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PART I Different Beginnings 1 Directors and Designers: Is there a different direction? 25 Pamela Howard (UK) 2 Different Directions: The potentials of autobiographical space 33 Alison Oddey (UK) 3 Collaborative Explorations: Reformulating the boundaries of scenographic practice 51 Roma Patel (UK) 4 Flatness and Depth: Reflections 61 Nick Wood (UK) PART II Performance Potentials 5 Digital Dreams: Sleep Deprivation Chamber 69 Lesley Ferris (USA) 6 Re-Designing the Human: motion capture and performance potentials 85 Katie Whitlock (USA) 7 Smart Laboratories: New media 93 Christine White (UK) 8 A Place to Play: Experimentation and Interactions Between Technology and Performance 105 Scott Palmer (UK) PART III Aesthetic Visions 9 Scenographic avant-gardes: Artistic Partnerships in Canada 121 Natalie Rewa (Canada) 10 Codes and Overloads: The Scenography of Richard Foreman 135 Neal Swettenham (UK) 11 Spatial Practices: The Wooster Group's Rhode Island Trilogy 143 Johan Callens (Belgium) 12 Physicality and Virtuality: Memory, Space and Actor on the Mediated Stage 157 Thea Brejzek (Germany)