Art Director: Roger Mosconi
Featuring the defensive lineman "Mean" Joe Greene from the Pittsburgh Steelers professional football team and a twelve-year-old boy, Tommy Okon. 35 mm film 30 seconds 1 ccmp colorexp_02 mi/cocacola [Color experiment: Coca-Cola bottle with color chart] Unidentified McCann-Erickson 1964 colortvmemo.jpg|Mailing to bottlers detailing first color advertisement. From a reel entitled "Experimental TV Color Project. 1964." This reel of film contains 40 color film snippets (18 are included on this site) of Coca-Cola bottles, cans and performers in varying lighting and backgrounds. Coca-Cola introduced its first color Television advertising on June 15, 1964. This reel of film was to examine how the product looked to determine best lighting, etc.
There is no audio. 16 mm film 7 seconds 2 ccmp colorexp_18 mi/cocacola [Color experiment: Coca-Cola in refrigerator (1 of 2)] Unidentified McCann-Erickson 1964 colortvmemo.jpg|Mailing to bottlers detailing first color advertisement. From a reel entitled "Experimental TV Color Project. 1964." This reel of film contains 40 color film snippets (18 are included on this site) of Coca-Cola bottles, cans and performers in varying lighting and backgrounds. Coca-Cola introduced its first color Television advertising on June 15, 1964. This reel of film was to examine how the product looked to determine best lighting, etc.
There is no audio. 16 mm film 10 seconds 3 ccmp colorexp_19 mi/cocacola [Color experiment: Coca-Cola in refrigerator (2 of 2)] Unidentified McCann-Erickson 1964 colortvmemo.jpg|Mailing to bottlers detailing first color advertisement. From a reel entitled "Experimental TV Color Project. 1964." This reel of film contains 40 color film snippets (18 are included on this site) of Coca-Cola bottles, cans and performers in varying lighting and backgrounds. Coca-Cola introduced its first color Television advertising on June 15, 1964. This reel of film was to examine how the product looked to determine best lighting, etc.
There is no audio. 16 mm film 12 seconds 4 ccmp colorexp_20 mi/cocacola [Color experiment: Pouring Coca-Cola bottle contents into a glass of ice (1 of 5)] Unidentified McCann-Erickson 1964 colortvmemo.jpg|Mailing to bottlers detailing first color advertisement. From a reel entitled "Experimental TV Color Project. 1964." This reel of film contains 40 color film snippets (18 are included on this site) of Coca-Cola bottles, cans and performers in varying lighting and backgrounds. Coca-Cola introduced its first color Television advertising on June 15, 1964. This reel of film was to examine how the product looked to determine best lighting, etc.
There is no audio. 16 mm film 14 seconds 5 ccmp colorexp_21 mi/cocacola [Color experiment: Pouring Coca-Cola bottle contents into a glass of ice (2 of 5)] Unidentified McCann-Erickson 1964 colortvmemo.jpg|Mailing to bottlers detailing first color advertisement. From a reel entitled "Experimental TV Color Project. 1964." This reel of film contains 40 color film snippets (18 are included on this site) of Coca-Cola bottles, cans and performers in varying lighting and backgrounds. Coca-Cola introduced its first color Television advertising on June 15, 1964. This reel of film was to examine how the product looked to determine best lighting, etc.
There is no audio. 16 mm film 12 seconds 6 ccmp colorexp_22 mi/cocacola [Color experiment: Pouring Coca-Cola bottle contents into a glass of ice (3 of 5)] Unidentified McCann-Erickson 1964 colortvmemo.jpg|Mailing to bottlers detailing first color advertisement. From a reel entitled "Experimental TV Color Project. 1964." This reel of film contains 40 color film snippets (18 are included on this site) of Coca-Cola bottles, cans and performers in varying lighting and backgrounds. Coca-Cola introduced its first color Television advertising on June 15, 1964. This reel of film was to examine how the product looked to determine best lighting, etc.
There is no audio. 16 mm film 9 seconds 7 ccmp colorexp_23 mi/cocacola [Color experiment: Pouring Coca-Cola bottle contents into a glass of ice (4 of 5)] Unidentified McCann-Erickson 1964 colortvmemo.jpg|Mailing to bottlers detailing first color advertisement. From a reel entitled "Experimental TV Color Project. 1964." This reel of film contains 40 color film snippets (18 are included on this site) of Coca-Cola bottles, cans and performers in varying lighting and backgrounds. Coca-Cola introduced its first color Television advertising on June 15, 1964. This reel of film was to examine how the product looked to determine best lighting, etc.
