February 13, 1998
Press Contact: Helen Dalrymple, Public Affairs Office
(202) 707-1940
Public Contact: Kevin LaVine, Music Division
(202) 707-5503
Koussevitzky Commissions Announced
The Serge Koussevitzky Music Foundation in the Library
of Congress and the Koussevitzky Music Foundation Inc. have
awarded commissions for new musical works to 11 composers.
The commissions are granted jointly by the foundations and
the performing organizations that will present the newly
composed works.
Award winners and their co-sponsoring groups are:
Peter Alexander and the Meridian Arts Ensemble; David
Chaitkin and the Francesco Trio; Chen Yi and the Women's
Philharmonic; James Dashow and the Ensemble Europeo
Antidogma; Richard Festinger and the Laurel Trio; Osvaldo
Golijov and the Boston Musica Viva; Jonathan Harvey and the
Riverside Symphony; Edwin London and the San Francisco
Contemporary Music Players; Harvey Sollberger and the New
York New Music Ensemble; Lewis Spratlan and the Dinosaur
Annex Music Ensemble; and David Vayo and the Orkest de
Volharding.
The Serge Koussevitzky Music Foundation and the
Koussevitzky Music Foundation of New York, founded in 1950
and 1942, respectively, perpetuate Koussevitzky's lifelong
efforts to encourage contemporary composers.
Serge Koussevitzky was conductor of the Boston Symphony
Orchestra for 25 years, starting in 1924. He died in 1951.
Works commissioned by him and the two foundations include
masterpieces such as Benjamin Britten's Peter Grimes and
Béla Bartók's Concerto for Orchestra.
Commissions are awarded annually and on a competitive
basis to performing organizations and to composers without
regard to national origin or affiliation. Groups must
submit the name of a composer whose work they would like to
commission jointly with the foundations, and must undertake
to perform the work within two years of its completion.
Manuscripts of commissioned works are deposited in the Music
Division of the Library of Congress.
The Meridian Arts Ensemble, a contemporary music group
comprising a brass quartet and percussion, commissioned a
new chamber work from Peter Alexander. Born in London in
1959, Mr. Alexander obtained a degree in percussion
performance from the State University of New York at
Purchase. He later studied composition at Rutgers
University (M.A.) and at Harvard University (Ph.D.). His
composition teachers have included Bernard Rands, Donald
Martino, Earl Kim and Charles Wuorinen. Mr. Alexander has
received the George Arthur Knight Prize, the Blodgett
Artists' Competition Prize and the Rudolph Nissim/ASCAP
award for his Symphony No. 1.
The Francesco Trio of Berkeley, Calif., commissioned
David Chaitkin to create a work for violin, violoncello and
piano. Born in New York in 1938, Mr. Chaitkin holds degrees
from Pomona College and from the University of California at
Berkeley, where he studied with Seymour Shifrin, Luigi
Dallapiccola, Andrew Imbrie and Arnold Elston. He has
received several awards and fellowships, including those
from the Guggenheim Foundation, the American Academy of Arts
and Letters, the New York Foundation for the Arts, and the
National Endowment for the Arts, as well as recording grants
from the Aaron Copland Fund, the Alice M. Ditson Fund of
Columbia University, and the Martha Baird Rockefeller Fund.
The Women's Philharmonic commissioned a concerto for
violin and orchestra from composer Chen Yi. Ms. Chen, a
native of Guangzhou, China, studied at the Beijing
Conservatory with Wu Zu-qiang, and in 1986 became the first
woman in China to receive a master's degree in composition.
She emigrated to the United States to begin her doctoral
studies at Columbia University; she received her Ph.D., with
distinction, in 1993. Her principal composition teachers at
Columbia were Chou Wen-chung and Mario Davidovsky. Ms. Chen
has received numerous commissions and performances of her
work from musical ensembles throughout the world, including
the Brooklyn Philharmonic, the Women's Philharmonic, the
Chanticleer vocal ensemble, the New York New Music Consort,
and the Hong Kong Chinese Orchestra. Ms. Chen serves on the
faculty of the Peabody Institute of Johns Hopkins University
and as composer-adviser with the American Composers'
Orchestra.
The Ensemble Europeo Antidogma of Torino, Italy,
commissioned James Dashow to compose a work for instrumental
ensemble and electronically produced sounds. Mr. Dashow was
born in 1944 in Chicago and studied at Princeton and
Brandeis universities and at the Accademia Nazionale di
Santa Cecilia in Rome with Goffredo Petrassi. He has taught
and lectured extensively throughout the United States and
Europe: at the Experimental Music Studio at the
Massachusetts Institute of Technology, at Princeton
University and at the Centro di Sonologia Computazionale of
the Unversity of Padua. Mr. Dashow's numerous honors
include grants and commissions from the Fromm, Rockefeller,
and Guggenheim foundations, the National Endowment for the
Arts, and the Prize of Distinction at the 1996 Ars
Electronica Festival in Linz, Austria. He is also the
author of the Music30 computer language for digital sound
synthesis.
The Laurel Trio commissioned a new work for violin,
violoncello and piano from composer Richard Festinger. Mr.
