Table of contents for Elements of music / Joseph N. Straus.

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Contents
Preface 	xi	
Acknowledgments	x111
CHAPTER 1: PITCH	1	
Lesson 1: Staff
 The five-line staff, pitches and notes, noteheads, 
ascending and descending motion, steps and leaps, 
ledger lines	1
Lesson 2: Keyboard
 Piano keyboard, black and white keys, letter names for 
notes, steps and leaps, octaves, piano fingering	5
Lesson 3: Treble clef
 Treble clef, accidentals (sharp, flat, and natural), 
semitones, enharmonic equivalence	9
Lesson 4: Bass clef
 Bass clef, accidentals (sharp, flat, and natural), semitones	19
Lesson 5: Great staff
 Great staff, octave designations	27
Supplementary Lesson for Chapter 1
 Alto clef, tenor clef, octave sign (8va), traditional octave 
designations, double flats and double sharps	37
SELF-TEST FOR CHAPTER 1
CHAPTER 2: RHYTHM AND METER	39
Lesson 6: Quarter, half, and whole notes in 44 meter
 Quarter notes, half notes, whole notes, stems, beats, 
measures (bars) and barlines, 44 meter ("common time"), 
upbeat, downbeat, accent, conducting patterns, tempo	39
Lesson 7: Eighth notes and sixteenth notes
 Eighth notes and sixteenth notes, flags and beams	49
Lesson 8: Dots and ties
 Augmentation dot, dotted rhythms, ties, anacrusis	59
Lesson 9: Rests	
 Rests	69
Lesson 10: Duple meter (24 and 22)	
 24 and 22 meter, alla breve C, upbeat, downbeat, 
conducting patterns	79	
Lesson 11: Triple meter (34 )	
 34 meter and its conducting pattern	85
Lesson 12: Compound meter (68)	
 Compound meter, 68 meter, and its conducting pattern	93
Lesson 13: Syncopation
 Syncopation, accent, ties, subdivision	99
Supplementary Lesson for Chapter 2
 Rhythmic values smaller than a sixteenth note, triplets, 
other duple, triple, and quadruple meters	105
SELF-TEST FOR CHAPTER 2
CHAPTER 3: MAJOR AND MINOR SCALES	107
Lesson 14: Major scale (C major)
 Major scale, arrangement of semitones and whole tones, 
scale-degree numbers, scale-degree names, solfège syllables	117
Lesson 15: Major scales other than C major
 Transposition, major scales with sharps, major scales 
with flats, circle of fifths	129
Lesson 16: Major keys and key signatures
 Major keys, major key signatures	149
Lesson 17: Minor scale (a minor)
 Minor scale, arrangement of semitones and whole tones, 
scale-degree numbers, scale-degree names, solfège 
syllables, raising scale-degrees 6¿ and 7¿	163
Lesson 18: Minor scales other than a minor
 Transposition, minor scales with sharps, minor scales 
with flats, circle of fifths	173
Lesson 19: Minor keys and key signatures
 Minor keys, minor key signatures, relative keys, parallel 
keys
Lesson 20: Armonic and melodic minor	193
Supplementary Lesson for Chapter 3
 Harmonic minor, melodic minor, modes, pentatonic scale	207
SELF-TEST FOR CHAPTER 3
CHAPTER 4: INTERVALS	211
Lesson 21: Interval size
 Melodic and harmonic intervals, interval size, compound 
intervals	211
Lesson 22: Seconds and thirds
 Interval quality, natural intervals, major and minor 
intervals, diminished and augmented intervals, 
enharmonic intervals	219
Lesson 23: Sixths and sevenths
 Enharmonic intervals, interval inversion	231
Lesson 24: Fourths and fifths, unisons and octaves
 Perfect intervals, interval inversion, enharmonic intervals	243
Lesson 25: Intervals in a major key
 Intervals and scale-degrees, consonance and dissonance	255
Lesson 26: Intervals in a minor key
 Intervals and scale-degrees	265
Supplementary Lesson for Chapter 4
 All intervals, doubly diminished and doubly augmented 
intervals, intervals in harmonic and melodic minor	275
SELF-TEST FOR CHAPTER 4
CHAPTER 5: TRIADS AND SEVENTH CHORDS	277
Lesson 27: Triads
 Triads (root, third, fifth), triad qualities (major, minor, 
diminished, augmented), natural triads, chord symbols	277
Lesson 28: Triads in inversion
 Soprano and bass, inversion of triads (root position, 
first inversion, second inversion), figured bass (53, 63, 64)	287
Lesson 29: Triads in major keys
 Triad names, Roman numerals, triad qualities in major 
keys	295
Lesson 30: Triads in minor keys
 Triad names, Roman numerals, triad qualities in minor 
keys, effect of raising the leading-tone	303
Lesson 31: Seventh chords
 Seventh chords, major-minor (dominant) seventh chord, 
inversion of seventh chords, dominant seventh chords 
in major and minor keys, figured bass symbols, chord 
names	309
Supplementary Lesson for Chapter 5
 Qualities of seventh chords, natural seventh chords, 
inversions of seventh chords, seventh chords in major 
and minor keys	319
SELF-TEST FOR CHAPTER 5
CHAPTER 6: FUNDAMENTALS OF HARMONY	321
Lesson 32: Tonic and dominant
 Harmonic progression, tonic harmony, dominant and 
dominant seventh harmonies, harmonizing a melody	321
Lesson 33: Expanding I and V
 Embellishment and prolongation, nonharmonic notes, 
passing notes, neighboring notes, passing chords, 
neighboring chords, the cadential 64	337
Lesson 34: Approaching V
 Dominant preparation chords	357
Lesson 35: Phrase and cadence
 Phrase, authentic cadence, half cadence, period (antecedent 
and consequent), plagal cadence	371
Supplementary Lesson for Chapter 6
 Doubling, voice leading, smoothness, tendency tones, 
resolution of seventh, parallel fifths and octaves 	385

Library of Congress Subject Headings for this publication:

Music theory.