There is no audio. 16 mm film 10 seconds 8 ccmp colorexp_24 mi/cocacola [Color experiment: Pouring Coca-Cola bottle contents into a glass of ice (5 of 5)] Unidentified McCann-Erickson 1964 colortvmemo.jpg|Mailing to bottlers detailing first color advertisement. From a reel entitled "Experimental TV Color Project. 1964." This reel of film contains 40 color film snippets (18 are included on this site) of Coca-Cola bottles, cans and performers in varying lighting and backgrounds. Coca-Cola introduced its first color Television advertising on June 15, 1964. This reel of film was to examine how the product looked to determine best lighting, etc.
There is no audio. 16 mm film 12 seconds 9 ccmp colorexp_30 mi/cocacola [Color experiment: Pouring Coca-Cola can contents into a paper cup of ice (1 of 3)] Unidentified McCann-Erickson 1964 colortvmemo.jpg|Mailing to bottlers detailing first color advertisement. From a reel entitled "Experimental TV Color Project. 1964." This reel of film contains 40 color film snippets (18 are included on this site) of Coca-Cola bottles, cans and performers in varying lighting and backgrounds. Coca-Cola introduced its first color Television advertising on June 15, 1964. This reel of film was to examine how the product looked to determine best lighting, etc.
There is no audio. 16 mm film 10 seconds 10 ccmp colorexp_31 mi/cocacola [Color experiment: Pouring Coca-Cola can contents into a paper cup of ice (2 of 3)] Unidentified McCann-Erickson 1964 colortvmemo.jpg|Mailing to bottlers detailing first color advertisement. From a reel entitled "Experimental TV Color Project. 1964." This reel of film contains 40 color film snippets (18 are included on this site) of Coca-Cola bottles, cans and performers in varying lighting and backgrounds. Coca-Cola introduced its first color Television advertising on June 15, 1964. This reel of film was to examine how the product looked to determine best lighting, etc.
There is no audio. 16 mm film 14 seconds 11 ccmp colorexp_32 mi/cocacola [Color experiment: Pouring Coca-Cola can contents into a paper cup of ice (3 of 3)] Unidentified McCann-Erickson 1964 colortvmemo.jpg|Mailing to bottlers detailing first color advertisement. From a reel entitled "Experimental TV Color Project. 1964." This reel of film contains 40 color film snippets (18 are included on this site) of Coca-Cola bottles, cans and performers in varying lighting and backgrounds. Coca-Cola introduced its first color Television advertising on June 15, 1964. This reel of film was to examine how the product looked to determine best lighting, etc.
There is no audio. 16 mm film 13 seconds 12 ccmp colorexp_04 mi/cocacola [Color experiment: Coca-Cola bottle with three hot dogs (2 of 3)] Unidentified McCann-Erickson 1964 colortvmemo.jpg|Mailing to bottlers detailing first color advertisement. From a reel entitled "Experimental TV Color Project. 1964." This reel of film contains 40 color film snippets (18 are included on this site) of Coca-Cola bottles, cans and performers in varying lighting and backgrounds. Coca-Cola introduced its first color Television advertising on June 15, 1964. This reel of film was to examine how the product looked to determine best lighting, etc.
There is no audio. 16 mm film 11 seconds 13 ccmp colorexp_03 mi/cocacola [Color experiment: Coca-Cola bottle with three hot dogs (1 of 3)] Unidentified McCann-Erickson 1964 colortvmemo.jpg|Mailing to bottlers detailing first color advertisement. From a reel entitled "Experimental TV Color Project. 1964." This reel of film contains 40 color film snippets (18 are included on this site) of Coca-Cola bottles, cans and performers in varying lighting and backgrounds. Coca-Cola introduced its first color Television advertising on June 15, 1964. This reel of film was to examine how the product looked to determine best lighting, etc.
There is no audio. 16 mm film 11 seconds 14 ccmp colorexp_05 mi/cocacola [Color experiment: Coca-Cola bottle with three hot dogs (3 of 3)] Unidentified McCann-Erickson 1964 colortvmemo.jpg|Mailing to bottlers detailing first color advertisement. From a reel entitled "Experimental TV Color Project. 1964." This reel of film contains 40 color film snippets (18 are included on this site) of Coca-Cola bottles, cans and performers in varying lighting and backgrounds. Coca-Cola introduced its first color Television advertising on June 15, 1964. This reel of film was to examine how the product looked to determine best lighting, etc.
