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Contents List of Illustrations ?? Footnotes and Annotations ?? Acknowledgements ?? Introduction ?? 1: Contexts Contextual Overview ?? Introduction ?? "To be Count Malvolio": Marriage and Fantasies of Social Mobility ?? "One face, one voice, one habit, and two persons": Early Modern Views on Sexuality and Gender ?? "Where lies your text?": Re-inventing the Language of Love ?? Chronology ?? Contemporary Documents ?? Changing Views on Marriage ?? From Edmund Tilney, The Flower of Friendship (1568) ?? From Thomas Deloney, Jack of Newbury (1597) ?? From John Webster, The Duchess of Malfi (1612-4) ?? Gender and Clothing ?? From Philip Stubbes, The Anatomy of Abuses (1583) ?? Androgyny and Homoeroticism From Intronati, The Deceived (1531) ?? From Emanuel Forde, Parismus (1598) ?? Petrarchan Conventions I: The Hunting Metaphor ?? Francis Petrarch, 'Sonnet 190' (1334-74) ?? Thomas Wyatt, 'Who so list to hounte ...' (c. 1530) ?? Edmund Spenser, 'Sonnet 67' (1595) ?? Petrarchan Conventions II: The Blazon ?? Francis Petrarch, 'Sonnet 199' (1334-74) ?? Edmund Spenser, Epithalamion (1595) ?? William Shakespeare, 'Sonnet 130' (1609) ?? 2: Interpretations Critical History ?? The Early Critical Tradition ?? Modern Criticism ?? To be "as Hungry as the Sea": Class and the Circulation of Material Desires "I am not what I am": Gender and Sexual Identity Early Criticism ?? From Charlotte Lennox, Shakespear Illustrated (1753) ?? From William Hazlitt, Characters of Shakespear's Plays (1817) ?? From Anna Jameson, Characteritics of Women, (1833) ?? From Emile Montegut, 'Twelfth Night' (1867) ?? From William Archer, 'Twelfth Night at the Lyceum' (1884) ?? Modern Criticism ?? Language and Myth From Frank E. Halliday, The Poetry of Shakespeare's Plays (1954) ?? From Jonathan Bate, Shakespeare and Ovid (1993) ?? Darkening Shakespeare's Festive Comedy ?? From W. H. Auden, Lectures on Shakespeare (1947) ?? From C. L. Barber, Shakespeare's Festive Comedy (1959) ?? Power, Class and Carnivalesque Disorder ?? From Elliot Krieger, A Marxist Study of Shakespeare's Comedies (1979) ?? From Michael Bristol, Carnival and Theatre (1985) ?? From Karin Coddon, "Slander in an Allow'd Fool" (1993) ?? From Keir Elam, "In What Chapter of His Bosom?" (1996) ?? The (Wo)man's Part: (De)constructing Gender and Sexual Identity From Juliet Dusinberre, Shakespeare and the Nature of Women (1975) ?? From Stephen Greenblatt, 'Fiction and Friction' (1988) ?? From Catherine Belsey, 'Disrupting Sexual Difference' (1985) ?? From William Dodd, "So Full of Shape is Fancy" (1993) ?? From Lorna Hutson, 'On Not Being Deceived' (1996) ?? The Work in Performance ?? Introduction ?? Twelfth Night on the Seventeenth- and Eighteen-century Stage ?? "If music be the food of love ...": Twelfth Night on the Nineteenth-century Stage ?? "For the rain, it raineth every day": Twelfth Night on the Twentieth- and Twenty-first-century Stage ?? "But that's all one, our play is done": Twelfth Night on Film and Television ?? Twelfth Night and the Place of the Early Modern Stage ?? From Laura Levine, Men in Women's Clothing (1994) From Paul Yachnin, 'Revels of Fortune' (2003) ?? From Jason Scott-Warren, 'When Theaters were Bear-Gardens' (2003) ?? Twelfth Night and Nineteenth-Century Performance Editions ?? From Laurie Osborne, The Trick of Singularity (1996) ?? Malvolio's Metamorphosis: From Comic Butt to Tragic Gull ?? From Edward Aveling, Our Corner (1884) ?? Authentic Shakespeare? Twelfth Night at Middle Temple (1897) ?? From Marion O'Connor, 'The Theatre of the Empire' (1987) ?? "Prison-House" Productions: Twelfth Night in the 1980s ?? From Michael Billington, Directors' Shakespeare (1990) ?? From Penny Gay, As She Likes It (1994) ?? 1602-2002: Twelfth Night Comes of Age (Rylance and Mendes) ?? From Michael Dobson, 'Shakespeare Performances in England, 2002' ?? A Cinematic Appropriation of Twelfth Night (Nunn, 1996) Carol Chillington Rutter, 'Looking at Shakespeare's Women on Film' (2000) ?? 3: Key Passages Introduction ?? List of Key Passages ?? Abbreviations ?? Key Passages ?? Dramatis Personae ?? Act 1, Scene 1, lines 1-41: 'Orsino in Love' ?? Act 1, Scene 3, lines 1-13: 'Quaffing and Drinking I' ?? Act 1, Scene 4, lines 1-40: 'Viola in Love' ?? Act 1, Scene 5, lines 134-265: 'Olivia in Love' ?? Act 2, Scene 1, lines 1-32: 'Antonio in Love' ?? Act 2, Scene 2, lines 17-41: 'Knots, Tangles and Love Triangles' ?? Act 2, Scene 3, lines 1-92: 'Quaffing and Drinking II' ?? Act 2, Scene 4, lines 13-40 and 72-123: 'Cesario's sister in Love' ?? Act 2, Scene 5, lines 1-135: 'Malvolio in Love' ?? Act 3, Scene 1, lines 1-51: 'Folly and Foolery' ?? Act 5, Scene 1, lines 56-128, 206-278 and 366-402: 'Another (most happy) wreck' ?? 4: Further Reading Recommended Editions ?? Collections of Essays and Casebooks ?? Contexts ?? Recent Critical Interpretations ?? Production History ?? Index ??
Library of Congress Subject Headings for this publication:
Shakespeare, William, 1564-1616. Twelfth night.