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Introduction Janet Todd Part I. Plays: 1. Sexual politics and party politics in Behn's drama, 1678-83 Sue Owen 2. Popish plots: The Feign'd Curtizans in context Alison Shell 3. Fiction feigning feminity: false counts and pageant kings in Aphra Behn's Popish Plot writings Ros Ballaster 4. More for seeing than hearing: Behn and the use of theatre Dawn Lewcock 5. The Rover and the eighteenth century Jane Spencer Part II. Poetry: 6. Aphra Behn: poetry and masquerade Paul Salzman 7. 'For when the act is done and finish't cleane, what should the poet doe, but shift the scene?': propaganda, professionalism and Aphra Behn Virginia Crompton 8. Aphra Behn: the politics of translation Elizabeth Spearing 9. 'But to the touch were soft': sex, property and the politics of the penis Jessica Munns Part II. Fiction: 10. Who is Silvia: what is she?: feminine identity in Aphra Behn's Love-Letters between a Nobleman and his Sister Janet Todd 11. Slave princes and lady monsters: gender and ethnic difference in the work of Aphra Behn Jacqueline Pearson 12. Oroonoko's blackness Catherine Gallagher 13. Confusing matters: searching the backgrounds of Oroonoko Joanna Lipking Part IV. Biography: 14. Private jottings, public utterances: Aphra Behn's writings and her Commonplace Book Mary Ann O'Donnell 15. New light on the background and early life of Aphra Behn Jane Jones.