There is no audio. 16 mm film 8 seconds 15 ccmp colorexp_06 mi/cocacola [Color experiment: Food still life with woman's hand (1 of 2)] Unidentified McCann-Erickson 1964 colortvmemo.jpg|Mailing to bottlers detailing first color advertisement. From a reel entitled "Experimental TV Color Project. 1964." This reel of film contains 40 color film snippets (18 are included on this site) of Coca-Cola bottles, cans and performers in varying lighting and backgrounds. Coca-Cola introduced its first color Television advertising on June 15, 1964. This reel of film was to examine how the product looked to determine best lighting, etc.
There is no audio. 16 mm film 10 seconds 16 ccmp colorexp_07 mi/cocacola [Color experiment: Food still life with woman's hand (2 of 2)] Unidentified McCann-Erickson 1964 colortvmemo.jpg|Mailing to bottlers detailing first color advertisement. From a reel entitled "Experimental TV Color Project. 1964." This reel of film contains 40 color film snippets (18 are included on this site) of Coca-Cola bottles, cans and performers in varying lighting and backgrounds. Coca-Cola introduced its first color Television advertising on June 15, 1964. This reel of film was to examine how the product looked to determine best lighting, etc.
There is no audio. 16 mm film 8 seconds 17 ccmp colorexp_01 mi/cocacola [Color experiment: Color chart] Unidentified McCann-Erickson 1964 colortvmemo.jpg|Mailing to bottlers detailing first color advertisement. From a reel entitled "Experimental TV Color Project. 1964." This reel of film contains 40 color film snippets (18 are included on this site) of Coca-Cola bottles, cans and performers in varying lighting and backgrounds. Coca-Cola introduced its first color Television advertising on June 15, 1964. This reel of film was to examine how the product looked to determine best lighting, etc.
There is no audio. 16 mm film 2 seconds 18 ccmp colorexp_35 mi/cocacola [Color experiment: Coca-Cola with tree branch] Unidentified McCann-Erickson 1964 colortvmemo.jpg|Mailing to bottlers detailing first color advertisement. From a reel entitled "Experimental TV Color Project. 1964." This reel of film contains 40 color film snippets (18 are included on this site) of Coca-Cola bottles, cans and performers in varying lighting and backgrounds. Coca-Cola introduced its first color Television advertising on June 15, 1964. This reel of film was to examine how the product looked to determine best lighting, etc.
There is no audio. 16 mm film 12 seconds 19 ccmp kocl332j_01 mi/cocacola Polar Bear - Northern Lights Ken Stewart/Creative Arts Agency 1993 The first of the Polar Bear commercials from 1993. This ad was launched with the beginning of the Always campaign. 35 mm film 30 seconds 20 ccmp komt1600_01 mi/cocacola Hilltop Young people singing "I'd like to buy the world a coke" on a hilltop in Italy. McCann-Erickson 1971 Art Director: Harvey Gabor
Art Designer: Phil Messina
Production Company: Roma Films
Cameraman: Giuseppe Retumo
Lyric:
I'd like to buy the world a home and furnish it with love,
Grow apple trees and honey bees, and snow white turtle doves.
I'd like to teach the world to sing in perfect harmony,
I'd like to buy the world a Coke and keep it company.
[Repeat the last two lines, and in the background:]
It's the real thing, Coke is what the world wants today. 35 mm film 60 seconds
21 ccmp skay_02 mi/cocacola [Stop motion: "Time for Coke"] Unidentified The DÆArcy Agency 1953 archielee.jpg|Archie Lee%williamcd'arcy.jpg|William C. D'Arcy%skay1-2description.jpg|Stop motion description%w9429.jpg|D'Arcy hands Coke account to new agency. This film is from an advertising reel with a work print version of stop motion advertising developed by the D'Arcy agency for Coca-Cola between 1954 and 1956. D'Arcy was Coca-ColaÆs advertising agency from 1906 until 1956 when Coca-Cola changed their advertising agency to McCann. This work print contains no sound and the ads appear primitive, one of the reasons for the move to McCann.
There is no audio.
