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1. Introduction: modernist art history and the en-gendering of (Duchampian) postmodernism 2. Duchamp as generative patriarch of American postmodernists: the anti-masculinist, anti-modernist lineage 3. The living author-function: Duchamp's authority 4. Duchamp's seduction: slippages of the authorial 'I' 5. The ambivalence of Rose Se;lavy and the (male) artist as 'only the mother of work' intertext, re-placing Duchamp's eroticism: seeing e;tant donne;s from a feminist perspective 6. Concluding remarks on the en-gendering of Marcel Duchamp.