreter from the composer's viewpoint1964 210/2322-LVBerlioz - from the composer's standpoint1954 213/622-LGMusic - A composer's view (of music)1967, 1971 211/1223A-LGConvolation1967, 1969 212/2524-LGThe meaning of musicn.d. 215/1524-LVVariation forms - Classical forms in cont[emporary] music1952 210/3325-LVComposer looks at music in America1954 211/3425-LGFor 8-13 year olds1969 210/2726-LVComparative trends of recent European & American music1956, 1961 215/226-LG[Talk at New York University]1970 214/1627-LVRecent Amer[ican] music: Comparison with Europe1956 215/1827-LGWilliam Schuman1971 211/1328-LGCopland - Sessions Concerts 1928-311971 214/128-LVOedipus rex1957 211/1429-LG/35-LVCreativity and the composer1972, 1973 213/2729-LVNationalist trends in contemporary music1961 214/1730-LVRecent European (piano) music1959 212/1931-LVLatin American music1947-1963 210/3932-LVCompositional techniques in the 20th cent[ury]1961 210/2933-LVThe composer as criticn.d. 213/2934-LVNew trends in cont[emporary] music1964 213/3034-LVNew trends in contemporary music1965 211/1435-LV/29-LGCreativity and the composer1972, 1973 211/31-3235?Film talk1970-1971 210/3091-AThe composer as critic1961 Index to Journals with AC Numbers

Twelve of the 26 journals were numbered by Copland on the outside cover; however, the number 5 appears on two books, one with a question mark in the handwriting of Ron Caltabiano who was Copland's assistant in the 1980s.

 243/151South American diary, Aug-Dec 19411941 244/12Genealogy charts; List of pub[lished] work; Degrees; Financial data1941-1973 243/73South American journal; McCarthy hearings (1953); Chronological list of travels1921-1953 244/114European diary (including London trip)1949 244/135European notes; Quotes; Dinners at Stravinsky's home; Notes1949-1967 244/155[?]Journal of visits to Venezuela1954-1957 245/36European journal; Notes on making a movie score (Something wild); White House dinner1960-1961 245/57Notes on trip to Mexico-Brazil-Uruguay; Europe; Financial data1962-1963 245/98Latin-American diary; European tour1963-1964 245/119European tour; Financial data1965 245/1310Japan 'diary'1966 245/1511Europe; Israel; Financial data1967-1971 244/1712Recordings; List of AC articles; Lecture engagements1954-1965 Appendices Code System for Photographs

Explanation to code system for Photographs. The negatives have been coded two ways: (1) previously-given identifying codes or (2) job numbers were maintained and cojoined with the prefix CC-CP-N (Copland Collection - Copland Photos - Negative). The negatives which did not have identifying codes or job numbers were assigned new codes with the prefix CC-CP-N-followed by X- and an Arabic numeral (i.e., CC-CP-NX-01), and arranged in ascending order. Negatives known to have been produced by Victor Kraft contain the letters "VK" in the indentifying code (i.e., CC-CP-NVK-01). Any original information regarding the subjects of negatives has been transcribed onto the negative sleeves. Other codes are marked on the back of the photoprints when a corresponding negative has been identified. See the appendix for further information on the arrangement and coding system.

Arrangement codes for negatives Original codes and all identifying information are transcribed from original wrapper or negative strips. Assigned codes, designated by an "X" following the "N" in the code, are those created by the LC processor when no original code was present. Negatives are arranged in progressive numerical order. Numerical codes precede letter codes and original codes precede assigned codes in storage arrangement. All color negatives and transparencies are coded, arranged and stored separately. The majority of the negatives in this series are by V. Kraft. CC =Copland Collection CP =Copland Photographs VK =Victor Kraft N =Negative X =Newly assigned code X =Newly assigned code CT =Color transparency

Explanation of Code System for photographs in the Victor Kraft Materials

Explanation to code system for photographs in the Victor Kraft Materials. The negatives have been coded two ways: (1) previously-given identifying codes or (2) job numbers were maintained and conjoined with the prefix CC-VKM-N (Copland Collection - Victor Kraft Material - Negative). The negatives which did not have identifying codes or job numbers were assigned new codes with the prefix CC-VKM-N- followed by X- and an Arabic numeral, and arranged in ascending order. Any original information regarding the subjects of negatives has been transcribed onto the negative sleeves. Other codes are marked on the back of the photoprints when a corresponding negative has been identified.

Arrangement codes for negatives. Original codes and all identifying information are transcribed from original wrapper or negative strips. Assigned codes, designated by an "X" following the "N" in the code, are those created by the LC processor when no original code was present. Negatives are arranged in progressive numerical order. Numerical codes precede letter codes and original codes precede assigned codes in storage arrangement. All color negatives and transparencies are coded, arranged and stored separately.

Black and White Long sleeve; original code Long sleeve; assigned code 4 in. x 5 in. sleeve; original code 4 in. x 5 in. sleeve; assigned order

Kraft had arranged the following negatives in four negative books with glassine sleeves. These negatives have been rehoused in acid-free sleeves and numerically and sequentially coded according to Kraft's arrangement. The original arrangement has been preserved as closely as possible. The roman numeral in the code signifies in which negative book the negative had been stored.

4 in. x 5 in. sleeve; Negative Book I, numbered in original order 4 in. x 5 in. sleeve; Negative Book II, numbered in original order 4 in. x 5 in. sleeve; Negative Book III, numbered in original order 4 in. x 5 in. sleeve; Negative Book IV, numbered in original order Color Long sleeve; original code Long sleeve; assigned code 4 in. x 5 in. sleeve; original code Color transparency; original code Color transparency; assigned code