Table of contents for Empress Marie Therese and music at the Viennese court, 1792-1807

Table of contents for Empress Marie Therese and music at the Viennese court, 1792-1807 / John A. Rice.

Bibliographic record and links to related information available from the Library of Congress catalog

Information from electronic data provided by the publisher. May be incomplete or contain other coding.

Acknowledgements
List of illustrations
List of tables
List of music examples
List of abbreviations
Two intertwining family trees: the Habsburg-Lorraines of Vienna and the Bourbons of Spain and Naples
Note about quotations
Introduction
1. The Empress as collector of music
2. Marie Therese's musicians
3. The Empress as soprano
4. Private concerts
5. Celebrations of Franz's birthday and nameday
6. Musical caprice
7. Marie Therese's influence on music in the public sphere
8. The Empress as conceiver, commissioner, and shaper of musical works
9. Il conte Clo: a birthday cantata from inception to performance
10. Joseph Haydn and Beethoven between Court and nobility
Epilogue
Appendix 1: Marie Therese's collection of church music
Appendix 2: Marie Therese's musical diary, 1801-1803
Appendix 3: Paer's letters to the Empress
Appendix 4: Correspondence between Paisiello and Marie Therese
Appendix 5: Documents pertaining to the development and performance of Paer's Il conte Clo
Bibliography
Index.

Library of Congress subject headings for this publication:
Maria Theresa, -- of Naples-Sicily, Empress, consort of Francis I, Emperor of Austria, -- d. 1807 -- Contributions in music.
Music -- Austria -- Vienna -- 18th century -- History and criticism.
Music -- Austria -- Vienna -- 19th century -- History and criticism.
Women music patrons -- Austria -- Vienna -- History.
Music -- 18th century -- Social aspects -- Austria -- Vienna.
Music -- 19th century -- Social aspects -- Austria -- Vienna.
Vienna (Austria) -- Intellectual life -- 18th century.
Vienna (Austria) -- Intellectual life -- 19th century.