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National Gallery of Art - EXHIBITIONS

Small Northern European Portraits from The Walters Art Gallery, Baltimore

17 September 2000 - 19 February 2001

Exhibition Brochure | Brochure Images | Exhibition Information
Devotional Portraits | Political Portraits: 1 | 2 | Intimate Image: England
Intimate Image: France | Dutch Contribution

Political Portraits (continued)
Most seventeenth-century painted miniatures of English royalty, including John Hoskins the Elder's Queen Henrietta Maria, served as a sign of political allegiance. This tradition had become well established during the reign of Elizabeth I: courtiers carried her portrait as a sign of devotion to the Virgin Queen. Hoskins' elegant portrayal of Henrietta Maria, the wife of King Charles I, reflects the influence of Anthony van Dyck, who had come to the English court in 1632.

While English sovereigns relied primarily on the power of the portrait likeness to achieve their political ends, sixteenth- and seventeenth-century French kings regularly had themselves portrayed with the attributes of Olympian gods. Humanistic culture, with its celebration of Greek and Roman mythology, was more widespread in France than in England. France's Henry IV, for example, liked to be portrayed as Mars, god of war, or as Jupiter, the gods' confident ruler. A statuette datable to the years just before 1610, when Henry was assassinated, depicts the king in this later guise. Even more than the presence of Jupiter's powerful eagle at his feet, Henry's fit soldier's body and dignified bearing convey the image of invulnerability that the king hoped to project to his contemporaries.

Portraits of all sizes were in great demand at the seventeenth-century court of King Louis XIV as fawning demonstrations of loyalty. Some portraits continued to play a political role after the king's death; for instance, a century after Louis XIV was painted by the Swiss-born Jean Petitot, the portrait was incorporated into a splendid tortoiseshell and gold snuffbox. During the political upheavals of the late eighteenth century, small enamel portraits of Louis XIV were prized by monarchists, and a vogue developed for incorporating them into luxury items of personal use.

Devotional Portraits | Political Portraits: 1 | 2 | Intimate Image: England
Intimate Image: France | Dutch Contribution