MARY PICKFORD THEATER
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RESERVATIONS may be made by phone, beginning one week before any given show. Call (202) 707-5677 during business hours (Monday-Friday, 9:00 am to 4:00 pm). Reserved seats must be claimed at least 10 minutes before showtime, after which standbys will be admitted to unclaimed seats. All programs are free, but seating is limited to 64 seats. The Mary Pickford Theater is located on the third floor of the Library of Congress Madison building. |
Sessue Hayakawa
The Victoria Cross (Paramount, 1916). Dir E. J. Le Saint.
With Lou-Tellegen, Cleo Ridgely, Ernest Joy. (47 min, 35mm).
Forbidden Paths (Paramount, 1917). Dir Robert T. Thornby. With
Vivian Martin, Tom Forman, Carmen Phillips, James Neill. (48 min,
35mm).
Tribute to Women's History
Salt of the Earth (International Union of Mine, Mill and Smelter Workers, 1954). Dir Herbert J Biberman. With Will Geer, Rosaura Revueltas, Juan Chacón, David Wolfe. (96 min, 35mm).
An independent production by people on Hollywood's blacklist, this film is a drama based on an actual miners' strike in New Mexico, conceived as a radical political statement on working conditions and union organizing. Salt of the Earth makes a strong feminist statement as well, for it is the wives of the striking miners who spur their reluctant husbands to collective action.
70s/80s Musicals
Popeye (Paramount, 1980). Dir Robert Altman. With Robin Williams, Shelley Duvall, Ray Walston (114 min, 35mm).
Universally dismissed as a failure, but even Robert Altman's missteps bear watching. And really, wouldn't you rather watch this than Nashville? Listen for Shelly Duvall warbling "He Needs Me," which last year was a central theme in Paul Thomas Anderson's Punch-Drunk Love.
National Film Registry
The Party (UA, 1968).Dir Blake Edwards. With Peter Sellers, Claudine Longet, Marge Champion. (99 min, 35mm).
Edwards' and Sellers' only collaboration outside the Pink Panther series displays the influence of Jacques Tati, both in its structure and elaborate visual gags. Accident prone Indian actor Bakshi (Sellers) has come to Hollywood to appear in a remake of Gunga Din. Wreaking major havoc on the set, he is put on a "Do Not Hire" list which gets mixed up with a list of invitations to a swank party at the film producer's house. Edwards gives Sellers free reign to improvise, resulting in what many believe to be one of the funniest films ever made.
National Film Registry
Banzai (Haworth, 1918, 3 min)
The Tong Man (Haworth, 1919, 42 min)
An Arabian Night (Hayakawa Feature Play Co., 1920, 50 min)
The Japanese actor Sessue Hayakawa (1889-1930) was the first Asian player to become a star of the Hollywood screen, during the 1910s and early 1920s. While best remembered for his menacing peril in The Cheat (1915), tonight's showthe second of tworeveals that he played a far greater range of roles. This included portraying different races, and his box-office popularity even allowed him to have his own production company for a brief time.
National Film Registry
The Show of Shows (Warner Bros., 1929, 128 min)
National Film Registry
The Sundowners (Warner Bros., 1960, 133 min)
National Film Registry
The Enchanted Cottage (RKO, 1945, 91 min. 35mm). Dir John Cromwell.
With Dorothy McGuire, Robert Young, Herbert Marshall.
Ah, the transformative power of love. A young GI returns home
from the war, his face disfigured from battle wounds. Believing that
no one could ever love him, he retreats in despair to the small cottage
where he and his fiancee were to have their honeymoon. He meets a
plain young woman who works as a maid and they decide to marry out
of loneliness. But the cottage works its magic and they fall in love.
Others still see them pityingly, but whenever they look at one another
the camera perspective changes and they become beautiful.
National Film Registry
Adventure in Manhattan (Columbia, 1936, 73 min)
National Film Registry
The Incredible Shrinking Man (Universal, 1957, 81 min, 35mm)
Dir Jack Arnold. With Grant Williams, Randy Stuart, April Kent.