Archie Lee was the account executive at the D'Arcy Agency who handled the Coca-Cola account. 16 mm film 10 seconds 22 ccmp skay_03 mi/cocacola [Stop motion: Coca-Cola sign on the roadside] Unidentified The DÆArcy Agency 1953 archielee.jpg|Archie Lee%williamcd'arcy.jpg|William C. D'Arcy%skay1-2description.jpg|Stop motion description%w9429.jpg|D'Arcy hands Coke account to new agency. This film is from an advertising reel with a work print version of stop motion advertising developed by the D'Arcy agency for Coca-Cola between 1954 and 1956. D'Arcy was Coca-ColaÆs advertising agency from 1906 until 1956 when Coca-Cola changed their advertising agency to McCann. This work print contains no sound and the ads appear primitive, one of the reasons for the move to McCann.
There is no audio.
Archie Lee was the account executive at the D'Arcy Agency who handled the Coca-Cola account. 16 mm film 10 seconds 23 ccmp skay_05 mi/cocacola [Stop motion: Basketball and flying Coca-Cola bottles] Unidentified The DÆArcy Agency 1953 archielee.jpg|Archie Lee%williamcd'arcy.jpg|William C. D'Arcy%skay1-2description.jpg|Stop motion description%w9429.jpg|D'Arcy hands Coke account to new agency. This film is from an advertising reel with a work print version of stop motion advertising developed by the D'Arcy agency for Coca-Cola between 1954 and 1956. D'Arcy was Coca-ColaÆs advertising agency from 1906 until 1956 when Coca-Cola changed their advertising agency to McCann. This work print contains no sound and the ads appear primitive, one of the reasons for the move to McCann.
There is no audio.
Archie Lee was the account executive at the D'Arcy Agency who handled the Coca-Cola account. 16 mm film 10 seconds 24 ccmp skay_07 mi/cocacola [Stop motion: Walking hot dog, hamburgers, and disappearing Coca-Cola] Unidentified The DÆArcy Agency 1953 archielee.jpg|Archie Lee%williamcd'arcy.jpg|William C. D'Arcy%skay1-2description.jpg|Stop motion description%w9429.jpg|D'Arcy hands Coke account to new agency. This film is from an advertising reel with a work print version of stop motion advertising developed by the D'Arcy agency for Coca-Cola between 1954 and 1956. D'Arcy was Coca-ColaÆs advertising agency from 1906 until 1956 when Coca-Cola changed their advertising agency to McCann. This work print contains no sound and the ads appear primitive, one of the reasons for the move to McCann.
There is no audio.
Archie Lee was the account executive at the D'Arcy Agency who handled the Coca-Cola account. 16 mm film 10 seconds 25 ccmp skay_11 mi/cocacola [Stop motion: Grocery list and spinning carton of Coke] Unidentified The DÆArcy Agency 1953 archielee.jpg|Archie Lee%williamcd'arcy.jpg|William C. D'Arcy%skay1-2description.jpg|Stop motion description%w9429.jpg|D'Arcy hands Coke account to new agency. This film is from an advertising reel with a work print version of stop motion advertising developed by the D'Arcy agency for Coca-Cola between 1954 and 1956. D'Arcy was Coca-ColaÆs advertising agency from 1906 until 1956 when Coca-Cola changed their advertising agency to McCann. This work print contains no sound and the ads appear primitive, one of the reasons for the move to McCann.
There is no audio.
Archie Lee was the account executive at the D'Arcy Agency who handled the Coca-Cola account. 16 mm film 10 seconds 26 ccmp hilltop_otk_01 mi/cocacola Hilltop outtake: Crowd shot camera lowers then raises McCann-Erickson 1971 Art Director: Harvey Gabor
Art Designer: Phil Messina
Production Company: Roma Films
Cameraman: Giuseppe Retumo
Hilltop Outtake Tape Reel No. 1. E.C. Cok 121 - ôBuy the Worldö Original. Color Dailies. Can No. 7028
There is no audio. 35 mm film 67 seconds 27 ccmp hilltop_otk_02 mi/cocacola Hilltop outtake: Young lady in white blouse and pan right McCann-Erickson 1971 Art Director: Harvey Gabor
Art Designer: Phil Messina
Production Company: Roma Films
Cameraman: Giuseppe Retumo
Hilltop Outtake Tape Reel No. 1. E.C. Cok 121 - ôBuy the Worldö Original. Color Dailies. Can No. 7028
There is no audio. 35 mm film 51 seconds 28 ccmp hilltop_otk_03 mi/cocacola Hilltop outtake: Opening of ad McCann-Erickson 1971 Art Director: Harvey Gabor
Art Designer: Phil Messina
Production Company: Roma Films
Cameraman: Giuseppe Retumo
Hilltop Outtake Tape Reel No. 1. E.C. Cok 121 - ôBuy the Worldö Original. Color Dailies. Can No. 7028.