Festinger attended San Francisco State University (B.A.) and
the University of California at Berkeley (M.A., Ph.D.),
where he studied composition with Andrew Imbrie. He has
received commissions from such notable new-music ensembles
as the San Francisco Contemporary Music Players, Parnassus,
and the New York New Music Ensemble. His music has been
performed throughout the United States and Europe by
organizations such as Speculum Musicae, New Millennium, and
the Berkeley Symphony Orchestra. A faculty member of San
Francisco State University, Mr. Festinger also serves as
director of that institution's Electronic Music Studio, and
as a research affiliate of the Center for Computer Research
in Music and Acoustics at Stanford University.
The Boston Musica Viva commissioned Osvaldo Golijov to
create a new work for three vocalists and chamber ensemble.
Born in La Plata, Argentina, in 1960, Mr. Golijov lived in
Jerusalem before moving to the United States in 1986. He
subsequently studied at the University of Pennsylvania
(Ph.D.) with George Crumb, and with Lukas Foss and Oliver
Knussen at Tanglewood. Mr. Golijov's recent awards include
two Kennedy Center Friedheim Awards, the Chamber Music
Society of Lincoln Center's Stoeger Prize for Contemporary
Music, and the BMW Prize of the Munich Biennale. He has
received commissions and grants from, among others, the
Tanglewood and Oregon Bach festivals, the Guggenheim and
Fromm foundations, and the National Endowment for the Arts.
The Riverside Symphony commissioned Jonathan Harvey,
which marks the second Koussevitzky award for Mr. Harvey.
His first commission, Timepieces for orchestra, was
completed in 1988. Mr. Harvey was born in Sutton Coldfield,
England, in 1939, and he attended St. John's College in
Cambridge. Later, at the urging of Benjamin Britten, he
studied composition with Erwin Stein and Hans Keller, which
provided him with a profound understanding of serial
technique. After completing his Ph.D. at Edinburgh
University in 1964, Mr. Harvey studied electronic music and
composition with Milton Babbitt at Princeton University. In
1972 he was awarded the Mus.D. degree from Cambridge
University. Mr. Harvey has received commissions from
Europe's leading contemporary music ensembles and has
recently worked with the Ensemble Modern at German Radio's
Cologne studios, as did electronic music pioneer Karlheinz
Stockhausen, about whom Mr. Harvey has written an
authoritative study (The Music of Karlheinz Stockhausen,
London, 1975).
The San Francisco Contemporary Music Players
commissioned a new chamber work from Edwin London. Born in
Philadelphia in 1929, Mr. London began his musical career as
a hornist, playing principal horn in the Orquestra Sinfonica
de Venezuela, as well as with other ensembles, including the
Oscar Pettiford Jazz Band. He attended the Oberlin College
Conservatory (M.A.) and the University of Iowa (M.F.A.,
Ph.D.), where his composition instructors included Luigi
Dallapiccola, Darius Milhaud, Gunther Schuller and Philip
Bezanson. Mr. London has received many awards and
fellowships, including those from the Guggenheim Foundation,
the Governor's Award from the State of Ohio, the American
Music Center Letter of Distinction, and the National
Endowment for the Arts. In addition to his teaching duties
at Cleveland State University, Mr. London serves as music
director for the Cleveland Chamber Symphony and the new
music choral ensemble Ineluctable Modality, both of which he
founded.
The New York New Music Ensemble instructed Harvey
Sollberger to compose a work for chamber ensemble. This is
the second Koussevitzky Foundations commission for Mr.
Sollberger. A native of Cedar Rapids, Iowa, Mr. Sollberger
studied at the University of Iowa with Philip Bezanson, and
at Columbia University with Jack Beeson and Otto Luening.
He has received awards from the National Institute of Arts
and Letters, the Guggenheim and Naumberg foundations, the
New York State Council on the Arts, and in 1981, a special
grant from the Fromm Foundation at Harvard University in
recognition of his "distinguished service in the cause of
contemporary music." Mr. Sollberger has taught at Columbia
University, Indiana University and the Manhattan School of
Music. He is a faculty member of the University of
California at San Diego.
Lewis Spratlan was commissioned by the Foundations and
the Dinosaur Annex Music Ensemble of Boston to compose a new
work for chamber ensemble. Mr. Spratlan was born in Miami
in 1940. He studied oboe, theory and composition at Yale
University's School of Music, where his principal teachers
were Mel Powell, Gunther Schuller, Donald Martino and Yehudi
Wyner. He has received awards from the Guggenheim
Foundation, the MacDowell Colony, the National Endowment for
the Arts, and the Massachusetts Arts and Humanities
Foundation, among others. In 1989, Mr. Spratlan toured the
Soviet Union under the auspices of the Rockefeller
Foundation, the International Research and Exchange Board,
and the Soviet Composers' Union, which sponsored
performances of his works. He is a faculty member at
Amherst College.
The Orkest de Volharding of Amsterdam, the Netherlands,
commissioned a new work for 13 instrumentalists from
composer David Vayo. Mr. Vayo is a faculty member of the
Illinois Wesleyan University, where he teaches composition,
theory, and Latin American music. He has also taught at
Connecticut College and at the National University of Costa
Rica. Mr. Vayo has studied at the University of Michigan
with Leslie Bassett and William Bolcom, and at Indiana
University with Frederick Fox and Juan Orrego-Salas. He has
received awards from ASCAP, the American Academy and
Institute of Arts and Letters, and the American Music
Center, among others. Mr. Vayo also serves as Membership
Chair for the Society of Composers.
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PR 98-007
2/13/98
ISSN 0731-3527