Existential angst meets Zen-like transcendence in this seminal, forward-looking 50's classic. A young ad exec's life is forever altered after his exposure to a radioactive mist causes him to progressively shrink. Losing his job, he becomes a media figure to pay the bills, dates a midget after his marriage collapses, and ends up in a fateful fight with his cat. Totally riveting, from the mournful trumpet theme music, to the stunningly grandiose and poignant finale. Unarguably the finest work in the careers of Jack Arnold and Grant Williams.
Preceded by:
Science Fiction Theater: Time Is Just a Place (ZIV Television, 1955, 27 min, 35mm). Dir Jack Arnold. .
In this anthology series, host Truman Bradley introduced stories that revolved around basic scientific principles. In Time..., from a story by Jack Finney(Invasion of the Body Snatchers), a couple wonders about the mysterious goings on at their new neighbors' house.
Trilogy of Terror: Amelia (ABC, 1975, 27 min, 35mm). Dir Dan Curtis.
The final chapter in a trio of stories by Richard Matheson (The
Shrinking Man), Amelia caused a sensation when
it aired on ABC in 1975, terrifying even network executives. In a
tour de force, Karen Black portrays a woman battling a demonic Zuni
fetish doll.
Thomas H. Ince: Colonial Melodrama
The Price Mark (1917). (1917) Dir R. William Neill. With Dorothy
Dalton. (60 min, 35mm).
The Bronze Bell (1921). Dir James Horne. With Courtenay Foote,
Doris May. (63 min, 16 mm)
In 1998, the Library opened a collection of the papers of Thomas
Harper Ince (1882-1924), whose life has remained unchronicled largely
because major archives had only very fragmentary collections on him.
This is especially true of the last years of Ince's life, from 1917
until his death, which is the focus of the Library's papers and hence
of this series. The renowned silent film producer created one of the
earliest Hollywood firms centered around a specific individual overseeing
a wide range of product. Ince played an important role in the transformation
of filmmaking into an industry, utilizing the factory-style system
to maximize efficiency for which the studio system became known. The
programs will be introduced by Brian Taves, who was given the 2002-2003
Kluge staff fellowship to research the Ince papers.
"Orientalist" filmmaking reaches a peak in The Price
Mark and The Bronze Bell, two displays of the
supposed decadence of two colonial lands, Egypt and India, respectively.
Their narrative opposes them to the United States and the type of
love they engender, but reveal the desire for a discourse with the
"other" even while trying to contain its difference. And
the question remains, by the conclusion, whether such movies have
indeed changed for the better today.
Thomas H. Ince: Women on the Frontier
Tyrant Fear (1918). Dir R. William Neill. With Dorothy Dalton.
(10 min, 35mm, r1 only).
Keys of the Righteous (1918). Dir Jerome Storm. With Enid Bennett.
(48 min, 35mm).
Partners Three (1919). Dir Fred Niblo. With Enid Bennett. (55
min, 16 mm).
Usually Thomas Ince's westerns are connected to the silent cowboy perfomer William S. Hart, or to cowboy-and-Indian plots, but just as significant if not more so are those featuring women on the frontier. In these years, Ince turned out a regular series of "women's" melodramas featuring Dalton or Bennett. All three of tonight's films center on questions of the abuse of women on the frontier; although only reel 1 survives of Tyrant Fear, it is an amazing expose of the brutality of a forced marriage.
Rivers, Edens, Empires
The Far Horizons (Paramount, 1955, 108 min)
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Chronicles Of America: The Frontier Woman (Yale University,
1926, 40 min)
Across The Wide Missouri (MGM, 1951, 78 min)
Rivers, Edens, Empires
The Rifleman: The Deadeye Kid (ABC, 1959, 30 min)
Rachel and the Stranger (RKO, 1948, 79 min) Dir Norman Foster.
With: Gary Gray, Tom Tully. (80 min, 35mm).
Widower David Harvey (William Holden) buys bondswoman Rachel (Loretta Young) to take care of his son. Robert Mitchum sings. Manifest destiny rocks. It happened in 19th century Ohio, but it could happen now, anywhere!