Racetrack fence in background.
There is no audio. 35 mm film 37 seconds 29 ccmp hilltop_otk_04 mi/cocacola Hilltop outtake: Linda Neary looks to side McCann-Erickson 1971 Art Director: Harvey Gabor
Art Designer: Phil Messina
Production Company: Roma Films
Cameraman: Giuseppe Retumo
Hilltop Outtake Tape Reel No. 1. E.C. Cok 121 - ôBuy the Worldö Original. Color Dailies. Can No. 7028.
Actors in different clothes.
There is no audio. 35 mm film 38 seconds 30 ccmp hilltop_otk_05 mi/cocacola Hilltop outtake: Young lady messes up and waves off camera. McCann-Erickson 1971 Art Director: Harvey Gabor
Art Designer: Phil Messina
Production Company: Roma Films
Cameraman: Giuseppe Retumo
Hilltop Outtake Tape Reel No. 1. E.C. Cok 121 - ôBuy the Worldö Original. Color Dailies. Can No. 7028.
There is no audio. 35 mm film 18 seconds 31 ccmp hilltop_otk_06 mi/cocacola Hilltop outtake: Helicopter view of cast in square formation. McCann-Erickson 1971 Art Director: Harvey Gabor
Art Designer: Phil Messina
Production Company: Roma Films
Cameraman: Giuseppe Retumo
Hilltop Outtake Tape Reel No. 2. COK 1717/Can No. 7027. Coke Seminar of Buy the World. Trims and Outs. Elements A - U
There is no audio. 35 mm film 15 seconds 32 ccmp hilltop_otk_07 mi/cocacola Hilltop outtake: Scattered shots of kids sitting on hill McCann-Erickson 1971 Art Director: Harvey Gabor
Art Designer: Phil Messina
Production Company: Wexler
Cameraman: Giuseppe Retumo
Hilltop Outtake Tape Reel No. 2. COK 1717/Can No. 7027. Coke Seminar of Buy the World. Trims and Outs. Elements A - U
There is no audio. 35 mm film 5 seconds 33 ccmp hilltop_otk_08 mi/cocacola Hilltop outtake: Helicopter shot of Wexler group on hill McCann-Erickson 1971 Art Director: Harvey Gabor
Art Designer: Phil Messina
Production Company: Wexler
Cameraman: Giuseppe Retumo
Hilltop Outtake Tape Reel No. 2. COK 1717/Can No. 7027. Coke Seminar of Buy the World. Trims and Outs. Elements A - U
There is no audio. 35 mm film 17 seconds 34 ccmp hilltop_otk_09 mi/cocacola Hilltop outtake: Man (Billy Davis) being chased by others trying to spray him with Coca-Cola. Changes into view of four men holding bottles. McCann-Erickson 1971 Art Director: Harvey Gabor
Art Designer: Phil Messina
Production Company: Roma Films
Cameraman: Giuseppe Retumo
Hilltop Outtake Tape Reel No. 2. COK 1717/Can No. 7027. Coke Seminar of Buy the World. Trims and Outs. Elements A - U
Race track fence visible in background
There is no audio. 35 mm film 2 seconds 35 ccmp hilltop_otk_10 mi/cocacola Hilltop outtake: Recta Film Co. (Wexler) clapper McCann-Erickson 1971 Art Director: Harvey Gabor
Art Designer: Phil Messina
Production Company: Wexler
Cameraman: Giuseppe Retumo
Hilltop Outtake Tape Reel No. 2. COK 1717/Can No. 7027. Coke Seminar of Buy the World. Trims and Outs. Elements A - U
There is no audio. 35 mm film 6 seconds 36 ccmp hilltop_otk_11 mi/cocacola Hilltop outtake: Helicopter crowd shot changes to shot of kids running down hill McCann-Erickson 1971 Art Director: Harvey Gabor
Art Designer: Phil Messina
Production Company: Wexler
Cameraman: Giuseppe Retumo
Hilltop Outtake Tape Reel No. 2. COK 1717/Can No. 7027. Coke Seminar of Buy the World. Trims and Outs. Elements A - U
Child carrying guitar. This was when the first group of kids rebelled.
