National Endowment for the Arts  
Lifetime Honors
  2005 NEA National Heritage Awards  
 

 

Grace Henderson Nez
Ganado, AZ
Navajo weaver

 

Photo courtesy of the artist

Interview with Mary Eckstein

[Editor's note: Gloria Begay, Grace Henderson Nez's granddaughter, acted as translator for this interview]

NEA: Congratulations. How did you feel when you heard the news that you were being recognized with a National Heritage Fellowship?

MS. NEZ: I was almost in complete disbelief when I heard the news. I'm very happy my hard work has paid off.

NEA: How did you learn to weave? Why were you attracted to this art form and who were your influences?

MS. NEZ: My earliest memory of weaving is when I was 5 or 6 years of age. I was taught by my grandmother and aunt. I was attracted by the designs and the rewards for a completed rug.

NEA: What special skills or preparation does it take to excel at weaving? What are the most important elements for excellence and authenticity in the Navajo tradition?

MS. NEZ: To excel in weaving, a weaver must have a design plan in mind - size, color and which materials to use. Spiritually, a weaver is someone who is dedicated, a hard worker, independent, responsible, and has the will to teach and share with the younger generation. An authentic rug or artwork is displayed by spiritual participation.

NEA: What are the joys and challenges to making a living as a weaver?

MS. NEZ: The joys include the rewards, the ability to share the legacy, recognition, and monetary rewards. More importantly, it soothes me spiritually, emotionally, and psychologically.

The challenges include sustaining the desire to weave everyday, having to meet deadlines, having to limit materials at times and finding someone to help setup the wrap onto the loom. The physical challenges are the repeatitive motion and the aches and pains of sitting for long periods of time. It becomes tougher the older I get.

NEA: What are your favorite motifs or designs in your weaving?

MS. NEZ: Of course my favorite designs are the ones I'm known for - bold, geometric, Ganado reds. These have become my favorite because they are easy to work with and complete. These designs became my favorite not by choice but because of my physical condition and age.

NEA: What advice do you have for young Navajo weavers?

MS. NEZ: The younger generation is learning to weave and are incorporating new ideas that streamline with pop culture. Young Navajo weavers today have become competitive are not afraid to experiment and push the envelope.

My advice to young weavers is to continue teaching and sharing Navajo weaving. I let my children and grandchildren know that weaving is life. I feel I help by teaching and sharing my knowledge and skills with my grandchildren. The challenge is to get them interested in the artwork even though that interest means a lot of hard work.

NEA: What has inspired you to continue weaving through the years?

MS. NEZ: My children, grandchildren, and my great grandchildren are my inspiration for weaving. And weaving is my occupation, livelihood, and my life.

 
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