Rivers, Edens, Empires
Jeremiah Johnson (Warner Bros., 1972, 116 min)
Rivers, Edens, Empires
Colorado Territory (Warner Bros., 1949, 94 min, 35mm) Dir Raoul
Walsh. With Virginia Mayo, Dorothy Malone.
Raoul Walsh remakes his own famed gangster film High Sierra,
transposing it to the Old West, where its story of an outlaw on the
run becomes not only logical, but poignant. In the leading role, the
ever-stalwart Joel McCrea is an affecting anti-hero. The rugged beauty
of the locales makes this a memorable entry in the Warner Bros.' western
cycle of the '40's.
Rivers, Edens, Empires
The Hallelujah Trail (UA, 1965, 165 min, 35mm) Dir John Sturges.
With Burt Lancaster, Lee Remick, Jim Hutton. (168 min, 35mm).
"See How The West Was Fun!" is the tagline of this star-studded western comedy. You should surmise that it is not a politically correct film. On the other hand it is extremely funny. In 1867, the miners in Denver realize that winter is setting in and there isn't enough whiskey, so they hire the Irish Teamsters to haul in a wagon train. But the Temperance Movement catches wind of it and then the Sioux. Add Calvary to the mix and all chaos ensues. Donald Pleasence is a hoot as the perennially drunken Oracle Jones and Martin Landau as Chief Walks-Stooped-Over. Great score by Elmer Bernstein.
Rivers, Edens, Empires
The Big Sky (Winchester Pictures, 1952, 122 min, 35mm) Dir
Howard Hawks. With Dewey Martin, Elizabeth Threatt.
Jim Deakins is a Kentucky frontiersman and Indian trader who casts his lot in with a group of fur traders embarking upon a perilous journey up the Missouri river. The plan is to return a kidnaped Blackfoot princess, Teal Eye, to her people and thus win their gratitude and trade. Guided by Teal Eye and a crazy warrior named Poordevil, they encounter hostile tribes, bandits, and wicked waters. Kirk Douglas gives a strong performance in this grand frontier tale based on the novel by A.B. Guthrie. Rousing music by Dimitri Tiomkin.
Thomas H. Ince: Politics and Psychology
Dangerous Hours (1919). Dir Fred Niblo. With Lloyd Hughes.
(50 min, 16mm).
The Dark Mirror (1920). Dir Charles Giblyn. With Dorothy Dalton.
(58 min, 16mm).
Two films that look forward to times far beyond the years in which they were produced. The Dark Mirror is an astonishing look toward "film noir" significantly before the European influences that supposedly gave rise to the movement were in place. Dangerous Hours examines the threat of Bolshevik terrorism and the response in ways that have many parallels with post-9/11 America.
Rivers, Edens, Empires
The Frisco Kid (Warner Bros., 1979, 122 min, 35mm) Dir Robert
Aldrich. With Harrison Ford, Val Bisoglio.
This endearing Gene Wilder vehicle is a sterling example of that
all-too-rare genre-the Jewish western! Our hero is a Polish rabbi
who travels from the old country to his new home in San Francisco.
His journey becomes a picaresque trek across the continental United
States, a land of pristine scenic beauty and eccentric inhabitants.
A bittersweet comedy with Wilder in top form.
Rivers, Edens, Empires
The Oklahoma Kid (Warner Bros., 1939, 85 min, 3mm) Dir Lloyd
Bacon. With Donald Crisp, Rosemary Lane.
Cagney and Bogart trade in their fedoras for ten-gallon hats in
one of their more offbeat outings. The setting is Tulsa in its boomtown
days. The frontier turns out to be as sin-soaked as Gotham, making
it a haven for two tough-guy screen icons. A true curio of the western
movie tradition.
Thomas H. Ince: The
Forgotten Star, Douglas MacLean
The Home Stretch (1921). Dir Jack Nelson. With Douglas MacLean.
(51 min, 16 mm).
One A Minute (1921). Dir Jack Nelson. With Douglas MacLean.
(50 min, 35mm).