There is no audio. 35 mm film 47 seconds 37 ccmp hilltop_otk_12 mi/cocacola Hilltop outtake: Shot of first row to tenth row McCann-Erickson 1971 Art Director: Harvey Gabor
Art Designer: Phil Messina
Production Company: Roma Films
Cameraman: Giuseppe Retumo
Hilltop Outtake Tape Reel No. 2. COK 1717/Can No. 7027. Coke Seminar of Buy the World. Trims and Outs. Elements A - U
There is no audio. 35 mm film 21 seconds 38 ccmp hilltop_otk_13 mi/cocacola Hilltop outtake: Close-ups of crowd shot of Wexler group of kids, young lady stumbles McCann-Erickson 1971 Art Director: Harvey Gabor
Art Designer: Phil Messina
Production Company: Wexler
Cameraman: Giuseppe Retumo
Hilltop Outtake Tape Reel No. 2. COK 1717/Can No. 7027. Coke Seminar of Buy the World. Trims and Outs. Elements A - U
Note the difference in costumes between kids in this group and the Roma Film Company group.
There is no audio. 35 mm film 16 seconds 39 ccmp hilltop_otk_14 mi/cocacola Hilltop outtake: View of young lady with camera lowering to bottles McCann-Erickson 1971 Art Director: Harvey Gabor
Art Designer: Phil Messina
Production Company: Roma Films
Cameraman: Giuseppe Retumo
Hilltop Outtakes Reel No. 3. E.C. Cok - 1709. Coke ôBuy the Worldö Original Color Dailies. For 3 Points Lighter. Can No. 7030
There is no audio. 35 mm film 80 seconds 40 ccmp hilltop_otk_15 mi/cocacola Hilltop outtake: Begins with two young ladies and pans down line. McCann-Erickson 1971 Art Director: Harvey Gabor
Art Designer: Phil Messina
Production Company: Roma Films
Cameraman: Giuseppe Retumo
Hilltop Outtakes Reel No. 3. E.C. Cok - 1709. Coke ôBuy the Worldö Original Color Dailies. For 3 Points Lighter. Can No. 7030
Two young ladies appear later in different position.
There is no audio. 35 mm film 39 seconds 41 ccmp hilltop_otk_16 mi/cocacola Hilltop outtake: Slate pops in then pan down the line McCann-Erickson 1971 Art Director: Harvey Gabor
Art Designer: Phil Messina
Production Company: Roma Films
Cameraman: Giuseppe Retumo
Hilltop Outtakes Reel No. 3. E.C. Cok - 1709. Coke ôBuy the Worldö Original Color Dailies. For 3 Points Lighter. Can No. 7030
There is no audio. 35 mm film 55 seconds 42 ccmp hilltop_otk_17 mi/cocacola Hilltop outtake: Two young ladies trying out for the opening scene McCann-Erickson 1971 Art Director: Harvey Gabor
Art Designer: Phil Messina
Production Company: Roma Films
Cameraman: Giuseppe Retumo
Hilltop Outtakes Reel No. 3. E.C. Cok - 1709. Coke ôBuy the Worldö Original Color Dailies. For 3 Points Lighter. Can No. 7030
There is no audio. 35 mm film 36 seconds 43 ccmp hilltop_otk_18 mi/cocacola Hilltop outtake: Dolly out and back McCann-Erickson 1971 Art Director: Harvey Gabor
Art Designer: Phil Messina
Production Company: Roma Films
Cameraman: Giuseppe Retumo
Hilltop Outtakes Reel No. 11. COK1714/Can No. 7026. Coke Seminar on Buy the World. Trims and outs. Elements A û I
There is no audio. 35 mm film 42 seconds 44 ccmp hilltop_otk_19 mi/cocacola Hilltop outtake: Helicopter shots of Wexler group McCann-Erickson 1971 Art Director: Harvey Gabor
Art Designer: Phil Messina
Production Company: Wexler
Cameraman: Giuseppe Retumo
Hilltop Outtakes Reel No. 11. COK1714/Can No. 7026. Coke Seminar on Buy the World. Trims and outs. Elements A û I
Busses at bottom of hill.
There is no audio. 35 mm film 40 seconds 45 ccmp kocx9364 mi/cocacola Snowflake - Beach John Madden Leo Burnett USA 1999 International commercial filmed in a combination of two different areas in the Italian Alps and a stage in Milan. 35 mm film 30 seconds