While probably Charles Ray is the male star best remembered in conjunction with Ince, in fact the most interesting figure is the largely forgotten Douglas MacLean, who played a far greater range of roles, portraying tonight two types of businessman. One a Minute is a satire of Barnum-style hucksterism at its best, while The Home Stretch is a more melodramatic and harsh account of the dark side of the racetrack and small town America.
Rivers, Edens, Empires
Kit Carson (Edward Small Productions, 1940, 102 min)
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McCabe and Mrs. Miller (Warner Bros., 1971, 120 min, 35mm) Dir Robert Altman. With Rene Auberjonois, William Devane, Shelley Duvall.
This poetic, contemplative, and lushly atmospheric western is
one of Altman's greatest works. Warren Beatty's McCabe is a mumbling-to-himself
businessman who comes to a Pacific Northwest town with the idea of
opening a high class bordello. Julie Christie's Mrs. Miller is the
opium-addicted madame with whom he joins forces. Accompanied by the
wistful songs of Leonard Cohen, Altman shows McCabe naively taking
on an encroaching big corporation, leading to an ending both inevitable
and unforgettable.
Thomas H. Ince: The Late Films
Bell Boy 13 (1923). Dir William Seiter. With Douglas MacLean.
(44 min, 16mm).
Wandering Husbands (1924). Dir William Beaudine. With James
Kirkwood, Lila Lee. (70 min, 35mm).
Sadly, while during the last four years of his life, Ince produced some three dozen films, only a very few survive. Bell Boy 13 is a clever comedy guaranteed to amuse, while Wandering Husbands is one of a series of melodramas which research in the Ince papers has revealed to be his product, although he is not credited on screen. A full explanation for this contract provision will be provided in the introduction to the program.
Rivers, Edens, Empires
The Way West (UA, 1967, 122 min, 35mm) Dir Andrew McLaglen. With Kirk Douglas, Sally Fields, Richard Widmark..
Hot off the Maurice Chevalier-Dean Jones vehicle Monkeys,
Go Home, director McLaglen sheds dreams of Yvette Mimieux for
this rugged tale of settlers driving through Indian territories. With
Robert Mitchum in a non-singing role.
Rivers, Edens, Empires
Bend of the River (Universal, 1952, 91 min, 35mm) Dir Anthony
Mann. With Arthur Kennedy, Harry Morgan.
Glyn McLyntock was once a vicious outlaw, but he's trying his
best to turn things around. In this performance, James Stewart shows
us what a tough guy he can be. He guides a wagon train of settlers
to the Oregon territory facing numerous perils along the way - Indians,
harsh elements, hijackers, and gold rush madness. He rescues a former
partner-in-crime from a lynching only to have to confront his wicked
ways later on. It's a fight to the death and a plunge into the icy
river. With beautiful scenery - Julie Adams and Rock Hudson vie for
prettiest - this story adapted from the novel Bend of the Snake
by Borden Chase holds an unwavering tension.
Rivers, Edens, Empires
Death Valley Days: How Death Valley Got Its Name (United States
Borax, 1952, 30 min)
Cheyenne Dual at Judas Basin (ABC, 1960, 60 min)
Wright Bros.
Flight (Columbia, 1929, 110 min, 35mm) Dir Frank Capra. With
Jack Holt, Lila Lee.
Before he attained screen immortality as a creator of winsome comedies, Frank Capra won wide acclaim for his vigorous action pictures. This accomplished early talkie exploited the public's fascination with all things airborne. D. W. Griffith veteran Ralph Graves plays one of the leading roles and contributed the original story, a paean to male bonding, danger, and derring-do that foreshadowed Dirigible (December 9).
National Film Registry
Carrie (Paramount, 1952, 118 min, 35mm). Dir William Wyler.
With Miriam Hopkins, Eddie Albert.
This screen adaptation of Theodore Dreiser's novel Sister Carrie
follows the life and loves of an ambitious country girl (Jennifer
Jones) who moves to Chicago in the 1890s. She finds city life difficult
for a woman without family connections or money, but more complications
and heartbreak arise when she becomes the mistress of an unhappily
married businessman (Laurence Olivier).
Wright Bros.
Twelve O'Clock High (Fox, 1950, 133 min)
Wright Bros.
Tarnished Angels (Universal, 1958, 91 min, 35mm). Dir Douglas
Sirk. With Rock Hudson, Robert Stack, Dorothy Malone.
When a newspaper man finds himself drawn into the daredevil world
of stunt flying and barnstorming, he quickly becomes entangled in
a web of uncertain consequences. Based on William Faulkner's novel
Pylon and featuring the stars of Sirk's acclaimed melodrama
Written on the Wind, this trashy guilty pleasure is - according
to its own publicity - "the picture they said could never be
made because it dares to reflect life with complete frankness."
National Film Registry
The Gong Show Movie (Universal, 1980, 89 min, 35 mm) Dir Chuck
Barris. With Robin Altman, Mabel King.
Chuck Barris's peculiarly American brand of sadomasochism developed from incendiary satire of courtship rituals (The Dating Game) to a stunning treatise of isolationism (The Newlywed Game) - a chilling harbinger of things to come. The Gong Show Movie documents the culmination of the Barris aesthetic. Like Christians to lions, so were homely-grown acts thrown to Jamie Farr, Charles Nelson Reilly, and Jaye P. Morgan. If you could be judged by any three historical figures, would you choose any but this unloyal order? What other secret societies are harbored in the bowels of Hollywood? Why isn't there a Rip Taylor screensaver? There are no answers, only questions.
Rivers, Edens, Empires
Westward Ho The Wagons! (Walt Disney, 1957, 86 min)
Wright Bros.
The Dawn Patrol (Warner Bros., 1938, 103 min)
Wright Bros.
Wings And The Woman (RKO, 1942, 94 min)
Wright Bros.
Only Angels Have Wings (Columbia, 1939, 128 min)
Rivers, Edens, Empires
The Donner Party (PBS, 1992, 90 min). Dir Ric Burns.
Ric Burns' acclaimed documentary chronicles the harrowing tale of the ill-fated emigrant group who set out for the promised land of California in the spring of 1846, only to meet with disaster in the snows of the Sierra Nevada the following winter. Narrated by David McCullough.
Wright Bros.
Ceiling Zero (Warner Bros., 1936, 95 min). Dir Howard Hawks.
With Pat O'Brien, June Travis.
Based on the play of the same name, Hawks chose James Cagney to portray Dizzy Davis, a wild daredevil airmail pilot whose ways with the women are as well-known as his in-flight antics. When he returns to work for his old boss, the skies and the girls are fare game for Davis, even at the expense of his fellow pilots.
Wright Bros.
The Great Santini (Orion, 1979, 115 min, 35mm). Dir Lewis John
Carlino. With Michael O'Keefe, Blythe Danner.
The Wright Brothers legacy, like so many technological advancements, created unexpected ripples. What would modern machismo do without the seductive elixir of speed and escape afforded by the iron bird? With new solutions come new anxieties: with geographical distance a now minor obstacle, is the distance between human beings any easier to traverse? Robert Duvall, the hero of the repressed, was nominated for an Academy Award for his portrayal of Bull Meechum, a proud fighter pilot who drinks these questions till drunk. Has any other actor expressed so much emotion with so few histrionics?
Rivers, Edens, Empires
You Are There: Lewis and Clark at the Great Divide (CBS, 1971,
30 min)
Wagon Train: The Charles Avery Story (Revue, 1957, 60 min)
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Stories of the Century: Sam Bass (Republic, 1954, 25 min)
Bonanza: The Pursued (NBC, 1966, 100 min)
Wright Bros.
Sky King: The Porcelain Lion (NBC, 1952, 30 min)
Whirlybirds: Black Maria (CBS, 1959, 30 min)
The Twilight Zone: The Last Flight (CBS, 1959, 30 min)
Wings: Das Plane (NBC, 1992, 30 min)
Rivers, Edens, Empires
Fort Apache (Argosy, 1948, 127 min, 35mm) Dir John Ford. With
Henry Fonda, Pedro Armendáriz.
This film has long been both a critics' favorite and a crowd pleaser
due to its gorgeous scenery, Archie Stout's matchless cinematography,
Richard Hageman's tremendous musical score, and a stellar cast headed
by the Duke himself. Primarily, it is a display of John Ford's directorial
gifts at their peak. Works like Fort Apache made Ford
the supreme mythmaker and film poet of the American West.
Rivers, Edens, Empires
They Died With Their Boots On (Warner Bros., 1941, 140 min,
35mm) With Olivia de Havilland, Arthur Kennedy.
Warner Bros.' take on the George Armstrong Custer story was never
noted for its sensitivity or its historical accuracy. Its raison d'être
was big-budget, slam-bang excitement. Impressive locations, a suspenseful
story, plus extras and horsemen galore enliven one of the most effective
spectacles released during Errol Flynn's reign as king of the action
film.
Wright Bros.
Wings (Paramount, 1927, 145 min)
Rivers, Edens, Empires
Shalako (UK, 1968, 113 min)
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Man In The Wilderness (Warner Bros., 1971, 104 min). Dir Richard
C. Sarafian. With John Huston, Henry Wilcoxon, James Doohan.
In the 1820's Northwest territories, frontier scout Zachary Bass(the
late, great Richard Harris) is left for dead by his captain and crew
after being gruesomely mauled by a bear. Vowing revenge on his deserters,
Bass travels many miles to find them; but in the process of his long
journey he undergoes a transformation. A mystical, fantastic yet true
story, including the hauling of Lewis and Clark's original ship across
dry land.
Rivers, Edens, Empires
Westward The Women (MGM, 1951, 116 min, 35mm) . Dir William
Wellman. With Denise Darcel, Hope Emerson.
In 1851, the ranch hands in California were lonely and cold at night owing to a scarcity of women. So ranch-owner John McIntyre devises a harebrained scheme to find wives for his men. He heads to Chicago with a photo of each man in his pocket and then advertises for 100 good women who then pick their feller and sign up for the long haul. Robert Taylor tries his best to dissuade his boss, but fails, and reluctantly signs on to guide them. So with a wagon load of 150 prospective wives (they expect casualties) they head 2,000 miles across country only to be set upon by Indians, floods, hunger and thirst. They bury their dead, birth their babies, and shoot the rapists. And when the men desert, the women take over showing their mettle. With Frank Capra as the story writer you can expect plenty of noble and comic moments.
Wright Bros.
No Highway In The Sky (20th Century Fox., 1951, 98 min). Dir Henry Koster. With Jack Hawkins, Janette Scott.
After the 1950 success of Harvey, Henry Koster and James Stewart
team up again for this UK-made vehicle. When Stewart realizes the
airplane he's riding in -- manufactured by his employers -- could
fall apart at any minute, he goes to great lengths to help his stewardess
love (Glynis Johns) and actress friend (Marlene Dietrich). The two
believe him, but everyone else treats him like he's seen a six-foot
bunny on the wing. A must-see for frequent flyers!
Rivers, Edens, Empires
Calamity Jane (Warner Bros., 1953, 101 min) Dir David Butler.
With Howard Keel, Allyn McLerie. (100 min, 35mm).
Welcome to Deadwood, Dakota Territory, where civilization is still
unknown and gender roles are as mutable as the prairie breeze. An
androgynous Doris Day gives her most dynamic performance as the legendary
frontierswoman. The infectious songs are by Sammy Fain and Paul Francis
Webster; the vivid cinematography (in Technicolor, natch) by Wilfrid
M. Cline.
Rivers, Edens, Empires
Rock Island Trail (Republic, 1950, 90 min)
Wright Bros..
The Dawn Patrol (Warner Bros., 1930, 105 min,). Dir Howard
Hawks. With Frank McHugh, James Finlayson.
Neil Hamilton plays Major Brand, whose World War I air squadron
seems to be increasingly made up of teenagers. Brand begins to feel
the emotional effects of sending so many young men to their deaths.
Richard Barthelmess and Douglas Fairbanks, Jr., portray Courtney and
Scott, rebellious fighter pilots whose friendship is tested when Courtney
replaces Major Brand as squadron commander, and Scott's younger brother
joins the team. The original John Monk Saunders story won an Oscar.
Rivers, Edens, Empires
Sergeant Rutledge (Warner Bros., 1960, 111 min, 35mm) Dir John
Ford. With Jeffrey Hunter, Juano Hernandez.
Woody Strode stars as an African-American soldier standing trial at a frontier outpost. He is one of a group of black recruits helping the predominantly white community subdue the local Native American population. James Warner Bellah and Willis Goldbeck's screenplay explores the always timely theme of race relations in America.
Rivers, Edens, Empires
Along The Oregon Trail (Republic, 1947, 64 min)
National Film Registry
Gypsy (Warner Bros., 1962, 145 min, 35mm). Dir Mervyn Leroy.
With Rosalind Russell, Natalie Wood, Faith Dane, Karl Malden, Paul
Wallace.
The famous Broadway show made famous by Ethyl Merman is recreated for the big screen in big, bold Technicolor Cinemascope. Natalie Wood recreates the Gypsy Rose Lee role with a wonderful supporting cast. Tonight's screening will be introduced by Faith Dane, who co-starred in the film.
Suds (United Artists, 1920). Dir John Francis Dillon. With Albert Austin, Harold Goodwin. (75 min, 35mm).
Mary Pickford, one of silent cinema's biggest stars, is mostly
remembered for her star-power and business acumen. At twenty-four
she began producing her own pictures, and at twenty-seven she co-founded
United Artists, the first independent distribution company. Suds
was Mary Pickford second release at United Artists, the distribution
company she co-founded in 1919 with Charlie Chaplin, Douglas Fairbanks,
and D.W. Griffith. Pickford's slapstick talents are shown in this
dark comedy about a laundress living and working in a London slum.
Two shorts, Behind the Scenes Footage of Mary Pickford on the
Set of Little Annie Rooney (1925) and The Birth of United
Artists (1919), will also be screened.
Rivers, Edens, Empires
Silverado (Columbia, 1985, 127 min, 35mm) Dir Lawrence Kasdan.
With Scott Glenn, Kevin Costner, Kevin Klein, Danny Glover, Linda
Hunt, and Rosanna Arquette.
This film is one of Hollywood's big attempts in the 1980s at bringing
back the popularity of the classic American Western. Big budget, all
star cast, and hot director were all thrown together to try to score
a big hit for Columbia Pictures, but alas, the film only was modestly
successful at the box office. This film is worth a second look for
the beautiful visuals of big sky country and its charming attempt
to re-create the classic western.
Wright Bros.
Destination Moon (George Pal Productions, 1950, 92 min)
Rivers, Edens, Empires
Heartland (Filmhaus, 1979, 96 min)
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River Of No Return (20th Century-Fox, 1954, 91 min, 35mm) Dir
Otto Preminger, Jean Negulesco. With Robert Mitchum, Rory Calhoun.
Following an unjust prison term, Matt Calder returns to the wilderness to be reunited with his son and plans for his farm. But one day a troublesome couple arrives on a raft seeking help, the gambler Weston and his wife Kay - a saloon singer, no less. Weston is eager to get down river and file a claim on a gold mine that he has won in a poker game. So he steals Calder's gun and his horse and abandons the wife (Marilyn Monroe!), leaving the three helpless to face hostile Indians. They flee to the unruly river and it becomes a journey where angers are purged and love rediscovered. Absolutely gorgeous scenery shot in Alberta and the songs are sweet.
Rivers, Edens, Empires
Days of Heaven (Paramount, 1978, 95 min)
Wright Bros.
The Spirit of St. Louis (Warner Bros., 1957, 138 min). Dir Billy
Wilder. With James Stewart, Murray Hamilton.
With the recent May 30th retirement of the Concorde fleet of planes,
this retelling of Charles Lindbergh's 1927 New York to Paris flight
takes on a special significance. Filmed in Cinemascope, the film follows
Lindbergh from his younger days as an airmail pilot and barnstormer,
through his landing in Paris. The Warner Bros. budget allowed for
authentic-looking 1927 costumes and settings, and great "from
the air" shots.
National Film Registry
The Bad One (United Artists, 1930, 64 min)
Daughter of Shanghai (Paramount, 1937, 67 min)
National Film Registry
The Fair Co-ed (MGM, 1927, 71 min)
The Duchess of Buffalo (First National, 1926, 70 min)
Wright Bros.
Airplane! (Paramount, 1980, 88 min)
Wright Bros.
Dirigible (Columbia, 1931, 100 min, 35mm) Dir Frank Capra.
With Fay Wray, Hobart Bosworth.
This gripping airship saga set the standard for aviation movies of its era. Jack Holt and Ralph Graves, the brawny stars of Flight (September 4), battle Antarctica this time around. The adventures of explorer Richard E. Byrd inspired what became Columbia's most expensive production up to that date, and the film has remained an anomalous classic in the Capra canon.
Rivers, Edens, Empires
Once Upon A Time In The West (Paramount, 1971, 159 min, 35mm)
Dir Sergio Leone. With Henry Fonda, Claudia Cardinale, Jason Robards.
Man. Woman. Blood. Guns. Revenge. Eyeballs bigger than pancakes.
If this movie had a smell it would stink of all of these and you'd
like it. See it in widescreen ecstasy, buzz to Ennio Morricone's fuzz-guitar
score, and you just might get a hint of that phantom smell.
Wright Bros.
The Hindenberg (Universal, 1975, 126 min, 35mm) Dir Robert
Wise. With Anne Bancroft, Gig Young, Burgess Meredith, Charles Durning.
Real life events blend with fiction in this blockbuster disaster
film released in the summer of 1975 from the big budget director Robert
Wise. Conspiracy theory is explored in the plot believing the Hindenburg
explosion was caused by foul play. George C. Scott plays our hero
who is somewhat of an anti-hero when he uncovers the plot but fails
to prevent the Zeppelin's tragic end.
Wright Bros.
The Right Stuff (Ladd Company, 1983, 191 min)
Wright Bros.
The Flying Ace (Norman Studios, 1928, 55 min, 35mm) Dir Howard
Norman. With Lawrence
Criner, Kathryn Boyd.
Producer Richard E. Norman would be a rarity even today: a white
man who made films for black audiences and who gave black actors roles
of dignity and heroism. This picture traded on tales of black pilots
like Bessie Coleman, the first African-American to earn a pilot's
license. In fact ,Norman was asked to make a picture about Coleman's
daredevil stunts. But Coleman was killed in a plane crash before The
Flying Ace was even released. Norman never made a talking
picture, but continued to distribute his own and other black films
until his death in 1960.
Wright Bros.
More Than A Miracle (C'Era una Volta) (Compagnia Cinematografica/MGM,
1967, 105 min, 35mm)
Dir Francesco Rosi. With Sophia Loren, Omar Sharif, Dolores del Rio.
Francesco Rosi (Eboli, Salvatore Giuliano), took a break from Italian political history with this Carlo Ponti-produced flight of fancy. Flying monks a la St. Joseph of Cupertino, witches out of Macbeth, and a dishwashing contest figure in this tale of a prince and a peasant girl. Loren and Sharif's chemistry, the Italian countryside and Piero Piccioni's astounding soundtrack all make for a pleasurable cinematic experience.
Wright Bros.
The Great Waldo Pepper (Universal, 1975, 108 min, 35mm) Dir
George Roy Hill. With Bo Svenson, Susan Sarandon, Edward Herrmann.
This film rode the star power of Robert Redford fresh off the
big hit film The Sting and is very much a vehicle for his charm and
charisma. Redford plays a World War I flying ace who was the only
pilot who survived a dog fight with the legendary German flyer Ernst
Kessler and follows his charismatic life as a stunt pilot after the
War. The biggest thrill of this film is the World War I dog fights
and the stunt aerial acrobatics re-enacted for the film.
The Pickford Theater programmers are Barbara Bair, Jennifer Brathovde, Amy Gallick, Wilbur King, Mike Mashon, David Novack, Jennifer Ormson, Pat Padua, Lynne Parks, David Sager, Sam Serafy, Christel Schmidt, Linda Shah, Zoran Sinobad, Brian Taves, and Kim Tomadjoglou.
All programs are subject to change. |